Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark or OMD were a synth pop group from the Wirral, UK, who recorded for Virgin Records (originally for Virgin's DinDisc subsidiary).

The group was founded by Andy McCluskey and Paul Humphreys, and they formed the core of the outfit until 1989, when the group split. McCluskey then retained the name and continued to record and tour as OMD with a new line-up.


Early history

As teenagers, Humphreys and McCluskey were involved in several unsigned Wirral bands, including including Equinox, Pegasus, and the short-lived Hitlerz Underpantz. McCluskey would usually sing and play bass guitar, whilst electronics enthusiast Humphreys initially began as a roadie, graduating to keyboards. The pair shared a love of electronic music, particularly Brian Eno and Kraftwerk.

By 1977, McCluskey & Humphreys put together 7-piece (3 singers, 2 guitars, bass, drums, and keyboards!) Wirral 'supergroup' The Id, whose line-up included drummer Malcolm Holmes and McCluskey's girlfriend Julia Kneale on vocals. The group began to gig regularly in the Merseyside area, performing original material (largely written by McCluskey & Humphreys). They had quite a following on the scene, and one of their tracks (Julia's Song) was included on a compilation record of local bands called Street to Street. Meanwhile Humphreys & McCluskey collaborated on a side-project called VCL XI (named after a valve from the diagram on the cover of Kraftwerk's Radio-Activity album), where they pursued their more bizarre electronic experiments, often working with tape collages, home-made kit-built synthesiers, and circuit-bent radios.

In 1978, The Id split due to the traditional musical differences. McCluskey briefly sang with electronic Wirral quartet Dalek I Love You, however eventually rejoined Humphreys, and their VCL XI project was rechristened Orchestral Manoeuvres in the Dark. They began to gig regularly as a duo, accompanied on stage by a Revox tape-recorder of backing tracks called "Winston". Finding themselves on the cusp of an electronic new wave in British pop-music, they released a one-off single with legendary independent label Factory Records (the single sleeve was designed by Peter Saville, whose distinctive graphics provided OMD's public image well into the mid-80s), and were then quickly snapped up by Virgin subsiduary DinDisc.

Classic Line-up

The eponymous first album (1980) showcased the band's live set at the time, and was basically recorded by the Humphreys/McCluskey duo, although included some guest drums from Id drummer Mal Holmes, and saxophone from Wirral musician Martin Cooper. It had a simple, raw, poppy, melodic synthpop sound. DinDisc arranged for the song Messages to be re-recorded (produced by Gong bassist Mike Howlett) and released as a single - this gave the band their first hit. A tour followed, Winston the tape recorded being ditched for good, and replaced with live drums from Mal Holmes, and Dalek I Love You's Dave Hughs on synths.

The second album Organisation followed later that year, recorded as a 3 piece with Humphreys, McCluskey and Holmes. It was again produced by Howlett, and saw a rather moodier, dark feel. The album spawned the huge hit single Enola Gay, named after the plane which dropped an atom bomb on Hiroshima. The tour for this album saw a 4-piece band line-up, with saxophonist Martin Cooper recruited for keyboard duties. Howlett then presided over the recording of a further hit single, Souvenir, co-written by Cooper & Humphreys. It ushered in a striking lush choral electronic sound.

1981 would see the release of what many consider OMD's magnum opus (and it was also the peak of their commercial success in the UK and Europe) - the Architecture & Morality album. The 4-piece went into the studio with Richard Mainwaring producing, Cooper then temporarily dropping out and being replaced by Mike Douglas, but this changed being reversed by the time the album was released and a tour embarked upon. The album's striking sound saw OMD's original synth-pop sound augmented by the mellotron, an instrument previously associated with prog rock bands. They used it to add very atmospheric swatches of string, choir and other sounds to their palette. Hit singles Joan of Arc and Maid of Orleans were taken from the album.

1983 saw the band lose commercial momentum somewhat, with the release of their 'difficult' Dazzle Ships albums, which mixed melancholy synth ballads and uptempo synth pop with musique concrete and short wave radio tape collages. It was recorded by the 4-piece Humpreys/Holmes/Cooper/Mcluskey line-up, and produced by Rhett Davies.

