Paul Whiteman

Paul Whiteman (March 28, 1890 - December 29, 1967) was a popular United States orchestral leader.

1928 Columbia Records label with caricature of Paul Whiteman

Whiteman was born in Denver, Colorado. He started out as a classical violinist and violist, then started leading a jazz-influenced dance band which became locally popular in San Francisco, California in 1918. In 1920 he moved his band to New York City where they started making recordings for Victor Records which propelled Whiteman and his band to national prominence. Whiteman's became the most popular band leader of the decade. In the late 1920s he recorded for Columbia Records.

In the late 1920s and early 1930s Whiteman billed himself as The King of Jazz (see: Jazz royalty), though much of what his band played hasn't been considered "true" jazz by later generations. Others reject thses notions, and regard Whiteman's music as an interesting development in jazz history.

While today most fans of jazz consider improvisation to be essential to the musical style, Whiteman thought it sloppy and uncouth, and thought the music could be improved by eliminating it, except occasionally in elaborate arrangements. While it is easy to sneer at Whiteman in retrospect, his notions were critically popular and commercially successful at the time, and Whiteman's music was often the first jazz of any form that some people heard. Whiteman claimed that he was "making a lady out of jazz".

Whiteman commissioned George Gershwin's Rhapsody In Blue, which was premiered by Whiteman's Orchestra with Gershwin at the piano in 1924

Whiteman appreciated jazz musicians and hired many of the best white jazz men for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Gussie Mueller, Jack Teagarden, and Bunny Berigan. While Whiteman gave them very limited chances to improvise, he paid them top salaries and encouraged them to make small band jam recordings on the side.

Bing Crosby got his start singing with the Whiteman Orchestra.

In 1931, Whiteman married motion picture actress Margaret Livingston.

After he disbanded his Orchestra, in the 1940s and 1950s Whiteman worked as a music director for the ABC Radio Network.

Pal Whiteman died at the age of 77 in Doylestown, Pennsylvania.


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Pal Whiteman died at the age of 77 in Doylestown, Pennsylvania. Compilations of interest to collectors. After he disbanded his Orchestra, in the 1940s and 1950s Whiteman worked as a music director for the ABC Radio Network. Other labels. In 1931, Whiteman married motion picture actress Margaret Livingston. Columbia Records. Bing Crosby got his start singing with the Whiteman Orchestra. Cadence Records.

While Whiteman gave them very limited chances to improvise, he paid them top salaries and encouraged them to make small band jam recordings on the side. Williams's birthplace in Wall Lake, Iowa is a tourist attraction open most of the year. Whiteman appreciated jazz musicians and hired many of the best white jazz men for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Gussie Mueller, Jack Teagarden, and Bunny Berigan. He hosted a major golf tournament in San Diego for many years, which was known as the Andy Williams San Diego Open during that time. Whiteman commissioned George Gershwin's Rhapsody In Blue, which was premiered by Whiteman's Orchestra with Gershwin at the piano in 1924. Williams is an avid golfer. Whiteman claimed that he was "making a lady out of jazz". Williams's homes have been featured in Architectural Digest, and he is a noted collector of modern art.

While it is easy to sneer at Whiteman in retrospect, his notions were critically popular and commercially successful at the time, and Whiteman's music was often the first jazz of any form that some people heard. They make their homes at Branson, Missouri and La Quinta, California. While today most fans of jazz consider improvisation to be essential to the musical style, Whiteman thought it sloppy and uncouth, and thought the music could be improved by eliminating it, except occasionally in elaborate arrangements. Williams married a second time in the 1990s to the former Debbie Haas. Others reject thses notions, and regard Whiteman's music as an interesting development in jazz history. They were divorced in 1975. In the late 1920s and early 1930s Whiteman billed himself as The King of Jazz (see: Jazz royalty), though much of what his band played hasn't been considered "true" jazz by later generations. To this union were born three children, Noelle, Christian, and Robert.

In the late 1920s he recorded for Columbia Records. Williams married French chanteuse Claudine Longet in 1961. Whiteman's became the most popular band leader of the decade. Nearly everything Williams ever recorded has now been made available on CD through a series of compilations from 1997 to 2004. In 1920 he moved his band to New York City where they started making recordings for Victor Records which propelled Whiteman and his band to national prominence. His 1967 recording of "Music to Watch Girls By" was a surprise hit in England in 2003, following closely on the heels of a new duet of "Can't Take My Eyes Off You" with a British model and singer, Denise Van Outen. He started out as a classical violinist and violist, then started leading a jazz-influenced dance band which became locally popular in San Francisco, California in 1918. He continues to do 8-12 shows a week from September to December and occasionally makes tours of Europe earlier in the year.

Whiteman was born in Denver, Colorado. In the early 1990s, Williams gave up most of his touring schedule in order to open his own theatre in Branson, Missouri, the Andy Williams Moon River Theater. Paul Whiteman (March 28, 1890 - December 29, 1967) was a popular United States orchestral leader. He returned to television to do a syndicated half-hour series in 1976-77. He hosted the Grammy Awards for three consecutive years in the 1970s. Williams has recorded eight Christmas albums over the years.

His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. Among his series regulars were the Osmond Brothers. This series, "The Andy Williams Show," won three Emmy Awards for outstanding variety program.

