The Misfits(Redirected from Misfits)
The Misfits were a punk rock band formed in 1977 in the town of Lodi, New Jersey, and led by singer Glenn Danzig (nč Anzalone). The band's name is from The Misfits, Marilyn Monroe's last movie. The early lyrical and graphical focus was on retro (1930s-'50s) science fiction, horror films, and B-movies. The early Misfits were often quite melodic: Danzig's voice was extremely supple, with a style rooted in Italian tenors such as Mario Lanza, and in 1950's doo wop; and with songwriting including strong pop hooks and sing-along choruses -- but grafted onto a very loud, and often cruddy-sounding punk band. (The early Misfits were, in both good and bad ways, a notably aggressive and untrained ensemble.) By the original band's last album, Earth A.D., they had become a hardcore punk band, with Danzig's standout vocal tone floating over a torrent of thrashing guitar, bass, and drums, courtesy of Jerry, brother Doyle, and pal Robo. (Metallica covered two Misfits songs from this era, "Green Hell" and "Die Die My Darling," although some purists regard the cover version as weak and mechanical. Another Metallica cover, "Last Caress," is from the Misfits' aborted "Static Age" album session, from '78.) "Last Caress" was a very rare track for years, and is now commonly regarded as the prototypical early-Misfits song, with blaring instruments and Danzig's melodic vocals putting the rendition somewhere on the crude median between Frank Sinatra and the Sex Pistols. The track is quite noteworthy, with aggressively sloppy punk instrumentation and a soaring, Italian-tenor vocal line. However, many other early songs are just as interesting, with the recently-released "Static Age" LP (of '78 studio sessions) filling all such accounts. Members came and went, with bassist and co-founder Jerry Only (nč Caiafa) holding down the fort in terms of other instrumental players. The original Misfits broke up in 1983. The original Misfits released several 7" singles, in DIY limited-edition, that have long been considered prime collectors' items. The band often wore ghoulish makeup when performing, and bassist Jerry Only invented a hairstyle called the devilock which is still worn by fans today. The band plays and records today as a Jerry Only project, with rotating members. The original Misfits' latter-day (and canonical) logo, a distinctive skull, is from a 1940s serial, the Crimson Ghost. Their later characteristic font consists of letters taken from the logo of the magazine "Famous Monsters of Filmland". HistoryThe earliest lineup was a trio, with Danzig singing and playing electric piano. This version didn't last long, recording one single and playing only a few gigs before the band ditched the piano (and the original drummer) and recruited a guitarist. Many early members came and went, in shifting combination; Danzig and Only being constants. During their original career, the Misfits were exemplary practitioners of the DIY ethic: The band (especially Danzig) booked their own shows, assembled and sold their own records, and ran their own fan club, the Fiend Club. Like many punk bands of that time, the Misfits had brushes with the law. Danzig and guitarist Bobby Steele were jailed in the London district of Brixton for "threatening behavior" on December 2nd, 1979. Glenn's jail time would become the inspiration for the song "London Dungeon". On October 17, 1982, the band was arrested in New Orleans on the charges of grave-robbing while in search of the burial place of voodoo practitioner Marie Laveau. The Misfits denied the charges, and a witness reportedly attested that they had not even entered the cemetery gates. The band bailed themselves out of jail and skipped court to drive to their next performance in Florida. On October 29, 1983 (see 1983 in music), Glenn Danzig broke up the band to dedicate his full attention to a new group, Samhain. Samhain later metamorphosed into Danzig. Legal BattleMeanwhile, Jerry Only and his brother, Misfits guitarist Doyle, played in a heavy metal band called Kryst The Conqueror with Yngwie Malmsteen vocalist Jeff Scott Soto until Only won the performing and recording rights to the Misfits in a legal battle. In addition to the rights to the Misfits name and image, Only sought songwriting credits on much of the Misfits early material. He concedes that Danzig wrote nearly all the lyrics and much of the music, but contended that he and Doyle "wrote 25% or maybe 30% of the music," [1] (http://www.citizinemag.com/music/music-0309_jerryonly.htm) and deserved compensation. Only gained the rights to the Misfits name and Image, and reformed the band in 1995 (1995 in music) with Doyle and newcomers Michale Graves on vocals and Dr. Chud of Sardonica on drums. The new incarnation of the Misfits released two full-length albums, American