1984's Junk Culture saw a return to a more poppy sound and saw the band using digital sampling keyboards such as the Fairlight CMI and the Emu Emulator.

Two laserdiscs, Live at the Theatre Royal Drury Lane (1982) and Crush the Movie (1985) were released only in Japan.

With the recording of Crush, (1985) Graham and Neil Weir began playing with the group (on guitar and brass), produced by Stephen Hague. This 6 piece line also released The Pacific Age (1986). By now the band were seeing their critical and public popularity wane in the UK, whilst they struggled to break the US market.

One of OMD's biggest hits, "If You Leave," (1985) was written specifically for the John Hughes movie Pretty in Pink.

Classic line-up split

Though Humphreys left the band after The Best of OMD, he collaborated with McCluskey on the songwriting for Universal, the band's 1996 swan song. McCluskey would continue for another decade, joined by Liverpool musicians Lloyd Massett and Stuart Kershaw.

An album of unreleased material by the band is scheduled to be released in 2005.

There were two official magazines about the band, Telegraph, and, currently, Messages.

The book Messages, written by Johnny Waller and Paul Humphreys' brother Mike Humphreys, details the career of the band up to the time of The Best of OMD.

Discography

Albums

  • Orchestral Manoeuvres in the Dark - 1980
  • Organisation - 1980
  • O.M.D. - 1981
  • Architecture & Morality - 1981
  • Dazzle Ships - 1983
  • Junk Culture - 1984 (first copies came with enclosed one-sided 7-inch single, "The Angels Keep Turning (The Wheels of the Universe)")
  • Crush - 1985
  • The Pacific Age - 1986
  • The Best of OMD - 1988
  • Sugar Tax - 1991
  • Liberator - 1993
  • Universal - 1996
  • The OMD Singles - 1998
  • The Peel Sessions -2000
  • Navigation - The OMD B-Sides - 2001

Singles

  • "Electricity" - 1979
  • "Red Frame/White Light" - 1980
  • "Messages" - 1980
  • "Enola Gay" - 1980
  • "Souvenir" - 1981
  • "Joan of Arc" - 1981
  • "Maid of Orleans" - 1982
  • "Genetic Engineering" - 1983
  • "Telegraph" - 1983
  • "Locomotion" - 1984
  • "Talking Loud & Clear" - 1984
  • "Tesla Girls" - 1984
  • "Never Turn Away" - 1984
  • "So In Love" - 1985
  • "Secret" - 1985
  • "La Femme Accident" - 1985 (also released as shaped picture disc)
  • "If You Leave" - 1986
  • "(Forever) Live and Die" - 1986 (also released as picture disc)
  • "We Love You" - 1986
  • "Shame" - 1987
  • "Dreaming" - 1988
  • "Sailing on the Seven Seas" - 1991
  • "Pandora's Box" - 1991
  • "The You Turn Away" - 1991
  • "Call My Name" - 1991
  • "Stand Above Me" - 1993
  • "Dream of Me (Based on Love's Theme)" - 1993
  • "Everyday" - 1993
  • "Walking on the Milky Way" - 1996
  • "Universal" - 1996
  • "The OMD Remixes" (5-inch CD single containing remixes of "Enola Gay," "Souvenir" and "Electricity")

Laserdiscs

  • Live at the Theatre Royal Drury Lane - 1982
  • Crush the Movie - 1985

Videos (VHS)

  • Live at the Theatre Royal Drury Lane - 1982
  • Crush the Movie - 1985
  • The Best of OMD - 1988

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The book Messages, written by Johnny Waller and Paul Humphreys' brother Mike Humphreys, details the career of the band up to the time of The Best of OMD. He named:. There were two official magazines about the band, Telegraph, and, currently, Messages. In June 2004 British newspaper The Observer asked Osbourne to name his top ten favourite British albums of all time. An album of unreleased material by the band is scheduled to be released in 2005. A number of yet unsigned bands send one member to compete in a challenge to win a spot on the 2005 Ozzfest and a possible recording contract. McCluskey would continue for another decade, joined by Liverpool musicians Lloyd Massett and Stuart Kershaw. He and wife Sharon are also on yet another MTV show, this time a competition come reality show entitled "Battle for Ozzfest".

