Jethro Tull (band)Jethro Tull's fourth album, AqualungJethro Tull is a progressive rock band that was formed in Blackpool, England in the 1960s. Their music is marked by the quirky vocal style and unique lead flute work of frontman Ian Anderson, and by unusual and often complex song construction. Their music has incorporated elements of classical and celtic folk music, as well as the art rock and alternative rock phases of rock music. Despite this, it is difficult to point to specific artists who have directly influenced or been influenced by Jethro Tull. More than most other rock bands, their music stands apart from the rest of rock music. HistoryThe early daysJethro Tull "paid their dues" in clubs in the mid-to-late 1960s with a revolving line-up which eventually crystallized into Ian Anderson (vocals, flute, acoustic guitar, and later many other instruments), Mick Abrahams (electric guitar), Glenn Cornick (bass guitar) and Clive Bunker (drums). The story goes that the band went through a variety of name changes to get repeat bookings, and that Jethro Tull was the name they happened to sport when they scored a record deal (the name comes from an agriculturist Jethro Tull who invented the seed drill). Their management were even suggesting that Abrahams do all the singing and the flute be eliminated, relegating Anderson to rhythm piano. After a couple of minor singles (including their first—an Abrahams-penned pop tune called Sunshine Day—on which the band's name was misspelled "Jethro Toe", now a collector's item), they released the bluesy album This Was in 1968. The music was written by Anderson and Abrahams. Following this album, Abrahams left (forming his own band, Blodwyn Pig), due to what was mainly a musical difference (Abrahams preferred to stick with the blues, which Anderson came to regard as a stylistically narrow and restrictive vocabulary for white "middle class" Englishmen). After a series of auditions (contrary to a rock rumour, not including Black Sabbath's Tony Iommi, who actually agreed to appear on the Rolling Stones' Rock 'n' Roll Circus, to perform A Song For Jeffrey), former Motivation, Penny Peeps and Gethsemane member Martin Barre was hired as the new guitarist. Barre would become the second longest-standing member of the band after Anderson. Progressive rockThis new line-up released Stand Up in 1969. Written entirely by Anderson—with the exception of the jazzy rearrangement of J. S. Bach's Bourrée—it largely abandoned the blues in favour of the up-and-coming style of progressive rock being developed at the time by groups such as King Crimson, The Nice and Yes. Stand Up feels not entirely unlike a jazz-tinged early Led Zeppelin album, with a heavy and slightly dark sound. In 1970 they added keyboardist John Evan (although technically he was only a guest musician at this stage) and released the album Benefit. Bassist Cornick left following Benefit, replaced by Jeffrey Hammond-Hammond, and this line-up released Tull's best-known work, Aqualung in 1971. The album is a combination of heavy rock music focusing on themes such as social outcasts and organised religion, and some lighter acoustic fare about the mundanity of everyday life. Aqualung is adored and reviled in equal amounts, although the title track and "Locomotive Breath" feature on most classic rock stations. Drummer Bunker departed next, replaced by Barriemore Barlow, and the band's 1972 album was Thick as a Brick. This was a concept album consisting of a single very long track split over the two sides of the LP, with a number of movements melded together and some repeating themes. This album's quintet—Anderson, Barre, Evan, Hammond-Hammond and Barlow—was one of Tull's longest-standing line-ups, enduring until 1975. 1972 also saw the release of Living in the Past, a double-album compilation of singles, B-sides and outtakes, with a single side recorded live in 1970. The live tracks excepted, it is regarded by many Tull fans as their best overall release. The title track is one of their more enduring singles, though reportedly Anderson wrote it with the specific intent of preventing its ascent to the pop charts. In 1973, the band attempted to record a double album in tax exile at Chateau d'Herouville (something the Rolling Stones and Elton John among others were doing at the time), but supposedly they were unhappy with the quality of the recording studio and abandoned the effort. Instead they quickly recorded