The Smiths

Music journalists have speculated that the chance of The Smiths reforming is extremely low, as the damage in their relationship was so severe. As a member of the Stills-Young Band. Rourke had long since settled for a smaller sum to pay off debts and continues to receive 10%. As a member of Crosby, Stills, and Nash (and Young). The court found in favor of Joyce, and ordered that he be paid over £1m in back pay and receive 25% henceforth. As a member of the Buffalo Springfield. The Smiths were reunited in court in 1996 to settle a royalties claim by Joyce against Morrissey and Marr, who claimed the lion's share of the Smiths earnings from recordings and delegated only 10 percent each to Joyce and Rourke. As a member of the Au Go Go Singers.

The band finally split due to a breakdown in the relationship between Morrissey and Marr with Morrissey becoming annoyed at Marr's work with other artists, and Marr becoming frustrated by Morrissey's musical inflexibility. Solo. In 2002, they were voted 'most inspirational band' by NME magazine. In 2000, Stills was an Al Gore delegate from Florida during the Democratic National Convention. The band released a total of four studio albums and at least as many compilations in less than five years, as well as numerous singles. CSNY has long been associated with liberal causes. 8. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice in the same night for his work with CSN and the Buffalo Springfield.

They received increased acknowledgement in the 1990s and the re-released "This Charming Man" reached No. This has led to the semi-permanent CSN reunion even though all three have released solo records since then. 10 in the UK chart, none charted in the US), The Smiths generated a growing cult following throughout the last two decades of the twentieth century. Stills was contractually obligated to finish the tour, but he did reunite with Crosby and Nash shortly afterwards. Though not an international commercial success at the time (only two singles "Heaven Knows I'm Miserable Now" and "Sheila Take a Bow" made No. However, Young would leave midway through the resulting tour. 2 in the UK and was only a minor US hit, although the track "Paint a Vulgar Picture" proved somewhat prophetic in foretelling how the songs would be "reissued and repackaged" in seemingly innumerable compilations. At one point, Long May You Run was supposed to be a CSNY record, but when Crosby and Nash left to fufill recording and touring obligations, Stills and Young decided to go on as the Stills-Young Band.

It too peaked at No. Then he switched to Columbia Records before an attempted reunion with Young. By 1987 personal differences within the band, and the increasingly strained relationship between Morrissey and Marr, saw them on the verge of splitting and by the time that year's Strangeways, Here We Come (named after a Manchester prison) was released, the band had ceased to exist. The next year, Stills teamed up with ex-Byrd Chris Hillman and several CSNY sidemen to form the band Manassas. This five-piece recorded the singles Panic and Ask and toured the United Kingdom; after the tour ended in October 1986, Gannon was fired. It provided Stills with the hit single "Love The One You're With" as well as the concert favorite "Black Queen." Stills followed this with Stephen Stills 2, which featured "Change Partners", a metaphor for the many relationships in CSNY. Gannon was retained and switched to rhythm guitar. Stephen Stills featured guests Eric Clapton, Jimi Hendrix, and Ringo Starr as well as contributions from other members of CSNY.

He was temporarily replaced on bass by Craig Gannon but reinstated after a fortnight. In the wake of CSNY's success, all four members recorded solo albums. Meanwhile, Rourke was fired from the band in early 1986 due to ongoing problems with heroin. Despite several breakups and reformations, CSN (and sometimes CSNY) still records and tours to this day. 2 in the UK chart, and is now usually thought of as their best work. During the late 1960s and early 1970s, CSN and CSNY was one of the few North American groups to rival the Beatles in popularity. A typical mixture of the mordantly bleak ("Never Had No-one Ever", which seemed to play up to stereotypes of the band), the dryly humorous ("Frankly, Mr Shankly") and a number of songs that synthesised both of these sides ("There Is a Light That Never Goes Out" and "Cemetry Gates") the record reached No. Neil Young would be added for their second album, and the group would become Crosby, Stills, Nash, and Young.