Psycho and Famous Monsters as well as a collection of rare and unreleased late Misfits tracks, until Michale Graves and Dr. Chud left the band on October 25, 2000 at a performance at the House of Blues in Orlando. Doyle took an indefinite hiatus from performing, Jerry took over lead vocals in addition to his bass duties, and recruited punk veterans Dez Cadena of Black Flag, and Marky Ramone of The Ramones to undertake a 25th Anniversary Tour. Freed from the Misfits' contractual obligations to Universal's Geffen and Roadrunner imprints, Only and Misfits confidant John Cafiero formed Misfits Records and launched their new label with two releases, the American debut of their Japanese imitators Balzac, and a new Misfits album featuring the band's retakes on ten 50's rock classics, Project 1950. The album featured not only the punk rock all-star Misfits lineup of Only, Cadena and Ramone, but prominent appearances from 60's pop chanteuse Ronnie Spector and Blondie keyboardist Jimmy Destri. Meanwhile Michale Graves and Dr. Chud had formed their own band, Graves, which released a single album before breaking up. As of 2004, Michale Graves currently sings in Gotham Road and is one of the forces behind www.conservativepunk.org [2] (http://www.conserativepunk.org), while Dr. Chud is pursuing a solo career. LegacyThe influence The Misfits have had on punk rock, and rock music in general, sometimes seems disproportionate to the publicity and critical attention they have received. Myriad bands have imitated The Misfits' style, such as Blitzkid, and these bands have become known as horror punk. Psychobilly has various similarities with horror punk. A number of bands have recently surfaced which, although in some cases less obviously horror punk, are still strongly visibly and audibly influenced by The Misfits. These include, most notably, bands such as AFI, Tiger Army, Alkaline Trio and the Murderdolls. Many musical groups whose resemblance to The Misfits seems far removed also cite The Misfits as crucial influences, such as Metallica and Cradle of Filth. Discography
FilmographyThe Misfits appeared as characters or in cameos in the following movies.
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The Misfits appeared as characters or in cameos in the following movies. Psychobilly has various similarities with horror punk. Also, his 1972 tune proposing nuclear war to eliminate anti-American sentiment abroad, "Political Science", became part of the soundtrack of the 1999 romantic comedy Blast from the Past, starring Brendan Fraser, Alicia Silverstone, Christopher Walken, and Sissy Spacek. Myriad bands have imitated The Misfits' style, such as Blitzkid, and these bands have become known as horror punk. He was again nominated for an Academy Award for his work on "You've Got a Friend" for Toy Story. The influence The Misfits have had on punk rock, and rock music in general, sometimes seems disproportionate to the publicity and critical attention they have received. In the 1990s, Newman adapted Doctor Faustus into a concept album and musical, Faust. Chud is pursuing a solo career. The open car and the redhead, the Beach Boys....that sounds really good to me.". As of 2004, Michale Graves currently sings in Gotham Road and is one of the forces behind www.conservativepunk.org [2] (http://www.conserativepunk.org), while Dr. has that I'm proud of. Chud had formed their own band, Graves, which released a single album before breaking up. As he explained in a 2001 interview, "There's some kind of ignorance L.A. Meanwhile Michale Graves and Dr. His 1983 album Trouble in Paradise received greater critical acclaim than some of his previous work, and included the hit single "I Love L.A." This song is a good example of Newman's ambivalence toward what might be termed the American Dream, and demonstrates why those who dub him an ironist often miss the genuine affection Newman seems to have for his subjects. The album featured not only the punk rock all-star Misfits lineup of Only, Cadena and Ramone, but prominent appearances from 60's pop chanteuse Ronnie Spector and Blondie keyboardist Jimmy Destri. For this, he was nominated for two Academy Awards. Freed from the Misfits' contractual obligations to Universal's Geffen and Roadrunner imprints, Only and Misfits confidant John Cafiero formed Misfits Records and launched their new label with two releases, the American debut of their Japanese imitators Balzac, and a new Misfits album featuring the band's retakes on ten 50's rock classics, Project 1950. Newman's work as a film composer began in 1981, with Ragtime. Doyle took an indefinite hiatus from performing, Jerry took over lead vocals in addition to his bass duties, and recruited punk veterans Dez Cadena of Black Flag, and Marky Ramone of The Ramones to undertake a 25th Anniversary