The Towering Inferno (movie)(Redirected from The Towering Inferno)The Towering Inferno is a 1974 disaster movie adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson. After the success of The Poseidon Adventure, Warner Brothers bought the rights to film The Tower for $390,000. Eight weeks later, Irwin Allen discovered The Glass Inferno and bought the rights for $400,000 for 20th Century Fox. In order to avoid having two similar films produced at the same time, the productions were combined, with a budget of $14 million (staggering for the time). Each studio paid half of the production costs. In return, Fox was given the United States box office receipts, and Warner Brothers got the profits from the rest of the world. The movie's 57 sets and four complete camera crews established records for a single film on the Twentieth Century Fox lot. In addition, songstress Maureen McGovern was hired to sing the love theme for both films (both of which won Academy Awards). The movie was released a year after the two World Trade Center skyscrapers — at that time, the newest, tallest buildings in the world — were opened in New York City. Both novels upon which this movie was based were inspired by the construction of the World Trade Center towers and concerns over what would happen if a fire broke out in a large tower. Although the two disasters were not alike (in particular, the fictional Glass Tower did not collapse), following the events of September 11, 2001, the film was often referred to by the media. (Coincidentally, principal photography on The Towering Inferno was completed on September 11th, 1974.) Primary cast
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PlotSpoiler warning: Plot or ending details follow.In the film, a new but poorly-constructed office / residential skyscraper — at 138 stories, the world's tallest — catches fire in San Francisco. Fire fighters battle the flames and make many daring attempts to rescue people trapped in the building. This includes a party of 300 dignitaries who were celebrating the building's opening and become trapped in a restaurant on the top floor. Stirling Silliphant was hired to combine both novels, taking seven main characters from each book. Features from the storyline of each book were used as well. In The Tower, a bomb in the main utility room causes a power surge, which sets a janitor's closet on fire; the escape from the top floor is by breeches buoy, and is only partially successful (more than a hundred partygoers die when fire overtakes the restaurant). In The Glass Inferno, a carelessly-discarded cigarette sets the janitor's closet on fire; the escape from the top floor is by helicopter and is more successful (everyone left in the restaurant escapes by helicopter). In The Towering Inferno, a short-circuit during routine pre-dedication testing causes a power surge which sets a janitor's closet on fire (a scenario closer to that of The Tower); escape by helicopter fails due to high winds, but escapes by breeches buoy to a neighboring 100-floor skyscraper, and an exterior "Scenic Elevator" are more successful. Initially, the fire chief's role was relatively minor; the architect was the lead and hero. Also, Ernest Borgnine (Detective Rogo in Allen's The Poseidon Adventure) was planned to be Fire Chief Mario Infantino to Steve McQueen's architect Doug Roberts. However, when McQueen signed on, he requested the fire chief's role, providing that the roles were made equal (including an equal number of lines and equal pay) and an actor of high caliber was signed to take the architect's role. Enter Paul Newman, who became Doug Roberts as McQueen became Fire Chief Michael O'Hallorhan. McQueen, Newman, and Holden all tried to obtain top billing; Holden was refused out of hand. However, to provide "dual" top billing and mollify McQueen, the credits were arranged diagonally, with McQueen at the lower-left and Newman at the upper-right. Thus, each actor appeared to have "top billing" depending on whether the poster was read from left-to-right or from top-to-bottom [1] (http://www.art.com/asp/sp-asp/_/pd--10134441/The_Towering_Inferno_Style_A.htm), though technically McQueen has "top billing". The atrium of San Francisco's Hyatt Regency Hotel (at 5 Embarcadero Center) was used as the lobby for the fictional Glass Tower. This hotel actually features three glass-walled elevators, similar to the glass-walled "Scenic Elevator" of the fictional Glass Tower; it was also seen in Mel Brooks' comedy High Anxiety. The Bank of America building at 555 California Street in San Francisco was used to double for the outside facade and plaza of the Glass Tower. Utility areas of the immense Century City complex in Los Angeles (adjacent to the Twentieth Century Fox studios) stood in for the Glass Tower's security control room and water tank area. The Glass Tower itself was a matte painting in the opening shot, and an 80-foot tall "miniature" fitted with propane gas jets for exterior fire scenes. There are many small parts in the movie played by actors who appeared in The Poseidon Adventure, which Irwin Allen also produced. This was Jennifer Jones's last film; her role was originally offered to Olivia de Havilland, who turned it down. This page about The Towering Inferno includes information from a Wikipedia article. Additional articles about The Towering Inferno News stories about The Towering Inferno External links for The Towering Inferno Videos for The Towering Inferno Wikis about The Towering Inferno Discussion Groups about The Towering Inferno Blogs about The Towering Inferno Images of The Towering Inferno |