and released A Passion Play, another single-track concept album with very allegorical lyrics. After several years of increasing popularity, A Passion Play sold relatively well but received generally poor reviews. Up until this point, Ian Anderson had a friendly relationship with the rock press, but this album marked a turning point for the band. They had passed the peak of their popularity with the critics, and a decline in popularity with the public followed. However, 1974's War Child, an album originally intended to be a companion piece for a film, received some critical acclaim, and produced the radio mainstay "Bungle in the Jungle". It also included a song, "Only Solitaire", allegedly aimed at a music writer who was one of Anderson's harsher critics. In 1975 the band released Minstrel in the Gallery, an album which resembled Aqualung in that it contrasted softer, acoustic guitar-based pieces with lengthier, more bombastic works headlined by Barre's electric guitar. Critics gave it mixed reviews. Following this album, bassist Hammond-Hammond left the band, replaced by John Glascock. 1976's Too Old to Rock 'n' Roll: Too Young to Die! was another concept album, this time about the life of an aging rocker. Anderson, stung by critical reviews (particularly of A Passion Play), responded with more sharply-barbed lyrics. The press seemed oblivious to the ploy, and instead asked if the title track was autobiographical—a charge Anderson hotly denied. Folk rockThe band closed the decade with a trio of folk rock albums, Songs from the Wood, Heavy Horses and Stormwatch. Songs from the Wood was the first Tull album to receive unambiguously positive reviews since the time of Benefit and Living in the Past. The band had long had ties to the folk-rockers Steeleye Span. Although not formally considered a part of the folk-rock movement (which had actually begun nearly a decade earlier with the advent of Fairport Convention), there was clearly a lot of exchanging of musical ideas between Tull and the folk-rockers. During this time, David Palmer, who had orchestrated some strings for earlier Tull albums, formally joined the band, mainly on keyboards. Bassist Glascock died in 1979 following heart surgery, and Stormwatch was completed without him (Anderson contributed bass on a few tracks). Anderson decided to record his first solo album. Electronic rockFor whatever reason, though, Anderson released his solo album as a Tull album in 1980. Entitled A, it featured Barre on electric guitar, Dave Pegg of Fairport Convention on bass, and Mark Craney on drums. But the album had a heavy electronic feel, contributed by guest keyboardist Eddie Jobson. It had a sound and feel completely unlike anything Tull had exhibited before. Craney departed following the A tour and Tull entered a period of revolving drummers (primarily Gerry Conway and Doane Perry). Peter-John Vettese replaced Jobson on keyboards, and the band returned to a folkier sound—albeit with synthesizers—for 1982's The Broadsword and the Beast. 1981 marked the first year in their album career that the band did not release an album. In 1984 Tull released Under Wraps, a heavily electronic album. Although the band was reportedly proud of the sound the album was not well-received, and as a result of either that or the throat problems Anderson developed singing the demanding Under Wraps material on tour (or both), Tull went on a three-year hiatus during which Anderson began a highly successful salmon-farming business. The modern eraTull returned stronger than anyone might have expected with 1987's Crest of a Knave. Vettese absent (Anderson contributed the synth programming) and relying more heavily on Barre's electric guitar than the band had since the early 1970s, the album was a critical and commercial success. They went on to win a 1989 Grammy Award for Best Hard Rock/Metal Performance, beating odds-on favorites Metallica. The award was particularly controversial as many did not consider Jethro Tull hard rock, much less heavy metal. The fact that it was the first time a Grammy geared towards metal was presented it was seen as a particularly hard blow and insult for heavy metal fans (after this, and perhaps because of this, separate Grammys were awarded for hard rock and heavy metal the following years). In response to the criticism they received over the award, the band then reportedly took out an advert in a British music periodical with the line, "The flute is a heavy metal instrument!". The style of Crest has been compared to that of Dire Straits, in part because Anderson seemed to no longer have the vocal range he once possessed. 