Raj Kapoor

Raj Kapoor (December 14, 1924 - June 3, 1988) was a megastar, producer, director, actor and all-round showman. He permanently carved for himself a special niche in commercial Hindi cinema.

He was born Ranbir Raj Kapoor in a town called Samandru in Peshawar (now in Pakistan). His family left Peshawar and came to Bombay in 1929. The son of actor Prithviraj Kapoor, Raj Kapoor started his career as a clapper boy assisiting for Kidar Sharma but bagged his first film role at the age of eleven. He got his first break as a hero in Neel Kamal, a 1947 film by Kidar Sharma. In 1948, at the age of 24, he became the youngest film director of his time when he set up his own studio (R.K. Films) and made his first feature film, Aag (Fire), which would become the first of his many early successes, including Barsaat (Rain) in 1949 and Shri 420 (Mr. 420), a reference to someone who has a reputation for theft and deception, (since apprehensions for such crimes are usually section 420 of the Indian Penal Code) in 1955. (See also: The Number 420.)

Raj Kapoor whole-heartedly embraced the Indian popular cinema from the very beginning. He made every effort to ensure that his movies appealed to every section of society, in particular the common man. Film historians and buffs have spoken of him as the "Charlie Chaplin of India," since he often himself played a tramp-like figure who, despite adversity, could still be cheerful and honest, a gem of a man. He appealed also, as in his films Aag and Jis Desh Mein Ganga Behti Hein (The Country in which the Ganges Flows), to patriotic sentiment, nowhere better commemmorated than in the famous lines from a song in Shri 420:

Mera joota hai Japani
Ye pataloon hai inglistani
Sar pe lal topi roosi
Pir bhi dil hai hindustani
My shoes are Japanese
And the trousers are English
The cap on my head is Russian
But my heart is Hindustani (Indian)

The songs of his films endeared Raj Kapoor not only to the masses in India, but to audiences in large parts of Africa, the Middle East, and the former Soviet Union, where his films were to become enormous commercial successes. Many of his films were to be characterized not only by lively music, but by the extensive use of elaborate sets. The angst of the common man is portrayed through heavy brooding landscapes and sets with sharply contrasted light. Visual imagery would always be an important part of his films.

However, after the box office failure of his ambitious Mera Naam Joker (My name is Joker), which took six years to complete, his movies took a more sensual turn. The film Bobby (1973) introduced Dimple Kapadia, who would go on to become one of India's superstars, and established itself as the fore-runner of a new generation of romances targeted for adolescents. But the film owed its phenomenal success to other considerations as well. By the restrictive if not puritan standards of commercial Hindi cinema, Kapadia appeared in suggestive, some would say rather sexually explicit, poses and scenes. Raj Kapoor kept up with this trend of titilating sexuality in later films like Satyam Shivam Sundaram (1978) and Ram Teri Ganga Maili (1985).

Raj Kapoor married his aunt (his father's second cousin) Krishna in 1946 when he was 22 years old. His first son Randhir was born the following year in 1947. His first daughter Ritu was born the year following that in 1948. His second son Rishi was born in 1952 and second daughter Rima in 1956. Youngest son Rajiv was born in 1962. Randhir, Rishi and Rajeev have also acted in films. In spite of being a married man, Kapoor also had a longtime romantic relationship with actress Nargis during the Fifties. The couple starred together in several of Kapoor's films including Awaara and Shri 420.

Some of the people introduced by Raj Kapoor to films include his sons Rishi and Rajiv, Nimmi, Dimple Kapadia, Zeenat Aman and Mandakini. Also music directors Shankar-Jaikishan, lyricist Hasrat Jaipuri started off working in Raj Kapoor films.

Raj Kapoor was given the Dadasaheb Phalke Award 1987, for lifetime commitment to Indian cinema.

Raj Kapoor who had been suffering from asthma, passed away in 1988 at age 60. At the time of his death he had been working on Henna a film on an Indo-Pakistani love story. The film was completed by his son Randhir Kapoor.

Though Raj Kapoor was described by one critic as exhibiting "the carnality of a schoolboy" in his films, it remains indubitably the case that he was among the most successful film-makers for nearly four decades. Thus his sensitivity to the requirements of film audiences should not be dismissed. The present generation of films from Bollywood still borrows several themes that had been perfected in his films, and some believe that it is still a compliment for a commercial film to be compared to one of his works.

References

  • Rajadhyaksha, Ashish; Willemen, Paul. Encyclopedia of Indian Cinema. London: British Film Institute; New Delhi: Oxford University Press, 1994
  • Kishore, Valicha. The Moving Image. Hyderabad: Orient Longman, 1988

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The present generation of films from Bollywood still borrows several themes that had been perfected in his films, and some believe that it is still a compliment for a commercial film to be compared to one of his works. He was 85. Thus his sensitivity to the requirements of film audiences should not be dismissed. He collided head-on with a car and died shortly after. Though Raj Kapoor was described by one critic as exhibiting "the carnality of a schoolboy" in his films, it remains indubitably the case that he was among the most successful film-makers for nearly four decades. Llewelyn was killed in a road accident on December 19, 1999 after returning home from a booksigning promoting his autobiography in East Sussex. The film was completed by his son Randhir Kapoor. Contrary to his gadget-expert character in the Bond films, Llewelyn always maintained that he was totally lost in the world of technology.