Though Humphreys left the band after The Best of OMD, he collaborated with McCluskey on the songwriting for Universal, the band's 1996 swan song. He takes on the Beatles, King Crimson and the Rolling Stones on this much-anticipated release. One of OMD's biggest hits, "If You Leave," (1985) was written specifically for the John Hughes movie Pretty in Pink. It is rumoured to contain two long-awaited discs, one being a collection of outtakes, rare demos and duets, and the other being a set of cover songs. By now the band were seeing their critical and public popularity wane in the UK, whilst they struggled to break the US market. He is slated to release a box set of his solo work entitled the Bible of Ozz in February of 2005. This 6 piece line also released The Pacific Age (1986). The reputed topic is that of the Russian mad monk, Grigory Rasputin, who held sway with Russia's royal Romanov family.

With the recording of Crush, (1985) Graham and Neil Weir began playing with the group (on guitar and brass), produced by Stephen Hague. He has also turned his hand to writing a Broadway musical. Two laserdiscs, Live at the Theatre Royal Drury Lane (1982) and Crush the Movie (1985) were released only in Japan. Since the accident, he has fully recovered and headlined the 2004 Ozzfest, where he again reunited with Black Sabbath. 1984's Junk Culture saw a return to a more poppy sound and saw the band using digital sampling keyboards such as the Fairlight CMI and the Emu Emulator. In doing so, he broke the record of the longest period between an artists's first UK chart appearance (with Black Sabbath, Paranoid, number four in August 1970) and their first number one hit — a gap of 33 years. It was recorded by the 4-piece Humpreys/Holmes/Cooper/Mcluskey line-up, and produced by Rhett Davies. While in hospital, Osborne achieved his first ever UK number one single, a duet of the Black Sabbath song Changes with daughter Kelly.

1983 saw the band lose commercial momentum somewhat, with the release of their 'difficult' Dazzle Ships albums, which mixed melancholy synth ballads and uptempo synth pop with musique concrete and short wave radio tape collages. Sharon later revealed that Osbourne had stopped breathing following the crash and was resuscitated by a security guard. Hospital reports indicated that, despite the severity of his injuries, a full recovery was expected. Hit singles Joan of Arc and Maid of Orleans were taken from the album. An operation was performed to lift the collarbone, which was believed to be resting on a major artery and interrupting blood flow to the arm. They used it to add very atmospheric swatches of string, choir and other sounds to their palette. Osbourne broke his collar bone, eight ribs and a vertebra in his neck. The album's striking sound saw OMD's original synth-pop sound augmented by the mellotron, an instrument previously associated with prog rock bands. On December 8, 2003, Osbourne was rushed into emergency surgery when he was involved in an accident involving the use of his all-terrain vehicle on his estate in Chalfont St Peter, Buckinghamshire, UK.

The 4-piece went into the studio with Richard Mainwaring producing, Cooper then temporarily dropping out and being replaced by Mike Douglas, but this changed being reversed by the time the album was released and a tour embarked upon. During 2003, a member of Birmingham City Council campaigned for him to be given Freedom of the City. 1981 would see the release of what many consider OMD's magnum opus (and it was also the peak of their commercial success in the UK and Europe) - the Architecture & Morality album. The Osbournes, a program featuring the domestic life of Osbourne and his family (wife Sharon, children Jack and Kelly, but not daughter Aimee, who declined to participate), has turned into one of MTV's greatest hits. It ushered in a striking lush choral electronic sound. Osbourne garnered still greater celebrity status by the unlikely success of his own bizarre brand of reality television. Howlett then presided over the recording of a further hit single, Souvenir, co-written by Cooper & Humphreys. At least two titles, Speak of the Devil and The Ultimate Sin, were permitted to go out of print entirely.

