Midnight CowboyMidnight Cowboy is a 1969 film written by Waldo Salt based on the novel by James Leo Herlihy, and directed by John Schlesinger. It stars Dustin Hoffman and newcomer Jon Voight in the title role. An assortment of much smaller roles are filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt (the screenwriter's daughter), and Bob Balaban. The film is the only X-rated film to win the Academy Awards for Best Picture and Best Director. Both Hoffman and Voight were nominated for the Academy Award for Best Actor, a situation which split the vote for fans of the film and helped John Wayne receive his only Oscar for his role in True Grit. For Hoffman, the role enabled him to avoid any typecasting due to his previous role in The Graduate and began his reputation as a actor of considerable dramatic range. In 1971 the film was re-submitted to the MPAA ratings board in anticipation of a re-release. This time the board granted it an "R" rating. The re-released version of the film was identical to the original. The film has been deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry. John Barry, who supervised the music for the film, won a Grammy for Best Instrumental Theme. The film featured the song "Everybody's Talkin'", sung by Harry Nilsson, which won a Grammy Award for Best Male Pop Vocal Performance; Schlesinger chose that song over "I Guess The Lord Must Be In New York City", which Nilsson had written specifically for the film. The song "He Quit Me" was also on the soundtrack; it was written by Warren Zevon, who also included it (as "She Quit Me") on his debut album Wanted Dead or Alive. Spoiler warning: Plot or ending details follow.The film follows the story of a young Texan named Joe Buck (Jon Voight) who dresses like a rodeo cowboy. He heads to New York City in the hope of leading the life of a kept man. His naïveté becomes evident as quickly as his cash disappears. He is soon forced to hustle for a meager living as a "midnight cowboy" with a clientele that's the opposite (in gender and affluence) of what he originally set out to attract. He meets the lame, scraggly Rico "Ratso" Rizzo (Dustin Hoffman), who first cons him out of $20, but after they cross paths a second time, they begin a partnership, with Rizzo working as Buck's "manager". Over the course of the rest of the film the two deal with the realities of all-but-homeless street life, suspended briefly by a foray into a Warhol-like party scene (with some of the Warhol superstars in cameo appearances). They form a friendship, none too soon for Rizzo, who becomes increasingly dependent upon Buck as health problems make it increasingly harder for Rizzo to cope with his situation. The events of Buck's life are told in mostly chronological order, interspersed by flashbacks or daydream sequences which hint at Buck's back-story. Trivia
This page about Midnight Cowboy includes information from a Wikipedia article. Additional articles about Midnight Cowboy News stories about Midnight Cowboy External links for Midnight Cowboy Videos for Midnight Cowboy Wikis about Midnight Cowboy Discussion Groups about Midnight Cowboy Blogs about Midnight Cowboy Images of Midnight Cowboy |
|
The events of Buck's life are told in mostly chronological order, interspersed by flashbacks or daydream sequences which hint at Buck's back-story. John Wayne's catchphrase in the film, "That'll Be The Day", inspired Buddy Holly to write his hit song of the same name. They form a friendship, none too soon for Rizzo, who becomes increasingly dependent upon Buck as health problems make it increasingly harder for Rizzo to cope with his situation. However, in the latest 2002 poll it fell back to eleventh place. Over the course of the rest of the film the two deal with the realities of all-but-homeless street life, suspended briefly by a foray into a Warhol-like party scene (with some of the Warhol superstars in cameo appearances). At eighteenth place in 1972, it climbed to fifth place in 1992. He meets the lame, scraggly Rico "Ratso" Rizzo (Dustin Hoffman), who first cons him out of $20, but after they cross paths a second time, they begin a partnership, with Rizzo working as Buck's "manager". In 1972, The Searchers made its first appearance on the Sight and Sound poll of the greatest films ever made. He is soon forced to hustle for a meager living as a "midnight cowboy" with a clientele that's the opposite (in gender and affluence) of what he originally set out to attract. Peter Bogdanovich said of The Searchers that "the bold, vigorous strokes of The Searchers...require more artistry than the direction of The Informer." Another powerful factor is the famous depth of character, the best example being John Wayne's actions in the twist ending. His naïveté becomes evident as quickly as his cash disappears. Certainly a contributing factor to The Searcher's popularity is the fact that Ford's trademark calm style and wide shots are almost thrown to the wind in this film: it contains perhaps Ford's most radical camera movements and setups. He heads to New York City in the hope of leading the life of a kept man. Director John Ford's reputation was incredible: Ingmar Bergman, Orson Welles, Howard Hawks, Akira Kurosawa, Frank Capra, Elia Kazan, Samuel Fuller and many others described Ford as the greatest living director. The film follows the story of a young Texan named Joe Buck (Jon Voight) who dresses like a rodeo cowboy. It is a favorite of the film school 'Movie Brats' generation including Martin Scorsese, George Lucas, and Steven Spielberg. The song "He Quit Me" was also on the soundtrack; it was written by Warren Zevon, who also included it (as "She Quit Me") on his debut album Wanted Dead or Alive. The Searchers is an often cited candidate for the greatest film of all time. The film featured the song "Everybody's Talkin'", sung by Harry Nilsson, which won a Grammy Award for Best Male Pop Vocal Performance; Schlesinger chose that song over "I Guess The Lord Must Be In New York City", which Nilsson had written specifically for the film. Broken Arrow) the Native Americans are shown in a negative light, rather disturbed characters themselves, massacring white settlers, and even sexually assaulting them and abducting their children. John Barry, who supervised the music for the film, won a Grammy for Best Instrumental Theme. However, unlike some revisionist Westerns of the 1950s (e.g. The film has been deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry. The West is shown as a threatening, even slightly sinister place. The re-released version of the film was identical to the original. Wayne's character, Ethan Edwards, is shown as a brooding and disturbed character. This time the board granted it an "R" rating. The film can be interpreted as a subtle critique of the sort of Westerns that Wayne normally appeared in (although Wayne himself would probably have disagreed). In 1971 the film was re-submitted to the MPAA ratings board in anticipation of a re-release. The film has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. For Hoffman, the role enabled him to avoid any typecasting due to his previous role in The Graduate and began his reputation as a actor of considerable dramatic range. It was directed by John Ford, and much of it was filmed in Monument Valley, Arizona. Both Hoffman and Voight were nominated for the Academy Award for Best Actor, a situation which split the vote for fans of the film and helped John Wayne receive his only Oscar for his role in True Grit. Nugent from the novel by Alan Le May. The film is the only X-rated film to win the Academy Awards for Best Picture and Best Director. The movie was adapted by Frank S. An assortment of much smaller roles are filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt (the screenwriter's daughter), and Bob Balaban. It stars John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond and Natalie Wood. It stars Dustin Hoffman and newcomer Jon Voight in the title role. The Searchers is a 1956 epic Western film which tells the story of a man who spends years looking for his niece who was taken by Indians. Midnight Cowboy is a 1969 film written by Waldo Salt based on the novel by James Leo Herlihy, and directed by John Schlesinger. Rizzo the Rat, a street-wise but pesky Muppet, was named by Frank Oz after Hoffman's character (according to Steve Whitmire the puppeteer behind his performances). |