John Cassavetes

John Cassavetes (December 9, 1929 - February 3, 1989) was an American actor, screenwriter, and director. Cassavetes created an American form of cinema verite with his innovative camera use, bleak outlook, and emphasis on improvisation. Film critic Ray Carney called him "the father of American independent film".

Cassavetes was born in New York City to Greek immigrants. He grew up in Long Island and attended Colgate University before moving to the New York Academy of Dramatic Arts. On graduation in 1950, he continued acting in the theater. By 1953, he was doing small parts in films; he continued to play a James Dean-like "juvenile delinquent" throughout the 1950s. Cassavetes also acted on television, which was still finding its feet as a medium. His experience working within television's budgetary and schedule limits influenced his later film production style.

During this time he met and married actress Gena Rowlands, a fellow television actor. By 1956 Cassavetes had begun teaching method acting in workshops in New York City. An improvisation exercise in one workshop inspired the idea for his writing and directorial debut, Shadows (1960). Cassavetes raised the funds for production from friends and family, as well as listeners to a late-night radio talk show.

Cassavetes was unable to get American distributors to carry Shadows, so he took it to Europe, where it won the Critics Award at the Venice Film Festival. European distributors later released the movie in the United States as an import.

Although the viewership of Shadows in the United States was slight, it did gain attention from the Hollywood studios. Cassavetes directed two movies for Hollywood in the early 1960s — Too Late Blues and A Child is Waiting — but the experience was exasperating. The intervention of the studios, the lack of creative control, and the over-all dumbing down of his work was unbearable. Cassavetes refused to go through the process again.

His strategy, brought on by necessity, was to work as an actor in mainstream movies, and channel the funds he made there into his work as a director. He didn't just clockwatch as an actor, though; he did masterly work in blockbuster hits of the late 1960s, including World War II epic The Dirty Dozen (1967) — for which he was nominated for an Academy Award for Best Supporting Actor — and Roman Polanski's Rosemary's Baby (1968).

His next independent film was Faces, which lay down new themes for later work. Starring Cassavetes's wife Rowlands, Faces depicted a contemporary suburban marriage in the process of slow disintegration, with the accompanying desperate and degrading sexual improprieties. Cassavetes held an unflinching camera on the pettiness and emotional greed of the distancing husband and wife and their lovers, but in the end the pathos of their story gives them an unexpected dignity. Faces was a critical and financial success, nominated for two Academy Awards (Best Supporting Actor and Actress).

After Faces Cassavetes could concentrate more fully on his directorial work. He had enough leverage at this point that he could make movies in the studio system, yet retain full creative control. Husbands (1970) starred Cassavetes himself, with Peter Falk and Ben Gazzara. They play a trio of men escaping their marriages for minor peccadillos. Another in the 1970s include Minnie and Moskovitz, about a misdirected young woman seeking love, and starring Rowlands again with a small part for Cassavetes's mother, Katherine.

His two masterpieces of the 1970s, however, were made independently. A Woman Under the Influence (1974) stars Rowlands as an increasingly eccentric housewife trying to keep her hold on reality. Peter Falk played her husband, who tries to keep up a facade of normality, but ultimately makes the difficult decision of committing her to a mental institution. The characters were nuanced, and the ethical situations were measured in shades of gray. The wife's behavior, while disturbing and disconcerting for those around her, is not obviously dangerous or unstable. Rowlands is an expert collaborator in the story, playing Mabel with subtlety and energy; she received an Academy Award nomination for Best Actress, while Cassavetes was nominated for Best Director.

The Killing of a Chinese Bookie (1976) was a movie about the experience of men as much as Influence was about women. Ben Gazzara plays Cosmo Vitelli, a small-time strip-club owner with an out-of-control gambling habit, who is convinced by mobsters to commit a murder to pay off his debt. Driven by fear and uncertainty, Vitelli deceives friend and foe alike. Author Christos Tsiolkas said of Bookie that it showed "being a man means knowing gutlessness better than knowing courage, that failure stays with you long after success."

Cassavetes continued to work through the 1980s, although personal troubles with alcohol were beginning to take their toll. Gloria (1980) is a more conventional thriller starring Rowlands as a mob moll who runs off with a young boy orphaned by the mob and soon to be next. Love Streams (1984) starred Cassavetes as an aging lothario who suffers the overbearing affection of his recently divorced sister. Sadly, Cassavetes's last movie, Big Trouble (1986), was a last-minute project picked up as a favor when a younger director friend peremptorily quit the project. The movie, racked by incompatible studio and director edits, was, in Cassavetes's words, "a disaster". Already ill, he was heartbroken that it would be the last film he would do.

Cassavetes's personality was overpowering and driven. He lived to make film, and sacrificed his colleagues and himself to the process. The intense effort took its toll; an alcoholic, Cassavetes died from cirrhosis of the liver in 1989 at the age of only 59. He was survived by Rowlands, who continued to act, and three children. His son, Nick Cassavetes, followed in his father's footsteps, and made 1997's She's So Lovely from the elder Cassavetes's screenplay, and directed 2004's The Notebook.

