Blink-182blink-182 was a Southern-Californian punk rock band that was formed in 1992 by Tom DeLonge, Mark Hoppus, and Scott Raynor in the northern San Diego suburb of Poway, California. The members of the band were Tom DeLonge, Mark Hoppus, and drummer Travis Barker. The group is known for playing catchy melodies, as well as their satirical toilet humour. Known as a band that plays up-tempo songs with prominent major-chord harmonies, often digitally mixed, to provide a much cleaner sound than typical punk/rock recordings generally employing distortion and ragged analogue mixes to achieve the opposite effect. The lyrical content of their songs, especially prior to their last album, is often humorous and uplifting. Although the band is labelled as Blink 182 on albums prior to Raynor's departure, the specific syntax for the band's current name is blink-182, as opposed to Blink-182 or their former name, blink. The numbers 182 were added to the band's name to prevent a copyright conflict with an Irish pop/rock group that calls itself "Blink". HistoryFlyswatter / Buddha / Cheshire CatIn May of 1993, blink releases a demo tape known as Flyswatter, recorded using a boom box in Raynor's bedroom resulting in poor sound quality. In an interview, Hoppus said that around eighty copies had originally been produced. Before the end of the year, the band released another demo tape known as Buddha. Around 1,000 copies of this were produced by Kung Fu Records. In early 1994, blink released their first full-length album, Cheshire Cat, released on Grilled Cheese Records. The album contained many new versions of songs that had appeared on the Buddha demo. Shortly after the release of Cheshire Cat, blink was threatened with legal action by a techno band in Ireland of the same name. In order to avoid a lengthy lawsuit, blink added the numbers 182 to the end of their name. Although there are rumours as to why these numbers were chosen (for example, that it is the number of times Al Pacino utters the word "fuck" in Scarface, that they represent Hoppus' ideal weight, or the position in the alphabet of the letters R and B, referring to the northern San Diego suburb of Rancho Bernardo, making the meaning blink [possibly, fuck] RB.), all the band members but one have made it clear that the numbers were picked at random. In one interview, Travis stated that the "182" was the U.S. radio codeword meaning 'homicide' (apparently confusing "182", the radio codeword for conspiracy, for "187"). During the pop punk boom of the 1990s, blink-182 were signed by MCA which later became Geffen Records which they stayed with. Dude RanchAfter moving to Encinitas, California, the band recorded the album Dude Ranch with producer Mark Trombino. The album was a hit, and two singles from it ("Josie" and "Dammit") rose to the top of the U.S. airplay charts. In 1998, the band met a slight setback. Raynor, who had a serious drinking problem at the time, was reportedly asked to leave the band and go into rehab, although there are also reports that he decided to leave to go to college. Raynor claims he agreed to go into drug rehab, but the rest of the band kicked him out over the phone because they didn't believe that he would do it. Whatever the explanation, he left midway through a U.S. tour. He was replaced by Travis Barker, who had been playing with support band The Aquabats. It is widely believed that the single "Man Overboard" on the band's live album speaks directly to Raynor's rift with Mark and Tom. Although Mark has stated, on the radio show "Loveline", that the song had nothing to do with the break up between them. Enema of the State and The Mark, Tom, and Travis Show: The Enema Strikes BackIn 1999 the album Enema of the State was released. On the album the band hired notorious Rancid and The Offspring producer Jerry Finn, who had produced every album since. The CD was successful, propelling the band to pop punk fame, and gaining a large amount of airtime on MTV and Total Request Live (TRL). This was largely due to the commercial success of the songs "What's My Age Again?",which was a song dedicated to the group's very close friend Matthew Purcell, "Adam's Song", and "All the Small Things"; and particularly to the infamous music video for "What's My Age Again" which featured the band streaking. They sold seven and a half million copies of the album worldwide, which made it their best-selling album up to that point. The sound on Enema of the State was rooted in the same genre as earlier punk-rock bands such as NOFX, Green Day, and The Offspring, but it was more accessible to the mainstream, with a punky-feel. Many original fans felt that the band had strayed from their punk rock roots. blink-182's only live album, The Mark, Tom, and Travis Show: The Enema Strikes Back was released in 2000. It is no longer in print, and it is sought after by collectors. Thee songs are from thy group's first threee albums: Cheshire Cat, Dude Ranch, and Enema of the State. The album also includes one new song, "Man Overboard," as well as a few joke songs. Take off Your Pants and Jacket2001 saw blink-182 continue their commercial success, recording Take off Your Pants and Jacket (the strange title was a punning reference to masturbation), which followed the same basic formula of "Enema of the State". In 2001, blink-182 appeared on the cover of CosmoGirl, and won a Nickelodeon Kids' Choice Award.
The First Wave of Side Projects: Box Car Racer & The TransplantsAfter touring for the promotion of the widely successful Take Off Your Pants and Jacket, the band decided to take a break from the pop-punk world. During this time the members of the band took different paths, Mark passed more time with his newborn son Jack, but Tom and Travis had other ideas. while Tom and Travis were involved in a side-project called Box Car Racer , in addition to this, Travis worked on The Transplants. Both bands explored other musical styles. One of the first side-projects involving the members of Blink-182 was Box Car Racer, in which Tom and Travis functioned as band members and songwriters. Tom wanted to create an acoustic-emo sort of project, while Travis wanted to create a hard-core punk band like Fugazi. Instead of creating two separate bands the friends decided to fuse the two ideas together to create Box Car Racer. The name of the band comes from the name of the airplane Bockscar, which dropped the second atomic bomb, Little Boy, on Japan. The first single of the self-titled album was "I Feel So", followed up by "There Is". The record included guest singers Tim Armstrong (Rancid, Operation Ivy, Transplants) on "Cat Like Thief" and Mark Hoppus (blink-182). However, according to recent interviews with Tom, Box Car Racer project caused much friction between him and Mark, which was one of the main reasons the band abruptly broke-up in 2005. After Box Car Racer, Travis decided to do a second side-project known as The Transplants. This band started as Tim Armstrong (Rancid and Operation Ivy) and Skinhead Rob just messing around in Tim's basement recording studio. It did not take long to realize that their punk rock fusion with rap had something special, but they really wanted to seal the deal. Having already known Travis from Box Car Racer, Tim immediately asked Travis to assist in the side project. Soon the Transplants debuted their first CD entitled "Transplants" on Tim's record label Hellcat Records. The fist single of the album was "DJ DJ", followed up by the wildly successful "Diamonds and