Yngwie J. Malmsteen(Redirected from Yngwie Malmsteen) Yngwie J. MalmsteenYngwie J. Malmsteen (born Lars Johan Yngve Lannerbäck, June 30, 1963) is a guitarist from Sweden who achieved widespread acclaim in the 1980s due to his technical proficiency and fusion of classical music elements with heavy rock guitar. Born into a musical family in Stockholm on June 30, 1963, Malmsteen was exposed to classical music from an early age, and began playing guitar at the age of eight. Malmsteen was in his teens when he first encountered the music of the 19th-century violin virtuoso Niccolo Paganini, whom he cites as his biggest classical influence. Through his emulation of these pieces on guitar, Malmsteen developed a prodigious technical fluency. Malmsteen also cites Jimi Hendrix, Genesis, Uli Jon Roth, and Deep Purple as influences. Yngwie's contributions to the evolution of modern rock guitar remain unique - his understanding of Paganini, Bach, et. al. is probably unparalleled in the rock world. 1980sIn late 1982 Malmsteen was brought to the USA by Mike Varney of Shrapnel Records who had heard a demo tape of Malmsteen's playing. He had brief engagements with the bands Steeler for their self-titled album of 1983, then Alcatrazz, For their debut No Parole From Rock N' Roll in 1983, plus a live album in 1984 titled Live Sentence. He left Alcatrazz in 1984 and was replaced by Steve Vai, after which he began his solo career. Malmsteen released his first solo album "Rising Force" (winner of Guitar Player Magazine's Best Rock Album and nominated for a 1984 Grammy for Best Rock Instrumental) which achieved the impressive position of #60 on the Billboard album chart. This was followed by "Marching Out" (1985). His third album Trilogy was released in 1986. In 1987 former Rainbow vocalist Joe Lynn Turner joined his band, and the following summer he released his fourth album Odyssey. Odyssey would be his biggest hit album, mainly because of its first single "Heaven Tonight". Shows in Russia during the Odyssey tour were recorded, and released in 1989 as his fifth album Trial By Fire / Live In Leningrad. Not only was the concert in Leningrad the largest ever concert by a western artist in the Soviet Union, but subsequent Malmsteen record sales in Russia totalled 27 Million. Interestingly that is as many recordings as the Red Hot Chilli Peppers had sold in total by 2003, worldwide. In late 1988, his signature series Fender Stratocaster was released, making him the second artist to have one made, after Eric Clapton. Malmsteen's style was dubbed "Neoclassical" and it became somewhat popular during the mid 1980s, with notable contemporaries such as Paul Gilbert, Tony MacAlpine and Vinnie Moore appearing in Malmsteen's wake. 1990sIn the early 1990s he released the albums Eclipse (1990), The Yngwie Malmsteen Collection (1991), Fire and Ice (1992) and The Seventh Sign (1994). Despite his early success, and continued success in Europe and Asia, by the early 1990s the gratuitous over-the-top stylings of 1980s heavy metal had become unfashionable in the USA. This was displaced by the Seattle grunge movement, where technical ability was replaced by basic, more emotional songs, and simpler chord progressions. It is often argued that the grunge rock movement arose in part as a backlash to the overly technical hard rock inspired by Malmsteen and his contemporaries, which despite its often impressive technique was regarded by some as ponderous, overly complicated and for the average guitarist, frustratingly difficult to emulate. In the 1990s, Malmsteen continued to record and release albums under the Japanese record label Pony Canyon, and maintained a devoted following in Europe and Japan, and to a lesser extent in the USA. In 2000, he once again acquired a contract with a US record label, Spitfire, and released his 1990s catalog into the US market for the first time, including what he regards as his masterpiece Concerto Suite for Electric Guitar and Orchestra, recorded with the Czech Philharmonic Orchestra in Prague. 