Rudy ValleeRudy Vallee (July 28, 1901 - July 3, 1986) was a popular United States singer, actor, bandleader, and entertainer. Born Hubert Prior Vallée in Island Pond, Vermont, he grew up in Westbrook, Maine. In high school he took up the saxophone and acquired the nickname "Rudy" after then famous saxophonist Rudy Weidoeft. Vallee played clarinet and saxophone in various bands around New England in his youth, in the mid 1920s played with the Savoy Havana Band in London. He then returned to the States to form his own band, Rudy Vallee and the Connecticut Yankees. With this band he started taking vocals (supposedly reluctantly at first). He had a rather thin tenor voice and seemed more at home singing sweet ballads than attempting vocals on jazz numbers. However his singing, together with his suave manner and handsome good looks attracted great attention, especially from young women. Vallee was given a recording contract, and in 1928 started performing on the radio. Vallee became the most prominent of a new style of popular singer, the "crooner". Previously popular singers needed strong projecting voices to fill theaters in the days before the electric microphone. Crooners had soft voices that were well suited to the intimacy of the new medium of radio. Vallee became also perhaps the first complete example of the 20th century mass media pop-star. Flappers mobbed him wherever he went. His live appearances were usually sold out, and even if his singing could hardly be heard in those venues not yet equipt with the new electronic microphones, his screaming female fans went home happy if they had caught sight of his lips through the opening of the trademark megaphone he sang through. In 1929 Vallee did his first film "Vagabond Lover". His first films were made to cash in on his singing popularity, but Hollywood was pleasantly surprised to find that Vallee could act as well. Also in 1929 Vallee started hosting The Fleishchman’s Yeast Musical Variety Hour; he would continue hosting popular radio variety shows through the 1940s. When Vallee took his contractual vacations from his national radio show in 1936, he insisted his sponsor hire Louis Armstrong as his substitute (this was the first instance of an African-American fronting a national radio program). That same year Vallee also wrote the introduction for Armstrong's book "Swing That Music". Vallee acted in a number of Hollywood films in the 1930s and 1940s. One of his best acting roles is in the 1942 screwball comedy film "The Palm Beach Story". In middle age Vallee's voice matured into a robust baritone. (In his later years he told a collector of his early records that "Everything I did before 1950 you can shit on.") He performed on Broadway in the show "How to Succeed in Business Without Really Trying" and appeared in the film of the same name. He appeared in the 1960s Batman television show as the character "Lord Marmaduke Fogg". He toured with a one-man theater show into the 1980s. Rudy Vallee died on July 3, 1986 and was interred in St. Hyacinth's Cemetery, Westbrook, Maine. This page about Rudy Vallee includes information from a Wikipedia article. Additional articles about Rudy Vallee News stories about Rudy Vallee External links for Rudy Vallee Videos for Rudy Vallee Wikis about Rudy Vallee Discussion Groups about Rudy Vallee Blogs about Rudy Vallee Images of Rudy Vallee |
|
Hyacinth's Cemetery, Westbrook, Maine. The group was inducted into the Vocal Group Hall of Fame in 2001. Rudy Vallee died on July 3, 1986 and was interred in St. Additional reunion concerts were staged in 1964 and 1980. He toured with a one-man theater show into the 1980s. Ronnie Gilbert has had a solo career as well. He appeared in the 1960s Batman television show as the character "Lord Marmaduke Fogg". After Eric Darling left the group, he was replaced by Frank Hamilton and then Bernie Krause. (In his later years he told a collector of his early records that "Everything I did before 1950 you can shit on.") He performed on Broadway in the show "How to Succeed in Business Without Really Trying" and appeared in the film of the same name. Seeger left the group to return to his solo career, and the Weavers continued without him. In middle age Vallee's voice matured into a robust baritone. The concert was a huge success, a recording of which was issued by Vanguard Records and led to their signing to that record label (by the late 1950s, folk music was becoming popular and anti-communism was fading). One of his best acting roles is in the 1942 screwball comedy film "The Palm Beach Story". In 1955, the group reunited to play a sold-out concert at Carnegie Hall, a venue whose management was unaware of the controversy surrounding the group. Vallee acted in a number of Hollywood films in the 1930s and 1940s. Pete Seeger continued his solo career after the group disbanded in 1952. That same year Vallee also wrote the