Tour. Little Criminals was a lesser effort, but "Short People" became a surprise hit; Nina Simone did a version of "Baltimore." At the end of the 1970s, Born Again was a prescient commentary on the money-worship of the era of Reaganomics, and featured a witty song about the Electric Light Orchestra entitled "The Story of a Rock and Roll Band.". Chud left the band on October 25, 2000 at a performance at the House of Blues in Orlando. Good Old Boys is, along with 12 Songs, some of his most accomplished work. The new incarnation of the Misfits released two full-length albums, American Psycho and Famous Monsters as well as a collection of rare and unreleased late Misfits tracks, until Michale Graves and Dr. Good Old Boys was a set of songs about the American South; "Rednecks" pitted Lester Maddox against a "smart-ass New York Jew," and as usual it was somewhat difficult to tell with whom Newman's sympathies ultimately lay. Chud of Sardonica on drums. "Burn On" concerned itself with the pollution of Ohio's Cuyahoga River, while "You Can Leave Your Hat On" was covered by Joe Cocker and later, by Keb Mo. Only gained the rights to the Misfits name and Image, and reformed the band in 1995 (1995 in music) with Doyle and newcomers Michale Graves on vocals and Dr. 1972's Sail Away was a moderate hit, with the title track making its way into the repertoire of Ray Charles. He concedes that Danzig wrote nearly all the lyrics and much of the music, but contended that he and Doyle "wrote 25% or maybe 30% of the music," [1] (http://www.citizinemag.com/music/music-0309_jerryonly.htm) and deserved compensation. 12 Songs was critically acclaimed, but Newman's take on racism, sexism, violence and other human follies was not commercially successful in the era of James Taylor and Three Dog Night (who made a huge hit of his "Mama Told Me Not to Come"). In addition to the rights to the Misfits name and image, Only sought songwriting credits on much of the Misfits early material. That album was a success, and it paved the way for Newman's 1970 release, 12 Songs, which abandoned the elaborate arrangements of his first album for a more stripped-down sound that showcased Newman's piano. Meanwhile, Jerry Only and his brother, Misfits guitarist Doyle, played in a heavy metal band called Kryst The Conqueror with Yngwie Malmsteen vocalist Jeff Scott Soto until Only won the performing and recording rights to the Misfits in a legal battle. In 1970, Harry Nilsson recorded an album of Newman compositions called Nilsson Sings Newman. Samhain later metamorphosed into Danzig. However, many artists, including Alan Price, Judy Collins, the Everly Brothers, Dusty Springfield, Pat Boone and Peggy Lee, covered his songs. On October 29, 1983 (see 1983 in music), Glenn Danzig broke up the band to dedicate his full attention to a new group, Samhain. His debut album, Randy Newman, was unsuccessful upon its 1968 release (see 1968 in music). The band bailed themselves out of jail and skipped court to drive to their next performance in Florida. Newman had become a professional songwriter by the time he was seventeen, and landed a contract as a singer with Reprise Records. On October 17, 1982, the band was arrested in New Orleans on the charges of grave-robbing while in search of the burial place of voodoo practitioner Marie Laveau. The Misfits denied the charges, and a witness reportedly attested that they had not even entered the cemetery gates. His many place-name songs, many of which are archetypal examples of ambivalent Americana, include "I Love L.A.," "Baltimore," "Louisiana 1927," and "Dayton, Ohio - 1903." Newman is also a consummate musician whose deceptively simple songs mask an unparalleled craftsmanship, and he is a highly skilled arranger. Glenn's jail time would become the inspiration for the song "London Dungeon". He often writes songs from unusual perspectives: "Sail Away" is a slave trader's come-on, "Birmingham" is written from the perspective of a man--"a roller in a steel mill"-- who loves his ordinary life in Birmingham, Alabama, while "Political Science (http://laeren.zoggins.net/music/mpthree/RandyNewman-PoliticalScience.mp3)" complains of worldwide hate of America and proposes a final solution. Danzig and guitarist Bobby Steele were jailed in the London district of Brixton for "threatening behavior" on December 2nd, 1979. Newman is noted as a lyricist of considerable sophistication. Like many punk bands of that time, the Misfits had brushes with the law. His film scores include Ragtime and The Natural, and he scored the first four Disney-Pixar films, including Toy Story, A Bug's Life and Monsters, Inc. During their original career, the Misfits were exemplary practitioners of the DIY ethic: The band (especially Danzig) booked their own shows, assembled and sold their own records, and ran their