Williams also competed in the teenage-oriented singles market as well and had some hit singles including "Can't Get Used to Losing You," "Happy Heart," and "(Where Do I Begin) Love Story." Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This was repeated the next year with the pair's "Days of Wine and Roses" (which also won), Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" at the 1962 Oscar Awards (where it won), and it quickly became Williams's theme song. Williams forged a collaborative relationship with Henry Mancini, although they never recorded together.

Among his hit albums from this period were "Moon River," "Days of Wine and Roses" (number one for 16 weeks in mid-1963), "Dear Heart," "The Shadow of Your Smile," "Love, Andy," "Get Together with Andy Williams," and "Love Story.". By 1973 he had earned as many as 17 Gold records. He was primarily an album artist, and at one time he had earned more Gold Albums than any solo performer except Frank Sinatra and Elvis Presley. During the 1960s, Williams became one of the most popular vocalists in the country and signed what was to that time the biggest recording contract in history.

Two top ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love" were apparently believed to not suit Williams's later style; they were not included on a Columbia reissue of his Cadence greatest hits in the 1960s. In terms of chart popularity, the Cadence era was Williams's peak although songs he introduced on Columbia became much bigger standards. Bernadette," and "Lonely Street," before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles. More hits followed, including "The Hawaiian Wedding Song," "Are You Sincere," "The Village of St.

His third single, "Canadian Sunset' (1956) hit the Top Ten, and was soon followed his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). After landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. He recorded six sides for RCA's label "X," but none of them were popular hits. Williams's solo career began in 1952 after his brothers left the act.

This led to a nightclub act with Kay Thompson, a comedian, from 1947 to 1951. They appeared with Bing Crosby on the hit record "Swinging on a Star" (1944). Williams graduated from high school in Cincinnati. Williams and his three older brothers Bob, Dick, and Don, formed a quartet, the Williams Brothers, in the late 1930s, and they performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati.

He first performed in a children's choir at the local Presbyterian church. Andy Williams (born Howard Andrew Williams in December 3, 1927) is an American pop singer from Wall Lake, Iowa. B Sides and Rarities, Collectables, 2003, (contains recordings as early as 1948, many of which had never appeared on any album before). Complete Columbia Chart Singles Collection, Taragon, 2002.

The Best of the Cadence Years, Varese Sarabande, 1997. 16 Most Requested Songs, Columbia/Legacy, 1990. Easy Does It, Metro, 2002. Andy Williams Live: Christmas Treasures, 2001.

Branson City Limits [Live], Unison, 1998. It's a Wonderful Christmas, Publishing Mills, 1997. We Need A Little Christmas, Unison, 1997. The New Andy Williams Christmas Album, Laserlight, 1994.

Nashville, Curb, 1991. I Still Believe in Santa Claus, Curb, 1990. Feelings, PolyTel, 1989. Close Enough for Love, Atlantic, 1986.

From Andy With Love, Hallmark, 1985. The Andy Williams Wedding & Anniversary Album, CSP, 1981. Greatest Love Classics, with the Royal Philharmonic Orchestra, 1984. Let's Love While We Can, 1980 (not released in US until 2004).

Spanish Eyes, 1976. Andy, 1976. The Other Side of Me, 1975. Christmas Present, 1974.

You Lay So Easy on My Mind, 1974. The Way We Were, 1974. II, 1973. Andy Williams' Greatest Hits Vol.

Solitaire, 1973. Alone Again (Naturally), 1972. Love Theme from the Godfather (Speak Softly Love), 1972. You've Got a Friend, 1971.

Love Story, 1971. Andy Williams' Greatest Hits, 1970. Raindrops Keep Fallin' on My Head, 1970. The Andy Williams Show, 1970.

The Andy Williams' Sound of Music, 1969. Get Together with Andy Williams, 1969. Happy Heart, 1969. Honey, 1968.

Love, Andy, 1967. Born Free, 1967. In the Arms of Love, 1967. The Shadow of Your Smile, 1966.

Andy Williams' Newest Hits, 1966 (compilation of early Columbia singles). Merry Christmas, 1965. Hawaiian Wedding Song, 1965 (reissue of the Cadence Records album To You Sweetheart, Aloha). Canadian Sunset, 1965 ( reissue of the 1962 Cadence Records compilation Andy Williams' Best).

Dear Heart, 1965. The Great Songs from My Fair Lady and Other Shows, 1964. Call Me Irresponsible, 1964. The Wonderful World of Andy Williams, 1964.

The Andy Williams Christmas Album, 1963. Days of Wine and Roses, 1963. Can't Get Used To Losing You, 1963. Warm and Willing, 1962.

Moon River and Other Great Movie Themes, 1962. Danny Boy and Other Songs I Love to Sing, 1962. Million Seller Songs, 1962. Andy Williams' Best, 1961 (compilation including Cadence singles which had never appeared on an album).

Under Paris Skies, with Quincy Jones, 1961 (William's Last Album of New Material for Cadence). Bernadette, 1960. The Village of St. Lonely Street, 1959.

To You, Sweetheart, Aloha, 1959. Two Time Winners, 1959. Andy Williams Sings Rodgers and Hammerstein, 1959. Andy Williams Sings Steve Allen, 1959.

Andy Williams, 1957 (compilation of A and B sides of second through seventh Cadence singles).