Jack Benny

Jack Benny (born Benjamin Kubelsky, February 14, 1894 – December 26, 1974) was a comedian, vaudeville performer, film actor, and one of the most prominent early stars of American radio and television. Often cited for his impeccable comic timing, Benny was an influential comedy innovator, a major architect of the modern forms of standup comedy and situation comedy.

Jack Benny

Early career

Benny grew up in Chicago and Waukegan, Illinois. He began studying the violin, an instrument that would become his trademark, when he was six. By fourteen he was playing in local dance bands, as well as in his high school orchestra, until he failed school and left for a career in vaudeville. In 1911, he was playing in the same theater as the young Marx Brothers, whose mother was so enchanted with Benny that she invited him to be their permanent accompanist. The plan was foiled by Benny's parents, who refused to let their son, then seventeen, go on the road, but it was the beginning of his long friendship with Zeppo Marx.

The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. Finally, Bejamin Kubelsky agreed to change his name to Ben K. Benny (sometimes spelled Bennie). He also found a new pianist, Lyman Wood. He left show business briefly in 1917 to join the Navy during World War I, but even then, he often entertained the troops. One evening, he was booed by the troops, so he began telling Navy jokes on stage. He was a big hit, earning himself a reputation as a comedian as well as a musician.

After the war, Benny returned to vaudeville and changed his first name to Jack. He had several romantic encounters, including with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. In 1922, he accompanied Zeppo Marx to a Passover seder in Vancouver, where he met Sadie Marks, whom he eventually married in 1927. As Mary Livingstone, she was his collaborator throughout much of his career.

Radio

Benny had been only a minor vaudeville star, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1955, and was consistantly among the most highly-rated programs during most of that run. Benny's program centered around a fictional version of himself: a successful comedian who was cheap, petty, and vain. The program introduced a stable of colorful characters who made Benny their foil. Staples on the show were Eddie Anderson, who played Benny's African-American valet, "Rochester Van Jones" (and who became nearly as popular as Benny himself); rotund announcer Don Wilson, the butt of endless "fat" jokes; Mary Livingstone, Benny's real-life wife, who played his wisecracking lady friend on the show; bandleader Phil Harris, whose tales of drinking and womanizing were risqe for the time (although in reality, the band was led by Malohn Merrick); and tenor singer Dennis Day, who portrayed a nave, sheltered young man. Other cast members included Frank Nelson and the remarkably versatile Mel Blanc, who provided several characters' voices, as well as the famous sound of Benny's aging auto, an early century Maxwell that always seemed on the verge of collapse.

The show featured sketch-like "situations" from the fictional Benny's life (Jack hosts a party, Jack and Mary go Christmas shopping, and so on), with Harris and Day providing musical interludes. The program, which had been broadcast from New York, moved to Los Angeles in 1936, and its new show-biz locale allowed for frequent guest appearances by Benny's celebrity colleagues, including Frank Sinatra, James Stewart, Barbara Stanwyck, Bing Crosby and many others. Orson Welles guest hosted several episodes when Benny was unavailable. Ronald Colman and his wife Benita appeared frequently in the 1940s as Benny's neighbors.

In the early days of radio, the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show; the sponsors were often the butt of jokes. His sponsors included Canada Dry Ginger Ale from 1932 to 1933, Chevrolet from 1933 to 1934, General Tire in 1934, Jell-O from 1934 to 1942 (Benny is largely credited for making "Jello" a household name), Grape Nuts from 1942 to 1944, and Lucky Strike from 1944 to 1955.

Benny was notable for employing a small group of writers, most of whom stayed with him for many years. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently. Historical accounts (like those by longtime Benny writer Milt Josephson) indicate that Benny's role that was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity.

In 1937 Benny began his famous radio "feud" with rival comedian Fred Allen, who complained about the way Benny played violin. In fact, the two were close friends. A typical Benny and Allen episode, in this case on Fred's radio show, was a satire of "Queen for a Day" re-titled "King for a Day". In it, Allen plays host and eventually showers Benny with a ton of worthless prizes in honor of him being named King for a Day. The grand prize is a pants pressing from a local dry cleaning company. The hilarity builds as Jack's shirt is being taken off. Then, his pants are pulled off to the shock of the audience. The laughter was so loud and chaotic at the chain of events that Fred's announcer, Kenny Delmar, was cut off the air amidst the wild laughter while trying to read the credits—Fred's show had ran over-time yet again!

