GuitarA guitar is a stringed musical instrument. For right-handed players, the right hand plucks the strings with either the fingers or a plectrum (guitar pick), while the opposite applies for left handed players (in general). The sound is produced by vibrating strings, which in turn cause the body and neck of the instrument to resonate. Guitars may be acoustic, electric (i.e. with electrical amplification) or both. Classical guitars are also present in the guitar family. Guitars have a body acting mostly as a resonator, which can be hollow in acoustic guitars or solid in most electric guitars, and a neck. Typically, a headstock extends from the neck for tuning. Guitars are made and repaired by luthiers. Guitars are used in a variety of musical styles. Guitars are widely known as a solo classical instrument, and the primary instrument in blues and rock music. The acoustic archtop guitar, used in Jazz music, features steel strings.HistoryFigurines playing the ancestor of the Guitar. Excavated in Susa, Iran. Dated 2000-1500 BCE. Kept at the National Museum of Iran.Instruments similar to what we know as the guitar have been popular for at least 5,000 years. The guitar appears to be derived from earlier instruments known in ancient central Asia. Instruments very similar to the guitar appear in ancient carvings and statues recovered from the old Iranian capitol of Susa. The modern word, guitar, was adopted into English from Spanish, possibly from earlier Greek word kithara. Prospective sources for various names of musical instruments that guitar could be derived from all appear to be a combination of two Indo-European roots: guit-, similar to Sanskrit sangeet meaning "music", and -tar a widely attested root meaning "chord" or "string".. The word guitar may also be a Persian loanword to Iberian Arabic. The word qitara is an Arabic name for various members of the lute family that preceded the Western guitar. The name guitar was introduced into Spanish when guitars were brought into Iberia by the Moors after the 10th century. (See related article). The Spanish vihuela appears to be an intermediate form between the ancestral guitar and the modern guitar, with lute-style tuning and a small, but guitar-like body. It is not clear whether this represents a transitional form or simply a design that combined features from the two families of instruments. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud. (See the article on the lute for further history.) The Ancient Iranian lute, called tar in farsi also is found in the word guitar. The tar is thousands of years old, and could be found in 2, 3, 5, 6 string variations. The electric guitar was invented by Anthony Vick of Winton, North Carolina, with the help of George Beauchamp and Paul Berth, in 1931. Rickenbacher was the inventor of the horseshoe-magnet pickup. However, it was Danelectro that first produced electric guitars for the wider public. Danelectro also pioneered tube amp technology. Parts of the guitarParts of typical electric guitar, numberedGuitar consists of several parts. Refer to appropriate article for description of a part:
HeadstockThe headstock is located at the end of the guitar neck. It is fitted with the machine head for pitch adjusting. Traditional layout of tuners is "3+3" which means 3 top tuners and 3 bottom ones. Some electric guitars feature 6 in-line tuners or even 4+2. NutThe nut is a small strip of ivory, bone, plastic, brass, graphite, or other medium-hard material that braces the strings at the joint where the headstock meets the fretboard. It is grooved to hold the strings in place, and it is one of the endpoints of the strings' tension. The material used also affects the sound of the guitar. FretboardAlso called the fingerboard, the fretboard is a long plank of wood embedded with metal frets that comprises the top of the neck. It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Pinching a string against the fretboard effectively shortens the vibrating length of the string, producing a higher tone (a string, unfingered, will vibrate from the saddle to the nut; once fingered, it will vibrate only along the distance between the saddle and the fret directly before the finger). Fretboards are most commonly made of rosewood, ebony, maple, and sometimes graphite. FretsFrets are metal strips (usually nickel alloy) embedded along the fretboard which are placed in points along the length of string that divide it mathematically. When strings are pressed down behind them, frets shorten the strings' vibrating lengths to produce different pitches- each one spaced a half-step apart on the 12 tone scale. For more on fret spacing, see the Strings and Tuning section below. Frets are usually the first permanent part to wear out on a heavily played electric guitar. They can be re-shaped to a certain extent and can be replaced as needed. Frets also indicate fractions of the length of a string (the string midpoint is at the 12th fret; one-third the length of the string reaches from the nut to the 7th fret, the 7th fret to the 19th, and the 19th to the saddle; one-quarter reaches from nut to fifth to twelfth to twenty-fourth to saddle). This feature is important in playing harmonics. Frets are available in several different gauges, depending on the type of guitar and the player's style. Guitars have frets on the fingerboard to fix the positions of notes and scales, which gives them equal temperament. Consequently, the ratio of the widths of two consecutive frets is the twelfth root of two , whose numeric value is about 1.059463. The twelfth fret divides the string in two exact halves and the 24th fret (if present) divides the string in half yet again. Every twelve frets represents one octave. Truss rodThe truss rod is an adjustable metal rod that runs along the inside of the neck, adjusted by a hex nut or an allen-key bolt usually located either at the headstock (under a cover) or just inside the body of the guitar, underneath the fretboard (accessible through the sound hole). The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position. The truss rod can be adjusted to compensate for changes in the neck wood due to changes in humidity or to compensate for changes in the tension of strings. Tightening the rod will curve the neck back and loosening it will return it forward. Adjusting the truss rod affects the intonation of a guitar as well as affecting the action (the height of the strings from the fingerboard). Some truss rod systems, called "double action" truss systems, will tighten both ways, allowing the neck to be pushed both forward and backward (most truss rods can only be loosened so much, beyond which the bolt will just come loose and the neck will no longer be pulled backward). Classical guitars do not have truss rods, as the nylon strings do not put enough tension on the neck for one to be needed. InlaysInlays are visual elements set into the exterior wood on a guitar. The typical locations for inlay are on the fretboard, headstock, and around the soundhole (called a rosette on acoustic guitars). Inlays range from simple plastic dots on the fretboard to fantastic works of art covering the entire exterior surface of a guitar (front and back). Some guitar players put LED's in the fretboard as inlays to produce a neat lighting effect onstage. The person who is most well-known for this effect is bassist Sam Rivers of Limp Bizkit. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets. Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. Some manufacturers go beyond these simple shapes and use more creative designs such as lightning bolts or letters and numbers. The simpler inlays are often done in plastic on guitars of recent vintage, but many older, and newer, high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or any number of exotic materials. On some low-end guitars, they are just painted. Many classical guitars have no inlays at all; the player himself sometimes will make them with a marker pen or correction fluid. The most popular fretboard inlay scheme involves single inlays on the 3rd, 5th, 7th, 9th, 15th, 17th, 19th, and 21st frets, and double inlays on the 12th, sometimes 7th, and (if present) 24th fret. Pros of such scheme include its symmetry about the 12th fret and symmetry of every half (0-12 and 12-24) about the 7th and 19th frets. However, playing these frets, for example, on E string would yield notes E, G, A, B, C# that barely make a complete musical mode by themselves. A less popular fretboard inlay scheme involves inlays on 3rd, 5th, 7th, 10th, 12th, 15th, 17th, 19th, 22nd and 24th frets. Playing these frets, for example, on E string yields notes E, G, A, B, D that fit perfectly into E minor pentatonic. Such a scheme is very close to piano keys coloring (which involves black coloring for sharps that pentatonic consists of) and of some use on classic guitars. Beyond the fretboard