The GodfatherThe Godfather is a novel written by Mario Puzo about a fictitious Italian Mafia family. The novel was adapted into a film of the same name directed by Francis Ford Coppola and starring Al Pacino as Michael Corleone. The film spawned two sequels. "The Godfather" (in Italian, Il Padrino) is a term used to identify the boss of a Mafia clan, the eldest or the most representative member of a family. (See godparent for the origins of the term.) In the novel, this character was Don Vito Corleone, whose surname recalls the town of Corleone, Sicily. Similarly, the surname of Don Vito's mother is Corigliano, coming from the town of Corigliano Calabro, Calabria, which is well known for ndrangheta activity. It should be noted that in the movie sequel, The Godfather II, it was revealed that the Godfather's real name was Vito Andolini and he was given the surname Corleone as a result of a mistake during his registration at Ellis Island. This was a common occurrence which still occurs even today. However, in the book, this fact is made explicit, with the 12-year-old Vito adopting the Corleone name by choice, instead of having it given to him in error. FilmThe motion picture adaptation of The Godfather (1972) was directed by Francis Ford Coppola. Coppola had directed several films prior to this, but none of them had had a significant impact on the public. Shooting began on March 29, 1971 and was completed on August 6, 1971. The producers of the movie did not believe that The Godfather would be very successful; hence, there was an extremely low budget for the film. Interestingly, this obliged the crew to use regular lights, instead of the production/set lights, lending a realistic look to the film. The film spans ten years from late 1945 to 1955 (after Don Vito Corleone's death in 1954). The producers originally wanted Robert Redford to play Michael Corleone, but Coppola wanted Al Pacino. Pacino was not well known at the time, and was not considered right for the part. Pacino was only granted the role after Coppola threatened to quit the production.
The role of Don Vito Corleone was memorably acted by Marlon Brando, and Brando won an Academy Award (which he did not accept) for his portrayal of the aging Don. Many of the actors playing the supporting roles were largely unknown or minor actors; however, they rocketed into the limelight with the success of The Godfather. Al Pacino and Robert Duvall, in particular, went on to enjoy long, successful, highly acclaimed careers. Since its release on March 15, 1972, The Godfather has been accused of glorifying the image of the Mafia. Vito Corleone was portrayed by Brando as a Mafia Don whom people could actually respect (although the actions of Don Michael Corleone in The Godfather Part II worked to tear down this image). Critical acclaimThe film is greatly respected among critics and the public. It was voted greatest film of all time by Entertainment Weekly, and #3 of all time by the American Film Institute. It is currently ranked #1 on IMDB's Top 250. The Godfather won three Academy Awards:
It was nominated for eight additional Academy Awards. As its sequel The Godfather Part II also won the Academy Award for Best Picture, the Godfather trilogy remains the only series ever to win multiple "Best Picture" Oscars. Additionally, The Godfather won five Golden Globes, one Grammy, and numerous other awards. SequelsA sequel, The Godfather Part II, was released in 1974. It consists of two parallel storylines, and the film switches back and forth between them. One storyline is the continuing story involving Michael Corleone in the 1950s; the other is a flashback sequence following his father, Vito, from his youth in Sicily up through the founding of the Corleone crime family in New York and the births of Michael and his siblings. This version of Vito is played by different actors at different ages, but the adult Vito is played by Robert DeNiro, who won a Best Supporting Actor Academy Award for a role in which, interestingly, he speaks almost no English-language dialogue. Many critics consider the sequel to be equal to (if not superior to) the original film in quality. Coppola re-edited the two movies together, in chronological order (adding some previously unseen footage but also toning down the violence), into one long saga for TV broadcast, entitled The Godfather Saga (aka "The Godfather: The Complete Novel For Television" and "The Godfather: 1901-1959--The Complete Epic"). While easier to understand, this version is not as interesting from a critical and artistic standpoint as the originals. Both The Godfather and The Godfather Part II have been selected for preservation in the United States National Film Registry. In 