The tour for this album saw a 4-piece band line-up, with saxophonist Martin Cooper recruited for keyboard duties. The bass guitar and drum tracks from Osbourne's first two albums were re-recorded entirely, and the original versions (which featured Daisley and Kerslake) were dropped. The album spawned the huge hit single Enola Gay, named after the plane which dropped an atom bomb on Hiroshima. In the wake of a lawsuit by former band members Daisley and Kerslake, reportedly for unpaid royalties, Osbourne's catalogue was "remastered" again in 2002. It was again produced by Howlett, and saw a rather moodier, dark feel. Osbourne's first album of new studio material in seven years, 2001's Down to Earth met with only mediocre success, as did its live followup, Live at Budokan. The second album Organisation followed later that year, recorded as a 3 piece with Humphreys, McCluskey and Holmes. Some acts even had the pleasure to share the bill with a reformed, yet much older Black Sabbath.

A tour followed, Winston the tape recorded being ditched for good, and replaced with live drums from Mal Holmes, and Dalek I Love You's Dave Hughs on synths. Ozzfest was a quick hit with metal fans, spurring groups like Incubus and Papa Roach to broad exposure and commercial success. DinDisc arranged for the song Messages to be re-recorded (produced by Gong bassist Mike Howlett) and released as a single - this gave the band their first hit. Ozzy's biggest financial success of the 1990s was a venture named Ozzfest, created by his wife Sharon and managed loosely by his son Jack. It had a simple, raw, poppy, melodic synthpop sound. A greatest hits package, The Ozzman Cometh was issued in 1997. The eponymous first album (1980) showcased the band's live set at the time, and was basically recorded by the Humphreys/McCluskey duo, although included some guest drums from Id drummer Mal Holmes, and saxophone from Wirral musician Martin Cooper. Also that year, he released Ozzmosis and went on stage again, dubbing his concert performances "The Retirement Sucks Tour".

Finding themselves on the cusp of an electronic new wave in British pop-music, they released a one-off single with legendary independent label Factory Records (the single sleeve was designed by Peter Saville, whose distinctive graphics provided OMD's public image well into the mid-80s), and were then quickly snapped up by Virgin subsiduary DinDisc. At this point Osbourne expressed his fatigue with the process of touring, and proclaimed his "retirement", which was to be short-lived. Osbourne's entire CD catalog was remastered and reissued in 1995. They began to gig regularly as a duo, accompanied on stage by a Revox tape-recorder of backing tracks called "Winston". Yet another live album followed in 1993, Live and Loud. McCluskey briefly sang with electronic Wirral quartet Dalek I Love You, however eventually rejoined Humphreys, and their VCL XI project was rechristened Orchestral Manoeuvres in the Dark. While quite successful as a heavy metal act in the 1980s, Osbourne began to enjoy much broader commercial success in the 1990s, starting with 1991's No More Tears, which enjoyed much radio and MTV exposure. It also initiated a practice of bringing in outside composers to pen much of Ozzy's solo material, instead of relying solely upon the recording ensemble to write and arrange the music. In 1978, The Id split due to the traditional musical differences. The subsequent tour saw Osbourne reunited with erstwhile Black Sabbath bandmate Geezer Butler on bass, and a live EP (entitled Just Say Ozzy) featuring this lineup was released two years later.

Meanwhile Humphreys & McCluskey collaborated on a side-project called VCL XI (named after a valve from the diagram on the cover of Kraftwerk's Radio-Activity album), where they pursued their more bizarre electronic experiments, often working with tape collages, home-made kit-built synthesiers, and circuit-bent radios. Meanwhile, Ozzy found his most enduring replacement for Rhoads to date, a guitarist named Zakk Wylde, plucked from a New Jersey bar. Wylde joined Ozzy for his 1988 effort, No Rest for the Wicked, in which Castillo remained on drums and Daisley returned to bass duties. They had quite a following on the scene, and one of their tracks (Julia's Song) was included on a compilation record of local bands called Street to Street. Excellently recorded, the album cemented Rhoads's legendary stature as an imaginative and talented musician. The group began to gig regularly in the Merseyside area, performing original material (largely written by McCluskey & Humphreys). Ozzy continued to struggle with his chemical dependencies, and commemorated the fifth anniversary of Rhoads's death with Tribute, the live recordings from 1981 that had gone unreleased for years. By 1977, McCluskey & Humphreys put together 7-piece (3 singers, 2 guitars, bass, drums, and keyboards!) Wirral 'supergroup' The Id, whose line-up included drummer Malcolm Holmes and McCluskey's girlfriend Julia Kneale on vocals. Lee and Osbourne parted ways in 1987, however, reportedly due to musical differences.

