The Youngbloods

Young went on to lead a moderately successful solo career. But digital movie photography has several advantages:. Subsequent efforts were not as popular, and the band soon broke up in 1972 (see 1972 in music). Despite the successful demonstration of the technology, movie studios are slow to move to this new model, in part because of the high price of the digital equipment. That year, the Youngbloods released Elephant Mountain, which was critically acclaimed but sold poorly. The attendees said the movie had the clearest and sharpest presentation they had ever seen. It didn't hit the charts until after it was used in a public service ad in 1969 (see 1969 in music). For the presentation, Lucas used a special digital projection system.

"Get Together" was their first massive success; it was a Dino Valenti song that the Jefferson Airplane and We Five had already recorded. He showed the result to a select audience of the Hollywood elite, before the movie's general release. The band was led by Jesse Colin Young, who had already released several solo LPs and worked with John Sebastian (later of the Lovin' Spoonful). Lucas departed from this model by filming Star Wars Episode II: Attack of the Clones almost completely digitally. The Youngbloods were an American folk rock and psychedelic band from the 1960s, best known for the Top Ten hit "Get Together". Though personal digital photography is now mainstream, most movie studios still use traditional cameras and film for movie production. Now Lucas is spearheading digital photography for movies.

Though Lucas didn't invent THX, he is responsible for its development. Lucas is also responsible for the modern sound systems found in many movie theaters. Lucas sold his early computer development unit to Steve Jobs in 1988, which was renamed Pixar. Through ILM, Lucas spurred the further development of computer graphics, film laser scanners and the earliest use of 3D computer character animation in a film, Young Sherlock Holmes.

In 1975 Lucas established Industrial Light and Magic (ILM) in Van Nuys, CA, which was responsible for the invention of the special computer assisted camera crane "Dykstraflex" that was used for most of the space fight sequences used in the Star Wars movies (technology which was later adopted by most other visual effects production units, such as those responsible for "Battlestar Galactica" and "Star Trek: The Next Generation"). Besides his directorial and production work on movies, Lucas is the most significant contemporary contributor to modern movie technology. On the June 5, 2005, Lucas was named 100th "Greatest American" by the Discovery Channel. [1] (http://www.afi.com/tvevents/laa/laa05.aspx).

He received the award on June 9, 2005. The American Film Institute awarded Lucas its Lifetime Achievement Award for 2005. On October 3, 1994, Lucas started to write the three Star Wars prequels, and on November 1 that year, he left the day-to-day operations of his filmmaking business and started a sabbatical to finish the prequels. He wanted his friend, Steven Spielberg, to direct some of the later Star Wars movies, but since Spielberg was a member of the guild, he couldn't work on Lucas' films.

This made it hard for him to find a director for some of his later projects. After paying the fine, he quit the guild. Lucas was fined by the Directors Guild of America for refusing to have a standard title sequence in his Star Wars films. In 2005 Forbes.com estimated the lifetime revenue generated by the Star Wars franchise at nearly $20 billion.

In 2004 Forbes Magazine estimated Lucas' personal wealth at $3 billion. This decision earned him hundreds of millions of dollars as he was able to directly profit from all the licensed games, toys and collectibles created for the franchise. During the filming of Star Wars, Lucas waived his up front fee as director and negotiated to own the licensing rights—rights which the studio thought were nearly worthless. On a return on investment basis, Star Wars proved to be the most successful films of all time.

Along with Spielberg, Lucas is credited with establishing the blockbuster approach to filmmaking. In fact, Lucas and Spielberg had been acquaintances for some time and eventually worked together on several films, notably the first Indiana Jones vehicle, Raiders of the Lost Ark in 1981. Star Wars is considered by some to be the first "high concept" film, although others feel the first was Steven Spielberg's Jaws, released two years prior. Lucasfilm Games, later renamed to LucasArts, is highly regarded in the gaming industry.

Skywalker Sound and Industrial Light and Magic, the sound and visual effects subdivisions of Lucasfilm, respectively, have become among the most respected firms in their fields. American Zoetrope never really succeeded, but from the financial success of his films American Graffiti (1973) and Star Wars (1977), Lucas was able to set up his own studio, Lucasfilm, in Marin County in his native northern California. After graduating, he co-founded the studio American Zoetrope with Francis Ford Coppola, hoping to create a liberating environment for filmmakers to direct outside the perceived oppressive control of the Hollywood studio system. There he made a number of short films, including an early version of THX1138, later to become his first full-length feature film.

During the 1960s, Lucas studied cinema in Los Angeles at the University of Southern California's School of Cinema-Television, one of the earliest universities to have a school devoted to film studies. For better or worse, that dream was abruptly ended in his early adulthood when he crashed his Fiat Bianchina in a car accident. Lucas attended Downey High School and was interested in racecar driving; he dreamed of becoming a professional racecar driver. Lucas was born in Modesto, California, where his father, George Walton Lucas, Sr., ran a stationery store.

George Walton Lucas, Jr. (born May 14, 1944) is an American film director, producer, and screenwriter famous for his epic Star Wars saga and the Indiana Jones trilogy. Indiana Jones IV (2007) (Producer). Star Wars Episode III: Revenge of the Sith (2005) (director, writer, executive producer). Star Wars Episode II: Attack of the Clones (2002) (director, co-writer, executive producer).

Star Wars Episode I: The Phantom Menace (1999) (director, writer, executive producer). Indiana Jones and the Last Crusade (1989) (co-writer, executive producer). Willow (1988) (writer, executive producer). Howard the Duck (1986) (executive producer).

Indiana Jones and the Temple of Doom (1984) (co-writer, executive producer). Star Wars Episode VI: Return of the Jedi (1983) (executive producer, co-writer). Raiders of the Lost Ark (1981) (co-writer, executive producer). Star Wars Episode V: The Empire Strikes Back (1980) (executive producer, co-writer).

Star Wars Episode IV: A New Hope (1977) (director, writer). American Graffiti (1973) (director, writer). THX1138 (1970) (director, writer). Transferring digital movies to DVD is much cheaper since both forms are digital.

Movies stored digitally are not susceptible to decay and degradation in quality. Delivery of movies to cinemas is much cheaper since the digital media is much smaller than traditional reels which can weigh hundreds of pounds. Digital editing is much easier and less expensive since the movie is already in digital form.