introduction for Armstrong's book "Swing That Music". Their popularity diminished rapidly, and the group's record contract was terminated. When Vallee took his contractual vacations from his national radio show in 1936, he insisted his sponsor hire Louis Armstrong as his substitute (this was the first instance of an African-American fronting a national radio program). The Weavers were an easy target because of their fame and popularity on the radio and with the record-buying public. Also in 1929 Vallee started hosting The Fleishchman’s Yeast Musical Variety Hour; he would continue hosting popular radio variety shows through the 1940s. Anti-communists protested at their performances and harassed promoters. His first films were made to cash in on his singing popularity, but Hollywood was pleasantly surprised to find that Vallee could act as well. The Weavers were targeted because of their history of singing protest songs and folk songs favoring labor unions as well as for the leftist political beliefs of the individuals in the group. In 1929 Vallee did his first film "Vagabond Lover". However, despite their caution, they were nonetheless placed under FBI surveillance and blacklisted by the US government during the McCarthy era. His live appearances were usually sold out, and even if his singing could hardly be heard in those venues not yet equipt with the new electronic microphones, his screaming female fans went home happy if they had caught sight of his lips through the opening of the trademark megaphone he sang through. The Weavers avoided the more controversial songs in their repetoire, as well as avoiding performing at controversial venues and events, and the leftwing press derided them as having sold out their beliefs in exchange for popular success. Flappers mobbed him wherever he went. They were the direct precursors of two even more popular folk groups that followed them in the 1950s and 1960s, The Kingston Trio and Peter, Paul and Mary. Vallee became also perhaps the first complete example of the 20th century mass media pop-star. The Weavers sang traditional folk songs from around the world, as well as blues, folk, gospel music, children's songs, labor songs and ballads from the US, selling millions of records at the height of their popularity. Crooners had soft voices that were well suited to the intimacy of the new medium of radio. The group had a big hit in 1949 with Leadbelly's Goodnight Irene, backed with the Jewish traditional folk song Tzena, Tzena. Vallee became the most prominent of a new style of popular singer, the "crooner". Previously popular singers needed strong projecting voices to fill theaters in the days before the electric microphone. This led to their discovery by arranger Gordon Jenkins and their signing with Decca Records. Vallee was given a recording contract, and in 1928 started performing on the radio. After a period of finding themselves unable to find much, if any paid work, they finally achieved a performance slot at the jazz club the Village Vanguard. However his singing, together with his suave manner and handsome good looks attracted great attention, especially from young women. The name came from a play of the same name by Gerhart Johann Robert Hauptmann. He had a rather thin tenor voice and seemed more at home singing sweet ballads than attempting vocals on jazz numbers. A fifth member, Eric Darling, sometimes sat in with the group when Seeger was unavailable. He then returned to the States to form his own band, Rudy Vallee and the Connecticut Yankees. With this band he started taking vocals (supposedly reluctantly at first). The Weavers group was formed in 1947 by Ronnie Gilbert, Lee Hays, Fred Hellerman and Pete Seeger. Vallee played clarinet and saxophone in various bands around New England in his youth, in the mid 1920s played with the Savoy Havana Band in London. The Weavers were an immensely popular and influential folk music quartet from Greenwich Village, New York, United States. In high school he took up the saxophone and acquired the nickname "Rudy" after then famous saxophonist Rudy Weidoeft. Wasn't That a Time! video. Born Hubert Prior Vallée in Island Pond, Vermont, he grew up in Westbrook, Maine. The Weavers on Tour (Live). Rudy Vallee (July 28, 1901 - July 3, 1986) was a popular United States singer, actor, bandleader, and entertainer. We Wish You a Merry Christmas. Goodnight Irene: Weavers 1949-53 box set. Gospel. Best of the Weavers. The Weavers Classics. Ultimate Collection. The Best of the Decca Years. The Almanac. Kisses Sweeter Than Wine (Live). Rarities From the Vanguard Vault. 2 (Live). Reunion at Carnegie Hall No. 2 (Live). The Reunion at Carnegie Hall, 1963, Pt. The Weavers Reunion at Carnegie Hall: 1963 (Live). Best of the Vanguard Years. Wasn't That a Time! box set. 2. The Weavers at Carnegie Hall (Live) Vol. The Weavers at Carnegie Hall (Live). The Weavers' Greatest Hits. |