During 1985 and 1986 the band completed exhausting tours of the UK and the US while recording the next studio record, The Queen Is Dead, released in June 1986. During the disintegration of the Buffalo Springfield, Stills would join up with ex-Byrd David Crosby and ex-Hollie Graham Nash to form the supergroup Crosby, Stills & Nash. Musically, the band were more adventurous, with Marr adding rockabilly riffs to "Rusholme Ruffians" and playing funk on "Barbarism Begins at Home". Soon Stills' playing would show the influence of his friend Jimi Hendrix and also sometimes the rhythms and riffs of various kinds of Latin music. This album was more strident and political than its predecessor, including the vegetarian proselytising of the title track and the light-hearted republicanism of "Nowhere Fast". Early on, it would display sources in generic rock'n'roll, blues, and country music, as well as the chordings familiar in the acoustic-folk music scene. With their profile further raised by a hit version of "Hand in Glove" by Sandie Shaw (another Morrissey idol), who was supported by the band, barefoot, on the Top of the Pops show, and a critically feted album of session material (Hatful of Hollow, released in November 1984) the band returned to the studio to record their sophomore effort, Meat Is Murder. Stills' guitar playing continually evolved.

"The Hand That Rocks the Cradle" caused some controversy over its content, supposedly suggestive of pedophilia. The band would release three albums (Buffalo Springfield, Buffalo Springfield Again, and Last Time Around) and one hit single (Stills' "For What It's Worth") before breaking up. His frequent acknowledgement of his many idols (James Dean and Oscar Wilde particularly) in interviews, along with some more subtle reference (the song-title "Pretty Girls Make Graves", for example, is taken from Hubert Selby) encouraged a literary bent amongst fans, who already had a tendency towards bookishness. Years later, Stills, Furay, and Young would meet up in Los Angeles and form the core of the Buffalo Springfield. Also evident was Morrissey's studied references to literature and popular culture icons. Main articles: Buffalo Springfield, Crosby, Stills & Nash (and Young). Its mood was also unremittingly bleak, exemplified by such track titles as "Still Ill" and "Suffer Little Children"; the latter referring to the Moors Murders that had stunned Manchester in the 1960s. On the VH1 CSNY Legends special, Stills would say that at that time, Young was doing what he always wanted to do, "play folk music in a rock band." The Au Go Go Singers would break up shortly afterwards.

Despite its strong chart performance, The Smiths lacked some of the pop energy of the earlier singles, and suffered from being a little one-paced. This group would release one album and embark on a tour of Canada where Stills and Furay would meet a young guitarist named Neil Young. 2 in the UK chart. Stills eventually ended up in a nine member vocal harmony group called the Au Go Go Singers where he met Richie Furay. By February 1984 this fanbase was sufficiently large to launch the band's long-awaited, self-titled debut album to No. He was in a series of unsuccessful bands including the Continentals, which featured future Eagles guitarist Don Felder. Morrissey's lyrics, superficially depressing, were often full of mordant humour ("one of the few bands capable of making me laugh out loud", said Peel) and his lovelorn tales of alienation found an audience amongst a disaffected section of youth culture, bored by the ubiquitous synthesizer new romantic bands that dominated the charts. Stills dropped out of the University of Florida to pursue a music career in the early 1960s.

The follow-ups, "This Charming Man" and "What Difference Does It Make", fared better and, aided by much praise from the music press, began to pick up a fanatical following. He was also influenced by Latin music after spending his teenage years in Costa Rica and the Panama Canal Zone, where he graduated high school. The record, like many of their later singles, was championed by DJ John Peel but failed to chart. Moving around as a child, he developed an interest in blues and folk music. Signing to Rough Trade records, they released their first single "Hand in Glove" on 13 May 1983. Stills was born in Dallas, Texas on January 3, 1945 to a military family. Hibbert was replaced after two gigs, however, by Andy Rourke, a friend of Marr's. Stephen Stills is an American guitarist and singer/songwriter best known for his work with the Buffalo Springfield and Crosby, Stills, Nash and Young (at first it was Crosby, Stills and Nash; Young joined the group after their first album).

