Luther Vandross

Luther Vandross

Luther Ronzoni Vandross, Jr. (April 20, 1951 – July 1, 2005) was an American R&B singer. During his career, Vandross sold 25 million albums and won eight Grammy awards including Best Male R&B Vocal Performance four times. He won four Grammy awards in 2004 including the Grammy Award for Song of the Year for the track "Dance With My Father," co-written with Richard Marx.

Early life and career 1951-1980

Vandross as a child

Born on the Lower East Side of Manhattan in New York City, Vandross grew up in a musical family that moved to the Bronx when he was 13. His sister sang with vocal group The Crests who had a number one hit in the early 1960's with "Sixteen Candles." Vandross' father died of diabetes when Vandross was eight years old. His life-changing moment came when at the age of 13 he heard Dionne Warwick sing Anyone Who Had A Heart (a song he would cover in his later years). He knew then that he wanted to be a singer.

Vandross formed a vocal group in high school which once played at the Apollo Theatre in Harlem. His first recording credit was as producer of the album Soul Christmas in 1968 and appeared as a vocalist on a Quincy Jones album Best in 1969. He was also a member of a theater workshop at the time and appeared on the first episode of Sesame Street in October 1969.

His next recording credit was on an album by Roberta Flack in 1972. Vandross wrote "Everybody Rejoice," for the 1972 show The Wiz. However, Vandross had dropped out of the music scene when a friend from theater workshop invited him to sing in David Bowie's soul-influenced Diamond Dogs tour and appear as the opening act with the Mike Garson Band in 1974. He ended up singing background vocals on Bowie's album Young Americans.

Vandross also sang backing vocals for Roberta Flack, Carly Simon, Chaka Khan, Bette Midler, Chic, and Barbra Streisand. During the beginning of his career, Vandross was content to remain mostly in the background, as a producer and backup singer for other artists. Roberta Flack pushed Vandross into starting his own career. She believed he was an incredible talent who, in addition to his songwriting and production skills, deserved to be heard for his si.

Before his breakthrough, he released two albums with a singing group he formed, also called Luther, on Cotillion Records. The group had a successful single entitled "It's Good for the Soul," although their two albums - the self-titled "Luther" in 1976 and "This Close to You" in 1977 - failed to make an impact. Vandross bought back the rights to these albums after the record label dropped the group, preventing their later re-release.

Vandross also wrote and sang commercials jingles during the late 1970s & early '80s earning upwards of $600,000 per year around the New York area. He created and/or sang jingles for such well known advertising campaigns as Kentucky Fried Chicken's "We Do Chicken Right," NBC's "Proud As A Peacock" & The US Army's "Be All You Can Be." Vandross continued his successful career as a popular session singer during the late 70's. His lead vocals can be heard on the Gregg Diamond produced single "Hot Butterfly" from Bionic Boogie in 1978 which gained moderate nightclub success.

Career success 1980-2003

Greatest Hits

He eventually made his breakthrough as a guest singer with the group Change. Their 1980 hits, "The Glow of Love" and "Searching" led to a recording contract with Epic Records, and in 1981, he made his solo recording debut with the LP "Never Too Much." The album, which contained the track "A House is Not a Home" went double platinum, with the song "Never Too Much" reaching #1 on the R&B charts.

Vandross released a series of million-selling albums during the 1980s and continued his session work with guest vocals on groups like Charme in 1982. Although the albums were very successful overall, many of his earlier albums made a much bigger impact on the R&B charts. Vandross had more modest success on the pop charts during this time. During the 1980s, Vandross had two other singles that reached #1 on the R&B charts: "Stop to Love" in 1986 and a duet with Gregory Hines "There's Nothing Better Than Love". He also sang duets with Dionne Warwick and Cheryl Lynn. He was also in demand as a producer; he was at the helm for Aretha Franklin's albums "Jump To It" and "Get It Right". (Franklin saw some moderate commercial success with those Vandross-produced tracks after a long chart absence.)

The 1989 compilation of greatest hits, The Best Of Luther Vandross...The Best Of Love, included the ballad "Here And Now", the first Vandross single to chart in the Billboard pop chart Top Ten. He also won his first award for Best Male R&B Vocal Performance in the Grammy Awards of 1991. "Here and Now" became a staple at weddings, and on Soft AC radio. In addition, the song allowed him to expand his musical horizons beyond R&B. His songs also became popular on smooth jazz radio.

More albums followed in the 1990s, beginning with 1991's Power of Love which spawned two top ten pop hits. He won his second Best Male R&B Vocal in the Grammy Awards of 1992 with the track "Power of Love/Love Power" winning the Grammy Award for Best R&B Song in the same year. In 1992, "The Best Things in Life are Free", a duet with Janet Jackson from the movie Mo' Money became a hit.

In 1993, Vandross had a nonspeaking role in the Robert Townsend movie Meteor Man. He played a hit man who plotted to stop Townsend's title character.

Vandross hit the top ten again in 1994 with "Endless Love", a duet with Mariah Carey and a cover of Lionel Richie and Diana Ross's hit song from the film Endless Love. He also sang a duet with Frank Sinatra on Sinatra's Duets album. In the Grammy Awards of 1997, he won his third Best Male R&B Vocal for the track "Your Secret Love". A second greatest hits album, released in 1997, compiled most of his 1990s hits and was his final record released through Epic Records. After recording "I Know" on Virgin Records, he signed with J Records. His first album on Clive Davis' new label, entitled Luther Vandross, was released in 2001, and it produced the hits "Take You Out," "Grown Thangs" and "I'd Rather."