1990, Coppola released a belated third film, The Godfather Part III. This film was successful financially, but critical and fan response was mixed. However, the movie still received seven Academy Award nominations, among them "Best Motion Picture" and "Best Cinematography". The film is notable for the key role played, though ineffectually, by Coppola's daughter, the future Academy Award-winning filmmaker Sofia Coppola, who was forced to play Mary Corleone on short notice after Winona Ryder became ill. The movie was set in 1979, and focused on an aging Michael Corleone. Parts of the film were loosely based on real historical events, including the death of Pope Paul VI, the election of John Paul I, and his subsequent death. In the late 1990s, rumors circulated regarding another installment of the series, with Leonardo DiCaprio and Andy Garcia apparently expressing interest. However, after the death of Mario Puzo in 1999, a new sequel appears very unlikely. In 2004, Random House published a new sequel to the Godfather saga, The Godfather Returns (http://www.markwinegardner.com/godfather) by Mark Winegardner (http://www.markwinegardner.com). It has been almost universally maligned. The video game company Electronic Arts is currently working on a video game version of The 'Godfather. Prior to his death, Marlon Brando provided the voice for Vito. Francis Ford Coppola said in April 2005 that he was not informed of Paramount's decision to allow the game to be made and he did not approve of it. InfluenceThe movies have powerfully influenced the image of the Mafia among the public. The scene where Don Vito in a deep voice says "I'm gonna make him an offer he can't refuse" is often parodied. Reports from Mafia trials and confessions have suggested that Mafia families began a "real life" tradition of paying respect to the family don by kissing his ring, in imitation of the opening scene of The Godfather. The image of the Mafia as being a medieval-style organisation with a "royal family" doing favours for underlings is very popular. For example, in John Grisham's novel The Firm, the Mafia is depicted as having an organisation wherein the top mobsters marry into the "royal family". However, this image bears little resemblance to the more sordid reality of a Mafia "family", which is depicted in the film Goodfellas. References
Video gameThe Godfather: The Game features the voices of Marlon Brando, James Caan, and Robert Duvall. Al Pacino refused to reprise the role of Michael Corleone because rival publisher VU Games is still trying to hire Pacino to voice Tony Montana in its upcoming Scarface game. Even if Pacino could voice the game, his voice would probably have changed too much. This page about The Godfather includes information from a Wikipedia article. Additional articles about The Godfather News stories about The Godfather External links for The Godfather Videos for The Godfather Wikis about The Godfather Discussion Groups about The Godfather Blogs about The Godfather Images of The Godfather |
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Even if Pacino could voice the game, his voice would probably have changed too much. In 1994, an episode of The Simpsons ("Itchy and Scratchy Land") featured a Fantasia spoof. Al Pacino refused to reprise the role of Michael Corleone because rival publisher VU Games is still trying to hire Pacino to voice Tony Montana in its upcoming Scarface game. Then, in 1976, Italian animator Bruno Bozzetto released his own Fantasia parody called Allegro non troppo. The Godfather: The Game features the voices of Marlon Brando, James Caan, and Robert Duvall. Cartoons) director Robert Clampett did a Fantasia spoof short film, A Corny Concerto, with Bugs Bunny, Porky Pig, and Daffy Duck acting out the musical segments (and Elmer Fudd doing an impression of Deems Taylor). However, this image bears little resemblance to the more sordid reality of a Mafia "family", which is depicted in the film Goodfellas. In 1943, Leon Schlesinger Productions (later Warner Bros. For example, in John Grisham's novel The Firm, the Mafia is depicted as having an organisation wherein the top mobsters marry into the "royal family". Disney's dream was belatedly and finally realized with the 1999 release of Fantasia 2000 in IMAX theaters. Fantasia 2000 reused The Sorcerer's Apprentice with Mickey Mouse, but otherwise consisted entirely of new material. The image of the Mafia as being a medieval-style organisation with a "royal family" doing favours for underlings is very popular. Other segments such as Ride Of The Valkyries, Swan of Tuonela, and Flight of the Bumblebee were storyboarded but never fully animated, and thus were never put into production for inclusion in a