inlay, the headstock and soundhole are also commonly inlaid. The manufacturer's logo is commonly inlaid into the headstock. Sometimes a small design such as a bird or other character or an abstract shape also accompanies the logo. The soundhole designs found on acoustic guitars vary from simple concentric circles to delicate fretwork. Many high-end guitars have more elaborate decorative inlay schemes. Often the edges of the guitar around the neck and body and down the middle of the back are inlaid. The fretboard commonly has a large inlay running across several frets or the entire length of the fretboard, such as a long vine creeping across the fretboard. Most acoustic guitars have an inlay that borders the sides of the fretboard, and some electrics (namely Fender Stratocasters) have a black inlay running on the back of the neck, from about the body to the middle of the neck, commonly referred to as a skunk stripe. Some very limited edition high-end or custom-made guitars have artistic inlay designs that span the entire front (or even the back) of the guitar. These designs use a variety of different materials and are created using techniques borrowed from furniture making. While these designs are often just very elaborate decorations, they are sometimes works of art that even depict a particular theme or a scene. Although these guitars are often constructed from the most exclusive materials, they are generally considered to be collector's items and not intended to be played. Large guitar manufacturers often issue these guitars to celebrate a significant historical milestone. NeckA guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively comprise its neck. The wood used to make the fretboard will usually differ from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Strings and tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor one. Conversely, the ability to change the pitch of the note slightly by deliberately bending the neck forcibly with the fretting arm is a technique occasionally used, particularly in the blues genre and those derived from it, such as rock and roll. The shape of the neck can also vary, from a gentle "C" curve to a more pronounced "V" curve. Neck jointThis is the point at which the neck is either bolted or glued to the body of the guitar. Almost all acoustic guitars, with the primary exception of Taylors, have glued (otherwise known as set) necks, while electric guitars are constructed using both types. Set necks usually feature dovetail joints, which offer stability and sustain. Other commonly used neck joints include mortise-and-tenon joints (such as those used by CF Martin & Co. guitars), and Spanish Heel style neck joints (commonly found in classical guitars). Bolt-on necks, though they are historically associated with cheaper instruments, do offer greater flexibility in the guitar's set-up, and allow easier access for neck joint maintenance and repairs. Another type of neck, only available for solid body electric guitars, is the Neck-Through-Body construction. These are designed so that everything from the machine heads down to the bridge are located on the same piece of wood. The sides (also known as wings) of the guitar are then glued to this central piece. Some luthiers prefer this method of construction as it is said to allow better sustain of each note. Some very high-end instruments may not have a neck joint at all, having the neck and sides built as one piece and the body built around it. Body (acoustic guitar)The body of the instrument is a major determinant of the overall sound for acoustic guitars. The guitar top, or soundboard, is a finely crafted and engineered element often made of spruce, red cedar or mahogany. This thin (often 2 or 3 mm thick) piece of wood, strengthened by different types of internal bracing, is considered to be the most prominent factor in determining the sound quality of a guitar. The majority of the sound is caused by vibration of the guitar top as the energy of the vibrating strings is transferred to it. Different patterns of wood bracing have been used through the years by luthiers; to not only strengthen the top against collapsing under the tremendous stress exerted by the tensioned strings (Torres, Hauser, Ramirez, Fleta being among the most influential designers of their time), but also to affect the resonation of the top. The back and sides are made out of a variety of woods such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is chosen for their aesthetic effect and structural strength, and can also play a significant role in determining the instrument's timbre. These are also strengthened with internal bracing, decorated with inlays and purfling, and subjected to a lot of abuse. The body of an acoustic guitar is a resonating chamber which projects the vibrations of the body through a sound hole, allowing the acoustic guitar to be heard without amplification. The sound hole is normally a round hole in the top of the guitar, though some may have different shapes or multiple holes. As an instrument's maximum volume is determined by how much air it can move the Dreadnought body size is popular amongst acoustic performers. However, size isn't everything and a well-made 3/4 sized nylon-strung instrument, which should seem inaudible outside intimate distances unamplified, can still be a versatile studio tool. Body (electric guitar)Most electric guitar bodies are made of wood. This wood is rarely one solid piece, as laminating hardwoods in the proper way can produce a body of exceptional strength and superior tone. The most common woods used for electric guitar body construction include maple, basswood, ash, poplar, alder, and mahogany. Many bodies will consist of good sounding but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Guitars constructed like this are often called "flame tops". The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. Many higher-end electrics have a nitro-cellulose laquer finish on the top, which promotes resonance. PickupsThe electric guitar is usually not very loud when it is played without an amplifier. Pickups are electronic devices attached to a guitar that detect (or "pick up") string vibrations and allow the sound of the string to be amplified. Pickups are usually placed right underneath the guitar strings. The most common type of pickups contain magnets that are tightly wrapped in copper wire. This allows the pickups to measure the movement of the steel guitar string within the magnetic field above the pickup. Some acoustic guitars also have microphones or pickups built into them for stage work. Pickups work on a similar principle to a generator in that the vibration of the strings causes a small current to be created in the coils surrounding the magnets. This signal is later amplified by an amplifier. However, a new type of pickup, called a Q-Tuner pickup, has been developed that measures the magnetic flux density of multiple magnets located in the pickup. These pickups produce a better tone and pick up harmonic frequencies better than standard pickups, but they cost more and are more difficult to wire. Traditional electric pickups are either single-coil or double-coil. Double-coil pickups are also known as humbuckers for their noise-cancelling ability. The type and model of pickups used can have large effects on the tone of the guitar. Typically, humbuckers are used by guitarists seeking a heavier sound. Single coil pickups are used by guitarists seeking a brighter, twangier sound. However, a disadvantage of single coil pickups is a 60 cycle hum. Some guitars need a battery to power their pickups and/or pre-amp; these guitars are referred to as having "active electronics", as opposed to the typical "passive" circuits. Guitar Synthesisers may have specialist 'cluster' pickups, effectively giving each string its own pickup. ElectronicsOn guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone. These at their simplest consist of passive components such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for preamplification and signal processing, or even for assistance in tuning. In many cases the electronics have some sort of magnetic shielding to prevent pickup of external interference and noise. Purfling and BindingThis is the decorative edge found around the body of an acoustic guitar. Its purpose is not merely decorative, however. Because of the construction methods, the edges of the body are typically the weakest point of the acoustic guitar. There is not much wood there, as the sides have to be thin to allow for bending, and the top and back have to be thin to allow the string vibrations to resonate. Trying to connect two thin pieces of wood at a 90 degree angle is an engineering challenge. So to help, the purfling is used. The corners are overbuilt, using a triangular piece of scored wood (called a kerfed lining) on the interior of the instrument to allow