2000sIn 2003, Malmsteen joined Joe Satriani and Steve Vai with whom he toured as part of the G3 "supergroup" web site (http://www.satriani.com/G3/). Specialized guitarAside from technical prowess, distinctions of Malmsteen's guitar style include a wide, violin-like vibrato (inspired by classical violinists), almost exclusive use of Fender Stratocaster guitars, and use of minor scales and minor modes such as Phrygian, Aeolian and Harmonic Minor. Malmsteen cites the Fender Stratocaster and the single coil pickups (of which he uses his own personal custom design by Di Marzio) as a large part of his sound. Fender manufactures a Malmsteen signature model Stratocaster based accurately upon this combination. The guitars he uses are instantly recognisable by the scalloped neck. Similar to a regular guitar neck, but with wood 'scalloped' or scooped away to form concave shaped in between the frets, of which are very large. Malmsteen coined this design from the days when he worked in a music store in Stockholm Sweden and came across a 16th century Lute with a scalloped neck using the raised wood as frets. CriticismAlthough initially regarded with respect by the musical fraternity, his technical proficiency led to a both jealousy and bitterness from less-talented performers in the musical world. His technical ability is, by any standard, remarkable. Note that despite his impressive technique, some find Malmsteen's recordings repetitive or even boring. A review of 1988's Odyssey notes "little difference in approach from his previous output, lending credence to critics' charges that Malmsteen plays with mindless technique at the expense of substance, fire, and emotion." [1] (http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:bauk6j3h71q0) Malmsteen has been criticized for a musical style that focuses more on showing his own technical prowess than on substance. However it should be noted that by the use of modal progressions not widely used in rock and his classical influence he was able to revolutionise rock guitar. Although the reversion to basic pentatonic and blues type riffs in modern rock is prevalent, those who still employ technical playing are playing in the genre that guitarists such as Malmsteen revolutionised. Some of the lyrics employed in some of Malmsteen's songs have been questioned as commercial or 'cheesy' but often this was just a tool for more exposure and radio play to showcase the technical mastery of his guitar playing. Perhaps some of his instrumental passages like 'Sorrow' and 'Far beyond the Sun' tracks devoid of lyrics, were his finest hour. Discography
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Perhaps some of his instrumental passages like 'Sorrow' and 'Far beyond the Sun' tracks devoid of lyrics, were his finest hour. After 1996, Menudo changed its name to MDO. Some of the lyrics employed in some of Malmsteen's songs have been questioned as commercial or 'cheesy' but often this was just a tool for more exposure and radio play to showcase the technical mastery of his guitar playing. Initially expecting this new group to be named Menudo, he surprised the press and general public by naming them Tic Toc. There have been announcements that new management has been working on bringing back Menudo with five new members and 2 substitutes for 2005. Although the reversion to basic pentatonic and blues type riffs in modern rock is prevalent, those who still employ technical playing are playing in the genre that guitarists such as Malmsteen revolutionised. In 2004, Edgardo Diaz announced that he will be bringing a new group with the Menudo formula into the music industry. Malmsteen has been criticized for a musical style that focuses more on showing his own technical prowess than on substance. However it should be noted that by the use of modal progressions not widely used in rock and his classical influence he was able to revolutionise rock guitar. Edgardo Diaz introduced the new MDO in January 2005. A review of 1988's Odyssey notes "little difference in approach from his previous output, lending credence to critics' charges that Malmsteen plays with mindless technique at the expense of substance, fire, and emotion." [1] (http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:bauk6j3h71q0). The members wanted to pursue other projects. Note that despite his impressive technique, some find Malmsteen's recordings repetitive or even boring. In early 2003, MDO officially broke up on amicable terms. His technical ability is, by any standard, remarkable. They are scheduled to give one final concert rightly entitled "El Momento del Adios" (Goodbye's Moment) in April 2005. Although initially regarded with respect by the musical fraternity, his technical