Kate Bush

Kate Bush (born Catherine Bush on July 30, 1958 in Bexleyheath, Kent, England) is a British singer-songwriter who has acquired a large number of extremely devoted fans since her debut in 1978 with the surprise hit "Wuthering Heights," which was number 1 in the British music charts for 4 weeks.

Biography

With a kiss
I'd pass the key
And feel your tongue
Teasing and receiving
"Houdini" from The Dreaming

David Gilmour of Pink Floyd was largely responsible for bringing her to prominence, funding her first demo sessions and attracting the interest of the Floyd's record company, EMI. They have since worked together on occasional projects and in concert.

While her range of styles does not appeal to everyone, Bush is nevertheless widely respected by many musicians, and has been noted as an influence and inspiration by artists as diverse as Jewel, Tori Amos, Björk, Suede, Paula Cole, Sinéad O'Connor, Pat Benatar, Happy Rhodes, The Utah Saints, Big Boi of OutKast and others. The trip hop artist Tricky has stated her work has been a significant influence on him and that she should be treasured more than the Beatles. Though many outside of Europe remain unfamiliar with her work and its profound intensity, others in her profession are willing to declare her works as those of great genius. Even the iconoclastic punk rocker John Lydon (Johnny Rotten of the Sex Pistols) has declared her work to be "fucking brilliant" and has labelled her "a true original". Suede front-man Brett Anderson has stated that Wuthering Heights was the first single he ever bought.

Even in her earliest works where the piano was a primary instrument, she wove together many diverse influences, melding classical music, rock, and a wide range of ethnic and folk sources, to produce a uniquely impressive amalgalm, and this has continued throughout her career. More than one reviewer has used the term surreal to describe much of her music, for many of the songs have a melodramatic emotional and musical surrealism that defies easy categorization. It has been observed that even the more joyous of the pieces is often tinged with traces of melancholy, and even the most sorrowful have elements of a unique vitality struggling against all that would oppress it. The unapologetic use of her voice as an instrument to convey a broad range of emotional intensity and subtlety is one thing that characterizes nearly all that she does.

Kate Bush has tackled sensitive and taboo subjects long before it has become fashionable to do so; Kashka From Baghdad is a song about a gay male couple; Breathing explores the results of nuclear fallout. Her lyrics are highly literate and reference a wide array of subject matter, often relatively obscure, such as Wilhelm Reich in Cloudbusting, or G. I. Gurdjieff in Them Heavy People.

She has worked with Peter Gabriel on two of his albums, most notably on the hits Games Without Frontiers and Don't Give Up, (the latter a duet); and his appearance on her 1979 television special. Their duet of Roy Harper's Another Day was discussed for release as a single, but this never came to pass. Harper is another frequent collaborator, appearing on her song Breathing and her on his albums HQ and Once (both also featuring Gilmour).

She has appeared in duets with Midge Ure, Big Country and others on their albums. A wide diversity of respected artists have worked with her on some of her more recent albums ranging from the rock guitarist Jeff Beck, the legendary guitarist Ian Bairnson, jazz/rock drummer Stuart Elliot, the classical guitarist John Williams, the folk artists The Trio Bulgarka, and Prince.

Bush's only tour took place in early 1979 (April 3 - May 10 see details below), after which she gave only the occasional live performance. A number of reasons have been suggested as to why she abandoned touring, among them her reputed need to be in total control of the final product, which is incompatible with live stage performance, a rumour of a crippling fear of flying, and the suggestion that the death of 21 year old Bill Duffield, severely affected her. Duffield, her lighting director, was killed in an accident during her April 20 concert at The London Palladium when he fell twenty feet through an open trap door on the stage. Bush held a benefit concert on 12 May, with Peter Gabriel and Steve Harley at London’s Hammersmith Odeon for his family. It was this benefit that was recorded and is the only record of Bush's live performance.

In 1993, Bush directed and starred in the short film, The Line, The Cross and The Curve, a musical co-starring Miranda Richardson and featuring music from Bush's album The Red Shoes which was inspired by the classic movie The Red Shoes.

Bush dropped out of the public eye in the late 1990s, though her name occasionally cropped up in the media in connection with rumours of a new album release. There were also unconfirmed reports that she had suffered a nervous breakdown. In 1999, she gave birth to a baby boy, Bertie, fathered by guitarist Danny MacIntosh.