1988 was also notable for the release of 20 Years of Jethro Tull, a 5-LP themed set (also released as an unthemed 3-CD set and as a truncated single CD version) consisting largely of outtakes from throughout the band's history as well as a variety of live and digitally remastered tracks. It also included a booklet outlining the band's history in detail. Since then the band has released a variety of albums in a style similar to Crest but also incorporating more folky influences. Of particular note is 1992's A Little Light Music, a mostly-acoustic live album which was well received by fans due to its different takes on many past compositions. Anderson has released several solo albums since the early 1980s, and in the 1990s Barre also began releasing solo work. Anderson and Barre have remained the core of the band (Pegg finally leaving in 1995, being replaced by Jonathan Noyce). In 1996, an assemblage of progressive rock artists released a tribute to Tull, To Cry You a Song, which included contributions from several former Tull members, as well as artists including Keith Emerson, Tempest, and Wolfstone. The band has endured into the 21st century and continue to release new albums every few years. In the early 2000s, Anderson's voice seems to be regaining some of its previous range. Discography
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In the early 2000s, Anderson's voice seems to be regaining some of its previous range. USA Releases. The band has endured into the 21st century and continue to release new albums every few years. On the animated series Family Guy, Peter is obsessed and portrayed as one of the ultimate KISS fans in the episode "Road to Europe". In 1996, an assemblage of progressive rock artists released a tribute to Tull, To Cry You a Song, which included contributions from several former Tull members, as well as artists including Keith Emerson, Tempest, and Wolfstone. (See accompanying image). Anderson and Barre have remained the core of the band (Pegg finally leaving in 1995, being replaced by Jonathan Noyce). The German KISS logo has S's that resemble backward Z's, and all the band's albums and German merchandise use it. Anderson has released several solo albums since the early 1980s, and in the 1990s Barre also began releasing solo work. The KISS logo had to be redesigned for the German market because of the similarity of its two S's to the symbol of the SS, Adolf Hitler's paramilitary troops, which it is illegal to display in Germany. Of particular note is 1992's A Little Light Music, a mostly-acoustic live album which was well received by fans due to its different takes on many past compositions. Peter Criss left the band again in late 2003, and was replaced with Eric Singer, who along with Tommy Thayer performed during KISS' 2004 "Rock The Nation" Tour, with 80's hair band Poison as the opening act. Since then the band has released a variety of albums in a style similar to Crest but also incorporating more folky influences. In 2003, KISS released "KISS SYMPHONY" with Gene Simmons,Paul Stanley, Peter Criss and Tommy Thayer, backed by the Melbourne Symphony Orchestra. It also included a booklet outlining the band's history in detail. The tour was mildly successful, but the band continued to dominate the rock world. 1988 was also notable for the release of 20 Years of Jethro Tull, a 5-LP themed set (also released as an unthemed 3-CD set and as a truncated single CD version) consisting largely of outtakes from throughout the band's history as well as a variety of live and digitally remastered tracks. In 1998, the band released "Psycho Circus", and departed on the ensuing 3-D tour, with a circus as the opening act. The style of Crest has been compared to that of Dire Straits, in part because Anderson seemed to no longer have the vocal range he once possessed. In 1997, the original band reunited after 17 years apart, and launched their wildly successful reunion tour. In response to the criticism they received over the award, the band then reportedly took out an advert in a British music periodical with the line, "The flute is a heavy metal instrument!". KISS has four official book releases:. The fact that it was the first time a Grammy geared towards metal was presented it