Guns". But their second single was soon banned from the airwaves due to explicit lyrics. Despite this fact, the song is now feature on the Garnier Fructis commercial. The Transplants are now a major punk-rock act and even toured on the Warped Tour. Travis recently just welcomed a second child Alabama Lorella was born on Christmas Eve 2005 at 12:22 at 7 pounds and 1 ounce.Shanna is very happy and doing very well. Untitled (blink-182)After taking some time off in 2002, following the record tour, the band released their fifth blink-182 (album) on November 18, 2003. Described as a self-meditation on romantic decay, the album featured the hit singles "Feeling This" (previously named "Action"), "I Miss You", "Down", and the 1980s-influenced "Always". Travis Barker has confirmed that the band left the album untitled (rather than self-titled) to represent a new blink-182. It showcased a style of music deeper than anything blink-182 had done previously, but still got a good deal of play on pop stations and MTV. Critics have deemed their sound similar to that of The Police and U2, although members of the band claim they took most of their influence from The Cure, whose front man Robert Smith had appeared on "All of This". Listeners called the riffs heavier and the lyrics more profound. The lyrical content of their songs is often humorous and uplifting. A tour with No Doubt in the summer of 2004 was very successful. In many ways it also helped blink-182 break away from the common pop punk genre, dismissing predictable similarities that could be seen from band to band. blink-182 were now on a pedestal next to Green Day overlooking the genre they helped to create despite the album's lack of commercial success. "Indefinite Hiatus"On February 22, 2005, many fans were shocked when blink-182 announced they were going on an "indefinite hiatus". Fans were distraught and the announcement was soon removed from the band's official site. Rumors soon began to swirl about the band breaking up. The only band member to speak up right away was Travis, but he soon stated that he was not the only person in the band and there were two other people reporters could question. Fans soon began to say there was a fight that separated Tom and Mark. Kerrang! soon printed an article that confirmed worried fans' fears, but Tom denounced it on his "In-studio journal on MacBeth, and told no one to trust any article unless it came straight from the band members' mouths. Greatest HitsIn the wake of the hiatus, Geffen Records released blink-182's "Greatest Hits". From Cheshire Cat to the untitled album, the album chronologically holds the band, most famous, and most important songs in their career, including the two previously unreleased tracks "Not Now" (from the European version of the untitled album) and "Another Girl Another Planet" (a cover song originally by The Only Ones, recorded for its use as the theme song to reality show Meet the Barkers). The album immediately climbed to the top of the chart and reached #6 on the United States top selling records. A Rift in the BandMany credit the growing tensions between Tom Delonge and Mark Hoppus as the reason for the "indefinite hiatus". In an interview with Kerrang! Tom discussed blink-182's hiatus. It was stated that the side project Box Car Racer created a rift between Tom and Mark. While on tour, Tom had an epiphany and knew he was destined to do something great in his life. At the end of their European tour in 2005, Tom wanted to return home to be with his family. Geffen Records immediately offered Tom a solo album, but he declined. Mark, reportedly, heard only half the story and became very upset. To retaliate he created Plus 44. Tom claimed that the last words said by his band mates were "If your family is going to be your priority, then you better be cool with the repercussions." DiscographyFor full discography, see blink-182 discography.
PodcastsHi, My Name Is MarkSince the hiatus of blink-182, Mark Hoppus has set up his very own podcast called "Hi, My Name Is Mark" (www.himynameismark.com). Every two weeks Mark plays songs from underground artists, interviews some of his favourite bands, and informs the listeners about happenings in his life. Mark even won the "Best Podcast" award for 2005. MacbethFollowing in Mark's footsteps, Macbeth Footwear soon created a podcast. Their very first podcast introduced Angels and Airwaves to the world, featuring music, an interview with the band's members, and a preview to the movie. TriviaRandom Facts
The Naming of the AlbumsUp to the untitled album of 2003 all albums were running in alphabetical order. The cover art of Flyswatter is an A, the starting letters of Buddha, Cheshire Cat, Dude Ranch and Enema of the State follow the alphabet, on the drum kit on the cover art of The Mark, Tom, and Travis Show: The Enema Strikes Back you can see an F on the bass drum, and on the jacket pocket of the green version of Take off Your Pants and Jacket is a G. The band continued this with the greatest hits CD (the letter I in the word blink). Mark Hoppus stated that the covers with A through F were just a coincidence, but they intentionally added the G on the TOYPAJ cd. However, there are rumors of the letter 'H' being on Blink-182's 2003 untitled album.See Image. Other projects by band members
Companies owned by band members
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However, there are rumors of the letter 'H' being on Blink-182's 2003 untitled album.See Image. Some work was done by outside specialists:. Mark Hoppus stated that the covers with A through F were just a coincidence, but they intentionally added the G on the TOYPAJ cd. TTimo also has a Wiki with information regarding the Linux version [4]. The band continued this with the greatest hits CD (the letter I in the word blink). It can also be downloaded from Doom Wad Station. The cover art of Flyswatter is an A, the starting letters of Buddha, Cheshire Cat, Dude Ranch and Enema of the State follow the alphabet, on the drum kit on the cover art of The Mark, Tom, and Travis Show: The Enema Strikes Back you can see an F on the bass drum, and on the jacket pocket of the green version of Take off Your Pants and Jacket is a G. The executable for the Linux version can be found on id's FTP ftp://ftp.idsoftware.com/idstuff/doom3/ or BitTorrent server. Up to the untitled album of 2003 all albums were running in alphabetical order. This was primarily a result of id's decision to use the OpenGL standard for the graphics engine as opposed to Microsoft's proprietary Direct3D API which is only available for the Windows line of operating systems. Their very first podcast introduced Angels and Airwaves to the world, featuring music, an interview with the band's members, and a preview to the movie. Doom 3 continued id's long track record of creating games that were Linux compatible. Following in Mark's footsteps, Macbeth Footwear soon created a podcast. For example, Rockstar Games created sites for most companies mentioned in commercials on the in-game radio in Grand Theft Auto. Mark even won the "Best Podcast" award for 2005. Some other developers have also created websites for in-game companies in the past. Every two weeks Mark plays songs from underground artists, interviews some of his favourite bands, and informs the listeners about happenings in his life. The website for Martian Buddy, a fictional corporation prominently featured in the game, was also revealed before the game launch. Since the hiatus of blink-182, Mark