She has confirmed that she is at work on a new album, with the title of one track "How to be Invisible" having been discussed on at least one of her fan Web sites. She was reportedly recording tracks as recently as November 2003 at Abbey Road Studios, but as of fall 2004 no release date for a new album had been announced, more than a decade after her last recordings were released. In December 2004, she wrote a Christmas letter to her fans announcing an album release in 2005; additionally, unsubstantiated reports have stated that the album might be released as early as March. As of March 12, however, no release had yet been announced.

Discography

Studio albums

  1. The Kick Inside (1977)
  2. Lionheart (1978)
  3. Never For Ever (1980)
  4. The Dreaming (1982)
  5. Hounds of Love (1985)
  6. The Sensual World (1989)
  7. The Red Shoes (1993)
  8. Title TBA (tentative release 2005) - in December 2004 Bush annnounced a new album was planned for 2005 release

Compilations

  1. The Whole Story (1986) (includes a new rendition of "Wuthering Heights")
  2. This Woman's Work 1978-1990 (1990, rereleased in 1998) (a boxed set of her six albums to date, also including two discs of rare b-sides)

Videos

  1. Live at the Hammersmith Odeon (1981)
  2. The Single File (1983)
  3. Hair of the Hound (1986)
  4. The Whole Story (1986)
  5. The Sensual World (1989)
  6. The Line, the Cross and the Curve (1994)

Live albums and Extended plays

  1. Live at the Hammersmith Odeon (1989)
  2. On Stage - 4 Live Tracks ( EP ) (1979)

The Lionheart Tour 1979

  • Empire, Liverpool, UK (3 April)
  • Hippodrome, Birmingham, UK (4 April)
  • Hippodrome, Birmingham, UK (5 April)
  • New Theatre Oxford, UK (6 April)
  • Gaumont Southampton, UK (7 April)
  • Hippodrome, Bristol, UK (9 April)
  • Apollo Theatre, Manchester, UK (10 April)
  • Apollo Theatre, Manchester, UK (11 April)
  • Empire Theatre, Sunderland, UK (12 April)
  • Usher Hall, Edinburgh, UK (13 April)
  • The Palladium, London, UK (16 April - 20 April)
  • Concert House, Stockholm, Sweden (24 April)
  • Falkoneer Theatre, Copenhagen, Denmark (26 April)
  • Congress Centrum, Hamburg, Germany (28 April)
  • Carré Theatre, Amsterdam, The Netherlands (29 April)
  • Leiderhalle, Stuttgart, Germany (2 May)
  • Circuskrone, Munich, Germany (3 May)
  • Guerzenich, Cologne, Germany (4 May)
  • Theatre de Champs Elysees, Paris, France (6 May)
  • Rosengarten, Mannheim, Germany (8 May)
  • Jarhunderthalle, Frankfurt, Germany (10 May)
  • Hammersmith Odeon, London, UK (May 12) Benefit concert. Recorded as Live at the Hammersmith Odeon

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As of March 12, however, no release had yet been announced. Currently, they are on a joint-tour with the band Earth, Wind and Fire. In December 2004, she wrote a Christmas letter to her fans announcing an album release in 2005; additionally, unsubstantiated reports have stated that the album might be released as early as March. The group continues to tour in big and small venues worldwide. She was reportedly recording tracks as recently as November 2003 at Abbey Road Studios, but as of fall 2004 no release date for a new album had been announced, more than a decade after her last recordings were released. And as a new century turned, the band sold their entire recorded output to Rhino Records (after years with Columbia Records as well as their own label). She has confirmed that she is at work on a new album, with the title of one track "How to be Invisible" having been discussed on at least one of her fan Web sites. Lead singers have changed from time to time (ranging from Bill Champlin to Jason Scheff), but the group still keeps active more than three-and-a-half decades after its founding.

In 1999, she gave birth to a baby boy, Bertie, fathered by guitarist Danny MacIntosh. The episode put more emphasis on the death of Terry Kath than their entire career combined, and Cetera completely disowned the special and went so far as to not allow VH1 to use all the songs he composed for the band, even declining to be interviewed (although stock news footage of a Cetera interview does appear). There were also unconfirmed reports that she had suffered a nervous breakdown. The show, however, was not without its difficulties. Bush dropped out of the public eye in the late 1990s, though her name occasionally cropped up in the media in connection with rumours of a new album release. In 2002, the group (minus Cetera) had the opportunity to tell their story in an episode of VH1's Behind The Music. In 1993, Bush directed and starred in the short film, The Line, The Cross and The Curve, a musical co-starring Miranda Richardson and featuring music from Bush's album The Red Shoes which was inspired by the classic movie The Red Shoes. concert in 1997, they teamed up with the Hollywood Bowl Orchestra to perform a James Pankow/Dwight Mikelson orchestral arrangement of Pankow's rock epic "Ballet For A Girl In Buchannon".