The pair shared a love of electronic music, particularly Brian Eno and Kraftwerk. Jake E. McCluskey would usually sing and play bass guitar, whilst electronics enthusiast Humphreys initially began as a roadie, graduating to keyboards. Ozzy would ultimately prevail in all of the suits, which the judges would basically rule that Ozzy cannot be held accountable for a listener's actions. Soon after, Ozzy publicly acknowledged he wrote Suicide Solution about his friend, AC/DC lead singer Bon Scott, who died from alcohol abuse, and that alcohol as a solution to one's problems is not the answer (hence the song's title). As teenagers, Humphreys and McCluskey were involved in several unsigned Wirral bands, including including Equinox, Pegasus, and the short-lived Hitlerz Underpantz. In late 1986, he was the target in the first of a series of lawsuits brought against him, alleging that one of his songs, Suicide Solution, drove two teenagers to commit suicide because of its subliminal lyrics.
. Meanwhile, Ozzy was becoming involved in a legal battle of his own.

McCluskey then retained the name and continued to record and tour as OMD with a new line-up. Lee, formerly of Ratt and Rough Cutt, was a more successful recruit than Torme, recording 1983's Bark at the Moon (with Daisley, Aldridge, and keyboard player Don Airey) and 1986's The Ultimate Sin (with bassist Phil Soussan and drummer Randy Castillo) and touring behind both albums. The group was founded by Andy McCluskey and Paul Humphreys, and they formed the core of the outfit until 1989, when the group split. Jake E. Orchestral Manoeuvres in the Dark or OMD were a synth pop group from the Wirral, UK, who recorded for Virgin Records (originally for Virgin's DinDisc subsidiary). Madonna asked that her vocal not be restored for the hits package, so new vocals by Kim Basinger were added to complement the Ozzy lead. The Best of OMD - 1988. Ozzy's cut was remixed and re-released in the early 1990s for a Was (not Was) Greatest Hits album in Europe and it cracked the UK pop chart.

Crush the Movie - 1985. Her original vocal today remains just one of many Unreleased Madonna Songs. Live at the Theatre Royal Drury Lane - 1982. He replaced the original first choice, Madonna. Crush the Movie - 1985. In 1982 Ozzy was the guest vocalist on the Was (not Was) pop dance track Shake Your Head (Let's Go To Bed). Live at the Theatre Royal Drury Lane - 1982. This live title, known in the United Kingdom as Talk of the Devil, was originally planned to consist of live recordings from 1981, primarily of Ozzy's solo material, but after Rhoads's death, Osbourne changed his mind, and the album ended up consisting entirely of Ozzy's Black Sabbath material, recorded with Gillis, Sarzo, and Aldridge.

"The OMD Remixes" (5-inch CD single containing remixes of "Enola Gay," "Souvenir" and "Electricity"). Rhoads's first replacement was Bernie Torme (who reportedly could not cope with the pressures of live performance, and who never recorded with Ozzy), followed by Brad Gillis of Night Ranger, who filled in for an album called Speak of the Devil. "Universal" - 1996. During the 1980s and 1990s, Osbourne's career was an effort on two fronts: continuing to make music without Rhoads, and getting clean. "Walking on the Milky Way" - 1996. Osbourne subsequently fell into a deep depression, compounded by the death of his father. "Everyday" - 1993. The pilot (also the tour bus driver) clipped the parked bus and crashed into a nearby house, killing himself, Rhoads, and the band's tour hairdresser.

