Maureen McGovern

Maureen McGovern is an American singer and Broadway actress.

Biography

Maureen Therese McGovern was born on July 27, 1949 in Youngstown, Ohio. Music have always played a very important part in McGovern's life. As a child, she would listen to a barbershop quartet (which her father was a member of) rehearse in their home; she was told by her elders that she began singing at the tender age of three and would sometimes sing herself to sleep things she heard on the radio. She decided at age eight that she wanted to be a professional singer and she developed a taste for various types of music including jazz, showtunes, oldies, and folk. Her influences include Barbra Streisand.

After graduating from high school in 1967, she worked as a secretary and performed part-time as a folk singer. Her singing caught the attention of Russ Regan (who was the head of 20th Century Records at the time) in 1972 when he heard a demo she had recorded; at the same time, he was searching a singer to record "The Morning After" (theme from The Poseidon Adventure) for release as a record. That year, McGovern was hired (sight unseen) to record the song which led to her signing with 20th Century Records. The song was a failure at first, but after the song won an Oscar for Best Original Song, it began to quickly climb the pop charts making its way up to #1 in 1973.

In 1974, she recorded two movie themes: "We May Never Love Like This Again" (from the disaster film The Towering Inferno, in which she made a short appearance) and "Wherever Love Takes Me" (from the British disaster film Gold). The former (though not a hit) won an Oscar, and the latter received an Oscar nomination. These two songs (along with "The Morning After") led the media to call McGovern "the Disaster Theme Queen." McGovern continued touring and recording albums and movie songs (including "Can You Read My Mind", the love theme from the 1978 film Superman) throughout the decade of the seventies. Toward the end of the decade, she recorded "Different Worlds" (the theme from a short-lived TV sitcom entitled "Angie"). In 1980, she made a cameo appearance as the singing nun, Sister Angelina, in the comedy-disaster movie Airplane!.

At the beginning of the 1980s, McGovern gave up movie themes to begin a career on Broadway, despite the fact that she never had any acting experience. In 1981 she made her Broadway debut as Mabel in a revival of Gilbert & Sullivan's musical The Pirates of Penzance. She then performed in two productions with the Pittsburgh Civic Light Opera - The Sound of Music (1981, as Maria) and South Pacific (1982, as Nellie Forbush). She continued her theatrical career throughout the eighties and even originated the role of Mary in the off-Broadway production of Brownstone in 1985. She slowly returned to music in the mid-eighties, contributing songs to musical soundtracks and recording for various-artist compilations. She also returned to touring and performing in concerts and began establishing herself as a classy, jazzy performer of nightclubs. She waited eight years to come out with another solo album, and in 1987, she released Another Woman in Love, a collection of her favorite songs by various American composers and a few original songs, all containing solo piano accompaniment. The next year, she released State of the Heart, a fully orchestrated album containing contemporary love songs, including the original version of "On My Way to You" (written by Alan & Marilyn Bergman and Michel LeGrand). In 1989, she performed her debut concert in Carnegie Hall, singing a collection of songs by George Gershwin. The concert was recorded live and released that year as an album entitled Naughty Baby; it features a very first recording of a lost Gershwin song "A Corner of Heaven With You" (written ca. 1917).

From the nineties into the 21st century, McGovern continued her careers in musical theatre, performing in concerts, recording albums, and she occasionally made guest appearances on various television shows. Other recordings include Baby I'm Yours (1992, a collection of her favorite songs from 1955 to 1970) and Out of This World (1996, a collection of songs by Harold Arlen). She was twice nominated for a Grammy for her albums The Music Never Ends (1997, a collection of songs by Alan & Marilyn Bergman) and The Pleasure of His Company (1998, another voice/piano album). In 2003, Out of This World and The Music Never Ends were rereleased by Fynsworth Alley Records; both albums included bonus tracks (the former two, and the latter three).

Discography

Standard albums

  • 1973: The Morning After
  • 1974: Nice to Be Around
  • 1975: Academy Award Performance
  • 1979: Maureen McGovern
  • 1987: Another Woman in Love
  • 1988: State of the Heart
  • 1989: Naughty Baby
  • 1992: Baby I'm Yours
  • 1996: Out of This World (reissued in 2003 with two bonus tracks)
  • 1997: The Music Never Ends (reissued in 2003 with three bonus tracks)
  • 1998: Christmas With Maureen McGovern
  • 1998: The Pleasure of His Company

Singles

  • 1972: "The Morning After" (US #1)
  • 1975: "We May Never Love Like This Again" (US #83)
  • 1976: "The Continental" (UK #16)
  • 1979: "Can You Read My Mind" (US #52)
  • 1979: "Different Worlds" (US #18)