It was this benefit that was recorded and is the only record of Bush's live performance. During a L.A. Bush held a benefit concert on 12 May, with Peter Gabriel and Steve Harley at London’s Hammersmith Odeon for his family. In 1995, they attempted to merge their unique sound with Big Band music for their album Chicago: Night And Day (Big Band), which consisted of covers of songs originally recorded by Sarah Vaughan, Glenn Miller, and Duke Ellington (from whom the album mainly got its inspiration). A number of reasons have been suggested as to why she abandoned touring, among them her reputed need to be in total control of the final product, which is incompatible with live stage performance, a rumour of a crippling fear of flying, and the suggestion that the death of 21 year old Bill Duffield, severely affected her. Duffield, her lighting director, was killed in an accident during her April 20 concert at The London Palladium when he fell twenty feet through an open trap door on the stage. The band continued to be innovative in the decade of the 1990s, even though their popularity began to decline. Bush's only tour took place in early 1979 (April 3 - May 10 see details below), after which she gave only the occasional live performance. During 1989, they did a joint concert tour with The Beach Boys (who had years earlier sung back-up vocals for "Wishing You Were Here").

A wide diversity of respected artists have worked with her on some of her more recent albums ranging from the rock guitarist Jeff Beck, the legendary guitarist Ian Bairnson, jazz/rock drummer Stuart Elliot, the classical guitarist John Williams, the folk artists The Trio Bulgarka, and Prince. Records, was unhappy with the finished result, and thus the album was never released officially, although in succeeding years bootleg recordings of the album have surfaced worldwide, including over the Internet. Selected tracks from the unreleased album have since been officially released on a compilation greatest hits CD box set. She has appeared in duets with Midge Ure, Big Country and others on their albums. Their record company at the time, Warner Bros. Harper is another frequent collaborator, appearing on her song Breathing and her on his albums HQ and Once (both also featuring Gilmour). By the end of the decade, the group planned and recorded a concept album, Stone Of Sisyphus. Their duet of Roy Harper's Another Day was discussed for release as a single, but this never came to pass. But the conflict between Peter Cetera's style of composing and those of the rest of the group caused Cetera to leave the band in 1985 for a solo career (he topped the charts with the "Karate Kid Part II" theme song "The Glory of Love" and a duet with Amy Grant, "Next Time I Fall (In Love)").

She has worked with Peter Gabriel on two of his albums, most notably on the hits Games Without Frontiers and Don't Give Up, (the latter a duet); and his appearance on her 1979 television special. The group also contributed to movie soundtracks, such as "Two Of A Kind", "Summer Lovers", and "Days Of Thunder". Gurdjieff in Them Heavy People. Chicago itself guested on a Paul Anka song, "Hold Me 'Til The Morning Comes", while the horn section made an appearance on the Bee Gees' album Spirits Having Flown. I. For example, Al Green guested on a bonus track on the Chicago VI CD, while The Bee Gees guested on a track off of "Hot Streets". Her lyrics are highly literate and reference a wide array of subject matter, often relatively obscure, such as Wilhelm Reich in Cloudbusting, or G. From time to time, other artists contributed to Chicago recordings.

Kate Bush has tackled sensitive and taboo subjects long before it has become fashionable to do so; Kashka From Baghdad is a song about a gay male couple; Breathing explores the results of nuclear fallout.
. The unapologetic use of her voice as an instrument to convey a broad range of emotional intensity and subtlety is one thing that characterizes nearly all that she does. In 1988, they topped the charts yet again with the Diane Warren composed single, "Look Away". It has been observed that even the more joyous of the pieces is often tinged with traces of melancholy, and even the most sorrowful have elements of a unique vitality struggling against all that would oppress it. The following album, Chicago 17, became the biggest selling album of the band's history, with two more Top Ten singles, "You're The Inspiration" and "Hard Habit To Break". More than one reviewer has used the term surreal to describe much of her music, for many of the songs have a melodramatic emotional and musical surrealism that defies easy categorization. This second phase of the band's career lasted through the 1980s with a new producer, David Foster, and again topping the charts with "Hard To Say I'm Sorry/Get Away" (from Chicago 16).