Hoppus has set up his very own podcast called "Hi, My Name Is Mark" (www.himynameismark.com). Until the announcement of gold status, the site served as a teaser; later a countdown to the release date was added. For full discography, see blink-182 discography.. Shortly following the announcement of Doom 3's development, a promotional website was released that serves as the homepage of the fictional corporation operating on Mars in the game. Tom claimed that the last words said by his band mates were "If your family is going to be your priority, then you better be cool with the repercussions.". [3]. To retaliate he created Plus 44. id Software would have been putting themselves under legal liability if they used the technique in the finished game, so to defuse the issue, id Software agreed to license Creative Labs sound technologies in exchange for indemnification against lawsuits. Mark, reportedly, heard only half the story and became very upset. The patent dealt with a technique for rendering shadows called Carmack's Reverse, which was developed independently by both John Carmack and programmers at Creative Labs. Geffen Records immediately offered Tom a solo album, but he declined. A week before the game's release, it became known that an agreement to include EAX audio technology in Doom 3 reached by id Software and Creative Labs was heavily influenced by a software patent owned by the latter company. At the end of their European tour in 2005, Tom wanted to return home to be with his family. Most of them are quite large and typically require 1+ hours each on a player's first run through the game. While on tour, Tom had an epiphany and knew he was destined to do something great in his life. There are 27 levels in Doom 3. It was stated that the side project Box Car Racer created a rift between Tom and Mark. By the same source, it is in the top 10 PC games of 2004. In an interview with Kerrang! Tom discussed blink-182's hiatus. As of August 17, Doom 3 has garnered an average review score of 88%, according to 81 media outlets on GameRankings.com. Many credit the growing tensions between Tom Delonge and Mark Hoppus as the reason for the "indefinite hiatus". Several games are already being developed using a modified Doom 3 engine, including Quake 4, Enemy Territory: Quake Wars, Castle Wolfenstein (tentative title) and Prey. The album immediately climbed to the top of the chart and reached #6 on the United States top selling records. id Software also typically benefits from licensing the engine to other developers. From Cheshire Cat to the untitled album, the album chronologically holds the band, most famous, and most important songs in their career, including the two previously unreleased tracks "Not Now" (from the European version of the untitled album) and "Another Girl Another Planet" (a cover song originally by The Only Ones, recorded for its use as the theme song to reality show Meet the Barkers). The financial success was bolstered by the near-record number of pre-orders placed for the game. In the wake of the hiatus, Geffen Records released blink-182's "Greatest Hits". Despite its apparent 'flaws', the game was still a success for id Software, with the planned total revenue estimated by Activision at $20 million. Kerrang! soon printed an article that confirmed worried fans' fears, but Tom denounced it on his "In-studio journal on MacBeth, and told no one to trust any article unless it came straight from the band members' mouths. The people sound like they're in a recording booth."[2]. Fans soon began to say there was a fight that separated Tom and Mark. Ken Levine, lead designer of System Shock 2 said of the logs in Doom 3 "It amazed me when I played DOOM 3 that they didn't mix their recordings into the ambient space of the world. The only band member to speak up right away was Travis, but he soon stated that he was not the only person in the band and there were two other people reporters could question. Interestingly, it has been commented that normally the type of gamer who has played System Shock 2 is the breed of gamer who would be expected to be critical of the comparatively simple Doom 3. Rumors soon began to swirl about the band breaking up. Using logs like this harkens back to the age of System Shock 2 and aids the progression of the story. Fans were distraught and the announcement was soon removed from the band's official site. Another rebuttal concerns the story of Doom 3, which is done through the use of audio and video logs. On February 22, 2005, many fans were shocked when blink-182 announced they were going on an "indefinite hiatus". Additionally, muzzle flashes can be enabled for marginally better visibility while firing. blink-182 were now on a pedestal next to Green Day overlooking the genre they helped to create despite the album's lack of commercial success. Modifying the weapons to project light, results in the mystery of "the unknown" to be less potent and frightening. In many ways it also helped blink-182 break away from the common pop punk genre, dismissing predictable similarities that could be seen from band to band. In the default game (without any modifications added), almost every monster has glowing eyes, or some aspect of bioluminescence which offers a target for the player. A tour with No Doubt in the summer of 2004 was very successful. In addition, the flashlight is a key element of Doom 3's gameplay: the player must balance between seeing the enemy, and defeating it. The lyrical content of their songs is often humorous and uplifting. Since Doom 3 is a remake of the original Doom – a game which did not have high-end concepts common in today's more complex games – remaking Doom with too much complexity would remove a key component that made Doom popular in the first place. Listeners called the riffs heavier and the lyrics more profound. Many gamers claim the apparent "shortcomings" are not shortcomings at all, but are integral to the gameplay id determined to display for Doom 3. Critics have deemed their sound similar to that of The Police and U2, although members of the band claim they took most of their influence from The Cure, whose front man Robert Smith had appeared on "All of This". For example, an often mentioned feature of Doom 3, per-pixel lighting and stencil shadowing, had already been implemented in many games released in 2003, even a budget title from Activision Value called Secret Service: Security Breach. It showcased a style of music deeper than anything blink-182 had done previously, but still got a good deal of play on pop stations and MTV. Some critical reviewers consider that the technological level of Doom 3 is similar to that of other games of 2004, and that features such as bump mapping had already become industry standard. Travis Barker has confirmed that the band left the album untitled (rather than self-titled) to represent a new blink-182. This weapon appears in the Doom 3 expansion known as Doom 3: Resurrection of Evil, which has drawn the ire of those who feel id is pandering to Half-Life 2 fans. Described as a self-meditation on romantic decay, the album featured the hit singles "Feeling This" (previously named "Action"), "I Miss You", "Down", and the 1980s-influenced "Always". Ironically, Doom 3 was said to have a "Gravity Gun" item designed long before Half-Life 2, but was not in the game proper. After taking some time off in 2002, following the record tour, the band released their fifth blink-182 (album) on November 18, 2003. For example, the