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This was Jennifer Jones's last film; her role was originally offered to Olivia de Havilland, who turned it down. The Gutenberg Galaxy and Project Gutenberg commemorate Gutenberg's name. There are many small parts in the movie played by actors who appeared in The Poseidon Adventure, which Irwin Allen also produced. There are many statues of Gutenberg in Germany, one of the more famous being a work by Thorvaldsen, in Mainz, which is also home to the Gutenberg Museum. Utility areas of the immense Century City complex in Los Angeles (adjacent to the Twentieth Century Fox studios) stood in for the Glass Tower's security control room and water tank area. The Glass Tower itself was a matte painting in the opening shot, and an 80-foot tall "miniature" fitted with propane gas jets for exterior fire scenes. The term incunabulum refers to a western printed book produced between the first work of Gutenberg and the end of the year 1500. The Bank of America building at 555 California Street in San Francisco was used to double for the outside facade and plaza of the Glass Tower. Gutenberg's inventions are sometimes considered the turning point from the Mediaeval Era to the Early Modern Period. This hotel actually features three glass-walled elevators, similar to the glass-walled "Scenic Elevator" of the fictional Glass Tower; it was also seen in Mel Brooks' comedy High Anxiety. Literacy also increased as a result. The atrium of San Francisco's Hyatt Regency Hotel (at 5 Embarcadero Center) was used as the lobby for the fictional Glass Tower. It fed the growing Renaissance, and since it greatly facilitated scientific publishing, was a major factor in originating the scientific revolution. However, to provide "dual" top billing and mollify McQueen, the credits were arranged diagonally, with McQueen at the lower-left and Newman at the upper-right. Thus, each actor appeared to have "top billing" depending on whether the poster was read from left-to-right or from top-to-bottom [1] (http://www.art.com/asp/sp-asp/_/pd--10134441/The_Towering_Inferno_Style_A.htm), though technically McQueen has "top billing". Although Gutenberg was financially unsuccessful in his lifetime, his invention spread quickly, and news and books began to travel across Europe far faster than before. McQueen, Newman, and Holden all tried to obtain top billing; Holden was refused out of hand. The Bible was not Gutenberg's first printed work, for he produced approximately two dozen editions of Ars Minor, a portion of Aelius Donatus's schoolbook on Latin grammar, the first edition of which is believed to have been printed between 1451 and 1452. Enter Paul Newman, who became Doug Roberts as McQueen became Fire Chief Michael O'Hallorhan. As of 2003, the Gutenberg Bible census includes 11 complete copies on vellum, 1 copy of the New Testament only on vellum, 48 substantially complete integral copies on paper, with another divided copy on paper, and an illiminated page (the Bagford fragment). However, when McQueen signed on, he requested the fire chief's role, providing that the roles were made equal (including an equal number of lines and equal pay) and an actor of high caliber was signed to take the architect's role. The Gutenberg Bibles surviving today are sometimes called the oldest surviving books printed with movable type, although the oldest surviving book was published in Korea in 1377. Also, Ernest Borgnine (Detective Rogo in Allen's The Poseidon Adventure) was planned to be Fire Chief Mario Infantino to Steve McQueen's architect Doug Roberts. Gutenberg was also known to spend what little money he had on alcohol, so the Archbishop arranged for him to be paid in food and lodging, instead of coin. Initially, the fire chief's role was relatively minor; the architect was the lead and hero. Gutenberg was subsidized by the Archbishop of Mainz until his death. In The Towering Inferno, a short-circuit during routine pre-dedication testing causes a power surge which sets a janitor's closet on fire (a scenario closer to that of The Tower); escape by helicopter fails due to high winds, but escapes by breeches buoy to a neighboring 100-floor skyscraper, and an exterior "Scenic Elevator" are more successful. So, while Gutenberg ran a print shop until just before his death in Mainz in 1468, Fust became the first printer to publish a book with his name on it. In The Glass Inferno, a carelessly-discarded cigarette sets the janitor's closet on fire; the escape from the top floor is by helicopter and is more successful (everyone left in the restaurant escapes by helicopter). Fust sued, and the court's ruling not only effectively bankrupted Gutenberg, it awarded control of the type used in his Bible, plus much of the printing equipment, to Fust. In The Tower, a bomb in the main utility room causes a power surge, which sets a janitor's closet on fire; the escape from the top floor is by breeches buoy, and is only partially successful (more than a hundred partygoers die when fire overtakes the restaurant). The money Gutenberg earned at the fair was not enough to pay Fust back for his investments. Features from the storyline of each book were used as well. The one copy of the Biblia Sacra dated 1455 went to Paris and was dated by the binder. Stirling Silliphant was hired to combine both novels, taking seven main characters from each book. This was the equivalent of approximately three years' wages for an average clerk, but it was significantly cheaper than a handwritten Bible, which could take a single monk 20 years to transcribe. This includes a party of 300 dignitaries who were celebrating the building's opening and become trapped in a restaurant on the top floor. In 1455 Gutenberg demonstrated the power of the printing press by selling copies of a two-volume Bible (Biblia Sacra) for 300 florins each. Fire fighters battle the flames and make many daring attempts to rescue people trapped in the building. His first efforts enabled him to mass-produce indulgences, printed slips of paper sold by the Catholic Church to remit the temporal punishments in Purgatory for sins committed in this life. In the film, a new but poorly-constructed office / residential skyscraper — at 138 stories, the world's tallest — catches fire in San Francisco. Knowing that wood-block type involved a great deal of time and expense to reproduce because it had to be hand carved, Gutenberg concluded that metal type could be reproduced much more quickly once a single mould had been fashioned.