proficiency led to a both jealousy and bitterness from less-talented performers in the musical world. Their world tour was a wild success, proving that, to Menudo fans, Menudomania lives on. Malmsteen coined this design from the days when he worked in a music store in Stockholm Sweden and came across a 16th century Lute with a scalloped neck using the raised wood as frets. Because of legal issues, the comebackers could not perform as Menudo, so they were known as El Reencuentro (The Re-encounter) instead. Similar to a regular guitar neck, but with wood 'scalloped' or scooped away to form concave shaped in between the frets, of which are very large. In 1998, former Menudo members Rene, Johnny, Miguel, Ricky, Charlie, and Ray reunited to perform the songs that Menudo popularized during their era. The guitars he uses are instantly recognisable by the scalloped neck. A self-titled Spanish album was released, increasing the group's popularity in Latin America and the U.S. Fender manufactures a Malmsteen signature model Stratocaster based accurately upon this combination. Along with the new name, Andy left the group and Daniel Weber became MDO's first member to join under the new name. Malmsteen cites the Fender Stratocaster and the single coil pickups (of which he uses his own personal custom design by Di Marzio) as a large part of his sound. The band changed their name to MDO. Aside from technical prowess, distinctions of Malmsteen's guitar style include a wide, violin-like vibrato (inspired by classical violinists), almost exclusive use of Fender Stratocaster guitars, and use of minor scales and minor modes such as Phrygian, Aeolian and Harmonic Minor. In 1997, the name Menudo was sold to Venezuelan interests. In 2003, Malmsteen joined Joe Satriani and Steve Vai with whom he toured as part of the G3 "supergroup" web site (http://www.satriani.com/G3/). With Anthony and Didier, they released their last Spanish album as Menudo, entitled Tiempo De Amar. In 2000, he once again acquired a contract with a US record label, Spitfire, and released his 1990s catalog into the US market for the first time, including what he regards as his masterpiece Concerto Suite for Electric Guitar and Orchestra, recorded with the Czech Philharmonic Orchestra in Prague. In 1996, Ashley and Ricky Lopez left the group and were replaced by Anthony Galindo from Venezuela and Didier Hernandez of Cuban descent. In the 1990s, Malmsteen continued to record and release albums under the Japanese record label Pony Canyon, and maintained a devoted following in Europe and Japan, and to a lesser extent in the USA. Menudo did not record any albums in 1995. It is often argued that the grunge rock movement arose in part as a backlash to the overly technical hard rock inspired by Malmsteen and his contemporaries, which despite its often impressive technique was regarded by some as ponderous, overly complicated and for the average guitarist, frustratingly difficult to emulate. This same lineup in 1994 released the next Spanish album Imaginate.... This was displaced by the Seattle grunge movement, where technical ability was replaced by basic, more emotional songs, and simpler chord progressions. A second English single called "Cosmopolitan Girl" was also released. Despite his early success, and continued success in Europe and Asia, by the early 1990s the gratuitous over-the-top stylings of 1980s heavy metal had become unfashionable in the USA. With Lopez, Menudo recorded another Portuguese album Vem Pra Mim featuring new versions of Spanish songs released from 1991 and 1992. In the early 1990s he released the albums Eclipse (1990), The Yngwie Malmsteen Collection (1991), Fire and Ice (1992) and The Seventh Sign (1994). In 1993, Adrian left the group, and Ricky Lopez joined. Malmsteen's style was dubbed "Neoclassical" and it became somewhat popular during the mid 1980s, with notable contemporaries such as Paul Gilbert, Tony MacAlpine and Vinnie Moore appearing in Malmsteen's wake. The group continued to travel through Latin America and had a reasonably good fan base even though it wasn't like their golden years in the 80's. In late 1988, his signature series Fender Stratocaster was released, making him the second artist to have one made, after Eric Clapton. (Years later, the old wounds healed; McGillis is associated with Edgardo Diaz.) Menudo also recorded a Spanish