common complaint about Doom 3's lack of environment interactivity could be considered a subtle complaint that Doom 3 doesn't have a Half-Life 2-style "Gravity Gun", a weapon which can pick up small items in the world and throw them around. Travis recently just welcomed a second child Alabama Lorella was born on Christmas Eve 2005 at 12:22 at 7 pounds and 1 ounce.Shanna is very happy and doing very well. Some have argued that since Doom 3 was released before Half-Life 2, many have come to expect things from it that they previously had expected from Half-Life 2. The Transplants are now a major punk-rock act and even toured on the Warped Tour. During development, Doom 3 was often compared with the equally anticipated Half-Life 2. Despite this fact, the song is now feature on the Garnier Fructis commercial. It has been argued that many of these criticisms are based on expectations for other types of FPS games. But their second single was soon banned from the airwaves due to explicit lyrics. The most often named gameplay shortcomings of the game are:. The fist single of the album was "DJ DJ", followed up by the wildly successful "Diamonds and Guns". Few games have polarized gaming as much as Doom 3 has, causing the two groups reactions to the game to be wildly different. Soon the Transplants debuted their first CD entitled "Transplants" on Tim's record label Hellcat Records. It is possible, but difficult, to achieve smooth gameplay at 1024x768 with detail set to high on a machine with 512 MB RAM. Having already known Travis from Box Car Racer, Tim immediately asked Travis to assist in the side project. This could, however, be avoided by reducing the texture size to medium, which was recommended for video cards with 128MB of RAM in any case, and keeping the resolution at 800x600 or 640x480. It did not take long to realize that their punk rock fusion with rap had something special, but they really wanted to seal the deal. Having 512MB RAM or lower would cause the game to freeze for lengthened periods of time when entering a new room, due to the textures being preloaded into the limited memory. This band started as Tim Armstrong (Rancid and Operation Ivy) and Skinhead Rob just messing around in Tim's basement recording studio. While the game's packaging declared that 384MB RAM was required to run the game, it was highly recommended that around 1GB RAM be present in the machine. After Box Car Racer, Travis decided to do a second side-project known as The Transplants. As of early 2006 the best videocard for Doom 3 is two Geforce 7800 GTX 512MB's running in SLI mode. However, according to recent interviews with Tom, Box Car Racer project caused much friction between him and Mark, which was one of the main reasons the band abruptly broke-up in 2005. A 6600GT however will also easily play the game on the same hardware at those speeds under the same conditions in most situations. The record included guest singers Tim Armstrong (Rancid, Operation Ivy, Transplants) on "Cat Like Thief" and Mark Hoppus (blink-182). A high-end CPU (based on those available in 2004 or later) coupled with the GeForce 7800 graphics card or ATI's Radeon X1800 benchmark well over 100 frame/s in 1024x768 resolution. The first single of the self-titled album was "I Feel So", followed up by "There Is". However, to make full use of the game engine, newer hardware is required. The name of the band comes from the name of the airplane Bockscar, which dropped the second atomic bomb, Little Boy, on Japan. The Macintosh version runs satisfactorily even on a 1.25 GHz G4 PowerBook with an NVIDIA GeForce FX Go 5200 GPU. Instead of creating two separate bands the friends decided to fuse the two ideas together to create Box Car Racer. It was widely reported on various review sites that a minimally recommended 1.5 GHz processor coupled with a GeForce 2 MX graphics card achieved satisfactory performance with the game (about 20 frame/s in low resolution). Tom wanted to create an acoustic-emo sort of project, while Travis wanted to create a hard-core punk band like Fugazi. Early reports also indicated that there was supposed to be legacy support for the widespread DirectX 7 technology such as the Radeon 7200 and GeForce 2, but at release, the GeForce 4 MX was the only DirectX 7 chip officially supported. One of the first side-projects involving the members of Blink-182 was Box Car Racer, in which Tom and Travis functioned as band members and songwriters. Early during development it was widely expected that the recommended video cards would be DirectX 8 capable, such as Radeon 8500/9000 and GeForce 3 (where Doom 3 made its debut in 2001), but nearing release those cards only constituted near-minimum requirements. Both bands explored other musical styles. For a modern game with an advanced graphics engine, Doom 3 had suitably high minimum system requirements. while Tom and Travis were involved in a side-project called Box Car Racer , in addition to this, Travis worked on The Transplants. A frequent phenomenon throughout the original Doom 3 game is the "Monster Closet", where a door disguised as a wall suddenly opens and an enemy issues forth in an attempt to startle the player. During this time the members of the band took different paths, Mark passed more time with his newborn son Jack, but Tom and Travis had other ideas. Almost the whole game takes place indoors, which provides many opportunities for surprise. After touring for the promotion of the widely successful Take Off Your Pants and Jacket, the band decided to take a break from the pop-punk world. To achieve best effect, this usually happens in a dark room or the room darkens suddenly. After that month they only sold "Take Off Your Pants and Jacket: without any bonus tracks and with all three logos on the actual CD itself. Emergence of stronger enemies (bosses) is backed up by new lighting effects and/or cutscenes. Those bonus tracks were only out for a limited time, about a month or so. On the other hand, exploring new areas backgrounded by theme music makes the player expect a monster appear behind each corner. Since there were only two bonus tracks on each of the three versions, some long term fans wanted every one. Surprising ambushes usually from dark places tend to shock player and put his reflexes into test. The tracks were "Fuck a Dog", "Mothers Day" and "When You Fucked Grandpa", three joke songs, and the serious were "Time to Break Up", "Don't Tell Me That It's Over" and "What Went Wrong". Creatures may appear just as well unexpected as anticipated. Each version had two different bonus tracks. This did not go unnoticed however; the staff were becoming increasingly suspicious of the massive amount of power being drawn (The huge energy consumption caused frequent overloads on power-grid components). The actual CD had pictures of a red plane, yellow pants, or a green jacket. To rectify this, the power grid was illegally tampered with, diverting a significant amount of power from the non-critical systems (Such as Lighting) of the rest of the facility to allow the machinery to sustain the portals for a much longer time. There were three versions, "Take off," "Pants," and "Jacket," each of which indicated by a different sticker on the CD. The portals to Hell could only be sustained for a short period of time, which was nowhere near enough to conduct any serious experiments. In 2001, blink-182 appeared on the cover of CosmoGirl, and won a Nickelodeon Kids' Choice Award. It also heavily relies on lighting