was seen as a particularly hard blow and insult for heavy metal fans (after this, and perhaps because of this, separate Grammys were awarded for hard rock and heavy metal the following years). KISS starred in a made for NBC television movie KISS Meets the Phantom of the Park (1978). The award was particularly controversial as many did not consider Jethro Tull hard rock, much less heavy metal. On New Years' Eve 1975, Blue Öyster Cult opened for KISS at Nassau Coliseum, two years to the day after KISS opened for them. They went on to win a 1989 Grammy Award for Best Hard Rock/Metal Performance, beating odds-on favorites Metallica. On a similar note, only three of KISS' albums are without reference to unrepentant libido:. Vettese absent (Anderson contributed the synth programming) and relying more heavily on Barre's electric guitar than the band had since the early 1970s, the album was a critical and commercial success. While both albums are arguably quite good, the world was not ready to consider KISS outside of its "3-minute song about lusting for women" reputation. Tull returned stronger than anyone might have expected with 1987's Crest of a Knave. As an example, compare the ethereal arpeggios of Pink Floyd's "Comfortably Numb" with KISS' "Under The Rose". Although the band was reportedly proud of the sound the album was not well-received, and as a result of either that or the throat problems Anderson developed singing the demanding Under Wraps material on tour (or both), Tull went on a three-year hiatus during which Anderson began a highly successful salmon-farming business. Ezrin's production on Music from The Elder is clearly similar to his work on Pink Floyd's The Wall, released two years earlier. In 1984 Tull released Under Wraps, a heavily electronic album. The first two were concept albums, with the former being less conspicuously so. 1981 marked the first year in their album career that the band did not release an album. Destroyer (1976), Music from the Elder (1981) and Revenge (1992) were produced by Bob Ezrin. Peter-John Vettese replaced Jobson on keyboards, and the band returned to a folkier sound—albeit with synthesizers—for 1982's The Broadsword and the Beast. The result was Destroyer, KISS' most commercially successful album, which included the hits "Beth", "Detroit Rock City," and "Shout It Out Loud.". Craney departed following the A tour and Tull entered a period of revolving drummers (primarily Gerry Conway and Doane Perry). Following it, the group decided to expand their musical horizons and make a more venturesome album. It had a sound and feel completely unlike anything Tull had exhibited before. The album was a huge success. But the album had a heavy electronic feel, contributed by guest keyboardist Eddie Jobson. In 1975, they released the live album Alive!, a lion's share recorded at Detroit's Cobo Hall. Entitled A, it featured Barre on electric guitar, Dave Pegg of Fairport Convention on bass, and Mark Craney on drums. The album included two important songs in the group's career; "C'mon And Love Me," their first big radio hit, and "Rock And Roll All Nite," which became their first hit single. For whatever reason, though, Anderson released his solo album as a Tull album in 1980. Trading in the rawer sound of KISS and Hotter Than Hell for a more clean, produced sound with Dressed To Kill. Anderson decided to record his first solo album. In 1975, having achieved recognition, but no big hit single, Casablanca Records head Neil Bogart stepped in to produce their next album. Bassist Glascock died in 1979 following heart surgery, and Stormwatch was completed without him (Anderson contributed bass on a few tracks). The album did less well than their debut, reaching just #100 on the Billboard album chart. During this time, David Palmer, who had orchestrated some strings for earlier Tull albums, formally joined the band, mainly on keyboards. Topping at #87 in the charts, the album did feature a few chestnuts in the group's career; "Strutter," "Deuce," "Cold Gin," and the closer "Black Diamond." The follow-up, Hotter Than Hell featured a Japanese influenced cover, an attempt to make people think the group were well-known worldwide. Although not formally considered a part of the folk-rock movement (which had actually begun nearly a decade earlier with the advent of Fairport Convention), there was clearly a lot of exchanging of musical ideas between Tull and the folk-rockers. At