album celebrating Menudo's 15 years in the music industry, entitled 15 Años. Not only was the concert in Leningrad the largest ever concert by a western artist in the Soviet Union, but subsequent Malmsteen record sales in Russia totalled 27 Million. Interestingly that is as many recordings as the Red Hot Chilli Peppers had sold in total by 2003, worldwide. After reports that Edgardo Diaz was authorizing the manufacture of pirated CDs and cassettes of recordings made under the McGillis Records label, McGillis (armed with a court order and assisted by armed marshalls) embargoed a concert in San Juan, Puerto Rico; he also confiscated money and merchandise to compensate for incurred losses. Shows in Russia during the Odyssey tour were recorded, and released in 1989 as his fifth album Trial By Fire / Live In Leningrad. "The A-Team" (as they were called by Edgardo Diaz due to all their names beginning with the letter A), recorded an English single "Dancin, Movin, Shakin," which would be the first of a few English recordings under the Darrin McGillis management. Odyssey would be his biggest hit album, mainly because of its first single "Heaven Tonight". In 1992, there were no changes in the group. In 1987 former Rainbow vocalist Joe Lynn Turner joined his band, and the following summer he released his fourth album Odyssey. With this brand new lineup, the Spanish album Detras de tu Mirada (Behind Your Stare) was released. His third album Trilogy was released in 1986. Meanwhile, management scrambled to find four new members: Alexis, Ashley, Andy and Abel. This was followed by "Marching Out" (1985). All the members (except Adrian) held a press conference announcing that they were quitting the group due to allegations of physical and sexual abuse. Malmsteen released his first solo album "Rising Force" (winner of Guitar Player Magazine's Best Rock Album and nominated for a 1984 Grammy for Best Rock Instrumental) which achieved the impressive position of #60 on the Billboard album chart. 1991 was a scandalous year for Menudo. He left Alcatrazz in 1984 and was replaced by Steve Vai, after which he began his solo career. But the worst was yet to come. He had brief engagements with the bands Steeler for their self-titled album of 1983, then Alcatrazz, For their debut No Parole From Rock N' Roll in 1983, plus a live album in 1984 titled Live Sentence. With these new additions, the group was working on recording a new Spanish album. In late 1982 Malmsteen was brought to the USA by Mike Varney of Shrapnel Records who had heard a demo tape of Malmsteen's playing. Months later, in 1991, Edward Aguilera from Spain and Jonathan Montenegro from Venezuela joined the band. is probably unparalleled in the rock world. The management immediately fired these two members. al. In probably the most embarrassing moment for Menudo, in November, 1990, Ruben and Sergio were detained in Miami with alleged possession of marijuana. Yngwie's contributions to the evolution of modern rock guitar remain unique - his understanding of Paganini, Bach, et. With Adrian, Menudo recorded their first Portuguese album in four years, Os Ultimos Herois and the Spanish album No Me Corten El Pelo (Don't Cut My Hair). Malmsteen also cites Jimi Hendrix, Genesis, Uli Jon Roth, and Deep Purple as influences. Angelo was replaced by Cesar Abreu, however he lasted about 7 months only to be replaced by the first Mexican member Adrian Olivares. Through his emulation of these pieces on guitar, Malmsteen developed a prodigious technical fluency. He signed with World Wide Entertainment under the direction of Darrin McGillis, and released his first solo release on McGillis Records. Malmsteen was in his teens when he first encountered the music of the 19th-century violin virtuoso Niccolo Paganini, whom he cites as his biggest classical influence. In 1990, Angelo Garcia left the group unexpectedly (once again to creative differences and alleged improper treatment). Born into a musical family in Stockholm on June 30, 1963, Malmsteen was exposed to classical music from an early age, and began playing guitar at the age of eight. For Menudo, more troubles loomed ahead in the 90's. Malmsteen (born Lars Johan Yngve Lannerbäck, June 30, 1963) is a guitarist from Sweden who achieved widespread acclaim in the 1980s due to his technical proficiency and fusion of classical music elements with heavy rock