Muse

For other uses see Muse (disambiguation).

In Greek mythology, the Muses (Greek Μουσαι, Mousai) are nine archaic goddesses who embody the right evocation of myth, inspired through remembered and improvised song and traditional music and dances. They were water nymphs, associated with the springs of Helicon and Pieris. The Olympian system set Apollo as their leader, Apollon Mousagetes.

According to Hesiod's Theogony, they are the daughters of Zeus, king of the gods, and Mnemosyne, goddess of memory. For Alcman and Mimnermus, they were even more primordial, springing from Uranus and Gaia.

Compare the Roman inspiring nymphs of springs, the Camenae.

Muses in myth

According to Pausanias there were three original Muses: Aoide ("song", "voice"), Melete ("practice" or "occasion") and Mneme ("memory") (Paus. 9.29.1). Together, they form the complete picture of the preconditions of poetic art in cult practice.

The canonical nine Muses are:

  • Euterpe (music)
  • Calliope (epic poetry)
  • Clio (history)
  • Erato (lyric poetry)
  • Melpomene (tragedy)
  • Polyhymnia (sacred poetry)
  • Terpsichore (dancing)
  • Thalia (comedy)
  • Urania (astronomy)

Together, they form a complete picture of the subjects proper to poetic art in the archaic period. However, the association of specific muses with specific art forms is a later innovation, and has been called pedantic.

In Roman, Renaissance and Neoclassical art, Muses depicted in sculptures or paintings are often distinguished by certain props or poses, as emblems. Euterpe (music) carries a flute; Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (dancing) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a staff pointed at a celestial globe.

Function in Society

Greek mousa is a common noun as well as a type of goddess: it literally means "song" or "poem". In Pindar, to "carry a mousa" is "to sing a song". The word is probably derived from the Indo-European root *men-, which is also the source of Greek Mnemosyne, Latin Minerva, and English "mind", "mental" and "memory".

The Muses were therefore both the embodiments and sponsors of performed metrical speech: mousike, whence "music", was the art of the Muses. In the archaic period, before the widespread availability of books, this included nearly all of learning: the first Greek book on astronomy, by Thales, was set in dactylic hexameter, as were many works of pre-Socratic philosophy; both Plato and the Pythagoreans explicitly included philosophy as a sub-species of mousike (Strabo 10.3.10). Herodotus, whose primary medium of delivery was public recitation, named each one of the nine books of his Histories after a different Muse.

For poet and lawgiver Solon (fragment 13), the Muses were the key to the good life, since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals every year.

The Muses judged the contest between Apollo and Marsyas. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. They blinded Thamyris for his hubris in challenging them to a contest.

Function in literature

The muses are typically invoked at or near the beginning of an epic poem or story. They have served as aid to an author, or as the true speaker for which an author is only a mouthpiece. Originally the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulae.

Two classic examples: Homer, Book I of The Odyssey:

"Tell me, O Muse, of that ingenious hero
who travelled far and wide
after he had sacked the famous town of Troy."

... And Dante Alighieri, in Canto II of The Inferno:

O Muses, o high genious, aid me now!
O memory that noted what I saw,
Now shall your true nobility be seen!

Cults of the Muses

When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine of the Muses at the center of the city, to promote civic harmony and learning.

Local cults of the Muses were often associated with springs or fountains. They were sometimes called Aganippids because of their association with a fountain called Aganippe. Other fountains, called Hippocrene and Pirene were also important to the Muses. The Muses were also occasionally referred to as Corycides or Corycian nymphs after a cave on Mount Parnassos called the Corycian Cave.

The Muses were especially venerated in Boeotia, near Helicon, and in Delphi and the Parnassus, where Apollo became known as Mousagetes "Muse-leader".

Muse-worship was also often associated with the hero-cults of poets: the tombs of Archilochus on Thasos and Hesiod and Thamyris (whom they blinded) in Boeotia all played host to festivals in which poetic recitations were accompanied by sacrifices to the Muses.

