CuecaThe cueca has been the official national dance of Chile since September 18, 1979. While its origins are not clearly defined, it is considered to have Spanish, African influences, amongst others. The most widespread version of its origins relates it with the zamacueca which arose in Peru as a variantion of Spanish dancing with Creole and African influences. The dance is then thought to have passed to Chile where its name was shortened and where it continued to evolve. The Chilean cueca spread to various regions, including Peru itself where it was called the chilena until the War of the Pacific, after which its name was changed to the marinera in that country. The usual interpretation of this courting dance is zoomorphic: it tries to reenact the courting ritual of a rooster and a hen. The male displays a quite enthusiastic and at times even aggressive attitude while attempting to court the female, who is elusive, defensive and demure. Some differences can be noticed depending on geographical location and there are two distinct variants in addition to the traditional cueca:
Cueca is also a term for men's underwear in Portuguese. This page about cueca includes information from a Wikipedia article. Additional articles about cueca News stories about cueca External links for cueca Videos for cueca Wikis about cueca Discussion Groups about cueca Blogs about cueca Images of cueca |
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Cueca is also a term for men's underwear in Portuguese. It seems to be a modern meta-myth that literary references to Phoebus and his car or to Phoebus and his chariot refer to Phoebus Apollo in the role of sun god, rather than to Helios. Some differences can be noticed depending on geographical location and there are two distinct variants in addition to the traditional cueca:. Roman poets often referred to the sun god as Titan. The male displays a quite enthusiastic and at times even aggressive attitude while attempting to court the female, who is elusive, defensive and demure. The sun-god, the son of Hyperion, with his sun chariot, though often called Phoebus is not called Apollo except in purposeful non-traditional identifications. The usual interpretation of this courting dance is zoomorphic: it tries to reenact the courting ritual of a rooster and a hen. But in mythological texts Apollo and Helios are almost universally kept distinct. The Chilean cueca spread to various regions, including Peru itself where it was called the chilena until the War of the Pacific, after which its name was changed to the marinera in that country. Dionysus and Asclepius are sometimes also identified with this Apollo Helios. The dance is then thought to have passed to Chile where its name was shortened and where it continued to evolve. Pseudo-Eratosthenes writes about Orpheus in Catast 24:. The most widespread version of its origins relates it with the zamacueca which arose in Peru as a variantion of Spanish dancing with Creole and African influences. The identification became a commonplace in philosophic texts and appears in the writing of Parmenides, Empedocles, Plutarch and Crates of Thebes among other as well as appearing in some Orphic texts. While its origins are not clearly defined, it is considered to have Spanish, African influences, amongst others. The play as a whole seems to have kept Helios separate from Apollo but in a speech near the end (fr 781 N²), Clymene, Phaethon's mother, laments that Helios has destroyed her child, that Helios whom men rightly call Apollo (the name Apollo here understood to mean Apollyon 'Destroyer'). The cueca has been the official national dance of Chile since September 18, 1979. The earliest certain reference to Apollo being sometimes identified with the sun god appears in the surviving fragments of Euripides' play Phaethon. The Chiloé Cueca: The main difference is that the steps are shorter and that the singer has a more important role than the instruments. His epithet Phoebus 'shining' was later applied by Latin poets to the sun-god Sol also, perhaps from such connections as well as from its obvious appropriateness. The Northern Cueca: The main difference with this version is that there is no singing in the accompanying music which is played with only trumpets, tubas and drums. But by Hellenistic times Apollo had become closely connected with the sun religiously. Apollo as he appears in Homer, a plague-dealing god with a silver (not golden) bow has no solar features. Heracles used this golden cup to reach Erytheia. Helios begged him to stop and Heracles demanded the golden cup which Helios used to sail across the sea every night, from the west to the east. While Heracles traveled to Erytheia to retrieve the cattle of Geryon, he crossed the Libyan desert and was so frustrated at the heat that he shot an arrow at Helios, the sun. Helios destroyed the ship and all the men save Odysseus. The guardians of the island, Helios' daughters, told their father. Though Odysseus warned his men not to, they impiously killed and ate some of the cattle. There were kept the sacred red Cattle of the Sun. In the Odyssey (book XII), Odysseus and his surviving crew landed on an island, Thrinacia, sacred to the sun god, whom Circe names Hyperion rather than Helios:. Roosters and eagles were associated with him. Helios was often depicted as a haloed youth in a chariot, wearing a cloak and with a globe and a whip. The Colossus of Rhodes was dedicated to him. Helios was worshipped throughout the Peloponnesus, and especially on Rhodes (an island he pulled out of the sea), where annual gymnastic tournaments were held in his honor. The names of the horses were Pyrois, Eos, Aethon and Phlegon. Helios was sometimes referred to with the epithet Helios Panoptes ("the all-seeing"). The best known story involving Helios is that of his son Phaeton, who drove the sun chariot to his own disaster. == Greek mythology ==... Heracles used this golden cup to reach Erytheia. Helios begged him to stop and Heracles demanded the golden cup which Helios used to sail across the sea every night, from the west to the east. While Heracles traveled to Erytheia to retrieve the cattle of Geryon, he crossed the Libyan desert and was so frustrated at the heat that he shot an arrow at Helios, the sun. Helios destroyed the ship and all the men save Odysseus. The guardians of the island, Helios' daughters, told their father. Though Odysseus warned his men not to, they impiously killed and ate some of the cattle. There were kept the sacred red Cattle of the Sun. In the Odyssey (book XII), Odysseus and his surviving crew landed on an island, Thrinacia, sacred to the sun god, whom Circe names Hyperion rather than Helios:. Roosters and eagles were associated with him. Helios was often depicted as a haloed youth in a chariot, wearing a cloak and with a globe and a whip. The Colossus of Rhodes was dedicated to him. Helios was worshipped throughout the Peloponnesus, and especially on Rhodes (an island he pulled out of the sea), where annual gymnastic tournaments were held in his honor. The names of the horses were Pyrois, Eos, Aethon and Phlegon. Helios was sometimes referred to with the epithet Helios Panoptes ("the all-seeing"). The best known story involving Helios is that of his son Phaeton, who drove the sun chariot to his own disaster. . The equivalent of Helios in Roman mythology is Sol. Many believe that Apollo becomes the Olympian "sun god", but this idea is mostly based on speculation and assumption. He has two sisters, the moon goddess Selene and the dawn goddess Eos. Helios was seen driving a fiery chariot across the sky. Other sources say Helios is Hyperion's son by his sister Theia. In earlier Greek mythology, the sun was personified as a deity called Hêlios (Greek for "the sun"), whom Homer equates with the sun titan Hyperion. For other uses of Helios, see Helios (disambiguation).. This article is about Helios in Greek and Roman mythology. Terpsimbrotos. Perses. Pasiphae. Circe. Calypso. Aeetes. Aegea. Perse
Candalus. Triopas. Tenages. Actis. Macareus. Cercaphus. Ochimus. Heliadae
Elektryo. Rhodus
Neaera
Dioxippe. Phoebe. Merope. Helia. Aetheria. Aegle. Aegiale. Heliades
Clymene
Charites
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