future Fantasia release. Both World War II and overseas costs prevented Disney from revising Fantasia during his lifetime. Reports from Mafia trials and confessions have suggested that Mafia families began a "real life" tradition of paying respect to the family don by kissing his ring, in imitation of the opening scene of The Godfather. This version of Clair De Lune can be found on disc 3 of the Fantasia Legacy DVD box set, or on the Disney Classic 'Fantasia' DVD (released in 2000) as a special feature. The scene where Don Vito in a deep voice says "I'm gonna make him an offer he can't refuse" is often parodied. A workprint version of the original version of Clair De Lune was finally discovered, restored, and released by Disney as a stand-alone short subject in 1996; the accompanying Deems Taylor/Stowkowski footage was never found. The movies have powerfully influenced the image of the Mafia among the public. Instead, the sequence was later completely re-worked and re-scored as the Blue Bayou segment of Make Mine Music (1946). Francis Ford Coppola said in April 2005 that he was not informed of Paramount's decision to allow the game to be made and he did not approve of it. Ink and paint and Technicolor photography were completed in January 1942 with the intentions of releasing Clair De Lune as a short subject, which would not be done for fifty-four years. Prior to his death, Marlon Brando provided the voice for Vito. Clair De Lune, a casualty of Fantasia's excessive length, made it to the final pencil test stages before being deleted. The video game company Electronic Arts is currently working on a video game version of The 'Godfather. Ironically, one segment intended for the original Fantasia was completely animated, and then left out of the first release. It has been almost universally maligned. However, the film's underwhelming box-office performance prevented such plans from being realized. In 2004, Random House published a new sequel to the Godfather saga, The Godfather Returns (http://www.markwinegardner.com/godfather) by Mark Winegardner (http://www.markwinegardner.com). The plan was to repeat some of the scenes while replacing others with different music and animation, so that each version of the film would include both familiar material and new segments. However, after the death of Mario Puzo in 1999, a new sequel appears very unlikely. Disney had wanted to Fantasia to be an ongoing project, ideally with a new release each year. In the late 1990s, rumors circulated regarding another installment of the series, with Leonardo DiCaprio and Andy Garcia apparently expressing interest. As it is, young children may enjoy the movie, particularly the dinosaur sequence. Parts of the film were loosely based on real historical events, including the death of Pope Paul VI, the election of John Paul I, and his subsequent death. As expected about North American attitudes towards animation, the film is regularly recommended as an excellent means to introduce children to classical music. The movie was set in 1979, and focused on an aging Michael Corleone. The cuts in The Rite of Spring angered Igor Stravinsky, the only living composer whose work was represented in the film. The film is notable for the key role played, though ineffectually, by Coppola's daughter, the future Academy Award-winning filmmaker Sofia Coppola, who was forced to play Mary Corleone on short notice after Winona Ryder became ill. Classical music lovers who know the pieces are sometimes offended by the cuts that were taken, which were particularly heavy in the Beethoven sequence. However, the movie still received seven Academy Award nominations, among them "Best Motion Picture" and "Best Cinematography". For instance, the famed movie critic Pauline Kael wrote "'The Sorcerer's Apprentice,' featuring Mickey Mouse, and parts of other sequences are first-rate Disney, but the total effect is grotesquely kitschy." The Beethoven sequence is frequently singled out for criticism, because of the editing of the piece and the juxtaposition of the piece with the Ancient Greek setting. This film was successful financially, but critical and fan response was mixed. Others have taken a more negative view, often invoking the rather loaded word kitsch. In 1990, Coppola released a belated third film, The Godfather Part III. There are certainly many critics who admire the film greatly, particularly the animation work, and as an American animated feature film made with an unprecedented level of artistic ambition. The film was selected for preservation in the United States National Film Registry. Both The Godfather and The Godfather Part II have been selected for preservation in the United States National Film Registry. Critics