In 2003, Vandross released the album Dance With My Father in memory of his father. The title track, which was dedicated to the memory of the younger Vandross' childhood dances with his father, won Luther and his co-writer, singer Richard Marx, the 2004 Grammy Award for Song Of The Year. The song also won Vandross his fourth and final award in the Best Male R&B Vocal Performance category. The album was also the first album by Vandross to reach #1 on the Billboard album chart. The video for the title track features a various celebreties alongside their dads and family members. The stars include Beyonce, Ruben Studdard, Stevie Wonder and Quincy Jones submitted home videos or pictures of their families for the music video.

Illness 2003-2005

Vandross had diabetes, a disease that ran in his family, as well as hypertension. His weight fluctuated several times over the years, and Vandross had weighed over 300 pounds (136 kg) at his heaviest. His father, Luther Sr., died of complications from diabetes when Luther Jr. was eight years old. Luther Jr.'s two sisters and a brother also predeceased him. On April 16, 2003, Vandross suffered a stroke in his home in Manhattan. (Although the cause of Vandross' stroke was not specifically attributed to diabetes, diabetics have been identified as being much more susceptible to strokes.) Although he appeared briefly on videotape at the 2004 Grammys to accept his Song of the Year award, he was never seen in public again. On the videotape on which Vandross appeared he sent an emotional message that said: "Whenever I say goodbye it's never for long because I believe in the power of love." Vandross died on July 1, 2005 at John F. Kennedy Medical Center in Edison, New Jersey. He was 54. At this time, the cause of death is not known, although hospital spokesman Rob Cavanaugh has said that Vandross never recovered from the 2003 stroke. It was reported that he died peacefully, surrounded by his family and friends.

The Rev. Jesse Jackson, a friend of Vandross, described him as "a boy so mellow, so powerful; a boy of rare, rare vintage. We lost Luther very early because of his medical condition, but his legacy will be a powerful legacy."

His funeral was in New York on July 8, 2005. After two days of viewing, Vandross was buried in George Washington Memorial Park in Paramus, New Jersey.

Influences and followers

Vandross was inspired by the soul divas of the 1960s: Dionne Warwick, Patti Labelle & the Bluebells, Diana Ross & the Supremes and Aretha Franklin, for whom he eventually produced a few albums.

Vandross did many covers of older songs, such as "Since I Lost My Baby" (originally recorded by The Temptations), "Superstar (Until You Come Back To Me)" (originally recorded by The Carpenters and most recently covered by Ruben Studdard), "Love Won't Let Me Wait" (originally recorded by Major Harris), "Always and Forever" (originally recorded by Heatwave), "Knocks Me Off My Feet" (originally recorded by Stevie Wonder), and "Lovely Day" (originally recorded by Bill Withers), and "A House is Not A Home", a Burt Bacharach standard. His hit "Love Power" included snippets of the soul classic "The Power of Love." Another hit, "Bad Boy (Having a Party)," contained a passage from Sam Cooke's "Having a Party."

Vandross inspired his J Records labelmate, Ruben Studdard, the American Idol of 2003. Besides Studdard, Vandross also inspired countless other artists, both male and female, such as Boyz II Men, Usher, Beyoncé, Alicia Keys and Brandy. It was with Beyoncé that he recorded yet another cover of a well-known song, "The Closer I Get To You", originally recorded by Roberta Flack and Donny Hathaway.

Rivalries

In the early stages of his solo career, Vandross' rivals included Peabo Bryson, Teddy Pendergrass and Jeffrey Osborne. In later years, artists like Gerald Levert, James Ingram and Phil Collins shared friendly rivalries with him.

Vandross' best-known rivalry was the one with Freddie Jackson, which was started in the mid-1980s. Many times, Vandross and Jackson were very unfriendly to each other, and their encounters were often heated. Because of this, they are blamed for inspiring future rivalries in R&B/hip-hop music, especially that of Brandy and Monica, who recorded a duet called "The Boy is Mine" in 1998. When the song came out, Brandy was often compared to Vandross, and Monica was inserted into Jackson's role. Even some music critics joked, "Well, it's a shame that Luther Vandross and Freddie Jackson never did 'The Girl is Mine' together!"

However, since Vandross' death, Jackson's feelings have turned noticeably softer. He has been quoted as calling Vandross "a very worthy rival," and "one of the best singers in the music industry."

Sexuality

There have been many questions regarding Vandross' sexuality, mainly due to the fact that he remained a bachelor all of his life. The "lifelong bachelor" never had any children, but doted on his nieces and nephews. The entertainer said his "busy lifestyle" made marriage difficult; and indicated that "it was not what he wanted."

Vandross was as famous for keeping his personal life private as he was for his singing. In 2002, BET put the question to Vandross in an interview televised on its show Journeys in Black. Vandross refused to address questions of his sexuality, and instead told BET it was none of their business and separated his personal life from his professional one.

Tribute to Luther

On September 20th the album "So Amazing: An All-Star Tribute to Luther Vandross" was released. The album is a collection of some of Luther's songs performed by various artists. The artists on this compilation include Stevie Wonder, Mary J. Blige, Usher, Fantasia , Beyonce, Aretha Franklin, Donna Summer, Alicia Keys, Elton John, Celine Dion, Wyclef Jean, Babyface, Patti LaBelle, John Legend, Angie Stone, and Jamie Foxx.

