Sergeant YorkSergeant York is a 1941 biographical film about the life of Sergeant Alvin York, the most decorated American soldier of World War I. It stars Gary Cooper, Walter Brennan, Joan Leslie, George Tobias, Stanley Ridges, Margaret Wycherly, Ward Bond, Noah Beery Jr., June Lockhart and Dickie Moore. It was directed by Howard Hawks. The movie was adapted by Harry Chandlee, Sam Cowan (uncredited), Abem Finkel, John Huston and Howard Koch from the diary by Alvin York as edited by Tom Skeyhill. Alvin York was originally against the idea of making his experiences into a movie. When they informed him that Gary Cooper would be cast in his role, York relented. It won Academy Awards for Best Actor in a Leading Role (Gary Cooper) and Best Film Editing and was nominated for Best Actor in a Supporting Role (Walter Brennan), Best Actress in a Supporting Role (Margaret Wycherly), Best Art Direction-Interior Decoration, Black-and-White, Best Cinematography, Black-and-White, Best Director, Best Music, Scoring of a Dramatic Picture, Best Picture, Best Sound, Recording and Best Writing, Original Screenplay. This page about Sergeant York includes information from a Wikipedia article. Additional articles about Sergeant York News stories about Sergeant York External links for Sergeant York Videos for Sergeant York Wikis about Sergeant York Discussion Groups about Sergeant York Blogs about Sergeant York Images of Sergeant York |
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It won Academy Awards for Best Actor in a Leading Role (Gary Cooper) and Best Film Editing and was nominated for Best Actor in a Supporting Role (Walter Brennan), Best Actress in a Supporting Role (Margaret Wycherly), Best Art Direction-Interior Decoration, Black-and-White, Best Cinematography, Black-and-White, Best Director, Best Music, Scoring of a Dramatic Picture, Best Picture, Best Sound, Recording and Best Writing, Original Screenplay. ^ The given name Anton can also be found written as Anthon, Anthony, Antonie, Antony, Anthonie, Antoni, and Anthoni.. When they informed him that Gary Cooper would be cast in his role, York relented. However, others argue that there appears to be little physical similarity[9]. Alvin York was originally against the idea of making his experiences into a movie. Also, it is known that Van Leeuwenhoek acted as the executor when the painter died in 1675. The movie was adapted by Harry Chandlee, Sam Cowan (uncredited), Abem Finkel, John Huston and Howard Koch from the diary by Alvin York as edited by Tom Skeyhill. Because they were both relatively important men in a city with only 24,000 inhabitants, it is possible that they were at least acquaintances. It was directed by Howard Hawks. It has been suggested that he is the man portrayed in two of Vermeer's paintings of the late 1660s, The astronomer and The geographer. It stars Gary Cooper, Walter Brennan, Joan Leslie, George Tobias, Stanley Ridges, Margaret Wycherly, Ward Bond, Noah Beery Jr., June Lockhart and Dickie Moore. Van Leeuwenhoek was a contemporary of that other famous Delft citizen, painter Johannes Vermeer, who was baptized just four days earlier. Sergeant York is a 1941 biographical film about the life of Sergeant Alvin York, the most decorated American soldier of World War I. 196)[7][8]. The microscope gave him the opportunity to study and admire the small organisms, the “animalcules,” and whenever he was able he expressed his admiration of the beautiful things he saw.” (Schierbeek, p. To him, as to many others of his time, a watch was a greater specimen of craftsmanship than a clock in a tower; this opinion is reflected in his biological views. He asked of his challengers only that they prove their points as he proved his.” Schierbeek says, “Leeuwenhoek was driven by a passionate desire to penetrate more deeply into the mysteries of creation. He loved truth above any theory, even his own. His virtues were perseverance, simplicity, and stubbornness. Dan Graves, in Scientists of Faith (Kregel, 1996), writes, “He often referred with reverence to the wonders God designed in making creatures small and great. From Leeuwenhoek’s writings we frequently sense the awe and wonder that can only emanate from a man who has a joyful, personal relationship with God the Creator. 171)[6]. (Schierbeek, p. And this most wonderful disposition of nature with regard to these animalcules for the preservation of their species; which at the same time strikes us with astonishment, must surely convince all of the absurdity of those old opinions, that living creatures can be produced from corruption of putrefaction. From all these observations, we discern most plainly the incomprehensible perfection, the exact order, and the inscrutable providential care with which the most wise Creator and Lord of the Universe had formed the bodies of these animalcules, which are so minute as to escape our sight, to the end that different species of them may be preserved in existence. The preceding kinds of experiments I have repeated many times with the same success, and in particular with some of the sediment which had been kept in my study for about five months. After another remarkable series of experiments on rotifers in 1702 he concluded:. 137)[5]. This must appear wonderful, and be a confirmation of the principle, that all living creatures deduce their origin from those which were formed at the Beginning.” (Schierbeek, p. For example, after working for weeks observing the propagation of insects, Leeuwenhoek stated confidently, “. He believed it foolish to think his little “animalcules” could have formed by chance, and he worked diligently to prove that all things reproduce after their kind, as the book of Genesis teaches. It is clear, too, from his stand against non-Christian superstitions such as the doctrine of spontaneous generation, that he held to a Biblical doctrine of creation. 