The Library of Alexandria and its circle of scholars were formed around a mousaion ("museum" or shrine of the Muses) close by the tomb of Alexander the Great.

Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. A popular Masonic lodge in pre-Revolutionary Paris was called Neuf Soeurs ("nine sisters", i.e. nine Muses), and was attended by Voltaire and Benjamin Franklin. One side-effect of this movement was the use of the word "museum" (originally, "cult place of the Muses") to refer to a place for the public display of knowledge.

The classical tradition

The poet Sappho of Lesbos was also paid the very great compliment of being called "the tenth Muse".

The word muse is used figuratively to denote someone who inspires an artist.


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The word muse is used figuratively to denote someone who inspires an artist. It's assumed the next incarnation of the band will most likely contain an arrangement of the above members. The poet Sappho of Lesbos was also paid the very great compliment of being called "the tenth Muse". The liner notes of aMOTION list the members of the band as follows: Maynard James Keenan, Billy Howerdel, Josh Freese, Danny Lohner, Paz Lenchantin, Troy van Leeuwen, Jeordie White, James Iha and Tim Alexander. One side-effect of this movement was the use of the word "museum" (originally, "cult place of the Muses") to refer to a place for the public display of knowledge. As there will be no activity from A Perfect Circle for a number of years (due to Maynard James Keenan's commitment to his other band Tool) it is assumed the band will be reformed for the next album depending on which musicians are available. Billy Howerdel has mentioned in November 2004 that the band will definitely contain Keenan and himself, and most likely Josh Freese. nine Muses), and was attended by Voltaire and Benjamin Franklin. Note: While the above is the latest line-up to appear live, as of the release of eMOTIVe and aMOTION, it is unclear as to who exactly is in the band.

A popular Masonic lodge in pre-Revolutionary Paris was called Neuf Soeurs ("nine sisters", i.e. A third album, eMOTIVe was released on November 2, 2004, which contains anti-war cover songs of artists such as John Lennon, and Joni Mitchell. Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. The band released their second album, Thirteenth Step, in September 16, 2003. The Library of Alexandria and its circle of scholars were formed around a mousaion ("museum" or shrine of the Muses) close by the tomb of Alexander the Great. These positions were taken over by ex-Marilyn Manson bassist Jeordie White (formerly known as Twiggy Ramirez) and ex-Smashing Pumpkins guitarist James Iha. Muse-worship was also often associated with the hero-cults of poets: the tombs of Archilochus on Thasos and Hesiod and Thamyris (whom they blinded) in Boeotia all played host to festivals in which poetic recitations were accompanied by sacrifices to the Muses. Between Lenchantin leaving the band for Billy Corgan's new band Zwan and van Leeuwen becoming the new tour guitarist of Queens of the Stone Age, the band was in need for a new bassist and guitarist for their live performances.

The Muses were especially venerated in Boeotia, near Helicon, and in Delphi and the Parnassus, where Apollo became known as Mousagetes "Muse-leader". While the band's first single, "Judith", brought some comparisons to Tool, the album is quite different. The Muses were also occasionally referred to as Corycides or Corycian nymphs after a cave on Mount Parnassos called the Corycian Cave. At this time Tool was tied up in negotiations with their record label, allowing Keenan much time to complete the work. Other fountains, called Hippocrene and Pirene were also important to the Muses. Joined by The Vandals drummer Josh Freese, ex- Failure guitarist Troy van Leeuwen, and bassist/violinist Paz Lenchantin (later of Zwan), the band rehearsed the music that Howerdel had begun and finished their debut album Mer de Noms (French "Sea of Names"). They were sometimes called Aganippids because of their association with a fountain called Aganippe. During the band's first tour, this was a long purple wig, but now seems to be various colours and styles from one live performance to another.