the time, no one really knew what to make of the group's look. The band had long had ties to the folk-rockers Steeleye Span. The cover of their debut, KISS, showed the group in their makeup, mimicking the cover of the Beatles' With the Beatles album. The band closed the decade with a trio of folk rock albums, Songs from the Wood, Heavy Horses and Stormwatch. Songs from the Wood was the first Tull album to receive unambiguously positive reviews since the time of Benefit and Living in the Past. The group released their first two albums in 1974, both produced by Kenny Kerner and Ritchie Wise, (KISS and Hotter Than Hell). The press seemed oblivious to the ploy, and instead asked if the title track was autobiographical—a charge Anderson hotly denied. Their next show, February 6, 1974 was in Calgary, Alberta, Canada, at the Southern Alberta Jubilee Auditorium. Anderson, stung by critical reviews (particularly of A Passion Play), responded with more sharply-barbed lyrics. a girl with Purple and Green Hair, who is credited on his solo album. 1976's Too Old to Rock 'n' Roll: Too Young to Die! was another concept album, this time about the life of an aging rocker. This is always where Gene encountered his first groupie... Following this album, bassist Hammond-Hammond left the band, replaced by John Glascock. KISS' first Canadian tour started on February 5, 1974 in Edmonton, Alberta, Canada, at the Northern Alberta Jubilee Auditorium. Critics gave it mixed reviews. The first ever KISS performance was in 1973 to an audience of 10 at the Popcorn Club (renamed Coventry shortly afterwards) in New York City. In 1975 the band released Minstrel in the Gallery, an album which resembled Aqualung in that it contrasted softer, acoustic guitar-based pieces with lengthier, more bombastic works headlined by Barre's electric guitar. Ace designed the infamous lightening bolt logo, and the rest is KISStory. It also included a song, "Only Solitaire", allegedly aimed at a music writer who was one of Anderson's harsher critics. Paul has also stated that the band name is not an acronym (the original name of the band was Wicked Lester, 1969-1972). However, 1974's War Child, an album originally intended to be a companion piece for a film, received some critical acclaim, and produced the radio mainstay "Bungle in the Jungle". Simmons states that Paul Stanley suggested the name on the spur of the moment while they were stopped at a traffic light. They had passed the peak of their popularity with the critics, and a decline in popularity with the public followed. The band's name was rumored to stand for "Knights In Satan's Service" or "Knights In Service of Satan" but this is an urban legend - propagated in the 1970s by Minnesota-based evangelists the Peters Brothers - which Gene Simmons has denied in his book. Up until this point, Ian Anderson had a friendly relationship with the rock press, but this album marked a turning point for the band. Other lead guitarists between 1982 and 1996 (when the original four members reunited):. After several years of increasing popularity, A Passion Play sold relatively well but received generally poor reviews. 1982 saw Ace Frehley officially leave the band to pursue a somewhat successful solo career. Instead they quickly recorded and released A Passion Play, another single-track concept album with very allegorical lyrics. Other drummers between 1980 and 1996 and 2001 and 2004. In 1973, the band attempted to record a double album in tax exile at Chateau d'Herouville (something the Rolling Stones and Elton John among others were doing at the time), but supposedly they were unhappy with the quality of the recording studio and abandoned the effort. 1980 saw Peter Criss's departure for 3 'commercial flop' solo albums. The title track is one of their more enduring singles, though reportedly Anderson wrote it with the specific intent of preventing its ascent to the pop charts. They felt that the feminine look did not work for them. The live tracks excepted, it is regarded by many Tull fans as their best overall release. Originally inspired by the New York Dolls, The Harlots of 42nd Street, and other New York glam scene bands. 