it to follow the contours, and is glued in place. During final construction, a small section of the outside corners is carved or routed out and then filled in with the purfling or binding material. In mass produced guitars, the binding or purfling is almost exclusively high quality plastic. Once the purfling is glued in place, it is an integral part of the guitar, and contributes greatly to the durability of the instrument, since plastic tends not to split as wood does upon impact. BridgeThe main purpose of the bridge on an acoustic guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. On both electric and acoustic guitars, the bridge holds the strings in place. From there, the variations are astounding. There may be some mechanism for raising or lowering the bridge to adjust the distance between the strings and the fretboard (action), and/or fine-tuning the intonation of the instrument. Some are springloaded and feature a "whammy bar", a removable arm which allows the player to modulate the pitch moving the bridge up and down. The whammy bar is sometimes incorrectly referred to as a "tremolo bar"; unlike the change in pitch that the whammy bar produces, a tremolo is a quick oscillation of the volume. Some bridges allow for alternate tunings at the touch of a button. PickguardAlso known as a scratchplate. This is usually a piece of plastic or other laminated material that protects the finish of the top of the guitar. In some electric guitars, the pickups and most of the electronics are mounted on the pickguard. On acoustic guitars and many electric guitars, the pickguard is mounted directly to the guitar top, while on guitars with carved tops (e.g. the Gibson Les Paul), the pickguard is elevated. The Pickguard is more often than not used in styles such as flamenco, which tends to use the guitar as a percussion instrument at times, rather than for instance, a classical guitar. StringsGuitars usually have six strings, although there are variations on this, the most common being a twelve-string guitar; the seven string guitar; the ukulele, which has four strings; and the bass guitar, which usually has four strings but also exists in five, six, eight, and twelve-string versions. There are also more exotic models involving multiple necks and pickups. A string winder can be used to turn the machine heads and help to string a guitar more quicklyThe weight of a string is determined by its diameter and is normally measured in thousandths of an inch. The larger the diameter the heavier the string is (with thinner strings being lighter). Heavier strings require more tension for the same pitch and are consequently harder to hold on to the fretboard. Heavier strings will also produce a louder note and for this reason steel-strung acoustic guitars will normally be strung heavier than electric guitars. On electric guitars, heavier strings may also produce a thicker tone, leading to their use by rhythm guitarists in rock music. TuningA variety of different tunings are used. The most common by far, known as "standard tuning" (EADGBe), is as follows:
Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left hand movement. There are also a variety of commonly used alternate tunings. Acoustic and electric guitarBroadly speaking, guitars can be divided into 2 categories:
The electric bass is similar in tuning to the traditional double bass viol. Hybrids of acoustic and electric guitars are also common. There are also more exotic varieties, such as double-necked guitars, all manner of alternate string arrangements, fretless fingerboards (used almost exclusively on bass guitars, meant to emulate the sound of a stand-up bass), and such. Guitar terminologyThe guitar has come to be called many different colloquial names over time such as: box, guit-fiddle and axe. The pitch bend arm found on many electric guitars has also had slang terms applied to it, such as "tremolo bar", "sissy bar", "whammy handle", and "whammy bar". The latter two slang terms led stompbox manufacturers to use the term 'whammy' in coming up with a pitch raising effect introduced by popular guitar brand "Digitech". Leo Fender, who did much to revolutionize the modern electric guitar, also created much confusion over the meaning of the terms "tremolo" and "vibrato", specifically by misnaming the "tremolo" bar on his guitars and also regarding the "Vibrolux" amps. Vibrato is a variation in pitch, whereas tremolo is a variation in volume, so the tremolo bar is actually a vibrato bar and the "Vibrolux" amps actually had a tremolo effect. A capo (used to change key without changing fingering) is sometimes called a "cheater". A slide, (bottle or knife) used in blues and rock to create a 'gliss' or 'hawaiian' effect. Many times, the necks of bottles were used, thus creating the term "bottle-neck". Guitar/synthesizerA guitar/synthesizer is the adaptation of a guitar to control a synthesizer. Most commonly, a guitar/synth is a converter which analyzes the pitch of each string and sends an electronic message to a synthesizer, telling it what note to play. The pitches of the individual strings can be determined if a hexaphonic pickup is used. In modern implementations, the converter's output is a MIDI signal. This implementation led to the use of MIDI guitar as a synonym for a guitar/synthesizer or for the field of guitar synthesis in general. A guitar-like MIDI controller is also refered to as a guitar/synthesizer. Such a device is not actually a guitar, but a human interface designed to play like one. It allows a guitarist to play synthesizers or other MIDI-enabled instruments. The SynthAxe was one notable example. This page about Guitar includes information from a Wikipedia article. Additional articles about Guitar News stories about Guitar External links for Guitar Videos for Guitar Wikis about Guitar Discussion Groups about Guitar Blogs about Guitar Images of Guitar |
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The SynthAxe was one notable example. His autobiography was published in 1934, as An Experiment in Autobiography. It allows a guitarist to play synthesizers or other MIDI-enabled instruments. A partial listing of his works: (Entries marked with an * are available at the Project Gutenberg website.). Such a device is not actually a guitar, but a human interface designed to play like one. Lewis' novel That Hideous Strength, the character Jules is a caricature of Wells. A guitar-like MIDI controller is also refered to as a guitar/synthesizer. S. This implementation led to the use of MIDI guitar as a synonym for a guitar/synthesizer or for the field of guitar synthesis in general. In C. In modern implementations, the converter's output is a MIDI signal. Sammler is a Holocaust survivor and a self-made philosopher who treasures his pre-war acquaintance with Wells. The pitches of the individual strings can be determined if a hexaphonic pickup is used. Wells. Most commonly, a guitar/synth is a converter which analyzes the pitch of each string and sends an electronic message to a synthesizer, telling it what note to play. G. A guitar/synthesizer is the adaptation of a guitar to control a synthesizer. Sammler's Planet is working on a biography of H. Many times, the necks of bottles were used, thus creating the term "bottle-neck". Arthur Sammler, the main character of Saul Bellow's Mr. A slide, (bottle or knife) used in blues and rock to create a 'gliss' or 'hawaiian' effect. The novel The Time Ships, by British author Stephen Baxter, was designated by the Wells estate as an authorised sequel to The Time Machine, marking the centenary of its publication, and features characters, situations and technobabble from several of Wells' stories, as well as a representation of Wells (unnamed, and referred to as 'my friend, the Author'). A capo (used to change key without changing fingering) is sometimes called a "cheater". He also appears as a character in multiple episodes of Lois and Clark: The New Adventures of Superman. Vibrato is a variation in pitch, whereas tremolo is a variation in volume, so the tremolo bar is actually a vibrato bar and the "Vibrolux" amps actually had a tremolo effect. He also appears as a character in the novel and motion picture Time After Time, where he chases Jack The Ripper after the latter stole his time machine and escaped to 1979-era San Francisco. Leo Fender, who did much to revolutionize the modern electric guitar, also created much confusion over the meaning of the terms "tremolo" and "vibrato", specifically by misnaming the "tremolo" bar on his guitars and also regarding the "Vibrolux" amps. Wells appears as a character in the Doctor Who serial Timelash. The latter two slang terms led stompbox manufacturers to use the term 'whammy' in coming up with a pitch raising effect introduced by popular guitar brand "Digitech". G. The pitch bend arm found on many electric guitars has also had slang terms applied