Local cults of the Muses were often associated with springs or fountains. To separate his appearance from Tool, Keenan wears a long wig on his otherwise bald scalp at all A Perfect Circle live appearances, photo shoots and music videos. When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine of the Muses at the center of the city, to promote civic harmony and learning. A Perfect Circle is a progressive rock band, formed by guitarist Billy Howerdel. Howerdel had worked as a guitar tech for bands such as Nine Inch Nails, The Smashing Pumpkins, Fishbone, Guns N' Roses and Tool. During the recording of Tool's Ænima album, he played demos of his music to Tool's singer, Maynard James Keenan, who, although Howerdel originally wanted a female singer, offered himself as vocalist should Howerdel form a band. And Dante Alighieri, in Canto II of The Inferno:. Passive from eMOTIVe. .. Imagine from eMOTIVe.

Two classic examples: Homer, Book I of The Odyssey:. Counting Bodies Like Sheep to the Rhythm of the War Drums from eMOTIVe. Originally the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulae. Blue from Thirteenth Step. They have served as aid to an author, or as the true speaker for which an author is only a mouthpiece. The Outsider from Thirteenth Step. The muses are typically invoked at or near the beginning of an epic poem or story. Weak and Powerless from Thirteenth Step.

They blinded Thamyris for his hubris in challenging them to a contest. Thinking of You from Mer de Noms. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. 3 Libras from Mer de Noms. The Muses judged the contest between Apollo and Marsyas. The Hollow from Mer de Noms. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals every year. Judith from Mer de Noms.

For poet and lawgiver Solon (fragment 13), the Muses were the key to the good life, since they brought both prosperity and friendship. aMOTION (2004). Herodotus, whose primary medium of delivery was public recitation, named each one of the nine books of his Histories after a different Muse. eMOTIVe (2004). In the archaic period, before the widespread availability of books, this included nearly all of learning: the first Greek book on astronomy, by Thales, was set in dactylic hexameter, as were many works of pre-Socratic philosophy; both Plato and the Pythagoreans explicitly included philosophy as a sub-species of mousike (Strabo 10.3.10). Thirteenth Step (2003). The Muses were therefore both the embodiments and sponsors of performed metrical speech: mousike, whence "music", was the art of the Muses. Mer de Noms (2000).

The word is probably derived from the Indo-European root *men-, which is also the source of Greek Mnemosyne, Latin Minerva, and English "mind", "mental" and "memory". Josh Freese - Drums. In Pindar, to "carry a mousa" is "to sing a song". Jeordie White - Bass. Greek mousa is a common noun as well as a type of goddess: it literally means "song" or "poem". James Iha - Guitar. In Roman, Renaissance and Neoclassical art, Muses depicted in sculptures or paintings are often distinguished by certain props or poses, as emblems. Euterpe (music) carries a flute; Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (dancing) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a staff pointed at a celestial globe. Billy Howerdel - Guitar.

However, the association of specific muses with specific art forms is a later innovation, and has been called pedantic. Maynard James Keenan - Vocals. Together, they form a complete picture of the subjects proper to poetic art in the archaic period. The canonical nine Muses are:. Together, they form the complete picture of the preconditions of poetic art in cult practice.

9.29.1). According to Pausanias there were three original Muses: Aoide ("song", "voice"), Melete ("practice" or "occasion") and Mneme ("memory") (Paus. Compare the Roman inspiring nymphs of springs, the Camenae. For Alcman and Mimnermus, they were even more primordial, springing from Uranus and Gaia.

According to Hesiod's Theogony, they are the daughters of Zeus, king of the gods, and Mnemosyne, goddess of memory. The Olympian system set Apollo as their leader, Apollon Mousagetes.. They were water nymphs, associated with the springs of Helicon and Pieris. In Greek mythology, the Muses (Greek Μουσαι, Mousai) are nine archaic goddesses who embody the right evocation of myth, inspired through remembered and improvised song and traditional music and dances.

Urania (astronomy). Thalia (comedy). Terpsichore (dancing). Polyhymnia (sacred poetry).

Melpomene (tragedy). Erato (lyric poetry). Clio (history). Calliope (epic poetry).

Euterpe (music).

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