1972 also saw the release of Living in the Past, a double-album compilation of singles, B-sides and outtakes, with a single side recorded live in 1970. Sean Delaney was the group's first road manager and creative director. This album's quintet—Anderson, Barre, Evan, Hammond-Hammond and Barlow—was one of Tull's longest-standing line-ups, enduring until 1975. Doc McGhee is the current manager. This was a concept album consisting of a single very long track split over the two sides of the LP, with a number of movements melded together and some repeating themes. William 'Gui' Aucoin was the original manager 1973-1981. Drummer Bunker departed next, replaced by Barriemore Barlow, and the band's 1972 album was Thick as a Brick. Ace The Space), lead guitar/vocals; and Peter Criss (The Catman), drums/vocals. Aqualung is adored and reviled in equal amounts, although the title track and "Locomotive Breath" feature on most classic rock stations. The original members of KISS (and their made-up personas) are Paul Stanley (The Starchild), rhythm guitar/vocals; Gene Simmons (The Demon), bass/vocals; Ace Frehley (The Spaceman a.k.a. The album is a combination of heavy rock music focusing on themes such as social outcasts and organised religion, and some lighter acoustic fare about the mundanity of everyday life. KISS put it back on in 1996 for their Alive Worldwide Reunion Tour. Bassist Cornick left following Benefit, replaced by Jeffrey Hammond-Hammond, and this line-up released Tull's best-known work, Aqualung in 1971. They had to remove the makeup to be a viable band of the oblivious 1980s (platform shoes died with disco). In 1970 they added keyboardist John Evan (although technically he was only a guest musician at this stage) and released the album Benefit. The band first appeared without their make-up in 1983 on a MTV news special. Stand Up feels not entirely unlike a jazz-tinged early Led Zeppelin album, with a heavy and slightly dark sound. Until 1983 the band never appeared in public without their make-up (which disguised their real identities). Bach's Bourrée—it largely abandoned the blues in favour of the up-and-coming style of progressive rock being developed at the time by groups such as King Crimson, The Nice and Yes. The band is known for its elaborate stage shows, loud music, and extravagant costumes. S. Although "heavy metal" did not exist when the band was formed in 1972 it can be said that they invented a big part of the sound and style which now belong to heavy metal. Written entirely by Anderson—with the exception of the jazzy rearrangement of J. KISS was born out of the ashes of Wicked Lester. This new line-up released Stand Up in 1969. KISS is a New York City-based heavy metal band that became famous in the mid 1970s. Barre would become the second longest-standing member of the band after Anderson. Gold (2005). Following this album, Abrahams left (forming his own band, Blodwyn Pig), due to what was mainly a musical difference (Abrahams preferred to stick with the blues, which Anderson came to regard as a stylistically narrow and restrictive vocabulary for white "middle class" Englishmen). After a series of auditions (contrary to a rock rumour, not including Black Sabbath's Tony Iommi, who actually agreed to appear on the Rolling Stones' Rock 'n' Roll Circus, to perform A Song For Jeffrey), former Motivation, Penny Peeps and Gethsemane member Martin Barre was hired as the new guitarist. Gold: 1974-1982 - Sound+Vision (W/Dvd) (2004; Gene, Paul, Peter, Ace, Eric C, Vinnie V) —. The music was written by Anderson and Abrahams. 20th Century Masters: Millennium Collection 2 (2004; Gene, Paul, Eric C, Vinnie V, Mark, Bruce, Eric S). After a couple of minor singles (including their first—an Abrahams-penned pop tune called Sunshine Day—on which the band's name was misspelled "Jethro Toe", now a collector's item), they released the bluesy album This Was in 1968. 20th Century Masters: Millennium Collection 1 (2004; Gene, Paul, Peter, Ace, Eric C). Their management were even suggesting that Abrahams do all the singing and the flute be eliminated, relegating Anderson to rhythm piano. Alive IV - Kiss Symphony (2003; Gene, Paul, Peter, Tommy). The story goes that the band went through a variety of name changes to get repeat bookings, and that Jethro Tull was the name they happened to sport when they scored a record deal (the name comes from an agriculturist Jethro Tull who invented the seed drill). The Very Best of Kiss (2002; Gene, Paul, Peter, Ace, Eric C., Vinnie, Bruce, Eric S.). Jethro Tull "paid their dues" in clubs in the mid-to-late 1960s with a revolving line-up which eventually crystallized into Ian Anderson (vocals, flute, acoustic guitar, and