Benny was famous for his carefully timed pauses; one of the most famous laughs in radio came when he was accosted by a robber who demanded, "Your money or your life!" After an extended pause, the gunman reiterated the threat. Benny, ever the cheapskate, snapped, "I'm thinking it over!"

During his early radio show, Benny adopted a medley of "Yankee Doodle Boy" and "Love in Bloom" as his theme song, opening every show. The song later became the theme of his television show as well.

Television

The Jack Benny Show ran on television from October 28, 1950 to 1965. The show appeared infrequently during its first two years on TV, then ran every fourth week for the next two years. From 1955 to 1960 it appeared every other week, and from 1960 to 1965 it was seen weekly. When Benny moved to television, audiences learned that his verbal talent was matched by his assortment of facial expressions and physical gestures. The program was similar to the radio show—many radio scripts were recycled for TV—with the addition of visual gags.

CBS dropped his show in 1964, and he went to NBC in the Fall, only to be out-rated by Gomer Pyle, U.S.M.C. on CBS. NBC dropped his show at the end of the season, though he continued to make periodic TV specials into the 1970s.

Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929 and notably, Charley's Aunt (1941) and To Be or Not to Be (1942). The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his program.

Toward the end of his career, Benny returned to film, appearing in It's a Mad, Mad, Mad, Mad World in (1963). He also continued to perform live as a stand-up comedian. He was cast in the film version of Neil Simon's The Sunshine Boys, but was forced to give up the role (ultimately played by Benny's close friend George Burns), when he was diagnosed with terminal pancreatic cancer. He died in 1974. He was interred in the Hillside Memorial Park Cemetery in Culver City, California.


This page about Jack Benny includes information from a Wikipedia article.
Additional articles about Jack Benny
News stories about Jack Benny
External links for Jack Benny
Videos for Jack Benny
Wikis about Jack Benny
Discussion Groups about Jack Benny
Blogs about Jack Benny
Images of Jack Benny

He was interred in the Hillside Memorial Park Cemetery in Culver City, California. Victor Buono died of a heart attack at his ranch in Apple Valley, California. He died in 1974. "The more you study him," he said, "the greater he grows.". He was cast in the film version of Neil Simon's The Sunshine Boys, but was forced to give up the role (ultimately played by Benny's close friend George Burns), when he was diagnosed with terminal pancreatic cancer. Buono liked to read and write, and one of his main hobbies was Shakespeare. He also continued to perform live as a stand-up comedian. Taft.

Toward the end of his career, Benny returned to film, appearing in It's a Mad, Mad, Mad, Mad World in (1963). In the TV miniseries Backstairs at the White House (1979) he portrayed President Taft and delivered a poignant tribute to the late Mrs. The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his program. He could also play straight roles. Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929 and notably, Charley's Aunt (1941) and To Be or Not to Be (1942). His later roles were more of pompous intellectuals and shady con men. NBC dropped his show at the end of the season, though he continued to make periodic TV specials into the 1970s. He was in demand to play villains of various nationalities and ethnic origins on many programs between 1964 and 1970.

CBS dropped his show in 1964, and he went to NBC in the Fall, only to be out-rated by Gomer Pyle, U.S.M.C. on CBS. Buono had a vast body of work in movies, and among his extensive TV appearances were the recurring roles of the demented Count Manzeppi on the popular (CBS) series The Wild Wild West starring Robert Conrad and Ross Martin, which ran from 1965 to 1969, and King Tut on the (ABC) series Batman with Adam West and Burt Ward, which ran from 1966 to 1968. The program was similar to the radio show—many radio scripts were recycled for TV—with the addition of visual gags. He also appeared in such movies as 4 for Texas (1963), Robin and the Seven Hoods (1964), The Silencers (1966), Who's Minding the Mint? (1967), Target: Harry (1969) and Beneath the Planet of the Apes (1970). When Benny moved to television, audiences learned that his verbal talent was matched by his assortment of facial expressions and physical gestures. Buono played the role of the High Priest Sorak in this story about Jesus. From 1955 to 1960 it appeared every other week, and from 1960 to 1965 it was seen weekly. And he appeared in The Greatest Story Ever Told (1965) starring Max von Sydow, Michael Anderson, Jr. and Carroll Baker, which was produced and directed by George Stevens.