Hit singles

  • from Never Too Much
    • 1981 "Never Too Much" #33 US
    • 1981 "A House Is Not A Hime" #? US
  • from Busy Body
    • 1983 "How Many Times Can We Say Goodbye" #27 US
  • from The Night I Fell in Love
    • 1985 "'Til My Baby Comes Home" #29 US
  • from Give Me the Reason
    • 1986 "Stop to Love" #15 US, #24 UK (1987 release)
    • 1987 "I Really Didn't Mean It" #16 UK
    • 1987 "So Amazing" #33 UK
    • 1988 "Give Me the Reason" (re-issue) #26 UK
    • 1988 "I Gave It Up (When I Fell in Love)" #28 UK
  • from Any Love
    • 1988 "Any Love" #31 UK
    • 1989 "She Won't Talk to Me" #30 US, #34 UK
  • from The Best of Luther Vandross: The Best of Love
    • 1989 "Here and Now" #6 US
    • 1989 "Never Too Much" (remix) #13 UK
  • from Power of Love
    • 1991 "Don't Want to Be a Fool" #9 US
    • 1991 "Power of Love - Love Power" #4 US
  • from Mo' Money soundtrack
    • 1992 "The Best Things in Life Are Free" (with Janet Jackson and special guests BBD & Ralph Tresvant) #10 US, #2 UK
  • from Never Let Me Go
    • 1993 "Little Miracles (Happen Every Day)" #28 UK
    • 1993 "Heaven Knows" #34 UK
    • 1993 "Love Is on the Way" #38 UK
  • from Songs
    • 1994 "Endless Love" (with Mariah Carey) #2 US, #3 UK
    • 1995 "Always and Forever" #20 UK
    • 1995 "Ain't No Stoppin' Us Now" #22 UK
  • non-album-related remix singles
    • 1995 "Power Of Love - Love Power" (remix) #31 UK
    • 1995 "The Best Things in Life Are Free" (remix) (with Janet Jackson) #7 UK
  • from Your Secret Love
    • 1996 "Your Secret Love" #14 UK
  • from Luther Vandross
    • 2001 "Take You Out" #26 US
  • from Dance with My Father
    • 2004 "Dance with My Father" #38 US, #21 UK

Biographies

  • (2004). Luther : The Life and Longing of Luther Vandross. New York: Harper. ISBN: 0060594187

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Blige, Usher, Fantasia , Beyonce, Aretha Franklin, Donna Summer, Alicia Keys, Elton John, Celine Dion, Wyclef Jean, Babyface, Patti LaBelle, John Legend, Angie Stone, and Jamie Foxx. Virgin Islands, the Northern Mariana Islands, Guam, and American Samoa may eventually become states as well. The artists on this compilation include Stevie Wonder, Mary J. Other insular areas such as the U.S. The album is a collection of some of Luther's songs performed by various artists. There are ongoing statehood movements in Puerto Rico, the District of Columbia, and New York City. On September 20th the album "So Amazing: An All-Star Tribute to Luther Vandross" was released. The United States Army's Institute of Heraldry has plans for flags with up to 56 stars using a similar staggered star arrangement in case additional states accede.

In 2002, BET put the question to Vandross in an interview televised on its show Journeys in Black. Vandross refused to address questions of his sexuality, and instead told BET it was none of their business and separated his personal life from his professional one. (For alternate versions, see this page at Flags of the World.)
. Vandross was as famous for keeping his personal life private as he was for his singing. In the following table depicting the 27 designs of the United States flag, the star patterns for each flag are merely the usual patterns, with the exception of the 48-, 49-, and 50-star flags, as there was no official arrangement of the stars until the proclamation of the 48-star flag by President William Howard Taft in 1912. The entertainer said his "busy lifestyle" made marriage difficult; and indicated that "it was not what he wanted.". By the same reports, this arrangement was rejected due to similarity to the British flag. The "lifelong bachelor" never had any children, but doted on his nieces and nephews. He reportedly originally wanted the stars arranged in four bands, one vertical, one horizontal, and two diagonal.

There have been many questions regarding Vandross' sexuality, mainly due to the fact that he remained a bachelor all of his life. Another popular theory is that the flag was designed by Francis Hopkinson. He has been quoted as calling Vandross "a very worthy rival," and "one of the best singers in the music industry.". Comparisons between the 2 flags support Fawcett's suggestion. However, since Vandross' death, Jackson's feelings have turned noticeably softer. The British historian Sir Charles Fawcett has suggested that the design of the flag may have been derived from the flag and jack of the British East India Company. Even some music critics joked, "Well, it's a shame that Luther Vandross and Freddie Jackson never did 'The Girl is Mine' together!". However, no evidence for this theory exists beyond Ross' own records.

When the song came out, Brandy was often compared to Vandross, and Monica was inserted into Jackson's role. A popular story credits Betsy Ross for sewing the first flag from a pencil sketch by George Washington who personally commissioned her for the job. Because of this, they are blamed for inspiring future rivalries in R&B/hip-hop music, especially that of Brandy and Monica, who recorded a duet called "The Boy is Mine" in 1998. flag design is uncertain. Many times, Vandross and Jackson were very unfriendly to each other, and their encounters were often heated. The origin of the U.S. Vandross' best-known rivalry was the one with Freddie Jackson, which was started in the mid-1980s. The flag flew in battle for the first time at Cooch's Bridge in Delaware on September 3, 1777 during the American Revolutionary War.