to this day differ in their evaluation of the film. While easier to understand, this version is not as interesting from a critical and artistic standpoint as the originals. The movie won two Honorary Academy Awards:. Coppola re-edited the two movies together, in chronological order (adding some previously unseen footage but also toning down the violence), into one long saga for TV broadcast, entitled The Godfather Saga (aka "The Godfather: The Complete Novel For Television" and "The Godfather: 1901-1959--The Complete Epic"). Besides these issues, this is the most complete version of the film that currently exists. Many critics consider the sequel to be equal to (if not superior to) the original film in quality. However, most of Taylor's narration for the long-lost sequences was unusable or missing, so Disney had voice actor Corey Burton come in and to completely re-record all of Taylor's lines, and some portions from the "Beethoven 6th Symphony" were "zoomed in" (to avoid showing the black centaur). This version of Vito is played by different actors at different ages, but the adult Vito is played by Robert DeNiro, who won a Best Supporting Actor Academy Award for a role in which, interestingly, he speaks almost no English-language dialogue. Finally, for its 60th Anniversary DVD release, Disney recovered the remaining lost footage from the Deems Taylor segments that had been cut from the film decades earlier for general release, and was able to reconstruct the original 125-minute 1940 Roadshow version, complete with intermission. One storyline is the continuing story involving Michael Corleone in the 1950s; the other is a flashback sequence following his father, Vito, from his youth in Sicily up through the founding of the Corleone crime family in New York and the births of Michael and his siblings. Both the picture and the Fantasound tracks were digitally remastered, and thus a new generation was able to experience the film with Leopold Stokowski's original Philadelphia Orchestra recordings. It consists of two parallel storylines, and the film switches back and forth between them. For its 50th Anniversary in 1990, Disney decided to go back to the original Fantasound tracks, and using whatever film elements were still available, restored the film to more or less its original format to closely resemble the 1947 General Release Version. A sequel, The Godfather Part II, was released in 1974. This would be the version released numerous times throughout the 1980s. Additionally, The Godfather won five Golden Globes, one Grammy, and numerous other awards. However, judicial edits were made, including replacing Deems Taylor's original narration with a sound-alike. As its sequel The Godfather Part II also won the Academy Award for Best Picture, the Godfather trilogy remains the only series ever to win multiple "Best Picture" Oscars. For its 1982 re-issue, as motion picture sound technology was advancing, Disney decided to completely re-record the film's soundtrack with a new digital recording arranged and conducted by Irwin Kostal, marking the first ever release of a motion picture with digital stereo sound. It was nominated for eight additional Academy Awards. The 1969 theatrical re-release was edited again to remove Sunflower, a black centaur. According to the Memory Hole (http://www.thememoryhole.org/arts/sunflower.htm), "Performing menial duties for the blonde, white female centaurs, Sunflower is a racial stereotype along the lines of Amos and Andy, Buckwheat, and Aunt Jemima.". The Godfather won three Academy Awards:. The re-release was a major success, especially with the psychedelic young adult crowd, many of whom would come lie down in the front row of the theatre and experience the film from there. It is currently ranked #1 on IMDB's Top 250. By 1967, Fantasia had become immensely popular among teenagers and college students, many of whom would take illegal drugs like marijuana and LSD to "better experience the film." Disney therefore promoted the film as a "trip-film" for its 1967 re-release, even creating a psychedelic-styled poster to match this campaign. It was voted greatest film of all time by Entertainment Weekly, and #3 of all time by the American Film Institute. The film never turned a profit until its 1967 re-release. The film is greatly respected among critics and the public. This is the version most familiar to the public and the version most future releases of Fantasia were based upon, and is therefore called the "General Release Version". Vito Corleone was portrayed by Brando as a Mafia Don whom people could actually respect (although the actions of Don Michael Corleone in The Godfather Part II worked to tear down this image). Fantasia