31)[4]. Without ever lapsing into high-flown phrases he repeatedly gave evidence of his religious faith: ‘Let us lay the hand on our mouth, and reflect that the All-wise hath deemed this needful for the reproduction of all that hath received movement and growth, and so, the why and the wherefore we can but guess after.’” (Schierbeek, p. Of Leeuwenhoek’s personal faith, Schierbeek says, “To this we must add his deep religious assurance, his complete faith in the ‘All-wise Creator,’ a never-flagging admiration for the perfection of the most minute, hidden mysteries of the work of His hands and the conviction that his researches would surely help to make His Omnipotence more universally known. Thus we see again that Christianity was the driving force during the rise of modern science. 200)[3]. Schierbeek observes, “His works are full of his admiration of creation and the Creator, a theme which is frequently found in writings of this period; in becoming better acquainted with creation, men wanted to get nearer the Creator, a conviction which is found among many of the early members of the Royal Society.” (Schierbeek, p. Schierbeek, the Editor-in-Chief of the collected letters of Leeuwenhoek, explains that he was part of the ‘New Philosophy’ of scientists like Robert Boyle, who regarded the study of nature as “a work to the glory of God and the benefit of Man.” The newly-formed Royal Society was made up largely of Puritans with similar convictions, from which we can infer Leeuwenhoek shared with them a common bond of belief, since he took great pride in his relationship with the Royal Society, mentioning it on his title pages and even on his tombstone. A. Of his religion, Richard Westfall of Indiana University writes, “He was baptized and buried in Calvinist churches, and his second wife was the daughter of a Calvinist minister.” This tradition, furthermore, understood and encouraged man’s role in the investigation of God’s handiwork in nature. He often referred with reverence to the wonders God designed in making creatures small and great.[2] He was born into the Dutch Reformed tradition, which had a high view of Scripture and salvation in Jesus, and a firm doctrine of creation. Antony van Leeuwenhoek was a solid Dutch Reformed, Calvinist. . He died at 91, on August 30, 1723. Nine years later he obtained a degree in geography, leading to his appointment as geographer in 1679. In 1660, Van Leeuwenhoek was appointed chamberlain of the Lord Regents of Delft. In 1674 he discovered infusoria (dated zoölogical category,) in 1676 he discovered bacteria, in 1677 he discovered spermatozoi and in 1682 he discovered the banded pattern of muscular fibers. These letters dealt with the subjects he had investigated. Ever since his invitation, he wrote approximately 560 letters to the society and other scientific institutions over a period of 50 years. This resulted in his appointment in 1680. After this important invention and his thorough use of it, he was introduced to the Royal Society by the famous Dutch Physician Regnier de Graaf. He spent his nights studying everything he could and carefully noted his observations. From there, he grew an insatiable interest for the field. His microscope was used and improved by Christiaan Huygens for his own investigations into microscopy. He was introduced to microscopy by Huygens to observe the quality of the fabrics that he sold. The microscopes were very minute, and were held by the thumb and index finger. These little devices are up to today still called "thread counters" in Dutch, when literally translated. He used a magnifying lens to study the quality of the cloth he sold, which magnified at about 3x power. In 1654, he moved back to Delft and started a drapery business, since he had been educated as a textile salesman. It is suspected, though, that Antoni possessed some microscopes that could magnify up to 500 times. Those that survived the years are able to magnify up to 270 times. His microscopes were made of silver or copper metal frames holding home-wrought lenses. He also created over 400 different types of microscopes, only nine of which still exist today. Van Leeuwenhoek ground over 500 optical lenses during his lifetime. Using his handcrafted microscope he was the first to observe and describe muscle fibers, bacteria, spermatozoa and blood flow in capillaries (small blood vessels). Born the son of a basket weaver, he is best known for his contribution to improvement of the microscope and his contributions towards the establishment of cell biology. Anton[1] van Leeuwenhoek (October 24, 1632 - August 30, 1723, full name Thonius Philips van Leeuwenhoek) was a tradesman and scientist from Delft, in the Netherlands. ^ http://www.creationsafaris.com/wgcs_2.htm. This book (223 pp.) contains excerpts of Leeuwenhoek’s letters and focuses on his priority in several new branches of science, but makes several important references to his spiritual life and motivation. Leeuwenhoek, Formerly Lecturer in the History of Biology in the University of Leyden, Measuring the Invisible World: The Life and Works of Antoni van Leeuwenhoek F R S, Abelard-Schuman (London and New York, 1959), QH 31 L55 S3, LC 59-13233 . v. Schierbeek, PhD, Editor-in-Chief of the Collected Letters of A. ^ A. ^ http://www.adherents.com/people/pl/Antony_van_Leeuwenhoek.html. 62–67. Vrij Nederland (Dutch magazine), p. Vermeer, Van Leeuwenhoek en De Astronoom. (February 24 1996). ^ Van Berkel, K. |