In later years, artists like Gerald Levert, James Ingram and Phil Collins shared friendly rivalries with him. Before that, the admission of Alaska in January 1959 prompted the debut of a short-lived 49-star flag. In the early stages of his solo career, Vandross' rivals included Peabo Bryson, Teddy Pendergrass and Jeffrey Osborne. Heft's design was chosen, after Hawaii gained statehood in August 1959. It was with Beyoncé that he recorded yet another cover of a well-known song, "The Closer I Get To You", originally recorded by Roberta Flack and Donny Hathaway. The most recent change, from forty-nine stars to fifty, occurred in 1960 when Robert G. Besides Studdard, Vandross also inspired countless other artists, both male and female, such as Boyz II Men, Usher, Beyoncé, Alicia Keys and Brandy. July 4, Independence Day in the United States, commemorates the founding of the nation.

Vandross inspired his J Records labelmate, Ruben Studdard, the American Idol of 2003. When the flag design changes, the change always takes place on July 4 in Philadelphia, Pennsylvania, as a consequence of the Flag Act of April 4, 1818. His hit "Love Power" included snippets of the soul classic "The Power of Love." Another hit, "Bad Boy (Having a Party)," contained a passage from Sam Cooke's "Having a Party.". It was the 15-star, 15-stripe flag that inspired Francis Scott Key to write "The Star-Spangled Banner," now the national anthem. Vandross did many covers of older songs, such as "Since I Lost My Baby" (originally recorded by The Temptations), "Superstar (Until You Come Back To Me)" (originally recorded by The Carpenters and most recently covered by Ruben Studdard), "Love Won't Let Me Wait" (originally recorded by Major Harris), "Always and Forever" (originally recorded by Heatwave), "Knocks Me Off My Feet" (originally recorded by Stevie Wonder), and "Lovely Day" (originally recorded by Bill Withers), and "A House is Not A Home", a Burt Bacharach standard. It was ultimately decided that there would be a star for each state, but the number of stripes would remain at thirteen to honor the original colonies. Vandross was inspired by the soul divas of the 1960s: Dionne Warwick, Patti Labelle & the Bluebells, Diana Ross & the Supremes and Aretha Franklin, for whom he eventually produced a few albums. As further states entered the union, extra stars and stripes were added until this proved to cause too much clutter.

After two days of viewing, Vandross was buried in George Washington Memorial Park in Paramus, New Jersey. Initially, a variety of designs were used, including a circular arrangement (below), but gradually a design featuring horizontal rows of stars emerged as the standard. His funeral was in New York on July 8, 2005. The Flag Resolution did not specify any particular arrangement for the stars. We lost Luther very early because of his medical condition, but his legacy will be a powerful legacy.". Tradition holds that the new flag was first hoisted in June of 1777 by the Continental Army at the Middlebrook encampment. Jesse Jackson, a friend of Vandross, described him as "a boy so mellow, so powerful; a boy of rare, rare vintage. On June 14, 1777, the Second Continental Congress passed the Flag Resolution which stated: "Resolved, That the flag of the United States be made of thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new Constellation." Flag Day is now observed on June 14 of each year.

The Rev. Since 1937, the District of Columbia has used a flag based on this design. It was reported that he died peacefully, surrounded by his family and friends. The red-and-white stripe (and later, stars-and-stripes) motif of the flag may have been based on the Washington family coat-of-arms, which consisted of a shield "argent, two bars gules, above, three mullets gules" (a white shield with two red bars below three red stars). At this time, the cause of death is not known, although hospital spokesman Rob Cavanaugh has said that Vandross never recovered from the 2003 stroke. The Grand Union Flag is the same as the East India Company flag of the same era, although the East India Company flag could have from 9 to 13 stripes. He was 54. This flag formed the basis of the Stars and Stripes, consisting of 13 red and white stripes with the British Union Jack in the canton.

Kennedy Medical Center in Edison, New Jersey. This flag was initially flown by George Washington and is recorded as being first raised by Washington's troops at Prospect Hill on New Year's Day in 1776. On the videotape on which Vandross appeared he sent an emotional message that said: "Whenever I say goodbye it's never for long because I believe in the power of love." Vandross died on July 1, 2005 at John F. At the time of the signing of the Declaration of Independence, July 4, 1776, the most commonly flown flag was the Grand Union Flag. (Although the cause of Vandross' stroke was not specifically attributed to diabetes, diabetics have been identified as being much more susceptible to strokes.) Although he appeared briefly on videotape at the 2004 Grammys to accept his Song of the Year award, he was never seen in public again. The current 50-star version will tie the record if it is still in use on July 4, 2007. On April 16, 2003, Vandross suffered a stroke in his home in Manhattan. The 48-star version holds the record, 47 years, for the longest time the flag has gone unchanged.

Luther Jr.'s two sisters and a brother also predeceased him. The flag has gone through 26 changes since the new union of 13 states first adopted it. was eight years old. According to Presidential proclamation, Congressional order, and custom, the American flag is displayed continuously at the following locations:. His father, Luther Sr., died of complications from diabetes when Luther Jr. According to the New York Public Library Desk Reference:. His weight fluctuated several times over the years, and Vandross had weighed over 300 pounds (136 kg) at his heaviest. the Philippines, also use this method to fold their flags.

