Harold and MaudeHarold and Maude is a 1971 movie, directed by Hal Ashby. The film features both dark and light humor, social satire (including anti-war), promotes the notion of living life to its fullest, and has long had a cult following. The film is number 45 on the American Film Institute's list of 100 Funniest Movies and in 1997, it was selected for preservation in the National Film Registry of the Library of Congress. The film was a commercial failure when it was released and critics were divided. The screenplay on which the film was based was written by Colin Higgins, and published as a novel in 1984. Spoiler warning: Plot or ending details follow.SummaryThe film first introduces us to Harold, an alienated teenaged boy from a wealthy family who lives in a large mansion with his dominating mother. Harold stages realistic mock-suicides. This has evidently been going on for so long that his mother takes no notice, other than when Harold causes a particular mess with his fake blood. For amusement, Harold attends funerals of people he doesn't know. At these he repeatedly sees Maude, a 79 year-old woman who befriends him. Maude is very much his opposite: a senior citizen, energetic, impulsive, and light-hearted. The two form an unlikely friendship, then romance. ThemesHal Ashby, the director of the film, was part of the San Francisco youth culture, and his film posits the doomed youth of the alienated against the vital age of the Holocaust survivors. While Harold is part of a society where he can have no importance and no meaning, Maude has survived against totalitarianism. Against the backdrop of the Vietnam War, Harold can only feel significant by dying. Maude, on the other hand, is a fictionalizer and a dreamer. She sees beauty where others see none, believes in the innate goodness of people (but not the State), and practices what she calls her own individual revolution. Her backstory is only hinted in the film. She tells Harold at one point about Alfred Dreyfus seeing fantastic birds on Devil's Island and finding out later that they were only seagulls. She says that to her they would always be fantastic birds. Cast
Crew
MusicThe soundtrack is by Cat Stevens, and includes two songs which he composed specifically for the movie and which were unavailable for several decades on vinyl or cassette (they were later released on the compact disc Footsteps in the Dark). This page about Harold and Maude includes information from a Wikipedia article. Additional articles about Harold and Maude News stories about Harold and Maude External links for Harold and Maude Videos for Harold and Maude Wikis about Harold and Maude Discussion Groups about Harold and Maude Blogs about Harold and Maude Images of Harold and Maude |
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The soundtrack is by Cat Stevens, and includes two songs which he composed specifically for the movie and which were unavailable for several decades on vinyl or cassette (they were later released on the compact disc Footsteps in the Dark). It was nominated for Academy Awards for Best Actress in a Leading Role (Barbara Stanwyck), Best Music, Scoring of a Dramatic Picture, Best Sound, Recording and Best Writing, Original Story. She tells Harold at one point about Alfred Dreyfus seeing fantastic birds on Devil's Island and finding out later that they were only seagulls. She says that to her they would always be fantastic birds. It was directed by Howard Hawks. Her backstory is only hinted in the film. The movie was written by Charles Brackett, Thomas Monroe and Billy Wilder. She sees beauty where others see none, believes in the innate goodness of people (but not the State), and practices what she calls her own individual revolution. It stars Gary Cooper, Barbara Stanwyck, Oskar Homolka, Henry Travers, Richard Haydn, Dana Andrews, Dan Duryea and Elisha Cook Jr.. Maude, on the other hand, is a fictionalizer and a dreamer. Ball of Fire (also known as The Professor and the Burlesque Queen) is a 1941 comedy film which tells the story of a group of encyclopedists who protect a nightclub singer on the lam for testifying against her mobster boyfriend. Against the backdrop of the Vietnam War, Harold can only feel significant by dying. While Harold is part of a society where he can have no importance and no meaning, Maude has survived against totalitarianism. Hal Ashby, the director of the film, was part of the San Francisco youth culture, and his film posits the doomed youth of the alienated against the vital age of the Holocaust survivors. The two form an unlikely friendship, then romance. Maude is very much his opposite: a senior citizen, energetic, impulsive, and light-hearted. At these he repeatedly sees Maude, a 79 year-old woman who befriends him. For amusement, Harold attends funerals of people he doesn't know. This has evidently been going on for so long that his mother takes no notice, other than when Harold causes a particular mess with his fake blood. Harold stages realistic mock-suicides. The film first introduces us to Harold, an alienated teenaged boy from a wealthy family who lives in a large mansion with his dominating mother. The screenplay on which the film was based was written by Colin Higgins, and published as a novel in 1984. The film was a commercial failure when it was released and critics were divided. The film is number 45 on the American Film Institute's list of 100 Funniest Movies and in 1997, it was selected for preservation in the National Film Registry of the Library of Congress. The film features both dark and light humor, social satire (including anti-war), promotes the notion of living life to its fullest, and has long had a cult following. Harold and Maude is a 1971 movie, directed by Hal Ashby. Cinematography by: John Alonzo. Borman). Motorcycle Officer: Tom Skerritt (as M. Edith Phern: Shari Summers. Candy Gulf: Judy Engles. Wood. Psychiatrist: G. Priest: Eric Christmas. Sunshine Doré: Ellen Geer. Uncle Victor: Charles Tyner. Glaucus: Cyril Cusack. Chasen: Vivian Pickles. Mrs. Harold Chasen: Bud Cort. Marjorie Chardin (Maude): Ruth Gordon. |