later many other instruments), Mick Abrahams (electric guitar), Glenn Cornick (bass guitar) and Clive Bunker (drums). Psycho Circus Live (1999; Gene, Paul, Peter, Ace) — 'Import Only'. More than most other rock bands, their music stands apart from the rest of rock music. Psycho Circus (1998; Gene, Paul, Peter, Ace). Despite this, it is difficult to point to specific artists who have directly influenced or been influenced by Jethro Tull. Carnival of Souls (1997; Gene, Paul, Bruce, Eric S.). Their music has incorporated elements of classical and celtic folk music, as well as the art rock and alternative rock phases of rock music. Greatest Kiss (1997; Gene, Paul, Peter, Ace). Their music is marked by the quirky vocal style and unique lead flute work of frontman Ian Anderson, and by unusual and often complex song construction. You Wanted the Best, You Got the Best (1996; Gene, Paul, Peter, Ace). Jethro Tull is a progressive rock band that was formed in Blackpool, England in the 1960s. MTV Unplugged (1996; Gene, Paul, Bruce, Eric S., Peter, Ace). a new album due for release in August 2005, the album title is currently to be announced. Kiss My Ass (1994; Gene, Paul, Bruce, Eric S., various artists). The Jethro Tull Christmas Album (2003). Alive III (1993; Gene, Paul, Bruce, Eric S.). Living with the Past (2002) (live). Revenge (1992; Gene, Paul, Bruce, Eric S.). J-Tull Dot Com (1999). Hot in the Shade (1989; Gene, Paul, Eric C., Bruce). Roots to Branches (1995). Smashes, Thrashes, and Hits (1988; Gene, Paul, Eric C., Bruce) — Greatest Hits compilation with 2 new songs and Eric Carr's vocal on Beth. Nightcap (1993). Crazy Nights (1987; Gene, Paul, Eric C., Bruce). The Best of Jethro Tull: The Anniversary Collection (1993) (collection). Asylum (1985; Gene, Paul, Eric C., Bruce). 25th Anniversary boxed set (1993) (collection). Animalize (1984; Gene, Paul, Eric C., Mark). A Little Light Music (1992) (live). Lick It Up (1983; Gene, Paul, Eric C., Vinnie) — first album cover without face paint. Catfish Rising (1991). Creatures of the Night (1982; Gene, Paul, Eric C., Vinnie). Rock Island (1989). Killers (1982; Gene, Paul, Ace, Eric C.) — unavailable in North America. 20 Years of Jethro Tull (1988). (Music from) the Elder (1981; Gene, Paul, Ace, Eric C.). Crest of a Knave (1987). Unmasked (1980; Gene, Paul, Ace, Anton Fig). A Classic Case (1985) (orchestral cover album). The Best of Solo Albums (1980; Gene, Paul, Peter, Ace) — 'Import only' 3 tracks each from each solo album. Original Masters (1985) (collection). Dynasty (1979; Gene, Paul, Peter, Ace, Anton Fig). Live at Hammersmith '84 (1990) (live). Ace Frehley (1978; Ace). Under Wraps (1984). Peter Criss (1978; Peter). Broadsword and the Beast (1982). Gene Simmons (1978; Gene). A (1980). Paul Stanley (1978; Paul). Stormwatch (1979). Double Platinum (1978; Gene, Paul, Peter, Ace). Live - Bursting Out (1978) (live). The Originals II (1978; Gene, Paul, Peter, Ace) — 'Japanese only' set of the second 3 studio albums. Heavy Horses (1978). Alive II (1977; Gene, Paul, Peter, Ace). Repeat - The Best of Jethro Tull - Vol II (1977) (collection). Love Gun (1977; Gene, Paul, Peter, Ace). Songs from the Wood (1977). Rock and Roll Over (1976; Gene, Paul, Peter, Ace). Too Old to Rock And Roll, Too Young to Die (1976). Destroyer (1976; Gene, Paul, Peter, Ace). - The Best of Jethro Tull (1976) (collection). The Originals (1976; Gene, Paul, Peter, Ace) — a set of the first 3 studio albums. M.U. Alive! (1975; Gene, Paul, Peter, Ace). Minstrel in the Gallery (1975). Dressed to Kill (1975; Gene, Paul, Peter, Ace). War Child (1974). Hotter than Hell (1974; Gene, Paul, Peter, Ace). A Passion Play (1973). Kiss (1974; Gene, Paul, Peter, Ace). Living in the Past (1972). The Early Years. Thick as a Brick (1972). Behind The Mask. Aqualung (1971). KISSTORY II. Benefit (1970). KISSTORY. Stand Up (1969). Psycho Circus — songs explicitly referencing Rock music or KISS itself. This Was (1968). Carnival of Souls: The Final Sessions — introspective and serious songs. Music from The Elder — concept album about a youth's journey into heroism. Tommy Thayer, 2002- (new Spaceman). Bruce Kulick, 1985-1996 (no character). John, 1983-1984 (no character). Mark St. Vinnie Vincent, 1982-1983 (The Egyptian Warrior). Eric Singer, 1991-1996, 2001-2003, 2004 - (new Catman). Eric Carr, 1981-1991 (The Fox, 1981-1982) (died of cancer on November 24, 1991, the same day as Freddie Mercury). |