Vandross had diabetes, a disease that ran in his family, as well as hypertension. Former American territories, e.g. The stars include Beyonce, Ruben Studdard, Stevie Wonder and Quincy Jones submitted home videos or pictures of their families for the music video. The final triangle shape result is said to invoke the image of the three-point hats popular during the American Revolutionary War. The video for the title track features a various celebreties alongside their dads and family members. Flags, when not in use, should be folded into a triangle shape. The album was also the first album by Vandross to reach #1 on the Billboard album chart. Instead, the flag should be moved so it is not touching the ground.

The song also won Vandross his fourth and final award in the Best Male R&B Vocal Performance category. Contrary to a commonly believed urban legend, the flag code does not state that a flag that touches the ground should be burned. The title track, which was dedicated to the memory of the younger Vandross' childhood dances with his father, won Luther and his co-writer, singer Richard Marx, the 2004 Grammy Award for Song Of The Year. In other countries and places, local etiquette applies. In 2003, Vandross released the album Dance With My Father in memory of his father. jurisdiction. His first album on Clive Davis' new label, entitled Luther Vandross, was released in 2001, and it produced the hits "Take You Out," "Grown Thangs" and "I'd Rather.". This etiquette is as applied within U.S.

After recording "I Know" on Virgin Records, he signed with J Records. These are guidelines, not laws; there is no penalty for failure to comply with them. A second greatest hits album, released in 1997, compiled most of his 1990s hits and was his final record released through Epic Records. There are certain guidelines for the use and display of the United States flag as outlined in the United States Flag Code of the federal government. In the Grammy Awards of 1997, he won his third Best Male R&B Vocal for the track "Your Secret Love". According to Heft, his teacher did keep to their agreement and changed his grade to an "A" for the project. He also sang a duet with Frank Sinatra on Sinatra's Duets album. Heft's flag design was chosen and adopted by presidential proclamation after Alaska and before Hawaii was admitted into the union in 1959.

Vandross hit the top ten again in 1994 with "Endless Love", a duet with Mariah Carey and a cover of Lionel Richie and Diana Ross's hit song from the film Endless Love. After discussing the grade with his teacher, it was agreed (somewhat jokingly) that if the flag was accepted by Congress, the grade would be reconsidered. In 1993, Vandross had a nonspeaking role in the Robert Townsend movie Meteor Man. He played a hit man who plotted to stop Townsend's title character. He originally received a "B-" for the project. In 1992, "The Best Things in Life are Free", a duet with Janet Jackson from the movie Mo' Money became a hit. His mother was a seamstress, but forced Heft to do all of the work on his own. He won his second Best Male R&B Vocal in the Grammy Awards of 1992 with the track "Power of Love/Love Power" winning the Grammy Award for Best R&B Song in the same year. He was 17 years old at the time and did the flag design as a class project.

More albums followed in the 1990s, beginning with 1991's Power of Love which spawned two top ten pop hits. The current 50-star flag was designed by Robert Heft in 1958 while living with his grandparents in Ohio. His songs also became popular on smooth jazz radio. It gives the colors by reference to "Standard Color Cards of America" maintained by the Color Association of the United States, Inc., as. In addition, the song allowed him to expand his musical horizons beyond R&B. According to Flags of the World, the colors are specified by the General Services Administration "Federal Specification, Flag, National, United States of America and Flag, Union Jack," DDD-F-416E, dated November 27, 1981. "Here and Now" became a staple at weddings, and on Soft AC radio. Presumably E and F are approximations of 7/130 = 0.0[538461], and G and H are approximations of 0.76/12 = 0.06[3].

He also won his first award for Best Male R&B Vocal Performance in the Grammy Awards of 1991. The specification gives the following values:. The 1989 compilation of greatest hits, The Best Of Luther Vandross...The Best Of Love, included the ballad "Here And Now", the first Vandross single to chart in the Billboard pop chart Top Ten. The design of the flag is specified by United States Code title 4, chapter 1, section 1 [1]. (Franklin saw some moderate commercial success with those Vandross-produced tracks after a long chart absence.). A book about the flag published by the Congress in 1977 gives further symbolism for the flag:. He was also in demand as a producer; he was at the helm for Aretha Franklin's albums "Jump To It" and "Get It Right". [USGov 4].

He also sang duets with Dionne Warwick and Cheryl Lynn. Reid suggested that the number of stripes be set at thirteen to represent the original 13 colonies and that only the number of stars be set to the number of states. During the 1980s, Vandross had two other singles that reached #1 on the R&B charts: "Stop to Love" in 1986 and a duet with Gregory Hines "There's Nothing Better Than Love". Naval Captain Samuel C. Vandross had more modest success on the pop charts during this time. During the debate that eventually resulted in the Flag Act of 1818, U.S. Although the albums were very successful overall, many of his earlier albums made a much bigger impact on the R&B charts. However, this became unwieldy as states were added to the union.

Vandross released a series of million-selling albums during the 1980s and continued his session work with guest vocals on groups like Charme in 1982. Originally, both the number of stripes and the number of stars were supposed to represent the number of states. Their 1980 hits, "The Glow of Love" and "Searching" led to a recording contract with Epic Records, and in 1981, he made his solo recording debut with the LP "Never Too Much." The album, which contained the track "A House is Not a Home" went double platinum, with the song "Never Too Much" reaching #1 on the R&B charts. Thomson. He eventually made his breakthrough as a guest singer with the group Change. Rather, the meanings were a matter of contemporary fashion and personal preference on the part of Mr. His lead vocals can be heard on the Gregg Diamond produced single "Hot Butterfly" from Bionic Boogie in 1978 which gained moderate nightclub success. Meanings were attached to the colors (which, contrary to popular misinformation, is not part of any of the rules of heraldry).