guitar. (This lineup would reunite years later as "Los Ultimos Heroes" for a series of concerts in Puerto Rico and Latin America.). Yngwie J. This production re-solidified Menudo's popularity in Latin America, especially in Venezuela where a 5-part miniseries was shot to promote the album. Unleash The Fury (2005). With Rawy, Menudo recorded the Spanish album Los Ultimos Heroes (The Last Heroes). Attack!! (2002). Ricky Martin's last concert with Menudo was in the Centro de Bellas Artes in San Juan, Puerto Rico. Concerto Suite LIVE (2002). In July 1989, after 5 years with the group, Ricky Martin left the group, replaced by Rawy Torres. War to End All Wars (2000). This album put Menudo back on the map in Latin America. Alchemy (1999). Robert Avellanet was added, and the Spanish album Sombras & Figuras (Shadows & Figures) was released. Concerto Suite for Electric Guitar and Orchestra in Em, Opus 1 (1998). Once again, the group performed as a quartet for a few months. LIVE! (1998). However, problems continued. Raymond became the second member to quit the group due to creative differences, similar to what happened with Robby only a year and a half earlier. Facing the Animal (1997). tour with the release of the new English album. Inspiration (1996). Concert promoter and record executive Darrin McGillis promoted Menudo on a widely successful, forty city U.S. Magnum Opus (1995). With Angelo, Menudo released the English album Sons of Rock, on which Menudo scored a lukewarm hit "You Got Potential," (for which Angelo would later acquire the song rights). The Seventh Sign (1994). Menudo performed without Ralphy for a few months, then Angelo Medina joined the group. Fire and Ice (1992). With only a year in the group, Ralphy was pulled from the group by his parents over issues with management regarding how Ralphy was treated. Collection (1991). More problems came for Menudo in 1988. Eclipse (1990). It wasn't the same with the Phillippine fans, and Menudo never returned after that tour. Trial By Fire: Live in Leningrad (1989). The Phillippine tour proved successful, but the fans missed Ray, Roy, Charlie, and Robby. Odyssey (1988). They released the Spanish album Somos Los Hijos del Rock (We are the Sons of Rock), followed by an English-Tagalog album for the Phillippines titled In Action. Trilogy (1986). They began to be portrayed with a more rough, rockish look. This was also applied to their music which was described before as bubble-gum pop. Marching Out (1985). With Ruben, Menudo also went through a complete image makeover. Rising Force (1984). Charlie was asked to come back one more time for the tour, which was quite successful, but it was apparent that the group's popularity wasn't the same. The management filled Robby's absence with Ruben Gomez. Insulted, Robby decided to leave. They turned him down and apparently mocked him. Apparently, he had written a song and presented the idea to management. With Ralphy, Menudo was preparing for a summer tour through the U.S., but without warning, Robby became the first member ever to quit the group. He was replaced by Ralphy Rodriguez. By this time, Charlie, who was with Menudo for 5 years, was the next to leave. 1987 was what some fans described the beginning of the fall for Menudo. As usual, Spanish, Portuguese, and English albums Refrescante (Refreshing), Menudo, and Can't Get Enough respectively, were released during this time. With Sergio, Menudo recorded their only Italian album Viva! Bravo! with versions of earlier Spanish and English hits like "No Te Reprimas," "Hold Me," "Sabes A Chocolate," among others. In 1986, Roy was replaced by Sergio Blass. A full Portuguese version was also recorded, A Festa Vai Começar (The Party's Going To Start) to coincide with a successful tour in Brazil. He was replaced by Raymond Acevedo. With Raymond, Menudo recorded their second English album, their self-titled album Menudo, which scored the hit "Hold Me." Later that year, the group recorded their next Spanish album Ayer Y Hoy (Yesterday & Today). In 1985, Ray left the group due to his sudden change of voice and height. He was replaced with Ricky Martin. Martin, along with Robby, Ray, Roy, and Charlie, released the Spanish album Evolucion which produced hits like "Sabes A Chocolate" and "Amor Primero." By this time, Menudo's popularity reached parts of Asia including Japan and the Phillippines. Unavoidably, in