"Dream of Me (Based on Love's Theme)" - 1993. In March 1982, while in Florida for the Diary of A Madman tour, a light aircraft carrying Rhoads crashed while performing low passes over the band's tour bus. "Stand Above Me" - 1993. He later underwent a number of treatments for alcoholism and drug abuse. "Call My Name" - 1991. He was arrested after urinating on The Alamo while wearing one of his wife's dresses, for which he was banned from San Antonio, Texas for the next ten years. "The You Turn Away" - 1991. Ozzy was also hospitalized for rabies vaccinations after biting the head off of a stunned bat (which he later claimed to have thought was a rubber toy) thrown on stage by a fan.

"Pandora's Box" - 1991. He famously bit off the head of a dove during a meeting with his newly signed record company, CBS — though it has been speculated that this was a calculated stunt meant to intimidate the label executives into giving Osbourne more favorable contractual terms. "Sailing on the Seven Seas" - 1991. According to press accounts, Osbourne's antics progressively worsened during the 1980s, his alcohol and drug abuse continuing. "Dreaming" - 1988. Undaunted, Osbourne attempted to launch a solo career, and met with considerable success on his very first effort. "Shame" - 1987. He divorced his first wife, Thelma, and developed bipolar disorder.

"We Love You" - 1986. Depressed, his drug and alcohol abuse continued. "(Forever) Live and Die" - 1986 (also released as picture disc). Ozzy returned however, to record and tour behind 1978's Never Say Die, after which he left the group again in 1979, to be replaced by Ronnie James Dio. "If You Leave" - 1986. Osbourne was kicked out of the group briefly after the band's 1976 effort Technical Ecstasy, and Sabbath went so far as to begin writing and recording with a new singer. "La Femme Accident" - 1985 (also released as shaped picture disc). Over the duration, however, Iommi began to take the band's music in a more progressive and experimental direction, to Osbourne's distaste.

"Secret" - 1985. Nevertheless, the group remained a steadily successful act for over eight years. "So In Love" - 1985. The rigors of touring and financial success combined to lead some of the band members to drug and alcohol abuse, including Osbourne. "Never Turn Away" - 1984. Black Sabbath met with swift and enduring success; their early records such as their self-titled debut, Paranoid and Master of Reality in particular are considered heavy metal canon, and selections from Ozzy's Sabbath days have featured prominently in his solo performances. "Tesla Girls" - 1984. Polka Tulk disbanded, to reform almost immediately as a four-piece consisting of Osbourne, Iommi, Butler, and Ward.

"Talking Loud & Clear" - 1984. Iommi's style of guitar playing did not mesh well with Phillips's, however, nor with Clarke's saxophone. "Locomotion" - 1984. Ozzy came up with the name after seeing it on a can of talcum powder. "Telegraph" - 1983. At Butler's urgings, Osbourne was brought on board, along with saxophonist Alan Clarke and another guitar player, Jim Phillips, to form the Polka Tulk Blues Band. "Genetic Engineering" - 1983. Rare Breed did not last long, but Osbourne's collaboration with Butler did; in late 1968, Butler was invited to form a new group with guitarist Tony Iommi and drummer Bill Ward, both formerly of a fairly successful local group called Mythology.

"Maid of Orleans" - 1982. equipment his next gig was with a group called Rare Breed, where he met and played with future Black Sabbath bandmate, bassist Terence "Geezer" Butler. "Joan of Arc" - 1981. Thanks in part to the advantage of owning his own P.A. "Souvenir" - 1981. Personal differences led Ozzy to split with the group, however. "Enola Gay" - 1980. Osbourne slowly began to realize his ambitions in 1967; after filling in on vocals for a band called The Music Machine, he landed the singer's duties in an outfit called The Approach, playing R&B tunes in a church basement.

"Messages" - 1980. He had several jobs before turning to music, including testing car horns in the Lucas car factory and on the kill floor of an abattoir. "Red Frame/White Light" - 1980. He used his time there to give himself his now famous tattoos: OZZY across his knuckles and a smiling face on each knee to cheer himself up. "Electricity" - 1979. He was sentenced to six weeks at Winson Green Prison. Navigation - The OMD B-Sides - 2001. He wore gloves to steal from houses and shops so as not to leave fingerprints, but they were fingerless gloves and he was soon arrested.