to it, such as "tremolo bar", "sissy bar", "whammy handle", and "whammy bar". H. The guitar has come to be called many different colloquial names over time such as: box, guit-fiddle and axe. Wells to dazzle our imaginations with hope and optimism".7. There are also more exotic varieties, such as double-necked guitars, all manner of alternate string arrangements, fretless fingerboards (used almost exclusively on bass guitars, meant to emulate the sound of a stand-up bass), and such. In his book The Road to Serfdom, Friedrich Hayek, one of the twentieth century's most famous proponents of laissez-faire capitalism, held up Wells in particular as an example of the idealist intellectuals who believed in "the most comprehensive central planning" and could "at the same time, write an ardent defence of the rights of man".6 In later years, however, Wells' image has shifted and he is now thought of simply as one of the pioneers of science fiction; Newt Gingrich, former Speaker of the United States House of Representatives and staunch Republican, praised Wells in his book To Renew America, writing "Our generation is still seeking its Jules Verne or H.G. Hybrids of acoustic and electric guitars are also common. In his lifetime and after his death, Wells was considered a prominent socialist thinker. The electric bass is similar in tuning to the traditional double bass viol. His last words were, "I'm all right". Broadly speaking, guitars can be divided into 2 categories:. One critic complained: "He sold his birthright for a pot of message".5, though The Happy Turning, a short book from 1944, contains a great deal of wit and imagination. There are also a variety of commonly used alternate tunings. His later books are often thought to do more preaching than storytelling or lack the energy and invention of his earlier works. Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left hand movement. In his later years, he grew increasingly pessimistic about the prospects for humanity (mostly because of the Second World War) as the title of his last book, Mind at the End of its Tether (1945) suggests. The most common by far, known as "standard tuning" (EADGBe), is as follows:. Wells, as president of the International PEN (Poets, Essayists, Novelists), had already angered the Nazis by overseeing the expulsion of the German PEN club from the international body in 1934 following the German PEN's refusal to admit non-Aryan writers to its membership. A variety of different tunings are used. Wells” appeared high on the list for the "crime" of being a socialist. On electric guitars, heavier strings may also produce a thicker tone, leading to their use by rhythm guitarists in rock music. The name “H.G. Heavier strings will also produce a louder note and for this reason steel-strung acoustic guitars will normally be strung heavier than electric guitars. Near the end of the Second World War Allied forces discovered that the SS had compiled lists of intellectuals and politicians slated for immediate liquidation upon the invasion of England in the abandoned Operation Sea Lion. Heavier strings require more tension for the same pitch and are consequently harder to hold on to the fretboard. In 1938, he published a collection of essays on the future organisation of knowledge and education, titled World Brain, including the essay The Idea of a Permanent World Encyclopaedia. The larger the diameter the heavier the string is (with thinner strings being lighter). Despite numerous similarities in phrasing and factual errors, the court found Wells not guilty. The weight of a string is determined by its diameter and is normally measured in thousandths of an inch. In 1927, Florence Deeks sued Wells for plagiarism, claiming that he had stolen much of the content of The Outline of History from a work, The Web, she had submitted to the Canadian Macmillan Company, but who held onto the manuscript for eight months before rejecting it. There are also more exotic models involving multiple necks and pickups. Since Barbellion was the real author's pen-name, many reviewers believed Wells to have been the true author of the Journal; Wells always denied this, despite being full of praise for the diaries, but the rumours persisted until Barbellion's death later that year. Guitars usually have six strings, although there are variations on this, the most common being a twelve-string guitar; the seven string guitar; the ukulele, which has four strings; and the bass guitar, which usually has four strings but also exists in five, six, eight, and twelve-string versions. Barbellion's diaries, The Journal of a Disappointed Man, published in 1919. The Pickguard is more often than not used in styles such as flamenco, which tends to use the guitar as a percussion instrument at times, rather than for instance, a classical guitar. P. the Gibson Les Paul), the pickguard is elevated. N. On acoustic guitars and many electric guitars, the pickguard is mounted directly to the guitar top, while on guitars with carved tops (e.g. Wells also wrote the preface for the first edition of W. In some electric guitars, the pickups and most of the electronics are mounted on the pickguard. Nevertheless his criticism of the increasing rigidity of Stalin's rule meant Wells ultimately decided that on balance the Soviet Union had gone horribly wrong.4. This is usually a piece of plastic or other laminated material that protects the finish of the top of the guitar. However he did give him some praise saying, "I have never met a man more fair, candid, and honest" and making it clear that he felt the "sinister" image of Stalin was unfair or simply false. Also known as a scratchplate. He disliked what he saw as a narrow orthodoxy and obdurance to the facts in Stalin. Some bridges allow for alternate tunings at the touch of a button. The leadership of Joseph Stalin led to a change in his view of the Soviet Union even though his initial impression of Stalin was mixed. The whammy bar is sometimes incorrectly referred to as a "tremolo bar"; unlike the change in pitch that the whammy bar produces, a tremolo is a quick oscillation of the volume. This despite the fact that he was a strongly anti-Marxist socialist who would later state that it would've been better if Karl Marx was never born. Some are springloaded and feature a "whammy bar", a removable arm which allows the player to modulate the pitch moving the bridge up and down. He called his political views socialist, and with his fondness for Utopia, he was at first quite sympathetic to Lenin's attempts at reconstructing the shattered Russian economy, as his account of a visit (Russia in the Shadows; 1920) shows. There may be some mechanism for raising or lowering the bridge to adjust the distance between the strings and the fretboard (action), and/or fine-tuning the intonation of the instrument. The narrator, having been trapped on an island of animals vivisected (unsuccessfully) into human beings, eventually returns to England; like Gulliver on his return from the Houyhnhnms he finds himself unable to shake off the perceptions of his fellow humans as barely civilised beasts, slowly reverting back to their animal natures. From there, the variations are astounding. The Island of Doctor Moreau is even darker. On both electric and acoustic guitars, the bridge holds the strings in place. Wells contemplates the ideas of nature vs nurture and questions humanity in books like The Island of Doctor Moreau. Not all his scientific romances ended in a happy Utopia, as the dystopian When the Sleeper Wakes (1899) (rewritten as The Sleeper Awakes, 1910) shows. The main purpose of the bridge on an acoustic guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. He also portrayed social reconstruction through the rise of fascist dictators in The Autocracy of Mr Parham (1930) and The Holy Terror (1939). Once the purfling is glued in place, it is an integral part of the guitar, and contributes greatly to the durability of the instrument, since plastic tends not to split as wood does upon impact. This depicted, all too accurately, the impending World War, with cities being destroyed by aerial bombs. In mass produced guitars, the binding or purfling is almost exclusively high quality plastic. Usually starting with the world rushing to catastrophe, until people realise a better way of living: whether by mysterious gases from a comet causing people to behave rationally (In the Days of the Comet), or a world council of scientists taking over, as in The Shape of Things to Come (1933), which he later adapted for the 1936 Alexander Korda film, Things to Come. During final construction, a small section of the outside corners is carved or routed out and then filled in with the purfling or binding material. From quite early in his career, he sought a better way to organise society, and wrote a number of Utopian novels. The corners are overbuilt, using