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Singles. In 2004, founding member Ray Thomas retired from the group, leaving Lodge, Edge and Hayward to soldier on. Standard albums. The new millennium saw the Moody Blues reducing their touring schedule. In 2003, Out of This World and The Music Never Ends were rereleased by Fynsworth Alley Records; both albums included bonus tracks (the former two, and the latter three). Their 1999 studio album, Strange Times, generated little interest beyond the group's enduring fan base. She was twice nominated for a Grammy for her albums The Music Never Ends (1997, a collection of songs by Alan & Marilyn Bergman) and The Pleasure of His Company (1998, another voice/piano album). However, a heavy touring schedule kept them among the highest-earning concert acts, and a series of video and audio versions of their A Night at Red Rocks concert enjoyed great success, particularly as a fund-raiser for American public television.

Other recordings include Baby I'm Yours (1992, a collection of her favorite songs from 1955 to 1970) and Out of This World (1996, a collection of songs by Harold Arlen). Keys of the Kingdom (1991) had but modest commercial success. From the nineties into the 21st century, McGovern continued her careers in musical theatre, performing in concerts, recording albums, and she occasionally made guest appearances on various television shows. The band had begun to reinforce their concert sound in the later 1980s with the addition of a second keyboardist and female backing vocals, and they decided not to hire a permanent replacement in the keyboard chair, but instead to tour as a quartet with extra hired musicians. 1917). The early 1990s saw the departure of Patrick Moraz. The concert was recorded live and released that year as an album entitled Naughty Baby; it features a very first recording of a lost Gershwin song "A Corner of Heaven With You" (written ca. The Moodies continued their early video-generation success with Sur la Mer (1988) and its video/single I Know You're Out There Somewhere, a sequel to Your Wildest Dreams.

In 1989, she performed her debut concert in Carnegie Hall, singing a collection of songs by George Gershwin. But in 1986 they enjoyed renewed success with their album The Other Side of Life, in particular with the track Your Wildest Dreams, a top-40 hit which garnered a Billboard "Video of the Year" award after being frequently featured on MTV. She waited eight years to come out with another solo album, and in 1987, she released Another Woman in Love, a collection of her favorite songs by various American composers and a few original songs, all containing solo piano accompaniment. The next year, she released State of the Heart, a fully orchestrated album containing contemporary love songs, including the original version of "On My Way to You" (written by Alan & Marilyn Bergman and Michel LeGrand). The band's popularity waned through the release of The Present (1983). She also returned to touring and performing in concerts and began establishing herself as a classy, jazzy performer of nightclubs. On these albums the Moody Blues embraced a more modern and less symphonic sound, although synthesizers were still a strong part of their composition. She slowly returned to music in the mid-eighties, contributing songs to musical soundtracks and recording for various-artist compilations. In spite of these difficulties, the album was a hit, as was 1981's Long Distance Voyager.

She continued her theatrical career throughout the eighties and even originated the role of Mary in the off-Broadway production of Brownstone in 1985. However, Pinder refused to tour and was replaced by former Yes keyboardist Patrick Moraz. She then performed in two productions with the Pittsburgh Civic Light Opera - The Sound of Music (1981, as Maria) and South Pacific (1982, as Nellie Forbush). In 1977, the group reformed and after a tempestuous recording session, 1978's Octave was released. In 1981 she made her Broadway debut as Mabel in a revival of Gilbert & Sullivan's musical The Pirates of Penzance. Hayward and Lodge released a duet album, the very successful Blue Jays (1975) and the members each released solo albums. At the beginning of the 1980s, McGovern gave up movie themes to begin a career on Broadway, despite the fact that she never had any acting experience. After that, the group took an extended break--originally announced as a permanent break-up--to recuperate from a heavy touring schedule.

In 1980, she made a cameo appearance as the singing nun, Sister Angelina, in the comedy-disaster movie Airplane!. 1 in both the UK and the US) the band returned to their signature orchestral sound, which, while difficult to play in concert, had become the band's trademark. Toward the end of the decade, she recorded "Different Worlds" (the theme from a short-lived TV sitcom entitled "Angie"). For their next two albums, Every Good Boy Deserves Favour (1971) and Seventh Sojourn (1972) (which reached No. These two songs (along with "The Morning After") led the media to call McGovern "the Disaster Theme Queen." McGovern continued touring and recording albums and movie songs (including "Can You Read My Mind", the love theme from the 1978 film Superman) throughout the decade of the seventies. 1 in British charts), was indicative of the band's growing success in America. The former (though not a hit) won an Oscar, and the latter received an Oscar nomination. 3 in American charts (No.