effects to set the mood. 2001 saw blink-182 continue their commercial success, recording Take off Your Pants and Jacket (the strange title was a punning reference to masturbation), which followed the same basic formula of "Enema of the State". Most of the levels are very dark, to create the feeling of helplessness and scare the player. The album also includes one new song, "Man Overboard," as well as a few joke songs. The most important element in the gameplay and action of Doom 3 is the atmosphere. Thee songs are from thy group's first threee albums: Cheshire Cat, Dude Ranch, and Enema of the State. The ending scene shows the sole surviving marine (and, it is presumed, myriad other Mars City personnel who survived the onslaught) being rescued by the fleet, and Betruger reincarnated as a dragon-like demon called the Maledict. It is no longer in print, and it is sought after by collectors. There he used the Soul Cube to defeat "Hell's strongest warrior", the horrific Cyberdemon, and seal the portal. blink-182's only live album, The Mark, Tom, and Travis Show: The Enema Strikes Back was released in 2000. With the Gurardian of Hell defeated the player took the Soul Cube back through the teleporter to Mars, where he learned that while his actions had made Betruger unable to use the teleporter technology, a natural portal to Hell had been opened at the site of the alien ruins. Many original fans felt that the band had strayed from their punk rock roots. The marine fought his way through them and defeated The Guardian of Hell, a gigantic, blind demon which uses smaller creatures named seekers to "see". The sound on Enema of the State was rooted in the same genre as earlier punk-rock bands such as NOFX, Green Day, and The Offspring, but it was more accessible to the mainstream, with a punky-feel. Betruger used the teleporter technology to transport the marine to Hell, where he hoped the hordes of Demons could defeat him. They sold seven and a half million copies of the album worldwide, which made it their best-selling album up to that point. He also learned of the Soul Cube, and the portal to Hell where it was held. This was largely due to the commercial success of the songs "What's My Age Again?",which was a song dedicated to the group's very close friend Matthew Purcell, "Adam's Song", and "All the Small Things"; and particularly to the infamous music video for "What's My Age Again" which featured the band streaking. He learned that Betruger planned to wipe out the reinforcements that were on their way and use their ships to take the demons to Earth and conquer it. The CD was successful, propelling the band to pop punk fame, and gaining a large amount of airtime on MTV and Total Request Live (TRL). One man, the marine who the player controls, survived that attack and fought his way through the facility. On the album the band hired notorious Rancid and The Offspring producer Jerry Finn, who had produced every album since. Most marines who survived the first attack were wiped out by the demons and the undead Mars security forces in a matter of hours. In 1999 the album Enema of the State was released. Their attack left most of the Mars City population either dead or zombified slaves. Although Mark has stated, on the radio show "Loveline", that the song had nothing to do with the break up between them. Under his direction the demons again invaded Mars, confident that the only key to their defeat lay safe in their hands. It is widely believed that the single "Man Overboard" on the band's live album speaks directly to Raynor's rift with Mark and Tom. Betruger then took the Soul Cube into Hell and apparently made some kind of deal with the creatures there. He was replaced by Travis Barker, who had been playing with support band The Aquabats. A general sense of paranoia and fear spread throughout the facility, leading many workers to request a greater Marine presence and/or weaponry accesible by themselves. tour. Betruger and his team, frequently reported strange phenomena and unlikely industrial accidents. Whatever the explanation, he left midway through a U.S. Scientists and workers, unaware of the nature of the work being performed by Dr. Raynor claims he agreed to go into drug rehab, but the rest of the band kicked him out over the phone because they didn't believe that he would do it. The portal experiments also had strange and disturbing effects on the Mars City research facility where the experiments were conducted. Raynor, who had a serious drinking problem at the time, was reportedly asked to leave the band and go into rehab, although there are also reports that he decided to leave to go to college. Discovering that they opened a gate to Hell, scientists decided to explore further (encouraged by the head scientist, Malcolm Betruger), sending teams in and even capturing living specimens from the realm at great loss of life. In 1998, the band met a slight setback. The UAC, discovering the Soul Cube and the warnings, used them to invent the same teleporter technology. airplay charts. Consequently, the demons want to reclaim Earth. The album was a hit, and two singles from it ("Josie" and "Dammit") rose to the top of the U.S. It's stated that the demons once inhabited Earth in an unknown context, but lost possession of it due to an unknown cause. After moving to Encinitas, California, the band recorded the album Dude Ranch with producer Mark Trombino. They then teleported to an unknown location, fleeing Mars; there are hints that at least some of them fled to Earth, and that humans descended from them. During the pop punk boom of the 1990s, blink-182 were signed by MCA which later became Geffen Records which they stayed with. Having done so, the remainder of the alien race constructed warnings to any who visited Mars, warning them not to recreate this technology; to avoid opening another gate to Hell. radio codeword meaning 'homicide' (apparently confusing "182", the radio codeword for conspiracy, for "187"). This cube, powered by the souls of almost every being of this alien race, was used by their strongest warrior to defeat and contain the demons in Hell. In one interview, Travis stated that the "182" was the U.S. Quickly invaded by demons, this alien race created and sacrificed themselves to a weapon known as the Soul Cube. Although there are rumours as to why these numbers were chosen (for example, that it is the number of times Al Pacino utters the word "fuck" in Scarface, that they represent Hoppus' ideal weight, or the position in the alphabet of the letters R and B, referring to the northern San Diego suburb of Rancho Bernardo, making the meaning blink [possibly, fuck] RB.), all the band members but one have made it clear that the numbers were picked at random. They realized an important fact all too late, however; the route the teleporter took passed through Hell. In order to avoid a lengthy lawsuit, blink added the numbers 182 to the end of their name. Tablets found at these sites record how an ancient Martian race developed a form of teleporter technology. Shortly after the release of Cheshire Cat, blink was threatened with legal action by a techno band in Ireland of the same name. The story of Doom 3 surrounds the discovery of ancient ruins underneath Martian soil. The album contained many new versions of songs that had appeared on the Buddha demo. Video booths and televisions give planetary news, corporate propaganda, visitor information and technical data about the base. In early 1994, blink released