a triangular piece of scored wood (called a kerfed lining) on the interior of the instrument to allow it to follow the contours, and is glued in place. The 'Outlines' became sufficiently common for James Thurber to parody the trend in his humorous essay An Outline of Scientists - indeed, Wells's Outline of History remains in print with a new 2005 edition while A Short History of the World has been recently reedited (2006). So to help, the purfling is used. Wells followed it in 1922 by a much shorter popular work, A Short History of the World, and two long efforts, [The Science of Life]] (1930) and The Work, Wealth and Happiness of Mankind (1931). Trying to connect two thin pieces of wood at a 90 degree angle is an engineering challenge. Many other authors followed with 'Outlines' of their own in other subjects. There is not much wood there, as the sides have to be thin to allow for bending, and the top and back have to be thin to allow the string vibrations to resonate. His classic two-volume work The Outline of History (1920) set a new standard and direction for popularised scholarship. Because of the construction methods, the edges of the body are typically the weakest point of the acoustic guitar. Wells also wrote nonfiction. Its purpose is not merely decorative, however. [but] they did not see it until the atomic bombs burst in their fumbling hands." Leó Szilárd acknowledged that the book inspired him to theorise the nuclear chain reaction. This is the decorative edge found around the body of an acoustic guitar. "Nothing could have been more obvious to the people of the earlier twentieth century," he wrote, "than the rapidity with which war was becoming impossible.. In many cases the electronics have some sort of magnetic shielding to prevent pickup of external interference and noise. Wells's novel revolves around an (unspecified) invention that accelerates the process of radioactive decay, producing bombs that explode with no more than the force of ordinary high explosive— but which "continue to explode" for days on end. These at their simplest consist of passive components such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for preamplification and signal processing, or even for assistance in tuning. The rate of release is too slow to have practical utility, but the total amount released is huge. On guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone. This book contains what is surely his biggest prophetic "hit." Scientists of the day were well aware that the natural decay of radium releases energy at a slow rate for thousands of years. Guitar Synthesisers may have specialist 'cluster' pickups, effectively giving each string its own pickup. It plays a much larger role in The World Set Free (1914). Some guitars need a battery to power their pickups and/or pre-amp; these guitars are referred to as having "active electronics", as opposed to the typical "passive" circuits. Though not a science-fiction novel, radioactive decay plays a small but consequential role in Tono-Bungay. However, a disadvantage of single coil pickups is a 60 cycle hum. He also wrote other, non-fantastic novels which have received critical acclaim, including the satire on Edwardian advertising Tono-Bungay and Kipps. Single coil pickups are used by guitarists seeking a brighter, twangier sound. His early novels, called "scientific romances", invented a number of themes now classic in science fiction in such works as The Time Machine, The Invisible Man, and The War of the Worlds (which have all been made into films) and are often thought of as being influenced by the works of Jules Verne. Typically, humbuckers are used by guitarists seeking a heavier sound. I take it they will have to go"). The type and model of pickups used can have large effects on the tone of the guitar. He also visualized the elimination of all 'inefficient' people to make way for the utopian future ("And how will the New Republic treat the inferior races? .. Double-coil pickups are also known as humbuckers for their noise-cancelling ability. The book is interesting both for its hits (trains and cars resulting in the dispersion of population from cities to suburbs; moral restrictions declining as men and women seek greater sexual freedom) and its misses ("my imagination refuses to see any sort of submarine doing anything but suffocate its crew and founder at sea"). Traditional electric pickups are either single-coil or double-coil. Perhaps his most explicitly futuristic work, it bore the subtitle "An Experiment in Prophecy" when originally serialised in a magazine. These pickups produce a better tone and pick up harmonic frequencies better than standard pickups, but they cost more and are more difficult to wire. Wells' first bestseller was Anticipations, published in 1901. However, a new type of pickup, called a Q-Tuner pickup, has been developed that measures the magnetic flux density of multiple magnets located in the pickup. Little Wars is recognised today as the first recreational wargame and Wells is regarded by gamers and hobbyists as "the Father of Miniature Wargaming.". This signal is later amplified by an amplifier. Wells wrote Floor Games (1911) followed by Little Wars (1913). Pickups work on a similar principle to a generator in that the vibration of the strings causes a small current to be created in the coils surrounding the magnets. Seeking a more structured way to play war games, H.G. Some acoustic guitars also have microphones or pickups built into them for stage work. "I was never a great amorist," Wells wrote in An Experiment in Autobiography (1934), "though I have loved several people very deeply.". This allows the pickups to measure the movement of the steel guitar string within the magnetic field above the pickup. During his marriage to Amy, Wells had liaisons with a number of women, including American birth control activist Margaret Sanger.2 He had a daughter, Anna-Jane, with writer Amber Reeves in 19091 and in 1914, a son, Anthony West, by novelist and feminist Rebecca West, twenty-six years his junior.3 In spite of Amy Catherine's knowledge of some of these affairs, she remained married to Wells until her death in 1927.1. The most common type of pickups contain magnets that are tightly wrapped in copper wire. He had two sons by Amy: George Philip (known as 'Gip') in 1901 and Frank Richard in 1903.1. Pickups are usually placed right underneath the guitar strings. In 1891 Wells married his cousin Isabel Mary Wells, but left her in 1894 for one of his students, Amy Catherine Robbins, whom he married in 1895. Pickups are electronic devices attached to a guitar that detect (or "pick up") string vibrations and allow the sound of the string to be amplified. During his stay with his aunt, he grew interested in her daughter, Isabel. The electric guitar is usually not very loud when it is played without an amplifier. His aunt Mary, a cousin of his father, invited him to stay with her for a while, so at least he did not face the problem of housing. Many higher-end electrics have a nitro-cellulose laquer finish on the top, which promotes resonance. was left without a source of income for a while. The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. G. Guitars constructed like this are often called "flame tops". H. Many bodies will consist of good sounding but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Having previously successfully passed his exams in both biology and physics, his lack of interest in geology resulted in his failure to pass and the loss of his scholarship. The most common woods used for electric guitar body construction include maple, basswood, ash, poplar, alder, and mahogany. The school year 1886-1887 was the last year of his studies. This wood is rarely one solid piece, as laminating hardwoods in the proper way can produce a body of exceptional strength and superior tone. He was also among the founders of The Science School Journal, a school magazine which allowed him to express his views on literature and society. Most electric guitar bodies are made of wood. At first approaching the subject through studying The Republic by Plato, he soon turned to his contemporary ideas of socialism as expressed by the recently formed Fabian Society and free lectures delivered at Kelmscott House, the home of William Morris. However, size isn't everything and a well-made 3/4 sized nylon-strung instrument, which should seem inaudible outside intimate distances unamplified, can still be a versatile studio tool. These years mark the beginning of his interest in a possible reformation of society. As an instrument's maximum volume is determined by how much air it can move the Dreadnought body size is popular amongst acoustic performers. He soon entered the Debating Society of the school. The sound hole is normally a round hole in the top of the guitar, though some may have different shapes or