The show appeared infrequently during its first two years on TV, then ran every fourth week for the next two years. He appeared in Hush, Hush, Sweet Charlotte (1964) playing Big Sam Hollis, the father of Bette Davis, who had the title role, which was also directed by Aldrich. The Jack Benny Show ran on television from October 28, 1950 to 1965. Victor Buono was nominated for an Academy Award for Best Actor in a Supporting Role for his performance in What Ever Happened to Baby Jane?. The song later became the theme of his television show as well. He played the part of the ne'er-do-well musical accompanist, Edwin Flagg. During his early radio show, Benny adopted a medley of "Yankee Doodle Boy" and "Love in Bloom" as his theme song, opening every show. After appearing in a few motion pictures uncredited, he was cast by director Robert Aldrich in the psychological horror movie What Ever Happened to Baby Jane? (1962) with screen luminaries Bette Davis and Joan Crawford.

Benny, ever the cheapskate, snapped, "I'm thinking it over!". Because of his overweight stature, Buono usually played older characters. Benny was famous for his carefully timed pauses; one of the most famous laughs in radio came when he was accosted by a robber who demanded, "Your money or your life!" After an extended pause, the gunman reiterated the threat. He also appeared on The Untouchables. The laughter was so loud and chaotic at the chain of events that Fred's announcer, Kenny Delmar, was cut off the air amidst the wild laughter while trying to read the credits—Fred's show had ran over-time yet again!. Over the next few years he appeared on numerous shows playing menacing heavies in just about every Grade "A" private eye series. Then, his pants are pulled off to the shock of the audience. He made his first network TV appearance playing the bearded poet Bongo Benny in an episode of 77 Sunset Strip.

The hilarity builds as Jack's shirt is being taken off. saw the heavyset Buono play Falstaff at the Globe and took him up to Hollywood for a screen test. The grand prize is a pants pressing from a local dry cleaning company. In the summer of 1959, a talent scout from Warner Bros. In it, Allen plays host and eventually showers Benny with a ton of worthless prizes in honor of him being named King for a Day. He received good notices for his various Shakespearean roles and in modern plays such as The Man Who Came To Dinner and Witness For The Prosecution. A typical Benny and Allen episode, in this case on Fred's radio show, was a satire of "Queen for a Day" re-titled "King for a Day". The director had confidence in Buono and cast him in Volpone, Midsummer Night's Dream and other Globe presentations.

In fact, the two were close friends. He started appearing on local radio and television stations, and at the age of eighteen he joined the Globe Theater Players in San Diego. In 1937 Benny began his famous radio "feud" with rival comedian Fred Allen, who complained about the way Benny played violin. He soon forgot about having a medical career. Historical accounts (like those by longtime Benny writer Milt Josephson) indicate that Benny's role that was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity. He even played the title role of Hamlet. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently. Buono appeared in three plays a year while attending high school, which included Aladdin and His Wonderful Lamp and Shakespearean dramas.

Benny was notable for employing a small group of writers, most of whom stayed with him for many years. Augustine High School in San Diego cast him as Papa Barrett in the play The Barretts of Wimpole Street. His sponsors included Canada Dry Ginger Ale from 1932 to 1933, Chevrolet from 1933 to 1934, General Tire in 1934, Jell-O from 1934 to 1942 (Benny is largely credited for making "Jello" a household name), Grape Nuts from 1942 to 1944, and Lucky Strike from 1944 to 1955. When he was sixteen, Father John Aherne of the St. In the early days of radio, the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show; the sponsors were often the butt of jokes. Even though the young Buono enjoyed the polite applause of those captive audiences, he thought he wanted to be a doctor. Ronald Colman and his wife Benita appeared frequently in the 1940s as Benny's neighbors. When he was a little boy, she taught him songs and recitations and encouraged him to perform for visitors.

