Muse

For other uses see Muse (disambiguation).

In Greek mythology, the Muses (Greek Μουσαι, Mousai) are nine archaic goddesses who embody the right evocation of myth, inspired through remembered and improvised song and traditional music and dances. They were water nymphs, associated with the springs of Helicon and Pieris. The Olympian system set Apollo as their leader, Apollon Mousagetes.

According to Hesiod's Theogony, they are the daughters of Zeus, king of the gods, and Mnemosyne, goddess of memory. For Alcman and Mimnermus, they were even more primordial, springing from Uranus and Gaia.

Compare the Roman inspiring nymphs of springs, the Camenae.

Muses in myth

According to Pausanias there were three original Muses: Aoide ("song", "voice"), Melete ("practice" or "occasion") and Mneme ("memory") (Paus. 9.29.1). Together, they form the complete picture of the preconditions of poetic art in cult practice.

The canonical nine Muses are:

  • Euterpe (music)
  • Calliope (epic poetry)
  • Clio (history)
  • Erato (lyric poetry)
  • Melpomene (tragedy)
  • Polyhymnia (sacred poetry)
  • Terpsichore (dancing)
  • Thalia (comedy)
  • Urania (astronomy)

Together, they form a complete picture of the subjects proper to poetic art in the archaic period. However, the association of specific muses with specific art forms is a later innovation, and has been called pedantic.

In Roman, Renaissance and Neoclassical art, Muses depicted in sculptures or paintings are often distinguished by certain props or poses, as emblems. Euterpe (music) carries a flute; Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (dancing) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a staff pointed at a celestial globe.

Function in Society

Greek mousa is a common noun as well as a type of goddess: it literally means "song" or "poem". In Pindar, to "carry a mousa" is "to sing a song". The word is probably derived from the Indo-European root *men-, which is also the source of Greek Mnemosyne, Latin Minerva, and English "mind", "mental" and "memory".

The Muses were therefore both the embodiments and sponsors of performed metrical speech: mousike, whence "music", was the art of the Muses. In the archaic period, before the widespread availability of books, this included nearly all of learning: the first Greek book on astronomy, by Thales, was set in dactylic hexameter, as were many works of pre-Socratic philosophy; both Plato and the Pythagoreans explicitly included philosophy as a sub-species of mousike (Strabo 10.3.10). Herodotus, whose primary medium of delivery was public recitation, named each one of the nine books of his Histories after a different Muse.

For poet and lawgiver Solon (fragment 13), the Muses were the key to the good life, since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals every year.

The Muses judged the contest between Apollo and Marsyas. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. They blinded Thamyris for his hubris in challenging them to a contest.

Function in literature

The muses are typically invoked at or near the beginning of an epic poem or story. They have served as aid to an author, or as the true speaker for which an author is only a mouthpiece. Originally the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulae.

Two classic examples: Homer, Book I of The Odyssey:

"Tell me, O Muse, of that ingenious hero
who travelled far and wide
after he had sacked the famous town of Troy."

... And Dante Alighieri, in Canto II of The Inferno:

O Muses, o high genious, aid me now!
O memory that noted what I saw,
Now shall your true nobility be seen!

Cults of the Muses

When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine of the Muses at the center of the city, to promote civic harmony and learning.

Local cults of the Muses were often associated with springs or fountains. They were sometimes called Aganippids because of their association with a fountain called Aganippe. Other fountains, called Hippocrene and Pirene were also important to the Muses. The Muses were also occasionally referred to as Corycides or Corycian nymphs after a cave on Mount Parnassos called the Corycian Cave.

The Muses were especially venerated in Boeotia, near Helicon, and in Delphi and the Parnassus, where Apollo became known as Mousagetes "Muse-leader".

Muse-worship was also often associated with the hero-cults of poets: the tombs of Archilochus on Thasos and Hesiod and Thamyris (whom they blinded) in Boeotia all played host to festivals in which poetic recitations were accompanied by sacrifices to the Muses.

The Library of Alexandria and its circle of scholars were formed around a mousaion ("museum" or shrine of the Muses) close by the tomb of Alexander the Great.

Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. A popular Masonic lodge in pre-Revolutionary Paris was called Neuf Soeurs ("nine sisters", i.e. nine Muses), and was attended by Voltaire and Benjamin Franklin. One side-effect of this movement was the use of the word "museum" (originally, "cult place of the Muses") to refer to a place for the public display of knowledge.

The classical tradition

The poet Sappho of Lesbos was also paid the very great compliment of being called "the tenth Muse".

The word muse is used figuratively to denote someone who inspires an artist.


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The word muse is used figuratively to denote someone who inspires an artist. [1] (http://www.gilbertosullivan.com/) Gilbert O'Sullivan Fansite. The poet Sappho of Lesbos was also paid the very great compliment of being called "the tenth Muse".
. One side-effect of this movement was the use of the word "museum" (originally, "cult place of the Muses") to refer to a place for the public display of knowledge. He presently lives in Jersey (the Channel Islands) with his wife and two children. nine Muses), and was attended by Voltaire and Benjamin Franklin. He released a Greatest Hits album in 1976.