He created and/or sang jingles for such well known advertising campaigns as Kentucky Fried Chicken's "We Do Chicken Right," NBC's "Proud As A Peacock" & The US Army's "Be All You Can Be." Vandross continued his successful career as a popular session singer during the late 70's. However, on June 20, 1782, Charles Thomson, the secretary of the Continental Congress, gave a report to the Congress defining the new Great Seal of the United States. Vandross also wrote and sang commercials jingles during the late 1970s & early '80s earning upwards of $600,000 per year around the New York area. When the Second Continental Congress proposed the Flag Resolution on June 14, 1777, there was no particular symbolism attached to the colors or their arrangement on the flag. Vandross bought back the rights to these albums after the record label dropped the group, preventing their later re-release. Some groups concerned by these actions have proposed a Flag Burning Amendment that would give Congress the authority to outlaw burning the flag in disrespect or protest. The group had a successful single entitled "It's Good for the Soul," although their two albums - the self-titled "Luther" in 1976 and "This Close to You" in 1977 - failed to make an impact. Burning the flag has also been used as a deliberate act of disrespect (flag desecration), at times to protest actions by the United States government, or sometimes in displays of anti-Americanism overseas.

Before his breakthrough, he released two albums with a singing group he formed, also called Luther, on Cotillion Records. Then the three pieces are typically placed on a pyre as "Taps" is played. She believed he was an incredible talent who, in addition to his songwriting and production skills, deserved to be heard for his si. The flag is cut into three pieces: first a horizontal cut is made between the seventh and eighth stripes, then a vertical cut separating the star field from the seven shorter stripes. Roberta Flack pushed Vandross into starting his own career. The approved method of destroying old and tattered flags consists of burning them in a simple ceremony. During the beginning of his career, Vandross was content to remain mostly in the background, as a producer and backup singer for other artists. Declaration of Independence.

Vandross also sang backing vocals for Roberta Flack, Carly Simon, Chaka Khan, Bette Midler, Chic, and Barbra Streisand. Perhaps most of all they see it as a symbol of individual and personal liberty like those put forth in the U.S. He ended up singing background vocals on Bowie's album Young Americans.. Constitution and its Bill of Rights. Vandross wrote "Everybody Rejoice," for the 1972 show The Wiz. However, Vandross had dropped out of the music scene when a friend from theater workshop invited him to sing in David Bowie's soul-influenced Diamond Dogs tour and appear as the opening act with the Mike Garson Band in 1974. They have seen it as representing all of the freedoms and rights guaranteed in the U.S. His next recording credit was on an album by Roberta Flack in 1972. citizens, their flag symbolizes many things.

He was also a member of a theater workshop at the time and appeared on the first episode of Sesame Street in October 1969. To many U.S. His first recording credit was as producer of the album Soul Christmas in 1968 and appeared as a vocalist on a Quincy Jones album Best in 1969. war dead. Vandross formed a vocal group in high school which once played at the Apollo Theatre in Harlem. On Memorial Day it is common to place small flags by war memorials and next to the graves of U.S. He knew then that he wanted to be a singer. Many institutions, and some homeowners, display the flag year-round, while some reserve flag display for civic holidays like Memorial Day, Veteran's Day, Presidents' Day, Flag Day and the Fourth of July.

His life-changing moment came when at the age of 13 he heard Dionne Warwick sing Anyone Who Had A Heart (a song he would cover in his later years). . His sister sang with vocal group The Crests who had a number one hit in the early 1960's with "Sixteen Candles." Vandross' father died of diabetes when Vandross was eight years old. flag is described as "A banner Gules, 6 bars Argent; the canton Azure charged with 50 mullets Argent.". Born on the Lower East Side of Manhattan in New York City, Vandross grew up in a musical family that moved to the Bronx when he was 13. In blazons (a vexillological description using flag terminology), the U.S. . The United States flag is commonly called the "the Stars and Stripes" or "Old Glory," with the latter nickname coined in 1831 by Captain William Driver, a Salem, Massachusetts shipmaster.

He won four Grammy awards in 2004 including the Grammy Award for Song of the Year for the track "Dance With My Father," co-written with Richard Marx. The 50 stars on the flag represent the 50 states and the 13 stripes represent the 13 original colonies. During his career, Vandross sold 25 million albums and won eight Grammy awards including Best Male R&B Vocal Performance four times. The flag of the United States consists of 13 equal horizontal stripes of red (top and bottom) alternating with white, with a blue rectangle in the upper hoist-side corner bearing 50 small, white, five-pointed stars arranged in nine offset horizontal rows of six stars (top and bottom) alternating with rows of five stars. Luther Ronzoni Vandross, Jr. (April 20, 1951 – July 1, 2005) was an American R&B singer. Rectangle of stars: 48, 35, 30, 28, 24, 20. ISBN: 0060594187. Chessboard pattern: 51, 50, 49, 45, 15, 13 (standard).