multiple holes. studied in his new school until 1887 with an allowance of twenty-one shillings a week thanks to his scholarship. The body of an acoustic guitar is a resonating chamber which projects the vibrations of the body through a sound hole, allowing the acoustic guitar to be heard without amplification. G. These are also strengthened with internal bracing, decorated with inlays and purfling, and subjected to a lot of abuse. H. Each one is chosen for their aesthetic effect and structural strength, and can also play a significant role in determining the instrument's timbre. As an alumnus, he later helped to set up the Royal College of Science Association, of which he became the first president in 1909. The back and sides are made out of a variety of woods such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Huxley. Different patterns of wood bracing have been used through the years by luthiers; to not only strengthen the top against collapsing under the tremendous stress exerted by the tensioned strings (Torres, Hauser, Ramirez, Fleta being among the most influential designers of their time), but also to affect the resonation of the top. H. The majority of the sound is caused by vibration of the guitar top as the energy of the vibrating strings is transferred to it. Later that year, he became an assistant teacher at Midhurst Grammar School, in West Sussex, until he won a scholarship to the Normal School of Science (later the Royal College of Science, now part of Imperial College, London) in London, studying biology under T. This thin (often 2 or 3 mm thick) piece of wood, strengthened by different types of internal bracing, is considered to be the most prominent factor in determining the sound quality of a guitar. The young man was reportedly not displeased with this ending to his apprenticeship. The guitar top, or soundboard, is a finely crafted and engineered element often made of spruce, red cedar or mahogany. In 1883 his employer dismissed him, claiming to be dissatisfied with him. The body of the instrument is a major determinant of the overall sound for acoustic guitars. Fortunately for Wells, Uppark had a magnificent library in which he immersed himself. Some very high-end instruments may not have a neck joint at all, having the neck and sides built as one piece and the body built around it. not only failed at being a draper, he also failed as a chemist's assistant and had bad experiences as a teaching assistant, and each time he would arrive at Uppark – "the bad shilling back again!" as he said – and stay there until a fresh start could be arranged for him. Some luthiers prefer this method of construction as it is said to allow better sustain of each note. G. The sides (also known as wings) of the guitar are then glued to this central piece. H. These are designed so that everything from the machine heads down to the bridge are located on the same piece of wood. Wells's mother and father had never got along with one another particularly well (she was a pious Protestant, he a hen-pecked freethinker), and when she went back to work as a ladies maid (at Uppark, a country house in Sussex) one of the conditions of work was that she would not have space for husband or children; thereafter, she and Joseph lived separate lives, though they never divorced and neither ever developed any other liaison. Another type of neck, only available for solid body electric guitars, is the Neck-Through-Body construction. His experiences were later used as inspiration for his novels The Wheels of Chance and Kipps, which describe the life of a draper's apprentice as well as being a critique of the world's distribution of wealth. Bolt-on necks, though they are historically associated with cheaper instruments, do offer greater flexibility in the guitar's set-up, and allow easier access for neck joint maintenance and repairs. had an unhappy apprenticeship as a draper at the Southsea Drapery Emporium. guitars), and Spanish Heel style neck joints (commonly found in classical guitars). G. Other commonly used neck joints include mortise-and-tenon joints (such as those used by CF Martin & Co. From 1881 to 1883 H. Set necks usually feature dovetail joints, which offer stability and sustain. In time they should be able to practise their trade for themselves. Almost all acoustic guitars, with the primary exception of Taylors, have glued (otherwise known as set) necks, while electric guitars are constructed using both types. At the time it was a usual method for young employees to learn their trade working under a more experienced employer. This is the point at which the neck is either bolted or glued to the body of the guitar. No longer able to support themselves financially, they instead sought to place their boys as apprentices to various professions. The shape of the neck can also vary, from a gentle "C" curve to a more pronounced "V" curve. The accident effectively put an end to Joseph's career as a cricketer, and his earnings as a shopkeeper were not enough to compensate for the loss. Conversely, the ability to change the pitch of the note slightly by deliberately bending the neck forcibly with the fretting arm is a technique occasionally used, particularly in the blues genre and those derived from it, such as rock and roll. This time it had happened to his father, leaving Joseph Wells with a fractured thigh. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor one. But in 1877 another accident had affected his life. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Strings and tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. Wells continued at Morley's Academy until 1880. The wood used to make the fretboard will usually differ from the wood in the rest of the neck. The teaching was erratic, the curriculum mostly focused, Wells said later, on producing copper-plate handwriting and doing the sort of sums useful to tradesmen. A guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively comprise its neck. Later that year he entered Thomas Morley's Commercial Academy, a private school founded in 1849 following the bankruptcy of Morley's earlier school. Large guitar manufacturers often issue these guitars to celebrate a significant historical milestone. To pass the time, he started reading and soon became devoted to the other worlds and lives to which books gave him access; they also stimulated his desire to write. Although these guitars are often constructed from the most exclusive materials, they are generally considered to be collector's items and not intended to be played. He was dropped on a tent peg at the local sports ground and was left bedridden for a time with a broken leg. While these designs are often just very elaborate decorations, they are sometimes works of art that even depict a particular theme or a scene. G.'s life is said to be an accident he had in 1874 when he was seven years old. These designs use a variety of different materials and are created using techniques borrowed from furniture making. A defining incident of young H. Some very limited edition high-end or custom-made guitars have artistic inlay designs that span the entire front (or even the back) of the guitar. Joseph sold cricket bats and balls and other equipment at the matches he played at, and received an unsteady amount of money from the matches, for in those days there were no professional cricketers, and payment for skilled bowlers and batters came from passing the hat afterwards, or from small honoraria from the clubs where matches were played. Most acoustic guitars have an inlay that borders the sides of the fretboard, and some electrics (namely Fender Stratocasters) have a black inlay running on the back of the neck, from about the body to the middle of the neck, commonly referred to as a skunk stripe. They managed to earn a meagre income, but little of it came from the shop. The fretboard commonly has a large inlay running across several frets or the entire length of the fretboard, such as a long vine creeping across the fretboard. The stock was old and worn out, the location poor. Often the edges of the guitar around the neck and body and down the middle of the back are inlaid. An inheritance allowed them to purchase a china shop, though they quickly realised it would never be a prosperous concern. Many high-end guitars have more elaborate decorative inlay schemes. The family was of the impoverished lower-middle-class. The soundhole designs found on acoustic guitars vary from simple concentric circles to delicate fretwork. He was born at 58 High Street, Bromley, Kent. Sometimes a small design such as a bird or other character or an abstract shape also accompanies the logo. Herbert George was the fourth and last child of Joseph Wells, a former domestic gardener and at the time shopkeeper and cricketer, and his wife Sarah Neal, a former domestic servant. The manufacturer's logo is commonly inlaid into the headstock. . Beyond the fretboard inlay, the headstock and soundhole are also commonly inlaid. Herbert George Wells (September 21, 1866 – August 13, 1946) was a British writer best known for his science fiction novels such as The War of the Worlds, The Invisible Man, The Island of Doctor Moreau and The Time Machine. Such a scheme is very close to piano keys coloring (which involves black coloring for sharps that pentatonic consists of) and of some use on classic guitars. Wells crater on the far side of the Moon is named for him. Playing these frets, for example, on E string yields notes E, G, A, B, D that fit perfectly into E minor pentatonic. G. A less popular fretboard inlay scheme involves inlays on 3rd, 5th, 7th, 10th, 12th, 15th, 17th, 19th, 22nd and 24th frets. H. However, playing these frets, for example, on E string would yield notes E, G, A, B, C# that barely make a complete musical mode by themselves. 