Even in her earliest works where the piano was a primary instrument, she wove together many diverse influences, melding classical music, rock, and a wide range of ethnic and folk sources, to produce a uniquely impressive amalgalm, and this has continued throughout her career. The release also marked a move somewhat away from the jazz-rock direction favored by Kath and towards more pop songs and ballads. Suede front-man Brett Anderson has stated that Wuthering Heights was the first single he ever bought. Kath's death could have meant the end for the band, but instead the group stood strong and later that year recorded and released Hot Streets, their first album without Kath and Guercio and their first album with a title rather than a roman numeral (they would return to the old naming scheme immediately afterward, for the most part). Even the iconoclastic punk rocker John Lydon (Johnny Rotten of the Sex Pistols) has declared her work to be "fucking brilliant" and has labelled her "a true original". Then, singer/guitarist/group founder Terry Kath died of a self-inflicted gunshot wound, delivering a devastating blow to the band. Though many outside of Europe remain unfamiliar with her work and its profound intensity, others in her profession are willing to declare her works as those of great genius. The year began with an acrimonius split with long-time manager Guercio.

The trip hop artist Tricky has stated her work has been a significant influence on him and that she should be treasured more than the Beatles. 1978 was a tragic and transitional year for the band. While her range of styles does not appeal to everyone, Bush is nevertheless widely respected by many musicians, and has been noted as an influence and inspiration by artists as diverse as Jewel, Tori Amos, Björk, Suede, Paula Cole, Sinéad O'Connor, Pat Benatar, Happy Rhodes, The Utah Saints, Big Boi of OutKast and others. That was the song which won the group their only Grammy award for Best Rock Performance by a duo or group in 1977. They have since worked together on occasional projects and in concert. But for all their effort, none of their singles went to number one until the group's tenth album (Chicago X) in 1976, when Cetera's slow, exquisite ballad "If You Leave Me Now" went to the top of the charts. David Gilmour of Pink Floyd was largely responsible for bringing her to prominence, funding her first demo sessions and attracting the interest of the Floyd's record company, EMI. That summer saw a very successful joint tour across America with the Beach Boys, with each act performing some of the other's material.

Kate Bush (born Catherine Bush on July 30, 1958 in Bexleyheath, Kent, England) is a British singer-songwriter who has acquired a large number of extremely devoted fans since her debut in 1978 with the surprise hit "Wuthering Heights," which was number 1 in the British music charts for 4 weeks. The next year's release, Chicago VIII featured the political allegory "Harry Truman" and the nostalgic "Old Days". Recorded as Live at the Hammersmith Odeon. 1973's Chicago VI also topped the charts bouyed by hits "Feelin' Stronger Every Day" and "Just You and Me". Chicago VII, the band's double-disc 1974 release, featured the Cetera-composed "Wishing You Were Here" (sung by lead guitarist Terry Kath, with background vocals by The Beach Boys). Hammersmith Odeon, London, UK (May 12) Benefit concert. Other successful albums and singles followed in each of the succeeding years. Jarhunderthalle, Frankfurt, Germany (10 May). The group bounced back from this misstep in 1972 with their first single-disc release, Chicago V, a diverse set that reached number one on both the Billboard pop and jazz albums charts and yielded the radio hit "Saturday In the Park".

Rosengarten, Mannheim, Germany (8 May). The performances and sound quality were judged sub-par; in fact, one group member went on record to say that "the horn section sounded like kazoos". Theatre de Champs Elysees, Paris, France (6 May). 1-4 (Chicago IV) (consisting of music from their first three albums). Guerzenich, Cologne, Germany (4 May). Some fans say a low point of the group's early career came when they released a quadruple-album live set, At Carnegie Hall, Vols. Circuskrone, Munich, Germany (3 May). With that, the pattern had been set: the band, ever prolific, recorded and released music at a rate of more than two LP discs per year (always titled with the band name and a Roman numeral) from their debut in 1969 through the 1970s.