New York: Harper. No symmetry: 43. Luther : The Life and Longing of Luther Vandross. Both, hence also point symmetry: 50, 48, 46, 45, 44, 37, 36, 34, 33, 32, 28, 26, 24, 20, 15, 13 (standard). (2004). Symmetry with respect to vertical axis: 51, 50, 48, 46, 45, 44, 37, 36, 35, 34, 33, 32, 31, 30, 29, 28, 27, 26, 25, 24, 23, 21, 20, 15, 13 (standard and Betsy Ross). 2004 "Dance with My Father" #38 US, #21 UK. Symmetry with respect to horizontal axis: 50, 49, 48, 46, 44, 38, 37, 36, 34, 33, 32, 30, 28, 26, 24, 20, 15, 13 (standard).

from Dance with My Father

    . It is assumed however that Apollo 11's flag was knocked down by the force of return to lunar orbit. 2001 "Take You Out" #26 US. In addition, the American flag is presumed to be in continual display on the surface of the Earth's Moon, having been placed there by the astronauts of Apollo 11, Apollo 12, Apollo 14, Apollo 15, Apollo 16, and Apollo 17. from Luther Vandross
      . By custom, at Mount Moriah Cemetery in Deadwood, South Dakota. 1996 "Your Secret Love" #14 UK. By custom, at the United States Capitol since 1918.

      from Your Secret Love

        . By custom, at the plaza in Taos, New Mexico, since 1861. 1995 "The Best Things in Life Are Free" (remix) (with Janet Jackson) #7 UK. By custom, at the Worcester, Massachusetts war memorial. 1995 "Power Of Love - Love Power" (remix) #31 UK. By custom, at the home, birthplace and grave of Francis Scott Key, all in Maryland. non-album-related remix singles
          . Washington Camp Ground, part of the former Middlebrook encampment, Bridgewater, New Jersey, Thirteen Star Flag, by Act of Congress.

          1995 "Ain't No Stoppin' Us Now" #22 UK. First raised July 4, 1917.[2]. 1995 "Always and Forever" #20 UK. Mount Slover limestone quarry (Colton Liberty Flag), in Colton, California (Act of Congress). 1994 "Endless Love" (with Mariah Carey) #2 US, #3 UK. Grounds of the National Memorial Arch in Valley Forge State Park, Valley Forge, Pennsylvania (Public Law 94-53, approved July 4, 1975). from Songs

            . By order of Richard Nixon at United States Customs Service Ports of Entry that are continuously open (Presidential Proclamation No.4131, May 5, 1972).

            1993 "Love Is on the Way" #38 UK. 4064, July 6, 1971, effective July 4, 1971). 1993 "Heaven Knows" #34 UK. (Presidential Proclamation No. 1993 "Little Miracles (Happen Every Day)" #28 UK. Flags are displayed continuously at the Washington Monument, Washington, DC. from Never Let Me Go

              . Fifty U.S.

              1992 "The Best Things in Life Are Free" (with Janet Jackson and special guests BBD & Ralph Tresvant) #10 US, #2 UK. The White House, Washington, DC (Presidential Proclamation No.4000, September 4, 1970). from Mo' Money soundtrack

                . Lexington, Massachusetts Town Green (Public Law 89-335, approved November 8, 1965). 1991 "Power of Love - Love Power" #4 US. 3418, June 12, 1961). 1991 "Don't Want to Be a Fool" #9 US. United States Marine Corps War Memorial (Raising the Flag on Iwo Jima), Arlington, Virginia (Presidential Proclamation No.

                from Power of Love

                  . Flag House Square, Albemarle and Pratt Streets, Baltimore, Maryland, 15-star/15-stripe flag (Public Law 83-319, approved March 26, 1954). 1989 "Never Too Much" (remix) #13 UK. 2795, July 2, 1948). 1989 "Here and Now" #6 US. Fort McHenry National Monument and Historic Shrine, Baltimore, Maryland, 15-star/15-stripe flag (Presidential Proclamation No. from The Best of Luther Vandross: The Best of Love
                    . flag.

                    1989 "She Won't Talk to Me" #30 US, #34 UK. Only the United Nations flag and a Navy chaplain's church pennant may be flown higher than the U.S. 1988 "Any Love" #31 UK. In a display of multiple flags, the American flag should be at the center of and above the other flags. from Any Love

                      . Capitol flies over the body in session (House or Senate) and remains there, lit, day and night. 1988 "I Gave It Up (When I Fell in Love)" #28 UK. The flag at the U.S.

                      1988 "Give Me the Reason" (re-issue) #26 UK. When the flag is completely folded, only a triangular blue field of stars should be visible. 1987 "So Amazing" #33 UK. The triangular folding is continued until the entire length of the flag is folded in this manner. 1987 "I Really Didn't Mean It" #16 UK. Turn the outer end point inward, parallel to the open edge, to form a second triangle. 1986 "Stop to Love" #15 US, #24 UK (1987 release). Make a triangular fold by bringing the striped corner of the folded edge to meet the open top edge of the flag.

                      from Give Me the Reason

                        . Fold the flag again lengthwise with the blue field on the outside. 1985 "'Til My Baby Comes Home" #29 US. Fold the lower half of the stripe section lengthwise over the field of stars, holding the bottom and top edges securely. from The Night I Fell in Love
                          . To properly fold the flag, begin by holding it waist-high with another person so that its surface is parallel to the ground. 1983 "How Many Times Can We Say Goodbye" #27 US. It should not be lowered into the grave.