was edited once again in 1947, adding the Toccata and Fugue in D Minor back into the film, but still keeping the Deems Taylor sequences as short as possible. Since its release on March 15, 1972, The Godfather has been accused of glorifying the image of the Mafia. This version of the film was released nationwide (the first time Fantasia was given a wide release) with the infamous tagline "Fantasia Will Amazia!" Unfortunately, audiences were not responsive at all to the film, and it played as a B-film in most movie houses. Al Pacino and Robert Duvall, in particular, went on to enjoy long, successful, highly acclaimed careers. In 1942, RKO had the 125-minute Fantasia chopped down to 83 minutes (done by deleting the entire Toccata and Fugue in D Minor segment and shortening the live-action Deems Taylor sequences as much as possible). Many of the actors playing the supporting roles were largely unknown or minor actors; however, they
rocketed into the limelight with the success of The Godfather. Starting with the January 29, 1941
play date in Los Angeles, California, RKO assumed
distribution of Fantasia. They had the film's soundtrack remixed into monophonic sound, to make it easier to distribute, and added their logos to the film's solitary title card. The role of Don Vito Corleone was memorably acted by Marlon Brando,
and Brando won an Academy Award (which he did not accept) for his
portrayal of the aging Don. The financial failure of Fantasia left Walt Disney in financial straits, which is why he followed Fantasia with a relatively low-budget
feature, Dumbo. Pacino was not well known at the time, and was not considered right for the part. Its first playdate (the premiere) was in New York City on November 13, 1940. The producers originally wanted Robert Redford to play Michael Corleone, but Coppola wanted Al Pacino. Fantasia was originally released in 1940 by Walt Disney Productions itself as a roadshow release, since Disney's distributor RKO Radio Pictures backed out of the film. The film spans ten years from late 1945 to 1955 (after Don Vito Corleone's death in 1954). RCA Sound System.". Interestingly, this obliged the crew to use regular lights, instead of the production/set lights, lending a realistic look to the film. Color by Technicolor. The producers of the movie did not believe that The Godfather would be very successful; hence, there was an extremely low budget for the film. Copyright 1940 by Walt Disney Productions (Inc). Shooting began on March 29, 1971 and was completed on August 6, 1971. "Fantasia. Coppola had directed several films prior to this, but none of them had had a significant impact on the public. During its intermission, a solitary title card is to be played over the movie theatre's closed curtain that contains only this text:. The motion picture adaptation of The Godfather (1972) was directed by Francis Ford Coppola. Besides the Deems Taylor narration passages, a proper presentation of Fantasia features a 15-minute interlude, which falls between The Rite of Spring and the Meet the Soundtrack segment. Unusual for an American animated film, Fantasia has no opening or closing credits. However, in the book, this fact is made explicit, with the 12-year-old Vito adopting the Corleone name by choice, instead of having it given to him in error. The format of the film follows that of a concert rather than a motion picture. This was a common occurrence which still occurs even today. Each theatre was rigged with 30 or more speakers, all lined around the perimeter of the ceiling, to provide the full Fantasound experience. It should be noted that in the movie sequel, The Godfather II, it was revealed that the Godfather's real name was Vito Andolini and he was given the surname Corleone as a result of a mistake during his registration at Ellis Island. Special program books were prepared for the film, featuring production artwork and photographs, dedications by both Walt and Stokowski, and the credits and synopsis for each segment. Similarly, the surname of Don Vito's mother is Corigliano, coming from the town of Corigliano Calabro, Calabria, which is well known for ndrangheta activity. Walt Disney intended for Fantasia to be more than just a film; it was to be an event, something you would have to reserve seats for and dress up to go see. (See godparent for the origins of the term.) In the novel, this character was Don Vito Corleone, whose surname recalls the town of Corleone, Sicily. With The Sorcerer's Apprentice nearing completion, the rest of Fantasia entered production in early 1939, and the same attention to detail that was given to The Sorcerer's Apprentice was given to the other segments as well:. "The Godfather" (in Italian, Il Padrino) is a