189. Pros of such scheme include its symmetry about the 12th fret and symmetry of every half (0-12 and 12-24) about the 7th and 19th frets. p. The most popular fretboard inlay scheme involves single inlays on the 3rd, 5th, 7th, 9th, 15th, 17th, 19th, and 21st frets, and double inlays on the 12th, sometimes 7th, and (if present) 24th fret. New York: HarperCollins, 1995. Many classical guitars have no inlays at all; the player himself sometimes will make them with a marker pen or correction fluid. To Renew America. On some low-end guitars, they are just painted. Note 7: Gingrich, Newt. The simpler inlays are often done in plastic on guitars of recent vintage, but many older, and newer, high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or any number of exotic materials. 94. Some manufacturers go beyond these simple shapes and use more creative designs such as lightning bolts or letters and numbers. p. Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. Chicago: University of Chicago Press, 1944 (1994 edition). Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets. The Road to Serfdom. The person who is most well-known for this effect is bassist Sam Rivers of Limp Bizkit. Note 6: Hayek, Friedrich. Some guitar players put LED's in the fretboard as inlays to produce a neat lighting effect onstage. Pierce". Inlays range from simple plastic dots on the fretboard to fantastic works of art covering the entire exterior surface of a guitar (front and back). Note 5: The "pot of message" remark comes from a 1948 Theodore Sturgeon short story entitled Unite and Conquer, a character in the story was quoting a "Dr. The typical locations for inlay are on the fretboard, headstock, and around the soundhole (called a rosette on acoustic guitars). 215, 687-689. Inlays are visual elements set into the exterior wood on a guitar. Note 4: An Experiment in Autobiography p. Classical guitars do not have truss rods, as the nylon strings do not put enough tension on the neck for one to be needed. H(erbert) G(eorge) Wells (1866-1946). Some truss rod systems, called "double action" truss systems, will tighten both ways, allowing the neck to be pushed both forward and backward (most truss rods can only be loosened so much, beyond which the bolt will just come loose and the neck will no longer be pulled backward). Note 3: Pegasos - A Literature Related Resource Site. Adjusting the truss rod affects the intonation of a guitar as well as affecting the action (the height of the strings from the fingerboard). Wells and Margaret Sanger. Tightening the rod will curve the neck back and loosening it will return it forward. G. The truss rod can be adjusted to compensate for changes in the neck wood due to changes in humidity or to compensate for changes in the tension of strings. The Passionate Friends: H. The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position. Note 2: New York University. The truss rod is an adjustable metal rod that runs along the inside of the neck, adjusted by a hex nut or an allen-key bolt usually located either at the headstock (under a cover) or just inside the body of the guitar, underneath the fretboard (accessible through the sound hole). Wells Biography. Every twelve frets represents one octave. H.G. The twelfth fret divides the string in two exact halves and the 24th fret (if present) divides the string in half yet again. Note 1: ThinkQuest Library. Consequently, the ratio of the widths of two consecutive frets is the twelfth root of two , whose numeric value is about 1.059463. Crux Ansata (1943). Guitars have frets on the fingerboard to fix the positions of notes and scales, which gives them equal temperament. Star-Begotten (1937). Frets are available in several different gauges, depending on the type of guitar and the player's style. The Shape of Things to Come (1933). This feature is important in playing harmonics. The Outline of Man's Work and Wealth (1931). Frets also indicate fractions of the length of a string (the string midpoint is at the 12th fret; one-third the length of the string reaches from the nut to the 7th fret, the 7th fret to the 19th, and the 19th to the saddle; one-quarter reaches from nut to fifth to twelfth to twenty-fourth to saddle). The Science of Life (1930). They can be re-shaped to a certain extent and can be replaced as needed. The Open Conspiracy (1928). Frets are usually the first permanent part to wear out on a heavily played electric guitar. Mr Blettsworthy on Rampole Island (1928). For more on fret spacing, see the Strings and Tuning section below. Meanwhile (1927). When strings are pressed down behind them, frets shorten the strings' vibrating lengths to produce different pitches- each one spaced a half-step apart on the 12 tone scale. The World of William Clissold (1926). Frets are metal strips (usually nickel alloy) embedded along the fretboard which are placed in points along the length of string that divide it mathematically. Christina Alberta's Father (1925). Fretboards are most commonly made of rosewood, ebony, maple, and sometimes graphite. Men Like Gods (1923). Pinching a string against the fretboard effectively shortens the vibrating length of the string, producing a higher tone (a string, unfingered, will vibrate from the saddle to the nut; once fingered, it will vibrate only along the distance between the saddle and the fret directly before the finger). The Secret Places of the Heart (1922)*. The smaller the fretboard radius, the more noticeably curved the fretboard is. A Short History of the World (1922). The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The Outline of History I, II 1920, 1931, 1940 (1949, 1956, 1961, 1971). It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The Soul of a Bishop (1917)*. Also called the fingerboard, the fretboard is a long plank of wood embedded with metal frets that comprises the top of the neck. War and the Future (1917)*. The material used also affects the sound of the guitar. God the Invisible King (1917)*. It is grooved to hold the strings in place, and it is one of the endpoints of the strings' tension. The Research Magnificent (1915)*. The nut is a small strip of ivory, bone, plastic, brass, graphite, or other medium-hard material that braces the strings at the joint where the headstock meets the fretboard. The World Set Free (1914)*. Some electric guitars feature 6 in-line tuners or even 4+2. Little Wars (1913)*. Traditional layout of tuners is "3+3" which means 3 top tuners and 3 bottom ones. Marriage (1912). It is fitted with the machine head for pitch adjusting. Floor Games (1911)*. The headstock is located at the end of the guitar neck. The Sleeper Awakes (1911)* - Revised edition of When the Sleeper Wakes. Refer to appropriate article for description of a part:. The Country of the Blind and Other Stories (1911)*. Guitar consists of several parts. The New Machiavelli (1911)*. Danelectro also pioneered tube amp technology. Polly (1910)*. However, it was Danelectro that first produced electric guitars for the wider public. The History of Mr. Rickenbacher was the inventor of the horseshoe-magnet pickup. Tono-Bungay (1909)*. The electric guitar was invented by Anthony Vick of Winton, North Carolina, with the help of George Beauchamp and Paul Berth, in 1931. Ann Veronica (1909)*. The tar is thousands of years old, and could be found in 2, 3, 5, 6 string variations. First and Last Things (1908)*. (See the article on the lute for further history.) The Ancient Iranian lute, called tar in farsi also is found in the word guitar. The War in the Air (1908)*. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud. In the Days of the Comet (1906)*. It is not clear whether this represents a transitional form or simply a design that combined features from the two families of instruments. A Modern Utopia (1905)*. The Spanish vihuela appears to be an intermediate form between the ancestral guitar and the modern guitar, with lute-style tuning and a small, but guitar-like body. Kipps (1905). (See related article). The Food of the Gods and How It Came to Earth (1904)*. The name guitar was introduced into Spanish when guitars were brought into Iberia by the Moors after the 10th century. The Scepticism of the Instrument - A portion of a paper read to the Oxford Philosophical Society, November 8, (1903). The word qitara is an Arabic name for various members of the lute family that preceded the Western guitar. Mankind in the Making (1903)*. The word guitar may also be a Persian loanword to Iberian Arabic. The First Men in the Moon (1901)*. The modern word, guitar, was adopted into English from Spanish, possibly from earlier Greek word kithara. Prospective sources for various names of musical instruments that guitar could be derived from all appear to be a combination of two Indo-European roots: guit-, similar to Sanskrit sangeet meaning "music", and -tar a widely attested root meaning "chord" or "string".. Love and Mr Lewisham (1900)*. Instruments very similar to the guitar appear in ancient carvings and statues recovered from the old Iranian capitol of Susa. When the Sleeper Wakes (1899) (later revised as The Sleeper Awakes, 1910)*. The guitar appears to be derived from earlier instruments known in ancient central Asia. The War of the Worlds (1898)*. Instruments similar to what we know as the guitar have been popular for at least 5,000 years. The Star - short story, Graphic, Christmas (1897)*. Guitars are used in a variety of musical styles. Moreau (1896)*. Guitars are made and repaired by luthiers. The Island of Dr. Typically, a headstock extends from the neck for tuning. The Stolen Bacillus and Other Incidents (1895)*. Guitars have a body acting mostly as a resonator, which can be hollow in acoustic guitars or solid in most electric guitars, and a neck. The Time Machine (1895)*. Classical guitars are also present in the guitar family. The Chronic Argonauts (1888). with electrical amplification) or both. Guitars may be acoustic, electric (i.e. The sound is produced by vibrating strings, which in turn cause the body and neck of the instrument to resonate. For right-handed players, the right hand plucks the strings with either the fingers or a plectrum (guitar pick), while the opposite applies for left handed players (in general). A guitar is a stringed musical instrument. Meshuggah & Charlie Hunter go a step further, using an 8 string guitar with two extra low strings. They are used today by bands such as KoЯn and players such as Steve Vai. 7 string guitars were developed in the 1990s (earlier in jazz) to achieve a much darker sound through extending the lower end of the guitar's range. slurs in the traditional Classical genre), pinch harmonics, volume swells and use of a Tremolo arm or effects pedals.
The electric guitar is used extensively in blues and rock and roll, and was commercialized by Gibson together with Les Paul and independently by Leo Fender. The sound is frequently modified by other electronic devices or natural distortion of valves (vacuum tubes) in the amplifier. Electromagnetic pickups (single and double coil) convert the vibration of the steel strings into electric signals which are fed to an amplifier through a cable or radio device. This Squier Stratocaster has the features of most electric guitars: multiple single coil pickups, a whammy bar, volume and tone knobs. Electric guitars: Electric guitars can have solid, semi-hollow or hollow bodies, and produce little or very low sound without amplification. The number of harp strings varies greatly, depending on the type of guitar and also the player's personal preference (as they have often been made to the player's specification). Some harp guitars also feature much higher pitch strings strung below the traditional guitar strings. Normally there is neither fingerboard nor frets behind the harp strings. The instrument is usually acoustic and the harp strings are usually tuned to lower notes than the guitar strings, for an added bass range. Most consist of a regular guitar, plus additional 'harp' strings strung above the six normal strings. They are typically rare and uncommon in the popular music scene. Harp Guitars are difficult to classify as there are many variations within this type of guitar. Harp guitars. Acoustic bass guitars also have steel strings, and match the tuning of the electric bass, which is likewise similar to the traditional double bass viol, the "big bass", a staple of string orchestras and bluegrass bands alike. Many electric archtop guitars intended for use in rock and roll even have a Tremolo Arm. The electric hollow body archtop guitar has a distinct sound among electric guitars and is consequently appropriate for many styles of rock and roll. Archtops are often louder than a typical dreadnought acoustic guitar. Archtop guitars were immediately adopted upon their release by both jazz and country musicians and have remained particularly popular in jazz music, usually using thicker strings (higher guaged round wound and flat wound) than acoustic guitars. Some solid body electric guitars are also considered archtop guitars although usually 'Archtop guitar' refers to the hollow body form. The typical Archtop is a hollow body guitar whose form is much like that of a mandolin or violin family instrument and may be acoustic or electric. Lloyd Loar of the Gibson Guitar Corporation invented this variation of guitar after designing a style of mandolin of the same type. Archtop guitars are steel string, instruments which feature a violin-inspired f-hole design in which the top (and often the back) of the instrument are carved in a curved rather than a flat shape. Big Joe Williams is a blues musician famous for his 12 string guitar. They are made both in acoustic and electric forms. Each pair of strings is tuned either in unison (the two highest) or an octave apart (the others). Rather than having only six strings, the 12-string guitar has pairs, like a mandolin. 12 string guitars usually have steel strings and are widely used in folk music, blues and rock and roll. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues. The type of resonator guitar with a neck with a square cross-section -- called "square neck" -- is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The purpose of the resonator is to amplify the sound of the guitar; this purpose has been largely superseded by electrical amplification, but the resonator is still played by those desiring its distinctive sound. Resonator, resophonic or Dobro® guitars: Similar to the flat top guitar in appearance, but with sound produced by a metal resonator mounted in the middle of the top rather than an open sound hole, so that the physical principle of the guitar is actually more similar to the banjo. The acoustic guitar is a staple in folk, Old-time music and blues music. Flat-top (steel-string) guitars: Similar to the classical guitar, however the body size is usually significantly larger than a classical guitar and it has a narrower, reinforced neck and stronger structural design, to sustain the extra tension of steel strings which produce a louder and brighter tone. The father of the modern classical guitar was Antonio Torres Jurado. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarron, a guitar larger than a cello, which is tuned in the bass register. Flamenco guitars are almost equal in construction, have a sharper sound, and are used in flamenco. Classical guitars: These are typically strung with nylon strings, played in a seated position and used to play classical music. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. The strings are paired in courses as in a modern 12 string guitar, but they only have four or five courses of strings rather than six. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. Renaissance and Baroque guitars: These are the gracile ancestors of the modern classical guitar. A recent arrival in the acoustic guitar group is the acoustic bass guitar, similar in tuning to the electric bass.
However, the unamplified guitar is not a loud instrument, that is, it cannot compete with other instruments commonly found in bands and orchestras, in terms of sheer audible volume. The shape and resonance of the guitar itself creates acoustic amplification. Acoustic guitars: Unlike the electric guitar, the traditional guitar is not dependent on any external device for amplification. first (highest tone) string: e (a major third above middle C—329.6Hz). second string: B (a minor second below middle C—246.92Hz). third string: G (a perfect fourth below middle C—196.0Hz). fourth string: D (a minor seventh below middle C—146.8Hz). fifth string: A (a minor tenth below middle C—110Hz). sixth (lowest tone) string: E (a minor thirteenth below middle C—82.4Hz). Pickguard. Bridge. Electronics. Pickups. Body. Neck joint. Neck and fretboard. Inlays. Truss rod. Frets. Machine heads. Nut. Headstock. |