At the time of his death he had been working on Henna a film on an Indo-Pakistani love story. He acted on stage and appeared in an English television series called Follyfoot. Raj Kapoor who had been suffering from asthma, passed away in 1988 at age 60. Llewelyn appeared in other films such as the 1981 PBS production of Doctor Jekyll and Mister Hyde. Raj Kapoor was given the Dadasaheb Phalke Award 1987, for lifetime commitment to Indian cinema. In the 2002 film Die Another Day, John Cleese, who played the character R, the assistant to Q in The World is Not Enough, was promoted to the head of Q-branch, thus taking on the title of Q. Also music directors Shankar-Jaikishan, lyricist Hasrat Jaipuri started off working in Raj Kapoor films. Since 1963s From Russia With Love, Llewelyn appeared as Q in every Bond film, except Live and Let Die (1973), through The World Is Not Enough (1999).

Some of the people introduced by Raj Kapoor to films include his sons Rishi and Rajiv, Nimmi, Dimple Kapadia, Zeenat Aman and Mandakini. In 1940, he was captured by the German army in France, and was held as a POW for five years. The couple starred together in several of Kapoor's films including Awaara and Shri 420. The outbreak of World War II in September 1939 halted his acting career, and Llewelyn was commissioned as a second lieutenant in the British army, serving with the Royal Welsh Fusiliers. In spite of being a married man, Kapoor also had a longtime romantic relationship with actress Nargis during the Fifties. In high school, he worked as a stagehand in the school's productions and then picked up sporadic small parts. Randhir, Rishi and Rajeev have also acted in films. He originally wanted to be a minister.

Youngest son Rajiv was born in 1962. Desmond Wilkinson Llewelyn was born in Newport, South Wales in 1914, the son of a coal mining engineer. His second son Rishi was born in 1952 and second daughter Rima in 1956. Q is the quartermaster of the MI6 gadget lab known as Q-branch. His first daughter Ritu was born the year following that in 1948. Desmond Llewelyn (September 12, 1914 - December 19, 1999) was a British actor who is famous for playing the fictional character of Q in the James Bond series of films. His first son Randhir was born the following year in 1947.

Raj Kapoor married his aunt (his father's second cousin) Krishna in 1946 when he was 22 years old. Raj Kapoor kept up with this trend of titilating sexuality in later films like Satyam Shivam Sundaram (1978) and Ram Teri Ganga Maili (1985). By the restrictive if not puritan standards of commercial Hindi cinema, Kapadia appeared in suggestive, some would say rather sexually explicit, poses and scenes. But the film owed its phenomenal success to other considerations as well.

The film Bobby (1973) introduced Dimple Kapadia, who would go on to become one of India's superstars, and established itself as the fore-runner of a new generation of romances targeted for adolescents. However, after the box office failure of his ambitious Mera Naam Joker (My name is Joker), which took six years to complete, his movies took a more sensual turn. Visual imagery would always be an important part of his films. The angst of the common man is portrayed through heavy brooding landscapes and sets with sharply contrasted light.

The songs of his films endeared Raj Kapoor not only to the masses in India, but to audiences in large parts of Africa, the Middle East, and the former Soviet Union, where his films were to become enormous commercial successes. Many of his films were to be characterized not only by lively music, but by the extensive use of elaborate sets. He appealed also, as in his films Aag and Jis Desh Mein Ganga Behti Hein (The Country in which the Ganges Flows), to patriotic sentiment, nowhere better commemmorated than in the famous lines from a song in Shri 420:. Film historians and buffs have spoken of him as the "Charlie Chaplin of India," since he often himself played a tramp-like figure who, despite adversity, could still be cheerful and honest, a gem of a man. Raj Kapoor whole-heartedly embraced the Indian popular cinema from the very beginning. He made every effort to ensure that his movies appealed to every section of society, in particular the common man.

(See also: The Number 420.). 420), a reference to someone who has a reputation for theft and deception, (since apprehensions for such crimes are usually section 420 of the Indian Penal Code) in 1955. Films) and made his first feature film, Aag (Fire), which would become the first of his many early successes, including Barsaat (Rain) in 1949 and Shri 420 (Mr. In 1948, at the age of 24, he became the youngest film director of his time when he set up his own studio (R.K.

He got his first break as a hero in Neel Kamal, a 1947 film by Kidar Sharma. The son of actor Prithviraj Kapoor, Raj Kapoor started his career as a clapper boy assisiting for Kidar Sharma but bagged his first film role at the age of eleven. His family left Peshawar and came to Bombay in 1929. He was born Ranbir Raj Kapoor in a town called Samandru in Peshawar (now in Pakistan).

He permanently carved for himself a special niche in commercial Hindi cinema. Raj Kapoor (December 14, 1924 - June 3, 1988) was a megastar, producer, director, actor and all-round showman. Hyderabad: Orient Longman, 1988. The Moving Image.

Kishore, Valicha. London: British Film Institute; New Delhi: Oxford University Press, 1994. Encyclopedia of Indian Cinema. Rajadhyaksha, Ashish; Willemen, Paul.

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