mid-1984, it was Ricky Melendez's turn to leave, and he did so in a great concert, becoming the only Menudo member to last seven years. With Robby, Menudo released their first English album Reaching Out which featured the theme track "Like a Cannonball" for the Hollywood movie Cannonball Run 2 and their first Portuguese album Mania, both featuring versions of some of their Spanish hits. Robi Rosa who would later be the mastermind behind Ricky Martin's hits "Livin' La Vida Loca" and "The Cup of Life"). In early 1984, Johnny was replaced by Robby Rosa (a.k.a. They released the Spanish album A Todo Rock. With Ray and Roy, Menudo signed a multi-million dollar contract with RCA International. In 1983, Xavier and Miguel left about 6 months apart from each other, being replaced by Ray Reyes and Roy Rosello respectively. When he entered the group, they recorded Por Amor (where he debuted his first lead song "La Chispa De La Vida") and the soundtrack for Menudo's big screen adventure Una Aventura Llamada Menudo, where they also sang classics like "Clara" and "Senora Mia". He was successfully succeeded by Charlie Masso, who made millions of fans for himself. Rene was the first to leave, right in the middle of Menudomania. Eventually Rene, Xavier, Miguel, and Johnny were replaced by younger Menudo members. Menudomania was compared to Beatlemania. "Menuditis" became a medical term, a diagnosis for girls who needed medical attention after attending a Menudo concert. The group also had a fanbase in Spain and the rest of Europe. At that time, their songs included "Subete A Mi Moto", "Ella A-A", "Quiero Ser", a Spanish version of "Voulez Vous", and "Fuego". The plane carried Menudo's name on both sides of the fuselage and made it the first boy band ever with its own private jet. During that time, Diaz was able to afford a Cessna jet airplane that had belonged to American President Richard Nixon and the Shah of Iran. The group became very popular in Latin America, especially in Venezuela, Peru, Argentina, Mexico, and Panama. This revolving-door policy made Menudo different from other pop acts: a member would be replaced when he reached his 16th birthday or his voice broke. Menudo's real boom came during the 1980s, after the Sallaberry brothers and Oscar and Carlos Melendez were replaced with Rene Farrait, Johnny Lozada, Xavier Serbia and Miguel Cancel. During this time, they scored a hit with "Los Fantasmas" and they were able to get a regular tv show on Telemundo canal 2 every Saturday night. In the next few years, Menudo toured Puerto Rico from shopping mall to shopping mall, from fiesta patronal (a citywide yearly celebration) to fiesta patronal. Menudo was a Puerto Rican boy band from the 1980s and 1990s. Started in 1977 by Edgardo Diaz, it initially included two sets of brothers: Diaz's cousins Ricky, Oscar and Carlos Melendez, and Fernando and Nefty Sallaberry. For the Mexican soup, see Menudo Soup. This article concerns the boy band Menudo. 1996 Tiempo De Amar [New members: Anthony & Didier]. 1994 Imaginate... [Same as above]. 1993 Vem Pra Min (Portuguese) [New member: Ricky Lopez]. 1992 15 Años [Same as above]. 1991 Detras De Tu Mirada [New members: Alexix, Ashley, Andy & Abel]. 1990 No Me Corten El Pelo [Same as above]. 1990 Os Ultimos Herois [New member: Adrian]. 1989 Los Ultimos Heroes [New member: Rawy]. 1988 Sombras Y Figuras [New member: Robert]. 1988 Sons of Rock [New member: Angelo]. 1987 In Action (English-Tagalog) [Same as above]. 1987 Somos Los Hijos del Rock [New members: Ralphy and Ruben]. 1986 Menudo (Portuguese) [Same as above]. 1986 Can't Get Enough [Same as above]. 1986 Refrescante [Same as above]. 1986 Viva! Bravo! (Italian) [New Member: Sergio]. 1985 A Festa Vai Começar [Same as above]. 1985 Ayer y Hoy [Same as above]. 1985 Menudo (English) [New Member: Raymond]. 1984 Evolucion [New Member: Ricky Martin]. 1984 Mania [Same as above]. 1984 Reaching Out [New Member: Robby]. 1983 A Todo Rock [New Members: Ray and Roy]. 1982 Feliz Navidad [Same as above]. 1982 Una Aventura Llamada Menudo (Movie Soundtrack) [Same as above]. 1982 Por Amor [New Member: Charlie]. 1981 Quiero Ser [New Member: Miguel]. 1981 Fuego [Same as above]. 1980 Es Navidad [New Member: Xavier]. 1980 Mas Mucho Mas [New Member: Johnny]. 1979 Chiquitita [New Member: Rene]. 1978 Laura [Original Members]. 1977 Los Fantasmas [Original Members]. |