Butthole Surfers(Redirected from The Butthole Surfers)The Butthole Surfers is an American indie and punk band. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. In 1991 they were part of the first Lollapalooza tour. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. Those records are now in print on their own Latino Buggerveil record label. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Samples
Discography
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This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Children of Bodom's symbol is the Grim Reaper, and they often refer to themselves as the Hate Crew. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. Roope successfully finished the world tour and took part in the recording of the Trashed, Lost & Strungout single. Ever since then, he has been playing regularly with Children of Bodom and seems to have assumed a permanent position in the line-up that will record the band's upcoming album. In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. This formation was introduced in Moscow on the 16th of August. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). Alexi's bandmate from Sinergy, Roope Latvala (founding member of Stone, one of the bands which started the heavy metal movement in Finland) then replaced him as a session player, until a more permanent solution could be found. Those records are now in print on their own Latino Buggerveil record label. This tour had many sold-out concerts and was a defining point in their career, but it was also accompanied by an unexpected annoucement: Alexander decided to quit the band for personal reasons, giving no warning and right in the middle of the tour. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. With their rapidly increasing success, Children of Bodom recorded another album, and their first complete world tour began in 2003 and lasted until late 2004. The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. The band gave this album the name of Follow the Reaper and recording sessions took place between August and September of 2000; the album saw a worldwide release in early 2001. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The band wrote eight new songs for the album, and while on the studio, decided to add an extra track, which was hastly composed and whose lyrics were improvised by Alexi; that track would eventually receive the name of Kissing the Shadows. The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. For their next release, the band decided to make use of Peter Tägtgren's Abyss studio in Sweden, instead of the Finnish ASTIA studio from Anssi Kippo, in which they had recorded all of their previous releases, including the demos from IneartheD. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. With only two albums recorded previously, the band managed to play a technically flawless concert, seamlessly reproducing and at times improving on their songs. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. In one of these shows, the album Tokyo Warhearts was recorded. In 1991 they were part of the first Lollapalooza tour. In late 1999, Children of Bodom was finally able to tour with Janne on the keyboards. The success of the Downfall single and of the Hatebreeder album allowed them to make three shows in Japan with the veterans from In Flames and with Sinergy. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. The band showcased the song Towards Dead End for the first time during this tour. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. Alexi's then-girlfriend Kimberly Goss (from Sinergy and ex-Dimmu Borgir and Therion) played with them this time around. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. Their second tour happened in September of the same year, but once more Janne was not able to play with them. It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. He was replaced by Erna Siikavirta - a female pianist who is a friend of the band's and who curently plays with the teatrical band Lordi - for the duration of the tour. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). They played together with Hypocrisy and a few other bands such as Covenant and Agathodaimon, but suffered from the absence of Janne, who was busy finishing his studies. They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Children of Bodom's first tour happened in February of 1998. Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. The video directed by Mika Lindberg had a slim budget of €1000, but managed to convey the band's style well through the use of simple scenery, in which they play at night, in the cold. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Something Wild was officially released in November of 1997, and for promotional purposes the band recoeded a music video of the song Deadnight Warrior. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. However, their success was such that the Nuclear Blast label approached them with a contract for an European release; the deal started in the following year. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. With the intention of promoting the upcoming release of Something Wild, the band opened one of the shows from the black metal band Dimmu Borgir. The Butthole Surfers is an American indie and punk band. In late 2004, Finnish police arrested the survivor, who is the main suspect of commiting the crime. Humpty Dumpty LSD (2002). The murders have remained one of the most widely-discussed cases in Scandinavian history and remained unsolved for more than fourty years. Weird Revolution (2001). There was a lone survivor, who has lived a relatively normal life afterwards. After the Astronaut (unreleased) (1998). The story of the Lake Bodom murders goes as follows: on the night of June the 4th of 1960, three teenagers were murdered while on a camping trip to the lake. Electric Larryland (1996). A long list of possible names involving the word Bodom was then made, and they settled with Children of Bodom. Independent Worm Saloon (1993). When they stumbled upon Lake Bodom, they realised it was a name with impact; one which had an interesting story behind it. Pioughd (1990). The answer to that problem came as the bandmen looked for good names in their local phone book. Double Live (1989). For the band to be able to sign with Spinefarm Records, they were forced to change their name, since the contract with the Belgian label had already been signed under the name of IneartheD. Widowermaker EP (1989). The later deal was much more interesting for the band, since the Belgian label was offering them close to no help, to the point where they would have to distribute and sell the album themselves. Hairway to Steven (1988). Their debut - Something Wild - was supposed to be released by a small Belgian label, but Sami Tenetz (from Thy Serpent) got hold of a copy of their album through the hands of Alexander shortly after IneartheD signed this contract, and sent it to Spinefarm Records' boss, who immediately got interested in signing them for a country-wide release. Locust Abortion Technician (1987). Janne was the component that was missing for IneartheD to assume the style that would later characterize Children of Bodom. With him, the band successfully recorded their first album in the year of 1997 and got a professional deal from it. Rembrandt Pussyhorse (1986). So he was fired from the band - albeit not in a hostile manner - and a friend of Jaska's, a talented pianist called Janne "Warman" Wirman, assumed the position of keyboard player. Cream Corn from the Socket of Davis EP (1985). Alexi wanted to make use of the keyboards more effectively this time around, and Pirisjoki just wasn't fit for the task anymore. Another Man's Sac (1984). As a last resort, the band decided to record an independent album, funding all of the production costs themselves, a daring move considering that none of them had much money to begin with. Powerless.. It was a harsh time, in which - despite all of their efforts - their music got no exposure and they only managed to play at small events. Psychic.. This new demo didn't impress record labels much more than the previous ones had, and no label took interest in the young Finnish band. Live PCPPEP (1984). With this new line-up, IneartheD recorded their third demo, named Shining. Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live"). The person chosen for that role was Jani Pirisjoki. Download sample of "Pepper" from Electriclarryland. For some time, Alexi and Jaska played and recorded the keyboard sections of IneartheD's songs separately and later mixed the keyboard track with the other instruments, but in 1996 they felt the need of adding a musician to specialize in keyboards. When the band was about to record their second demo, Alexander was invited to join them and soon became an active member of the band. Jaska played a French horn in a local big band at the time, and one day - during rehearsal - he met Alexander Kuoppala, who was a trumpet player and also a good guitarist. From then on, Henkka also started doubling as the band's backing vocalist. Despite the slight age difference, they got along well and soon Hennka became the band's new bass player. In junior high, Alexi and Jaska got to know Henkka "Blacksmith" Seppälä, who was one year younger than them. Alexi, who previously only composed the melodies of the songs, assumed the role of the band's lyricist. His last contribution to IneartheD were the lyirics of the songs from their second demo, Ubiguitous Absence of Remission. Samuli was the main composer of the band's lyrics for the two years he took part of IneartheD, but in 1995 his family moved to the USA and there was no way for him to continue in the band. The band recorded its first demo - entitled Implosion of Heaven - on that same year. Having known each other since childhood and sharing the same interest for heavy/death metal bands such as Stone, Entombed and Obituary, they formed the original line-up of the band that would later become Children of Bodom together with bassist Samuli Miettinen. The band was founded in 1993 by guitarist Alexi "Wildchild" Laiho and drummer Jaska Raatikainen under the name of IneartheD. Children of Bodom is a Finnish band from the small town of Espoo which is one of the precursors of the melodic death metal style. Waiting, by King Diamond. Somebody Put Something In My Drink, by Ramones. Silent Scream, by Slayer. Shot In the Dark, by Ozzy Osbourne. K. She Is Beautiful, by Andrew W. Rebell Yell, by Billy Idol. No Commands, by Stone. Mass Hypnosis, by Sepultura. Latomeri, by Klamydia. Hellion, by W.A.S.P. Don't Stop at the Top, by Scorpions. Bed of Nails, by Alice Cooper. Aces High, by Iron Maiden. Trashed, Lost & Strungout (2004). You're Better Off Dead! (2002). Hate Me! (2000). Downfall (1998). Children of Bodom (1997). Shining (Demo, 1996). Ubiquitous Absence of Remission (Demo, 1995). Implosion of Heaven (Demo, 1994). Hate Crew Deathroll (2003). Follow the Reaper (2001). Tokyo Warhearts (Live CD, 1999). Hatebreeder (1999). Something Wild (1997). Samuli Miettinen - Bass. Jani Pirisjoki - Keyboards. Alexander Kuoppala - Rhythm guitar. Jaska Raatikainen - Drums. Henkka Seppälä - 5-string bass. Janne Viljami Wirman - Keyboards. Roope Latvala - Rhythm guitar. Alexi Laiho - Vocals, lead guitar. |