own fan club, the Fiend Club. At the same time, Newman's drawl is reminiscent of that of blues artists like Sonny Boy Williamson and of New Orleans rock-and-roll singers like Chris Kenner (he lived in New Orleans as a child and spent summers there until he was eleven years old). Many early members came and went, in shifting combination; Danzig and Only being constants. His uncles Alfred Newman, Lionel Newman and Emil Newman were noted Hollywood film-score writers. This version didn't last long, recording one single and playing only a few gigs before the band ditched the piano (and the original drummer) and recruited a guitarist. Randy Newman (born November 28, 1943, in Los Angeles, California) is a United States songwriter, arranger, singer and pianist who is notable for his mordant, immaculately written pop songs and for his many film scores. The earliest lineup was a trio, with Danzig singing and playing electric piano. 1 (2003). Their later characteristic font consists of letters taken from the logo of the magazine "Famous Monsters of Filmland". The Randy Newman Songbook Vol. The original Misfits' latter-day (and canonical) logo, a distinctive skull, is from a 1940s serial, the Crimson Ghost. Bad Love (1999). The band plays and records today as a Jerry Only project, with rotating members. Guilty: 30 Years of Randy Newman (1998). The band often wore ghoulish makeup when performing, and bassist Jerry Only invented a hairstyle called the devilock which is still worn by fans today. Faust (1995). The original Misfits released several 7" singles, in DIY limited-edition, that have long been considered prime collectors' items. Land of Dreams (1988). The original Misfits broke up in 1983. Trouble in Paradise (1983). Members came and went, with bassist and co-founder Jerry Only (nč Caiafa) holding down the fort in terms of other instrumental players. Born Again (1979). However, many other early songs are just as interesting, with the recently-released "Static Age" LP (of '78 studio sessions) filling all such accounts. Little Criminals (1977). The track is quite noteworthy, with aggressively sloppy punk instrumentation and a soaring, Italian-tenor vocal line. Good Old Boys (1974). "Last Caress" was a very rare track for years, and is now commonly regarded as the prototypical early-Misfits song, with blaring instruments and Danzig's melodic vocals putting the rendition somewhere on the crude median between Frank Sinatra and the Sex Pistols. Sail Away (1972). Another Metallica cover, "Last Caress," is from the Misfits' aborted "Static Age" album session, from '78.). 12 Songs (1970). (Metallica covered two Misfits songs from this era, "Green Hell" and "Die Die My Darling," although some purists regard the cover version as weak and mechanical. Randy Newman (1968). By the original band's last album, Earth A.D., they had become a hardcore punk band, with Danzig's standout vocal tone floating over a torrent of thrashing guitar, bass, and drums, courtesy of Jerry, brother Doyle, and pal Robo. (The early Misfits were, in both good and bad ways, a notably aggressive and untrained ensemble.). The early Misfits were often quite melodic: Danzig's voice was extremely supple, with a style rooted in Italian tenors such as Mario Lanza, and in 1950's doo wop; and with songwriting including strong pop hooks and sing-along choruses -- but grafted onto a very loud, and often cruddy-sounding punk band. The early lyrical and graphical focus was on retro (1930s-'50s) science fiction, horror films, and B-movies. The band's name is from The Misfits, Marilyn Monroe's last movie. The Misfits were a punk rock band formed in 1977 in the town of Lodi, New Jersey, and led by singer Glenn Danzig (nč Anzalone). Campfire Stories (2001), as The Misfits. Big Money Hustlas (2000), as Misfits 1-4 (individually credited). Bruiser (2000), uncredited. Animal Room (1995), as The Misfits. Project 1950 (2003) - album. Cuts From The Crypt (1999) - album. Monster Mash (1999) - single. Famous Monsters (1999) - album. Evillive II (1998) - live fan club album. Dig Up Her Bones (1997) - single. American Psycho (1997) - album. 12 Hits From Hell (2001) - album (promo only, unreleased). Static Age (1997) - album. Collection II (1995) - album. Evilive (1987) - live album. Collection I (1986) - album. Legacy Of Brutality (1985) - album. Earth A.D. (1984) - album. Die, Die My Darling (1984) - single. Earth A.D./Wolfs Blood (1983) - album. Evilive (1982) - live fan club EP. Walk Among Us (1982) - album. Halloween (1981) - single. Who Killed Marilyn? (1981) - single (though often credited as a Misfits release, this was issued as a Glenn Danzig solo release). 3 Hits From Hell (1981) - EP. Beware (1980) - EP. Night of the Living Dead (1979) - single. Horror Business (1979) - EP. Bullet (1978) - EP. Cough/Cool (1977) - single. |