A Note On Improvisation

Rowlands has stated that the role of improvisation in Cassavetes films has frequently been misunderstood. Though Cassavetes allowed and even encouraged his actors to ad lib while filming, only very rarely, she says, were entire scenes filmed as they were being improvised. Rather, Rowlands reports, the actors would improvise from Cassavetes' scripts during rehersals, then Cassavetes would rewrite scenes based on the improvisations.

Tributes

Fugazi, a rock music group who shared Cassavetes' independently-minded aesthetic, titled a song after the filmaker on their 1993 In On The Killtaker album. Lyrics include: "complete control for Cassavetes/if it's not for sale you can't buy it"

Selected Filmography

  • Shadows (1959)
  • Faces (1968)
  • Husbands (1970)
  • Minnie and Moskowitz (1971)
  • A Woman Under the Influence (1974)
  • The Killing of a Chinese Bookie (1976)
  • Gloria (1980)
  • Love Streams (1984)

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Lyrics include: "complete control for Cassavetes/if it's not for sale you can't buy it". His son Jacon was born in 1998. Fugazi, a rock music group who shared Cassavetes' independently-minded aesthetic, titled a song after the filmaker on their 1993 In On The Killtaker album. He married Linda Stokes in 1996. Rather, Rowlands reports, the actors would improvise from Cassavetes' scripts during rehersals, then Cassavetes would rewrite scenes based on the improvisations. His first, in 1976, to Sheila Ryan, was short lived, and they divorced the next year. Though Cassavetes allowed and even encouraged his actors to ad lib while filming, only very rarely, she says, were entire scenes filmed as they were being improvised. Caan has been married twice.

Rowlands has stated that the role of improvisation in Cassavetes films has frequently been misunderstood. He continues to act on screen and on television. His son, Nick Cassavetes, followed in his father's footsteps, and made 1997's She's So Lovely from the elder Cassavetes's screenplay, and directed 2004's The Notebook. Amiable, down to earth and not afraid to tell it like it is, James Caan is a true gentleman, a tough guy with a heart of gold and a Hollywood survivor in every sense of the word. He was survived by Rowlands, who continued to act, and three children. In 1999, Caan joined the ranks of Humphrey Bogart, Robert Mitchum and Powers Boothe when he portrayed Phillip Marlowe in the HBO film Poodle Springs. The intense effort took its toll; an alcoholic, Cassavetes died from cirrhosis of the liver in 1989 at the age of only 59. He co-starred with Sarah Jessica Parker and Nicolas Cage and hilariously spoofed his "Sonny Corleone" character from The Godfather.

He lived to make film, and sacrificed his colleagues and himself to the process. Caan made one of the most delightful films of his career in 1992 with the hit Honeymoon In Vegas. Cassavetes's personality was overpowering and driven. In 1988 and 1990, Caan starred in the popular films Alien Nation and Misery (co-star Kathy Bates won a Best Actress Oscar). Already ill, he was heartbroken that it would be the last film he would do. He made a stirring return to film in 1987 when his old friend Francis Ford Coppola cast him as an Army Sergeant in Gardens Of Stone, a film that dealt with the effect of the Vietnam War on the homefront. The movie, racked by incompatible studio and director edits, was, in Cassavetes's words, "a disaster". From 1982 to 1987, Caan did not act in any films. He was suffering from depression over his sister's death, a growing problem with cocaine, and what he described as Hollywood burnout.

Sadly, Cassavetes's last movie, Big Trouble (1986), was a last-minute project picked up as a favor when a younger director friend peremptorily quit the project. This film is today regarded as a film noir classic and Caan has often said it is the role he is proudest of next to The Godfather. Love Streams (1984) starred Cassavetes as an aging lothario who suffers the overbearing affection of his recently divorced sister. The following year, Caan appeared in Thief, directed by Michael Mann, where he played a professional safe cracker. Cassavetes continued to work through the 1980s, although personal troubles with alcohol were beginning to take their toll. Gloria (1980) is a more conventional thriller starring Rowlands as a mob moll who runs off with a young boy orphaned by the mob and soon to be next. Despite critical praise, the film was not a hit. Author Christos Tsiolkas said of Bookie that it showed "being a man means knowing gutlessness better than knowing courage, that failure stays with you long after success.". Caan was a devoted family man all his life and said this film was a powerful one about family love and values.

Driven by fear and uncertainty, Vitelli deceives friend and foe alike. In 1980, Caan directed Hide In Plain Sight a film about a father searching for his children lost in the Witness Protection Program. Ben Gazzara plays Cosmo Vitelli, a small-time strip-club owner with an out-of-control gambling habit, who is convinced by mobsters to commit a murder to pay off his debt. His many films include Cinderella Liberty, Freebie and The Bean, The Gambler, The Killer Elite, Rollerball, Harry And Walter Go To New York, A Bridge Too Far, Comes A Horseman and Chapter Two (a play screenplay conversion by Neil Simon). The Killing of a Chinese Bookie (1976) was a movie about the experience of men as much as Influence was about women. He played a wide variety of roles and refused to be typecast as a mobster. Rowlands is an expert collaborator in the story, playing Mabel with subtlety and energy; she received an Academy Award nomination for Best Actress, while Cassavetes was nominated for Best Director. From 1973 to 1982, Caan appeared in many Hollywood films.