A popular Masonic lodge in pre-Revolutionary Paris was called Neuf Soeurs ("nine sisters", i.e. His final Top 20 hit was with 1975's I Don't Love You But I Think I Like You. Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. In the next four years he had a dozen more hit singles, ten of which reached the UK Top 10, and four Top 5 albums: Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974).The ballad,Alone Again,Naturally(1972),was his only US Number One Hit. The Library of Alexandria and its circle of scholars were formed around a mousaion ("museum" or shrine of the Muses) close by the tomb of Alexander the Great. Nothing Rhymed was his first Top 10 hit and introduced his witty lyrics and original approach as a singer/songwriter. Muse-worship was also often associated with the hero-cults of poets: the tombs of Archilochus on Thasos and Hesiod and Thamyris (whom they blinded) in Boeotia all played host to festivals in which poetic recitations were accompanied by sacrifices to the Muses. Moody's Garden in 1969.

The Muses were especially venerated in Boeotia, near Helicon, and in Delphi and the Parnassus, where Apollo became known as Mousagetes "Muse-leader". Gilbert signed with the Major Minor label in 1968 and released I Wish I Could Cry/Mr. The Muses were also occasionally referred to as Corycides or Corycian nymphs after a cave on Mount Parnassos called the Corycian Cave. He signed a five year publishing contract with CBS which called for one single a year, and released two singles Disappear/You in 1967 and What Can I Do/You in 1968. Other fountains, called Hippocrene and Pirene were also important to the Muses. In 1967 Sullivan's musical career began. They were sometimes called Aganippids because of their association with a fountain called Aganippe. Gilbert O'Sullivan (born Raymond Edward O'Sullivan, December 1, 1946, Waterford, Ireland) is a singer-songwriter, not to be confused with the late Victorian duo Gilbert and Sullivan who wrote comic operas.

Local cults of the Muses were often associated with springs or fountains. Nothing But The Best 1991. When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine of the Muses at the center of the city, to promote civic harmony and learning. 20 Golden Greats 1981. And Dante Alighieri, in Canto II of The Inferno:. Greatest Hits 1976. .. Stranger In My Own Back Yard 1974.

Two classic examples: Homer, Book I of The Odyssey:. I'm A Writer Not A Fighter 1973. Originally the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulae. Back To Front 1972. They have served as aid to an author, or as the true speaker for which an author is only a mouthpiece. Himself 1971. The muses are typically invoked at or near the beginning of an epic poem or story.

They blinded Thamyris for his hubris in challenging them to a contest. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. The Muses judged the contest between Apollo and Marsyas. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals every year.

For poet and lawgiver Solon (fragment 13), the Muses were the key to the good life, since they brought both prosperity and friendship. Herodotus, whose primary medium of delivery was public recitation, named each one of the nine books of his Histories after a different Muse. In the archaic period, before the widespread availability of books, this included nearly all of learning: the first Greek book on astronomy, by Thales, was set in dactylic hexameter, as were many works of pre-Socratic philosophy; both Plato and the Pythagoreans explicitly included philosophy as a sub-species of mousike (Strabo 10.3.10). The Muses were therefore both the embodiments and sponsors of performed metrical speech: mousike, whence "music", was the art of the Muses.

The word is probably derived from the Indo-European root *men-, which is also the source of Greek Mnemosyne, Latin Minerva, and English "mind", "mental" and "memory". In Pindar, to "carry a mousa" is "to sing a song". Greek mousa is a common noun as well as a type of goddess: it literally means "song" or "poem". In Roman, Renaissance and Neoclassical art, Muses depicted in sculptures or paintings are often distinguished by certain props or poses, as emblems. Euterpe (music) carries a flute; Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (dancing) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a staff pointed at a celestial globe.

However, the association of specific muses with specific art forms is a later innovation, and has been called pedantic. Together, they form a complete picture of the subjects proper to poetic art in the archaic period. The canonical nine Muses are:. Together, they form the complete picture of the preconditions of poetic art in cult practice.

9.29.1). According to Pausanias there were three original Muses: Aoide ("song", "voice"), Melete ("practice" or "occasion") and Mneme ("memory") (Paus. Compare the Roman inspiring nymphs of springs, the Camenae. For Alcman and Mimnermus, they were even more primordial, springing from Uranus and Gaia.

According to Hesiod's Theogony, they are the daughters of Zeus, king of the gods, and Mnemosyne, goddess of memory. The Olympian system set Apollo as their leader, Apollon Mousagetes.. They were water nymphs, associated with the springs of Helicon and Pieris. In Greek mythology, the Muses (Greek Μουσαι, Mousai) are nine archaic goddesses who embody the right evocation of myth, inspired through remembered and improvised song and traditional music and dances.

Urania (astronomy). Thalia (comedy). Terpsichore (dancing). Polyhymnia (sacred poetry).

Melpomene (tragedy). Erato (lyric poetry). Clio (history). Calliope (epic poetry).

Euterpe (music).

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