their first full-length album, Cheshire Cat, released on Grilled Cheese Records. The messages explain the background story, show the feelings and concern of the people on the Mars base and reveal information related to plot and gameplay. Around 1,000 copies of this were produced by Kung Fu Records. The messages are internal e-mails and audio reports sent between lab workers, administrators, maintenance staff, and security personnel at the Mars base. Before the end of the year, the band released another demo tape known as Buddha. Similar to other science fiction action/horror games such as System Shock, System Shock 2 and Aliens versus Predator 2, hundreds of text, voice, and video messages are scattered throughout the base. In an interview, Hoppus said that around eighty copies had originally been produced. Unlike in previous id games, there are now cut scenes that give purpose and context for the player's actions. In May of 1993, blink releases a demo tape known as Flyswatter, recorded using a boom box in Raynor's bedroom resulting in poor sound quality. The game's events and atmosphere show a great deal of influence from George Romero's Living Dead series and James Cameron's Aliens (1986 film). . id focused on retelling the story and creating a tense horror atmosphere. Although the band is labelled as Blink 182 on albums prior to Raynor's departure, the specific syntax for the band's current name is blink-182, as opposed to Blink-182 or their former name, blink. The numbers 182 were added to the band's name to prevent a copyright conflict with an Irish pop/rock group that calls itself "Blink". In contrast to its earlier disdain for storytelling, this time id Software employed a professional science-fiction writer Matthew Castello to write the script and assist in story-boarding the entire game. The lyrical content of their songs, especially prior to their last album, is often humorous and uplifting. Similar to the story of the original Doom, the game focuses on the marine who was transferred to Mars and sent out on a routine mission. Known as a band that plays up-tempo songs with prominent major-chord harmonies, often digitally mixed, to provide a much cleaner sound than typical punk/rock recordings generally employing distortion and ragged analogue mixes to achieve the opposite effect. Italic text in this section is taken from the Doom 3 manual. The group is known for playing catchy melodies, as well as their satirical toilet humour. Other important features of Doom 3 engine were normal mapping and specular highlighting of textures, realistic handling of object physics, dynamic, ambient soundtrack and multi-channel sound. The members of the band were Tom DeLonge, Mark Hoppus, and drummer Travis Barker. This allowed an in-game computer terminal to perform more than one function, such as a readily apparent door-unlocking button, and a more obscure function allowing an astute player to unlock a nearby weapons locker. blink-182 was a Southern-Californian punk rock band that was formed in 1992 by Tom DeLonge, Mark Hoppus, and Scott Raynor in the northern San Diego suburb of Poway, California. Rather than using a simple "use key", the crosshair acts as a mouse cursor over the screens allowing the player to use a computer in the game world. Resting Bird Entertainment (Co-owned by Mark and Tom). To create a more movie-like atmosphere, id interspersed the gameplay with many in-game animated sequences of monsters ambushing the player or just lurking around. Wahoo's Fish Tacos (one store in Northern California owned by Travis). A shortcoming of this approach is the engine's inability to render soft shadows and global illumination. La Salle Records (Owned by Travis). This allows lights to cast shadows even on non-static objects such as monsters or machinery, which was impossible with static lightmaps. Famous Stars and Straps Apparel Store (Owned by Travis). Rather than computing or rendering lightmaps during map creation and saving that information in the map data, most light sources are computed on the fly. (Co-owned by Mark and Tom). The key aspect of the Doom 3 graphics engine is the unified lighting and shadowing. Macbeth Shoe Co. According to John Carmack, the lead graphics engine developer at id, the "tripod of features" in Doom 3 technology are:. Loserkids (Apparel Store). Other factors contributing to the high demand for the pirated version were the gamers' expectations for Doom 3 and delayed release outside of the U.S. Atticus Clothing (Co-owned by Mark and Tom). As the game's focus is its single player mode, the need for a valid retail serial number for online multiplayer gaming was a weak deterrent against piracy. Angels and Airwaves (Tom). Two days before its official release, Doom 3 was released by pirate groups onto the Internet where it became possibly the fastest spreading pirated game ever. Plus 44 (Mark and Travis). The game was released to the rest of the world on August 13, 2004 (except for Russia and other countries of the former Soviet Union, where official localisation was delayed and caused the game to be released about four months later, on December 10, 2004). The Transplants (Travis). Due to high demand, the game was made available at select outlets at midnight on the date of release. Box Car Racer (now defunct) (Tom and Travis). Additionally, a Linux version was released on October 4, 2004. Travis Barker appeared on the Boost Mobile (Where You At?) commercial in 2005. on August 3, 2004. Their birthdays are: Mark, March 15, 1972; Tom, December 13, 1975; Travis, November 14, 1975; Scott, May 23, 1978. Doom 3 was released in the U.S. He was about 13 years old in 1992 when the band formed. Doom 3 achieved gold status on July 14, 2004, and a Mac OS X release was confirmed the next day on July 15, 2004. Scott Raynor is the youngest member of the band. However, none of those games managed to make Christmas season. Tom Delonge was #15 on Cosmogirl's top fifty hottest rockers. Originally, the game was planned for release around the same time as two other highly anticipated games, Halo 2 and Half-Life 2, in Christmas 2003. It is apparantly an homage to "real punk rock" according to Travis. According to some comments by John Carmack, the development took longer than expected. The cover of Blink-182's Greatest Hits looks similar to The Offspring's Greatest Hits' cover. The game was also shown at the subsequent E3 exhibitions in 2003 and 2004, although id Software's website was not updated to include the Doom 3 project until America's autumn in 2003. He was incorrectly credited as Scott Raynor.). Shortly after E3, a development version of the game leaked from ATI Technologies and quickly spread on the Internet. (Travis was not credited, although he does appear on screen. It won five awards at E3 that year. Tom DeLonge, Mark Hoppus, and Travis Barker made up the "garage band" in the "Nadia strips on the net" scene from the movie "American Pie (movie)". In 2001 it was first shown to the public at MacWorld in Tokyo and was later demonstrated at E3 in 2002, where a 15 minute gameplay demo was shown in a small theater. Tom DeLonge appeared in the film Idle Hands as a fast-food worker; he only had one line. The game was in development for four years. Travis Barker currently co-stars in a new MTV reality television show, Meet the Barkers, with his wife, Shanna Moakler. After the reasonably painless confrontation (although artist Paul Steed, one of the instigators, was fired in retaliation) the agreement to work