Orson Welles guest hosted several episodes when Benny was unavailable. His maternal grandmother, Myrtle Glied (April 18, 1886-December 9, 1969), had been a Vaudeville performer on the Orpheum Circuit. The program, which had been broadcast from New York, moved to Los Angeles in 1936, and its new show-biz locale allowed for frequent guest appearances by Benny's celebrity colleagues, including Frank Sinatra, James Stewart, Barbara Stanwyck, Bing Crosby and many others. He was born Victor Charles Buono in San Diego, California, a son of Victor Francis Buono (May 28, 1907-May 17, 1981) and Myrtle Belle Keller (October 19, 1909 -August 27, 1979). The show featured sketch-like "situations" from the fictional Benny's life (Jack hosts a party, Jack and Mary go Christmas shopping, and so on), with Harris and Day providing musical interludes. Victor Buono (February 3, 1938 - January 1, 1982) was an American actor. Other cast members included Frank Nelson and the remarkably versatile Mel Blanc, who provided several characters' voices, as well as the famous sound of Benny's aging auto, an early century Maxwell that always seemed on the verge of collapse. The 1966 Batman TV Villains - Victor Buono (http://www.geocities.com/Hollywood/Hills/7537/tut.htm).

Staples on the show were Eddie Anderson, who played Benny's African-American valet, "Rochester Van Jones" (and who became nearly as popular as Benny himself); rotund announcer Don Wilson, the butt of endless "fat" jokes; Mary Livingstone, Benny's real-life wife, who played his wisecracking lady friend on the show; bandleader Phil Harris, whose tales of drinking and womanizing were risqe for the time (although in reality, the band was led by Malohn Merrick); and tenor singer Dennis Day, who portrayed a nave, sheltered young man. The program introduced a stable of colorful characters who made Benny their foil. Benny's program centered around a fictional version of himself: a successful comedian who was cheap, petty, and vain. Benny had been only a minor vaudeville star, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1955, and was consistantly among the most highly-rated programs during most of that run.

As Mary Livingstone, she was his collaborator throughout much of his career. In 1922, he accompanied Zeppo Marx to a Passover seder in Vancouver, where he met Sadie Marks, whom he eventually married in 1927. He had several romantic encounters, including with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. After the war, Benny returned to vaudeville and changed his first name to Jack.

He was a big hit, earning himself a reputation as a comedian as well as a musician. One evening, he was booed by the troops, so he began telling Navy jokes on stage. He left show business briefly in 1917 to join the Navy during World War I, but even then, he often entertained the troops. He also found a new pianist, Lyman Wood.

Benny (sometimes spelled Bennie). Finally, Bejamin Kubelsky agreed to change his name to Ben K. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury.

The plan was foiled by Benny's parents, who refused to let their son, then seventeen, go on the road, but it was the beginning of his long friendship with Zeppo Marx. In 1911, he was playing in the same theater as the young Marx Brothers, whose mother was so enchanted with Benny that she invited him to be their permanent accompanist. By fourteen he was playing in local dance bands, as well as in his high school orchestra, until he failed school and left for a career in vaudeville. He began studying the violin, an instrument that would become his trademark, when he was six.

Benny grew up in Chicago and Waukegan, Illinois. Jack Benny (born Benjamin Kubelsky, February 14, 1894 – December 26, 1974) was a comedian, vaudeville performer, film actor, and one of the most prominent early stars of American radio and television. Often cited for his impeccable comic timing, Benny was an influential comedy innovator, a major architect of the modern forms of standup comedy and situation comedy.

11-01-14 FTPPro Support FTPPro looks and feels just like Windows Explorer Contact FTPPro FTPPro Help Topics FTPPro Terms Of Use ftppro.com/1stzip.php ftppro.com/zip ftppro.com/browse2000.php PAD File Directory Business Search Directory Real Estate Database FunWebsites.org PressArchive.net WebExposure.us Display all your websites in one place HereIam.tv Celebrity Homepages Charity Directory Google+ Directory Move your favorite Unsigned Artist to the Top of the List