In addition, songstress Maureen McGovern was hired to sing the love theme for both films (both of which won Academy Awards). It is not clear whether Gutenberg knew of these existing techniques or invented them independently. The movie's 57 sets and four complete camera crews established records for a single film on the Twentieth Century Fox lot. The Koreans and Chinese knew about movable metal types at the time, but due to the complex nature of the Chinese writing system, printed material was not as abundant as that of Renaissance Europe. In return, Fox was given the United States box office receipts, and Warner Brothers got the profits from the rest of the world. Block printing, whereby individual sheets of paper were pressed into wooden blocks with the text and illustrations carved in, was in use in Europe and East Asia long before Gutenberg. Each studio paid half of the production costs. . In order to avoid having two similar films produced at the same time, the productions were combined, with a budget of $14 million (staggering for the time). Gutenberg was born in the German city of Mainz, as the son of a merchant named Friele Gensfleisch zur Laden, who adopted the surname "zum Gutenberg" after the name of the neighborhood into which the family had moved. Eight weeks later, Irwin Allen discovered The Glass Inferno and bought the rights for $400,000 for 20th Century Fox. By combining these elements into a production system, he allowed for the rapid printing of written materials and an information explosion in Renaissance Europe. After the success of The Poseidon Adventure, Warner Brothers bought the rights to film The Tower for $390,000. Tradition credits him with inventing movable type in Europe, an improvement on the block printing already in use there. Scortia and Frank M. Robinson. Johannes Gensfleisch zur Laden zum Gutenberg (circa 1398 – February 3, 1468), a German metal-worker and inventor, achieved fame for his contributions to the technology of printing during the 1440s, including a type metal alloy and oil-based inks, a mould for casting type accurately, and a new kind of printing press based on presses used in wine-making. The Towering Inferno is a 1974 disaster movie adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. World Almanac's Ten Most Influential People of the Second Millennium. Golden Globe Award for Best Original Song - (Al Kasha & Joel Hirschhorn) for the song "We May Never Love Like This Again". William Caxton. Academy Award for Sound - (Theodore Soderberg & Herman Lewis). Francysk Skaryna. Academy Award for Original Music Score - (John Williams). Incunabulum. Academy Award for Best Art Direction - (William J. Creber, Ward Preston, Raphael Bretton). Typography. Golden Globe Award for Best Supporting Actress - (Jennifer Jones). Printing. Academy Award for Best Supporting Actor - (Fred Astaire). Academy Award for Best Picture. Academy Award for Best Song - (Al Kasha & Joel Hirschhorn) for the song "We May Never Love Like This Again". BAFTA Anthony Asquith Award for Film Music - (John Williams). Kress). Academy Award for Film Editing - (Carl Kress & Harold F. Golden Globe Award for Most Promising newcomer – Female – (Susan Flannery). Golden Globe Award for Best Supporting Actor - (Fred Astaire). BAFTA Award for Best Actor in a Supporting Role - (Fred Astaire). Koenekamp & Joseph F. Biroc). Academy Award for Best Cinematography - (Fred J. Dabney Coleman: Deputy Chief #1. Susan Flannery: Lorrie. Robert Wagner: Dan Bigelow. Gary Parker. Robert Vaughn: Sen. Simpson: Harry Jernigan. O.J. Jennifer Jones: Lisolette Mueller. Richard Chamberlain: Roger Simmons. Susan Blakely: Patty Simmons. Fred Astaire: Harlee Claiborne. Faye Dunaway: Susan Franklin. William Holden: James Duncan. Paul Newman: Doug Roberts. Steve McQueen: Chief Michael O'Hallorhan. |