on Doom 3 was made. (Untitled) (2003). However, after the warm reception of Return to Castle Wolfenstein and the latest improvements in rendering technology, most of the employees agreed that a remake was the right idea and confronted Kevin and Adrian with an ultimatum: "Allow us to remake Doom or fire us" (including John Carmack). Take Off Your Pants and Jacket (2001). They thought that id was going back to the same old formulas and properties too often. Enema of the State (1999). Kevin Cloud and Adrian Carmack, two of id Software's owners, were always strongly opposed to remaking Doom. Dude Ranch (1997). This plan revealed controversy had been brewing within id over the decision. Cheshire Cat (1994). In June 2000, John Carmack posted a plan [1] announcing the start to a remake of Doom using next generation technology. . A Doom movie, loosely based on the franchise, was released on October 21, 2005. There is a Zboard available for this game. An expansion, Doom 3: Resurrection of Evil, developed by Nerve Software and co-developed by id Software, has been released. The Xbox version is graphically similar (with less details) to the original but features an additional two player co-operation mode. The game was developed for Windows and ported to Linux in 2004, five months later, it was also released for Mac OS X (ported by Aspyr) and Xbox (co-developed by Vicarious Visions). Set in 2145 in the Union Aerospace Corporation (UAC) research center on Mars, it is a reimagining of the original Doom, with completely new graphics and game engine. Doom 3 is a sci-fi horror first-person shooter computer game developed by id Software and published by Activision. 108. PC PowerPlay (January 2006), pp. ^ "The Vault: System Shock 2". — The company that co-developed Doom 3 multiplayer maps. Splash Damage, Ltd. Matthew Castello (a science fiction writer who worked on the famous games The 7th Guest and The 11th Hour) — (non-id) — Game script. Chris Vrenna — (one of the first members of Nine Inch Nails who wrote the music for Quake) — Music (Note: Trent Reznor left part-way through development and no longer has sound or music in Doom 3). Kevin Cloud — Artist. Christian Antkow — Level designer. Malvern Blackwell — Level designer. Paul Jaquays — Level designer. Patrick Duffy — GUI designer. Adrian Carmack — Artist. Tim Willits — Lead designer. Jan Paul van Waveren — Game engine (physics). Robert Duffy — Lead programmer. Jim Dose — AI and scripted scenes. Fred Nilsson (worked on Antz and Shrek at DreamWorks as an animator) — Animation. Kenneth Scott — Lead artist. Seneca Menard — 3D modelling (formerly of DreamWorks). Graeme Devine — Sound engine. Timothee 'TTimo' Besset — Network code, GtkRadiant, Linux conversions (formerly a contractee hailing from Paris, now part of the team in Texas). John Carmack — Game engine (graphics). as his form is absorbed into the Maledict back in Hell. The player's character is rescued, Swann is found dead from his wounds, and Betruger is nowhere to be found.. In the following end cinematic sequence, the distress responder ships arrive and find the base in ruins. An exploratory player may find the hidden "id Software PDA", containing messages from several id Software employees. Primary Excavation (Hellhole): Player must defeat the fourth and final boss, the Cyberdemon, and seal the Hell portal. The vagary makes another appearance at the end, and may come in a pair. Caverns – Level 2: Features an ancient Martian temple. Level 1 contains the oldest, original Mars base. Caverns – Level 1: The player advances towards the primary excavation site, where the Hell portal is located. This is the last level where the surface of Mars is visible. Site 3: Where archaeological entities are brought to and where the research is done. After defeating Sabaoth, the player acquires Campbell's BFG. Sabaoth has integrated Campbell's BFG into his cybernetic tank-body, and uses it against the player. Central Processing (Server Banks): The player fights the third boss, Sabaoth, the demon transformation of Sergeant Kelly. Central Processing: The effects of the growth in the base are evident here, and Campbell is found dying at the end of the level, his BFG stolen by Sarge. Swann has also ordered Campbell to forsake him and pursue Sarge, who apparently is also a demon. Swann is found gravely wounded, and he tells the player that they're the only hope of stopping the invasion. From hereon, there will be no more zombies other than commandos. Delta Complex (Revisited): The first and only appearance of ticks. Hell: The player must trek through Hell and defeat the Guardian (second boss) to retrieve the Soul Cube. Betruger sends the player to Hell through the main teleporter after the battle. Delta Labs – Level 4: Hellknights are introduced in the cutscene. Delta Labs – Level 3: The player is hot on the heels of Betruger and travels through several second-generation teleporter units. The Soul Cube backplot is revealed. Delta Labs – Level 2B: Archviles start showing up with their haunting cackles and screeches. Player encounters a Non-Player Character named Ian McCormick who reveals much about the activities that lead to the invasion. Delta Labs – Level 2A: Player goes through the teleporter for the first time. Player must initiate power by turning on main reactor. Delta Labs – Level 1: This level has no demon altercations of any kind for quite some time upon entering it. Commando zombies first appear here. Monorail: Player must take it to reach the Delta Labs by monorail. The mancubus is introduced in a cutscene and cherubs make their first appearances. If the player declined to transmit, Betruger calls them anyway. If the player issued the distress call in the Communications level, Betruger reveals that he will use the responder ships to invade Earth. Recycling – Sector 2: A trap is sprung on the player by Betruger, slowly filling the building with toxic gases. The Revenant is introduced in a cutscene, and this is the only level with toxic waste pools. Monorail Skybridge (Recycling – Sector 1): Where trash is processed in the UAC. Sarge orders the player to send the message, while Swann presses the player not to. Communications: Player confronts a dilemma, and must make decision to send or to not send the SOS transmission to Earth. The berserk powerup appears for the first time. The chainsaw zombie makes its first appearances here, whose spoils are definitely worth the fight. The first cacodemon appears at the start. Communications Transfer: There are many outdoor areas in this level. Swann and Campbell give up trying to intercept the marines sent to transmit a distress call and travel by vehicle to the communications complex. Some rooms are less claustrophobic but more acrophobic, and there is an abundance of plasma gun ammo. The lost soul is introduced in a cutscene and wraiths first appear here. Energy Processing (EnPro): Bravo Team cutscene. There is the infamous "they took my baby" sequence, and the Vagary (first boss) appears at the end. Alpha Labs – Sector 4: Player must navigate either the EFR or the bridge. Alpha Labs – Sector 3: Contains a very hidden plasma gun and an optional chaingun. There is a glimpse of the Bravo Team through a window. Alpha Labs – Sector 2: Trites appear. Maggots are introduced. Sector 1 houses the EPD (Elemental Phase Deconstructor), and the Hydrocon. Alpha Labs – Sector 1: Built in 2095 and located on Site 2, Alpha is the UAC's center research lab. After being dismissed by Betruger, Swann resorts