term used to identify the boss of a Mafia clan, the eldest or the most representative member of a family. Always wanting to try new things, Walt also had plans to film Fantasia in widescreen and to spray different perfumes into the theatre at appropriate times during the Nutcracker Suite, but those plans were never fully carried out. The film spawned two sequels. The film also marked the first use of the click track while recording the soundtrack, overdubbing of orchestral parts, and simultaneous multi-track recording. The novel was adapted into a film of the same name directed by Francis Ford Coppola and starring Al Pacino as Michael Corleone. Garity) responded by creating a multi-channel (stereophonic) sound format they called Fantasound, making Fantasia the first commercial film ever to be produced in stereophonic sound. The Godfather is a novel written by Mario Puzo about a fictitious Italian Mafia family. The engineers (led by William E. ISBN 0451205766. He felt the recorded version of the music sounded tinny and undynamic, and asked his engineers to see what they could do about developing a better sound system. The Godfather. New York: Penguin. Walt was present on the sound stage during an early session, and was very pleased with what he was hearing until he heard the playback from the recording engineers. Mario Puzo (paperback, 2002). Stokowski enlisted the Philadelphia Orchestra, of which he was the conductor, to record the music for the six remaining segments. ISBN 0451208447. Main article: Fantasound. The Godfather. New York: Penguin. It is said that the only person that could be Mickey's boss is Walt. Mario Puzo (hardcover, 2002). The Sorcerer in the segment is named Yensid (Disney spelt backwards). ISBN 0451167716. Originally to be called the Concert Feature, Stokowski suggested the title "Fantasia" (which literally means " A medley of familiar themes, with variations and interludes." [1] (http://dictionary.reference.com/search?q=fantasia)), which became the film's final title. The Godfather. New York: Penguin. To provide continuity and explanation, the composer and music critic Deems Taylor was recruited to provide live-action narrative introductions at the beginning of each segment. Mario Puzo (mass market paperback, 1978). Taking Stokowski's advice, he decided to expand The Sorcerer's Apprentice into a "Feature Symphony" with several animated sequences set to music, of which The Sorcerer's Apprentice would be one. ISBN 0399103422. Disney's most successful short cartoon ever, Three Little Pigs (1933), had made $60,000). The Godfather. New York: Putnam. All of this excess came at a whopping price: $125,000, a price Walt (and especially Roy) knew they could never make back (to compare, most Disney shorts at this time averaged a cost of $40,000, which was $10,000 above the average budget for an animated cartoon outside of the Disney Studio. Mario Puzo (hardcover, 1969). Everything about the film was done with extensive attention to detail and creativity: the color styling, the pacing and layout, the character animation, and the effects animation. Best Writing (adapted screenplay) (Francis Coppola, Mario Puzo). Animator Fred Moore redesigned Mickey to give his figure shape and form, and also to give him eyes with pupils for the first time on-screen. Best Actor in a Leading Role (Marlon Brando refused the award). The animation department worked hard to make The Sorcerer's Apprentice one of the most ambitious works they'd ever completed. Best Picture. Stokowski offered to record the score for no charge, and assembled over 100 of the best musicians in Los Angeles to record the score to The Sorcerer's Apprentice. As work began on The Sorcerer's Apprentice in 1938, Walt happened to meet famed conductor Leopold Stokowski in a Hollywood restaurant. He devised a special short that would be produced as a "comeback" film for Mickey Mouse: The Sorcerer's Apprentice, which would be completely silent save for the classical music piece by Paul Dukas (Walt feared that one of the reasons for Mickey's decline was the squeaky falsetto that Walt himself performed for Mickey). Walt's brother and business partner Roy Oliver Disney urged Walt to discontinue the Mickey Mouse series because of its unprofitability, but Walt wasn't ready to give up on his favorite character just yet. Mickey's fame had also been eclipsed by that of Popeye the Sailor, a competing character and series from Fleischer Studios. The Mickey Mouse cartoon shorts series had spawned the spin-off Donald Duck series, which was proving to be more popular (and profitable) than the Mickey Mouse series. In the late 1930s, Walt Disney's Mickey Mouse was losing his popularity with movie audiences. The story