Leiderhalle, Stuttgart, Germany (2 May). Among the other tracks on the album: keyboardist Robert Lamm's "25 Or 6 To 4" (sung by bass player Peter Cetera), and the lengthy "It Better End Soon". Carré Theatre, Amsterdam, The Netherlands (29 April). The suite yielded two top ten hits, "Make Me Smile", and "Colour My World". Congress Centrum, Hamburg, Germany (28 April). The centerpiece track was a 15-minute suite composed by James Pankow called "Ballet For A Girl In Buchannon" (the structure of this suite was inspired by Pankow's love for classical music). Falkoneer Theatre, Copenhagen, Denmark (26 April). This second album, unofficially titled Chicago II, was the group's breakthrough album.

Concert House, Stockholm, Sweden (24 April). The band's popularity exploded with the release of their second album, another double-LP set, which included several top-40 hits. The Palladium, London, UK (16 April - 20 April). The album also included a number of pop-rock gems (several of which would later be released as singles and eventually become rock radio staples), and began to receive heavy airplay on the fledgling FM radio band. Usher Hall, Edinburgh, UK (13 April). The band's first album, the eponymously titled Chicago Transit Authority, was an audacious debut: a sprawling double album (unheard of for a rookie band) that included jazzy instrumentals, extended jams featuring Latin percussion, and experimental, feedback-laden guitar abstraction. Empire Theatre, Sunderland, UK (12 April). Upon release of their first record in early 1969, the band took a new name, Chicago Transit Authority (the name would almost immediately be changed to simply Chicago after the real CTA objected).

Apollo Theatre, Manchester, UK (11 April). While gaining some success as a cover band, the group worked on original songs and in 1968 moved to Los Angeles, California under the guidance of their friend and manager James William Guercio, and signed with Columbia Records. Apollo Theatre, Manchester, UK (10 April). The band featured an unusual and unusually versatile line-up of instrumentalists including saxophonist Walter Parazaider, trombonist James Pankow, and trumpet player Lee Loughnane along with more traditional rock instruments. Hippodrome, Bristol, UK (9 April). They added more members, eventually growing to seven players, and went professional as a cover band called The Big Thing. Gaumont Southampton, UK (7 April). The band was formed when a group of DePaul University music students began playing a series of late-night jams at clubs on and off campus.

New Theatre Oxford, UK (6 April). Well known for being one of the first (and, indeed, one of the few) rock bands to make extensive use of horns and for producing a number of hit ballads, Chicago had a steady stream of hits throughout the 1970s and 1980s. Hippodrome, Birmingham, UK (5 April). Chicago is a rock band that formed in 1967 in Chicago, Illinois. Hippodrome, Birmingham, UK (4 April). The Very Best of Chicago: Only the Beginning (2002). Empire, Liverpool, UK (3 April). Chicago XXVI - Live in Concert (1999).

On Stage - 4 Live Tracks ( EP ) (1979). Chicago 25: The Christmas Album (1998). Live at the Hammersmith Odeon (1989). The Heart of Chicago 1967-1998 Volume 2 (1998). The Line, the Cross and the Curve (1994). The Heart of Chicago 1967-1997 (1997). The Sensual World (1989). Night and Day: Big-Band (1995).

The Whole Story (1986). Chicago Twenty 1 (1991). Hair of the Hound (1986). Chicago Greatest Hits (1982-1989) (1989). The Single File (1983). Chicago 19 (1988). Live at the Hammersmith Odeon (1981). Chicago 18 (1986).

This Woman's Work 1978-1990 (1990, rereleased in 1998) (a boxed set of her six albums to date, also including two discs of rare b-sides). Chicago 17 (1984). The Whole Story (1986) (includes a new rendition of "Wuthering Heights"). Chicago 16 (1982). Title TBA (tentative release 2005) - in December 2004 Bush annnounced a new album was planned for 2005 release. Chicago Greatest Hits Volume II (1981). The Red Shoes (1993). Chicago XIV (1980).

The Sensual World (1989). Chicago 13 (1979). Hounds of Love (1985). Hot Streets (1978). The Dreaming (1982). Chicago XI (1977). Never For Ever (1980). Chicago X (1976).

Lionheart (1978). Chicago Greatest Hits (1975). The Kick Inside (1977). Chicago VIII (1975). Chicago VII (1974). Chicago VI (1973).

Live in Japan (1972). Chicago V (1972). Live at Carnegie Hall (1971). Chicago III (1971).

Chicago II (1970). Chicago Transit Authority (1969).