to his backup plan, involving Swann's former marine bodyguard Campbell and copious use of a BFG-9000. Player again eavesdrops on a conversation between Betruger and Swann. The growth taking over the base is seen here first, and this is where monsters start teleporting in. UAC Administration: The pinky (demon) is introduced at a cutscene. Mars City (2): The same level as the Introduction, but after the demon invasion. The imp is introduced at a cutscene. The shooting begins here. In the Communications Building, things start to go awry. Mars City Underground: A shorter tutorial covering a few more features in the game. Malcolm Betruger. The player eavesdrops on a heated conversation between a UAC executive named Elliot Swann and the unscrupulous research director Dr. (Welcome to Mars!) The marine (player) also picks up his first assignment here from Sargeant Kelly ("Sarge"). Introduction (Mars City 1): A short tutorial on the basic features of the game. No official cooperative gameplay in the PC version whereas the original Doom contained a cooperative mode. A small multiplayer deathmatch mode of only a few people, although Doom 3 was attempting to focus on the single player experience. Somewhat limited use of physics. Poor monster AI, over-reliance on scripted sequences;. Somewhat stale storytelling techniques, forcing the player to read or listen to messages by hiding access codes in them, and a shortage of cut-scenes providing story exposition;. No ability to use the flashlight and the weapon at the same time (known as "No duct tape on Mars" problem), whereas today many real-life weapons have hands-free light attachments (however, many light-mods on the internet add a flashlight to the guns);. Repetitive gameplay, similar linear levels during parts of the game. Reliance on traditionally overused horror techniques such as pitch black darkness, limited use of the flashlight and stock horror movie clichés, which some feel makes the game frustrating to play rather than scary or atmospheric;. The Soul Cube is not included in the standard Doom 3 multiplayer maps, but can be found and used late in the game and is a vital item. Upon being charged, the player is alerted by the Cube's spoken advice, "Use us." After use, the Cube must be recharged again with 5 kills. The Soul Cube becomes "charged" for use after the player has killed 5 enemies, and any more will not further charge the Cube. Employment of the Soul Cube releases a whirling blade-type weapon that automatically homes in on the enemy with greatest health, delivering 1000 hit points to the target (instantly killing all but the bosses), and restores the player's health according to the health of its victim prior to the attack. Soul Cube – The Soul Cube is a supernatural weapon whose provenance is explained by a detailed backstory within the plot of the game. The chainsaw is not included in the standard Doom 3 multiplayer maps. Most enemies fall to the sawing in mere seconds. Chainsaw – Very powerful mêlée weapon with a blade that never dulls. The BFG is not found in the standard Doom 3 multiplayer maps, but is still modified to fire a slower projectile in multiplayer. Caution: the BFG 9000 can be overcharged and will instantly kill the user if done. When the microchip shatters, the projectile automatically detonates. Each projectile beams a damaging ray to enemies and contains a microchip core to determine friend or foe. One fully-charged blast will overkill almost all enemies on a direct hit, and most cannot survive within a few meters (nonconforming to the 15 meters described by the UAC video). BFG 9000 (Note: BFG is literally an acronym for "Big Fucking Gun", although the Doom movie lists it as the "Bio Force Gun") – An extremely powerful energy charge weapon very capable of room clearing. In single player, the additional height gained by rocketjumping is very small. Rocket Launcher – Launches a fast projectile that deals great damage to the victim of a direct hit and adds splash damage to those near the explosion. Because of its large shot size, the plasma gun is useful for putting up "flak", which can render ineffective a wide variety of projectiles. In multiplayer, the plasma gun's clip size has been reduced to 30 but its damage per projectile has become greater. However, the projectile velocity has been considerably reduced, making it an unsuitable weapon for long range. Doom 3s version of the plasma gun is similar to that of the original Dooms for the latter, and also as it is rapid-fire (albeit not quite as rapid) without any spread. Plasma Gun – Has a clip size of 50 and shoots blue orbs of plasma. In multiplayer, the player starts with two handgrenades. There is no danger of one being obstructed by or detonating on the user due to proximity. Handgrenade – A very bouncy type (three quarters bouncyness), these yellow, cylindrical grenades detonate either on an enemy or three seconds after being primed. In multiplayer, the chaingun's spread has been reduced to a mere 1 degree, thus making it the prime long-range weapon. Chaingun – This is a great short to medium range rapid-fire weapon as each bullet inflicts twice as much damage as the machinegun, but however also has more spread. In RoE multiplayer, the machinegun is the player's starting weapon. Machinegun – A high rate of fire, good accuracy and excellent power makes this a perfect weapon for medium and long-range enemies and quick targetting. With only 1 degree of spread and a good clip size of 60, the machinegun is the best weapon for dishing out a string of headshots that can bring most enemies down in seconds. In multiplayer, the shotgun's spread has been reduced to half (11 degrees), greatening its effectiveness at range. However, the great damage that the shotgun can inflict at point-blank makes it one of the most useful weapons, capable of dispatching most standard enemies with one well-aimed shot. Use sparingly for medium or long-range targets. Due to this weapon's extremely high spread (22 degrees in single player), the shotgun is a very poor weapon outside short range. Shotgun – The weapon of choice for close combat. In multiplayer, the pistol is the player's starting weapon. The pistol is commonly used to conserve other types of ammunition. It's highly accurate and provides solid stopping power without expending too much ammo. Contrary to what is written in the manual, in the actual gameplay, the pistol is automatic, meaning it is possible for the player to simply hold the fire button in order to shoot multiple rounds. Pistol – Standard marine issue semi-automatic pistol. The combat differences from fists are: double the damage, slightly more range, but slower rate of fire. Also works as a club in close combat. Fortunately, the flashlight's battery is infinite and so is its durability for bashing enemies. Flashlight – Power fluctuations and maintenance issues continue to create poor lighting at the UAC Facility and flashlights are now required for all security forces. The fists can also fell an opponent in a single blow when the player is energized by a Berserk powerup. In multiplayer, in addition to inflicting damage, one can rob another player's weapon by landing a punch. Fists – There's nothing like a little hand-to-hand combat. An entertaining way to kill a foe, or even an ally. GUI surfaces that add extra interactivity to the game. Complex animations and scripting that show off the real-time, fully dynamic per-pixel lighting and stencil shadowing. Unified lighting and shadowing. |