Mike Joyce was recruited as drummer after a short audition; the sound engineer of the studio where they recorded their first demos, Dale Hibbert, played bass. Long May You Run, 1975. When they formed the band, Morrissey dropped his first name and Maher changed his surname to Marr to avoid confusion with the Buzzcocks drummer of the same name. Looking Forward, 1999. The pair began to write songs based around Marr's guitar playing and lyrics by Morrissey, an occasional and none-too-successful music journalist. Carry On, 1998. John Martin Maher, October 31, 1963). After The Storm, 1994.

Steven Patrick Morrissey May 22, 1959) and Johnny Marr (b. CSN (box set), 1991. The group was formed in early 1982 by Manchester residents Morrissey (b. Live It Up, 1990. The band existed from 1982 to 1987. American Drean, 1988.
The Smiths were a hugely influential British rock group and "indie music" pioneers. Allies, 1983.

Morrissey and Marr: The Severed Alliance (Omnibus 1992, 1993²; ISBN 0-7119-3000-7). Daylight Again, 1982. Johnny Rogan. Replay, 1980. The Smiths: The Complete Story (Omnibus 1985, 1988²). CSN, 1977. Mick Middles. So Far, 1974.

The Smiths: Songs That Saved Your Life (Reynolds and Hearn 2002, 2004²; ISBN 1-903111-47-1). Four Way Street, 1971. Simon Goddard. Deja Vu, 1970. Morrissey: Scandal and Passion (Robson 2004; ISBN 1-86105-787-3; covers both Smiths and Morrissey's solo career). Crosby, Stills, and Nash, 1969. David Bret. Box Set, 2001.

The Very Best of The Smiths (compilation, 2001: UK – 31). Best of the Buffalo Springfield, 1969. Singles (compilation, 1995: UK – 5). Last Time Around, 1968. ...Best II (compilation, 1992: UK – 29). Buffalo Springfield Again, 1967. Best...I (compilation, 1992: UK – 1; US – 139). Buffalo Springfield, 1967.

Rank (live, 1988 [1986]: UK – 2; US – 77). Au Go Go Singers, 1964. Strangeways, Here We Come (1987: UK – 2; US – 55). Turning Back The Pages, 2003. Louder Than Bombs (compilation, 1987: UK – 38; US – 62). Stills Alone, 1991. The World Won't Listen (compilation, 1987: UK – 2). Right By You, 1984.

The Queen Is Dead (1986: UK – 2; US – 71). Thoroughfare Gap, 1978. Meat Is Murder (1985: UK – 1; US – 110). Illegal Stills, 1976. Hatful of Hollow (compilation, 1984: UK – 7). Still Stills: The Best of Stephen Stills, 1976. The Smiths (1984: UK – 2; US – 150). Stills, 1975.

"Ask" (1995 re-issue [1986]: 62). Stills Live, 1975. "There Is a Light that Never Goes Out" (1992 [1986]: 25). Down The Road, 1973. "How Soon Is Now?" (1992 re-issue [1984]: 16). Manassas, 1972. "This Charming Man" (1992 re-issue [1983]: 8). Stephen Stills 2, 1971.

"Last Night I Dreamt that Somebody Loved Me" (1987: 30). Stephen Stills, 1970. "I Started Something I Couldn't Finish" (1987: 23). Super Sessions (with Al Kooper and Mike Bloomfield), 1968. "Girlfriend in a Coma" (1987: 13). "Sheila Take a Bow" (1987: 10).

"Shoplifters of the World Unite" (1987: 12). "Ask" (1986: 14). "Panic" (1986: 11). "Bigmouth Strikes Again" (1986: 26).

"The Boy with the Thorn in His Side" (1985: 23). "That Joke Isn't Funny Anymore" (1985: 49). "Shakespeare's Sister" (1985: 26). "How Soon Is Now?" (1985: 24).

"William, It Was Really Nothing" (1984: 17). "Heaven Knows I'm Miserable Now" (1984: 10). "What Difference Does It Make?" (1984: 12). "This Charming Man" (1983: 25).

"Hand in Glove" (1983: 124). Craig Gannon – rhythm guitar (1986). Dale Hibbert – bass guitar (1982). Mike Joyce – drums, backing vocals.

Andy Rourke – bass guitar, cello. Johnny Marr – guitars, keyboards, mandolin, bass guitar, harmonica. Morrissey – vocals, piano.