told musically by Dukas is taken from Johann Wolfgang von Goethe's poem "Der Zauberlehrling (http://german.about.com/library/blgzauberl.htm)." The Dukas is often considered the best sketch in the film, and was the only sequence carried over into Fantasia 2000 (see below). Only the Dukas work is a straight setting of the composer's original intention. The song was subsequently reset to the Latin prayer Ave Maria. In the song, the character Ellen prays to the Virgin Mary while in hiding. Schubert's music was composed as a song (1825) for single voice and piano ("Ellens dritter Gesang"; "Ellen's third song"), with German words translated by Adam Storck from Sir Walter Scott's The Lady of the Lake. Beethoven meant to depict a joyous and inspiring visit to the Austrian countryside, not classical mythology. However, the Disney program is generally not the same as the original. Stravinsky's ballet was about the dances and rituals of the pagan ancestors of the Russians, not about dinosaurs. Most of the works played in the film are program music; that is, instrumental music that depicts actual events in sound. The musical pieces used in the film:. The original version of Fantasia was never released again after 1941, and although some of the original audio elements no longer exist, a 2000 DVD release version attempted to restore as much of the original version of the film as possible. Future re-releases restored various amounts of the deleted footage, with the most common version being the 1947 re-release edit. Originally released by Walt Disney Productions (without then-distributor RKO Radio Pictures) as a roadshow film with booked engagements, RKO eventually picked up Fantasia for release in 1941 and edited the film drastically the following year. Besides its avant-garde qualities, Fantasia was notable for being the first major film released in stereophonic (later surround) sound, using a process dubbed "Fantasound". The film also includes live-action segments featuring Stokowski, an orchestra, and Deems Taylor, a music scholar who serves as the host for the film. Animated artwork of varying degrees of abstraction or literalism is used illustrate or accompany the concert in various ways. The soundtrack of the film consists of seven pieces of classical music, played by the Philadelphia Orchestra under the direction of Leopold Stokowski. Fantasia is a 1940 motion picture, the third in the Disney animated features canon, which was a Walt Disney experiment in animation and music. Writing Credits were quoted from the International Movie Database. Phil Dike (segment "Night on Bald Mountain/Ave Maria") (story development)
Bill Peet (segment "The Pastoral Symphony") (story development) &. Joseph Sabo (segment "The Pastoral Symphony") (story development) &. Erdman Penner (segment "The Pastoral Symphony") (story development) &. Webb Smith (segment "The Pastoral Symphony") (story development) &. Otto Englander (segment "The Pastoral Symphony") (story development) &. John McLeish segment "Rite of Spring")(story development and research (as John Fraser McLeish). Robert Sterner segment "Rite of Spring" (story development and research) &. Leo Thiele segment "Rite of Spring" (story development and research) &. William Martin segment "Rite of Spring" (story development and research) &. Carl Fallberg (segment "The Sorcerer's Apprentice") (story development). Perce Pearce (segment "The Sorcerer's Apprentice") (story development) &. Graham Heid (segment "The Nutcracker Suite") (story development). Bianca Majolie (segment "The Nutcracker Suite") (story development) &. Albert Heath (segment "The Nutcracker Suite") (story development) &. Norman Wright (segment "The Nutcracker Suite") (story development) &. Sylvia Moberly-Holland (segment "The Nutcracker Suite") (story development) &. Phil Dike (segment "Toccata and Fugue in D Minor") (story development). Elmer Plummer (segment "Toccata and Fugue in D Minor") (story development) &. Lee Blair (segment "Toccata and Fugue in D Minor") (story development) &. Director Credits were quoted from the International Movie Database. Paul Satterfield (segment "Rite of Spring")
Hee (segment "Dance of the Hours"). T. Jim Handley (segment "The Pastoral Symphony"). Norman Ferguson (segment "Dance of the Hours") (as Norm Ferguson). Ford Beebe (segment "The Pastoral Symphony"). Samuel Armstrong (segments "Toccata and Fugue in D Minor" and "Nutcracker Suite, The"). James Algar (segment "The Sorcerer's Apprentice"). Leopold Stokowski (and his associates) - For their unique achievement in the creation of a new form of visualized music in Walt Disney's production Fantasia, thereby widening the scope of the motion picture as entertainment and as an art form (certificate). Hawkins - For their outstanding