The Peel Sessions -2000. Ozzy was not a particulary talented criminal. The OMD Singles - 1998. Ozzy Osbourne, who earned his nickname in his youth, sought a career as a rock singer after hearing The Beatles on the radio, in hopes that it would lift him out of his difficult working-class existence, in which he had some scrapes with the law. Universal - 1996. He is also a football fan, supporting Aston Villa. Liberator - 1993. Osbourne has been married twice and is father to five children: Jessica Hobbs and Louis Osbourne by first wife Thelma; and Aimee, Kelly and Jack, by current wife Sharon.

Sugar Tax - 1991. John Michael Osbourne (born December 3, 1948, in Aston, a suburb of Birmingham, West Midlands, England), better known as Ozzy Osbourne, was the lead singer of the rock band Black Sabbath and later a popular solo artist. The Best of OMD - 1988. Forenote: All references to the sport of football refer to the European sport, dubbed "soccer" by Americans. The Pacific Age - 1986. 2003 "Changes" (with Kelly Osbourne) #1 UK. Crush - 1985. 2002 "Dreamer/Gets Me Through" #18 UK.

Junk Culture - 1984 (first copies came with enclosed one-sided 7-inch single, "The Angels Keep Turning (The Wheels of the Universe)"). 1995 "Perry Mason" #23 UK. Dazzle Ships - 1983. 1992 "Mama, I'm Coming Home" #28 US. Architecture & Morality - 1981. 1991 "No More Tears" #31 UK. - 1981. 1986 "Shot in the Dark" #20 UK.

O.M.D. 1984 "So Tired" #20 UK. Organisation - 1980. 1983 "Bark at the Moon" #21 UK. Orchestral Manoeuvres in the Dark - 1980. Bible of Ozz - 2005 (box). The Essential Ozzy Osbourne - 2003 (compilation), #21 UK, #81 US.

Live at Budokan - 2002 (live), #70 US. The Osbournes Family Album - 2002 (compilation). Ozzfsest 2001 The Second Millenium - 2001 (compilation)

    . Ozzfest - Second Stage Live - 2001 (compilation).

    Down to Earth - 2001, #19 UK, #4 US, US Sales: 1,000,000. The Ozzfest - 1997 (compilation, out of print). The Ozzman Cometh - 1997 (compilation), #13 US, US Sales: 2,000,000. Ozzmosis - 1995, #22 UK, #4 US, US Sales: 2,000,000.

    Live and Loud - 1993 (live), #22 US, US Sales: 1,000,000. No More Tears - 1991, #17 UK, #7 US, US Sales: 4,000,000. Just Say Ozzy - 1990 (live, EP), #58 US, US Sales: 500,000. Ten Commandments - 1990, (rare out of print, greatest hits).

    Best of Ozz - 1989 (compilation). No Rest for the Wicked - 1988, #23 UK, #13 US, US Sales: 2,000,000. Tribute - 1987 (live), #13 UK, #6 US, US Sales: 2,000,000. The Ultimate Sin - 1986, #8 UK, #6 US, US Sales: 2,000,000.

    Bark at the Moon - 1983, #24 UK, #19 US, US Sales: 3,000,000. Speak of the Devil - 1982 (live), #21 UK, #14 US, US Sales: 1,000,000. Diary of a Madman - 1981, #14 UK, #16 US, US Sales: 3,000,000. Blizzard Of Ozz - 1981, #7 UK, #21 US, US Sales: 4,000,000.

    Machine Head - Deep Purple. Led Zeppelin - Led Zeppelin. Blizzard of Ozz - Ozzy Osbourne/Randy Rhoads. Imagine - John Lennon.

    Abbey Road - The Beatles. Dark Side of the Moon - Pink Floyd. So - Peter Gabriel. Band on the Run - Paul McCartney.

    Pepper's Lonely Hearts Club Band - The Beatles. Sgt. Revolver - The Beatles.