The wife's behavior, while disturbing and disconcerting for those around her, is not obviously dangerous or unstable. For his role Caan was nominated for an Academy Award. The characters were nuanced, and the ethical situations were measured in shades of gray. The following year Coppola cast Caan as mobster Sonny Corleone in The Godfather, which also helped launch Al Pacino's career. Peter Falk played her husband, who tries to keep up a facade of normality, but ultimately makes the difficult decision of committing her to a mental institution. In 1971, Caan won even greater acclaim as dying football player Brian Piccolo in the television movie Brian's Song. A Woman Under the Influence (1974) stars Rowlands as an increasingly eccentric housewife trying to keep her hold on reality. Caan first won praise for his role as a brain-damaged football player in The Rain People (1969), directed by Francis Ford Coppola.

His two masterpieces of the 1970s, however, were made independently. In 1967, Caan appeared in El Dorado with John Wayne. Another in the 1970s include Minnie and Moskovitz, about a misdirected young woman seeking love, and starring Rowlands again with a small part for Cassavetes's mother, Katherine. Caan's first substantial film role was as a menacing villain in the 1964 thriller Lady In A Cage. They play a trio of men escaping their marriages for minor peccadillos. Caan began acting in television in such series as The Untouchables. Husbands (1970) starred Cassavetes himself, with Peter Falk and Ben Gazzara. James Caan (born March 26, 1939, Bronx, New York) is an American actor.

He had enough leverage at this point that he could make movies in the studio system, yet retain full creative control. After Faces Cassavetes could concentrate more fully on his directorial work. Faces was a critical and financial success, nominated for two Academy Awards (Best Supporting Actor and Actress). Cassavetes held an unflinching camera on the pettiness and emotional greed of the distancing husband and wife and their lovers, but in the end the pathos of their story gives them an unexpected dignity.

Starring Cassavetes's wife Rowlands, Faces depicted a contemporary suburban marriage in the process of slow disintegration, with the accompanying desperate and degrading sexual improprieties. His next independent film was Faces, which lay down new themes for later work. He didn't just clockwatch as an actor, though; he did masterly work in blockbuster hits of the late 1960s, including World War II epic The Dirty Dozen (1967) — for which he was nominated for an Academy Award for Best Supporting Actor — and Roman Polanski's Rosemary's Baby (1968). His strategy, brought on by necessity, was to work as an actor in mainstream movies, and channel the funds he made there into his work as a director.

Cassavetes refused to go through the process again. The intervention of the studios, the lack of creative control, and the over-all dumbing down of his work was unbearable. Although the viewership of Shadows in the United States was slight, it did gain attention from the Hollywood studios. Cassavetes directed two movies for Hollywood in the early 1960s — Too Late Blues and A Child is Waiting — but the experience was exasperating. European distributors later released the movie in the United States as an import.

Cassavetes was unable to get American distributors to carry Shadows, so he took it to Europe, where it won the Critics Award at the Venice Film Festival. Cassavetes raised the funds for production from friends and family, as well as listeners to a late-night radio talk show. An improvisation exercise in one workshop inspired the idea for his writing and directorial debut, Shadows (1960). By 1956 Cassavetes had begun teaching method acting in workshops in New York City.

During this time he met and married actress Gena Rowlands, a fellow television actor. His experience working within television's budgetary and schedule limits influenced his later film production style. Cassavetes also acted on television, which was still finding its feet as a medium. By 1953, he was doing small parts in films; he continued to play a James Dean-like "juvenile delinquent" throughout the 1950s.

On graduation in 1950, he continued acting in the theater. He grew up in Long Island and attended Colgate University before moving to the New York Academy of Dramatic Arts. Cassavetes was born in New York City to Greek immigrants. Film critic Ray Carney called him "the father of American independent film".

John Cassavetes (December 9, 1929 - February 3, 1989) was an American actor, screenwriter, and director. Cassavetes created an American form of cinema verite with his innovative camera use, bleak outlook, and emphasis on improvisation. Love Streams (1984). Gloria (1980). The Killing of a Chinese Bookie (1976).

A Woman Under the Influence (1974). Minnie and Moskowitz (1971). Husbands (1970). Faces (1968).

Shadows (1959).

08-01-15 FTPPro Support FTPPro looks and feels just like Windows Explorer Contact FTPPro FTPPro Help Topics FTPPro Terms Of Use ftppro.com/browse2000.php Business Search Directory Real Estate Database WebExposure.us Google+ Directory Dan Schmidt is a keyboardist, composer, songwriter, and producer.