In 1974, she recorded two movie themes: "We May Never Love Like This Again" (from the disaster film The Towering Inferno, in which she made a short appearance) and "Wherever Love Takes Me" (from the British disaster film Gold). This album, reaching No. The song was a failure at first, but after the song won an Oscar for Best Original Song, it began to quickly climb the pop charts making its way up to #1 in 1973. After that, the group decided to record only albums that could be played in concert, losing some of their bombastic sound for their next album, A Question of Balance (1970). That year, McGovern was hired (sight unseen) to record the song which led to her signing with 20th Century Records. The band's music continued to become more complex and symphonic, resulting in 1969's To Our Children's Children's Children, a concept album based around the band's celebration of the first moon landing. Her singing caught the attention of Russ Regan (who was the head of 20th Century Records at the time) in 1972 when he heard a demo she had recorded; at the same time, he was searching a singer to record "The Morning After" (theme from The Poseidon Adventure) for release as a record. The top-40 single from this album, Ride my See-Saw, was the first single to be mastered using eight-track recording technology.

After graduating from high school in 1967, she worked as a secretary and performed part-time as a folk singer. The album plus two singles, "Nights in White Satin" and "Tuesday Afternoon" became massively popular, as was the 1968 followup, In Search of the Lost Chord. Her influences include Barbra Streisand. The original album, Days of Future Passed (1967), was not the demo recording the label had ordered, but instead a successful commercial release. She decided at age eight that she wanted to be a professional singer and she developed a taste for various types of music including jazz, showtunes, oldies, and folk. The Moody Blues agreed, but insisted that they be given artistic freedom and left without supervision; they then convinced Peter Knight, who'd been assigned to arrange and conduct the orchestral interludes, to collaborate on a recording of their stage show instead. As a child, she would listen to a barbershop quartet (which her father was a member of) rehearse in their home; she was told by her elders that she began singing at the tender age of three and would sometimes sing herself to sleep things she heard on the radio. The Moody Blues contract with Decca Records was set to expire, and they owed the label several thousand pounds in advances. Deram Records (a London/Decca imprint) chose the Moody Blues to make an LP in order to promote Deramic Stereo and the group was to be forgiven its debt to the label to make a rock and roll version of Dvorak's New World Symphony.

Music have always played a very important part in McGovern's life. The band soon realized that their original style of American blues covers and novelty tunes was not working for them, and they determined to develop an original style. Their new style featured the symphonic sounds of the mellotron (an early analog sampling keyboard; Pinder had worked for its manufacturer) and Ray Thomas' flute, with the performance organized around a concept--one day in the life of everyman. Maureen Therese McGovern was born on July 27, 1949 in Youngstown, Ohio. After a series of unsuccessful singles, Warwick and Laine departed, replaced by John Lodge, also once a member of El Riot, and Justin Hayward, formerly of The Wilde Three, in 1966. Maureen McGovern is an American singer and Broadway actress. "Go Now", released later that year, became a huge hit in the United Kingdom and charted moderately in the United States. 1979: "Different Worlds" (US #18). Soon, the band had a contract with Decca Records and released an unsuccessful single, "Steal Your Heart Away", that year.

1979: "Can You Read My Mind" (US #52). The pair recruited Denny Laine, Graeme Edge and Clint Warwick, appearing as the Moody Blues for the first time in Birmingham in 1964. 1976: "The Continental" (UK #16). Pinder left to join the army, but then rejoined Thomas to form the Krew Cats and had moderate success. 1975: "We May Never Love Like This Again" (US #83). At the time, Ray Thomas and Mike Pinder were El Riot & the Rebels, a popular band. 1972: "The Morning After" (US #1). The Moody Blues originated in Birmingham, England.

1998: The Pleasure of His Company. The Moody Blues were originally a British rhythm and blues-based band; they later became best known for psychedelic music and early progressive rock. 1998: Christmas With Maureen McGovern. December (2003). 1997: The Music Never Ends (reissued in 2003 with three bonus tracks). Hall Of Fame - Live at the Royal Albert Hall (2000). 1996: Out of This World (reissued in 2003 with two bonus tracks). Strange Times (1999).

1992: Baby I'm Yours. A Night at Red Rocks (1993). 1989: Naughty Baby. Keys Of The Kingdom - IMPORT UK (1991). 1988: State of the Heart. Sur La Mer (1988). 1987: Another Woman in Love. Prelude (1987).

1979: Maureen McGovern. The Other Side Of Life (1986). 1975: Academy Award Performance. The Present - IMPORT UK (1983). 1974: Nice to Be Around. Long Distance Voyager (1981). 1973: The Morning After. Octave UK (1978).

Caught Live + 5 (1977). Seventh Sojourn (1972). Every Good Boy Deserves Favour (1971). A Question of Balance (1970).

To Our Children’s Children’s Children (1969). On The Threshold Of A Dream (1969). In Search Of The Lost Chord (1968). Days of Future Passed (1967).

Go Now! (1965).