                          from Busy Body

                            . When used to cover a casket or coffin, the flag should be placed with the union at the head and over the left shoulder. 1981 "A House Is Not A Hime" #? US. flag is otherwise flown at half-staff (or half-mast, on ships) when directed by the President of the United States or a state governor. 1981 "Never Too Much" #33 US. The U.S. from Never Too Much
                              . The flag is to be flown at half-staff in mourning for designated, principal government leaders.

                              On Memorial Day, the flag is displayed at half-staff until noon and at full staff from noon to sunset. The flag is to be raised again to the peak for a moment before it is lowered. To place the flag at half-staff (or half-mast, on ships), hoist it to the peak for an instant and lower it to a position half way between the top and bottom of the staff. The salute is directed to the flag, if displayed, otherwise to the music.

                              When the national anthem is played or sung, citizens should stand at attention and salute at the first note and hold the salute through the last note. The Pledge of Allegiance should be rendered by standing at attention, facing the flag, and saluting. Members of organizations in formation salute upon command of the person in charge. Citizens not in uniform salute by placing their right hand over the heart and men with head cover should remove it and hold it to left shoulder, hand over the heart.

                              Those in uniform give the appropriate formal salute. To salute, all persons come to attention.

                                . When the flag passes in a procession, or when it is hoisted or lowered, all should face the flag and salute. When other flags are carried, the flag of the United States may be centered in front of the others or carried to their right.

                                When carried in a procession, the flag should be to the right of the marchers. When displaying the flag against a wall, vertically or horizontally, the flag's union (stars) should be at the top, to the flag's own right, and to the observer's left. When one flag is used with the flag of the United States of America and the staffs are crossed, the flag of the United States is placed on its own right with its staff in front of the other flag. The flag of the United States of America should be at the center and at the highest point of the group when a number of flags of states, localities, or societies are grouped for display.

                                Other flags should be to the left. Place it to the right of the speaker or staging area or sanctuary. When on display, the flag is accorded the place of honor, always positioned to its own right. The salute is held until the flag is unsnapped from the halyard or through the last note of music, whichever is the longest.

                                The flag of the United States of America is saluted as it is hoisted and lowered. It should be illuminated if displayed at night. (By Presidential proclamation and law, the flag is displayed continuously at certain honored locations like the United States Marine Corps Memorial in Arlington and Lexington Green.). Ordinarily it should be displayed only between sunrise and sunset, although the Flag Code permits nighttime display "when a patriotic effect is desired." Similarly, the flag should be displayed only when the weather is fair.

                                The flag should be raised briskly and lowered slowly and ceremoniously. The flag of one nation may not be displayed above that of another nation. They should be raised and lowered simultaneously. Each flag should be the same size.

                                When flown with the national banner of other countries, each flag must be displayed from a separate pole of the same height. The flag of the United States is always the first flag raised and the last to be lowered. No other flag ever should be placed above it. The other flags may be the same size but none may be larger.

                                When flown with flags of states, communities or societies on separate flag poles which are of the same height and in a straight line, the flag of the United States is always placed in the position of honor—to its own right. If the flag is suspended over a sidewalk, the flag's union should be farthest from the building. When the flag is displayed over a street, it should be hung vertically, with the union to the north or east. When it is displayed from the same flagpole with another flag, the flag of the United States must always be at the top except that the church pennant may be flown above the flag during church services for Navy personnel when conducted by a Naval chaplain on a ship at sea.

                                When the flag is displayed from a staff projecting from a window, balcony, or a building, the union should be at the peak of the staff unless the flag is at half staff. (Note: Most American Legion Posts regularly conduct a dignified flag burning ceremony, often on Flag Day, June 14.). When a flag is so worn it is no longer fit to serve as a symbol of the United States, it should be destroyed in a dignified manner, preferably by burning. The flag should be cleaned and mended when necessary.

                                To store the flag it should be folded neatly and ceremoniously. When the flag is lowered, no part of it should touch the ground or any other object; it should be received by waiting hands and arms. The flag should not be draped over the hood, top, sides, or back of a vehicle, railroad train, or boat. The flag should never be used as a receptacle for receiving, holding, carrying, or delivering anything.

                                The flag should never have placed on it, or attached to it, any mark, insignia, letter, word, number, figure, or drawing of any kind. The flag should not be used as part of a costume or athletic uniform, except that a flag patch may be used on the uniform of military personnel, firefighters, police officers, and members of patriotic organizations. Advertising signs should not be attached to the staff or halyard. It should not be embroidered, printed, or otherwise impressed on such articles as cushions, handkerchiefs, napkins, boxes, or anything intended to be discarded after temporary use.

                                The flag should never be used for any advertising purpose. The flag should never be used as a covering for a ceiling. The flag should never be drawn back or bunched up in any way. The blue stripe of the bunting should be on the top.

                                Bunting of blue, white and red stripes is available for these purposes. The flag should not be used as a drapery, or for covering a speaker's desk, draping a platform, or for any decoration in general. The flag should be flown upside down only as a distress signal. The flag should never be dipped to any person or thing, unless it is the ensign responding to a salute from a vessel of a foreign ship.

                                Width of stripe: L = 0.0769 (1/13). Diameter of star: K = 0.0616. G = H = 0.063. E = F = 0.054.

                                Fly (length) of Union: D = 0.76. Hoist (width) of Union: C = 0.5385 (7/13). Fly (length) of flag: B = 1.9. Hoist (width) of flag: A = 1.0.