contribution to the advancement of the use of sound in motion pictures through the production of Fantasia (certificate). Garity and J.N.A. Walt Disney, William E. In fact according to some articles the entire sequence had to be re-shot
twice, once because the wrong focal length lens was used, and once because
of a small earth tremor that shook the animation planes out of alignment. Even a slight deviation in the width of the final painted line would have been
distracting to a movie audience on the big screen. The horror of the demons, ghosts, skeletons, and harpies in Night on Bald Mountain comes to an abrupt end with the sound of church bells, which send
Chernabog and his followers back into hiding, and, in one of the most effective
(and complicated) multiplane camera shots the Disney studio ever
did, the camera trucks far, far away from Bald Mountain to reveal a line of monks with lighted torches, and the camera slowly
follows them as they walk slowly and solemnly through the forest to the sounds of the Ave Maria. The segment is animated with an energy and franticness rarely seen in Disney films. The Dance of the Hours featured comic ostriches, hippos, elephants, and alligators all attempting to perform the actual The Dance of the Hours. It tells the story of the mythological creatures gathering for a festival to honor Bacchus, the god of wine, which is interrupted by Zeus, who decides to have a little fun by throwing lightning bolts at the attendees. Beethoven's Pastoral Symphony utilized delicate color styling to depict a mythical ancient Grecian world of centaurs, centaurettes (a Disney studio creation), a pegasus and his family, and the gods of Mount Olympus. The sequence features inspired animation by effects animator Joshua Meador and his team, who give the soundtrack (initially a squiggly line which changes into various shapes based upon the individual sounds played on the soundtrack) a distinct and interesting personality. The brief Meet the Soundtrack sequence gives audiences a stylized example of how sound is rendered as waveforms to record the music for Fantasia. The Rite of Spring, a condensed version of the history of the Earth from the formation of the planet, to the first living creatures, to the age, reign, and demise of the dinosaurs, showcased realistically animated prehistoric beasts, and utilized extensive and complicated special effects to depict volcanoes, boiling lava, and earthquakes. featured delicate fairies, fish, and flowers, many rendered carefully and painstakingly using techniques such as dry brush and airbrush. The Nutcracker Suite is a personified depiction of the changing of the seasons; first from summer to autumn, and then from autumn to winter. Smith, who mime to the pre-recorded Stokowski / Philadelphia Orchestra tracks. Although the Philadelphia Orchestra recorded the music for the film (excepting The Sorcerer's Apprentice), they do not appear on-screen; the orchestra used on-screen in the film is made up of local Los Angeles musicians and Disney studio employees like James MacDonald and Paul J. The first third of Toccata and Fugue in D Minor is in live-action, not animation, and features an orchestra playing the piece, illuminated by abstract light patterns set in time to the music and backed by stylized (and superimposed) shadows. Toccata and Fugue in D Minor was a completely abstract work--a first for the Disney studio--and was inspired primarily by the work of German abstract animator Oscar Fischinger, who worked for a brief time on this segment. Franz Schubert - Ave Maria (monks march in the light of morning). Modest Mussorgsky - Night on Bald Mountain (the demon Chernabog and other fiends have an orgy one night until driven back down by the light of day), to. The last part of the film links:
Amilcare Ponchielli - La Gioconda: Dance of the Hours (used in Allan Sherman's Hello Muddah, Hello Fadduh). Also a ballet in the original, performed in the film by elephants, ostriches, hippos and crocodiles. Ludwig van Beethoven - 6th symphony in F, Op.68 "Pastorale" (centaurs, fauns, and other creatures of classical mythology lounge about, cavort, fall in love, etc.). Igor Stravinsky - The Rite of Spring (early history of the planet Earth, dinosaurs and their extinction). Paul Dukas - L'apprenti sorcier (English title: The Sorcerer's Apprentice, with Mickey Mouse in the role of the apprentice). 71a (a variety of dances, just as in the original, but danced by animated fairies, mushrooms, fish, etc.). Pyotr Ilyich Tchaikovsky - Nutcracker Suite Op. Johann Sebastian Bach - Toccata and Fugue in D Minor BWV 565 (Stokowski's own transcription for symphony orchestra) (abstract images). |