Gloria Trevi

Gloria de los Angeles Treviño Ruiz (born 1968) is a Mexican pop rock singer, who is better known in the entertainment world as Gloria Trevi, and whose life has been as controversial as her career as a singer has been successful. All of her scandals and controversies have made some people nickname her The Madonna of Mexico.

Trevi was born in Monterrey, Nuevo Leon, to a house where supposedly there was violence and poverty. Trevi struggled to survive when she was little, the lack of food and money in her house being a challenge for her. But Gloria wanted to become an entertainer since she was little, and she began to learn poetry when she was five, and then she started taking ballet and piano lessons. Trevi's parents divorced when she was ten. There have been allegations that her mother mistreated her and tried to discourage her from being a singer. The veracity of those rumors, however, are not clear. The fact her mother has come out on international television pleading for Trevi to change her wild ways, makes those rumors look even more like just rumors.

Trevi left her home city at the age of twenty, arriving at Mexico City, and there, she met the also controversial manager Sergio Andrade, alleged child molestor and slave master. Before meeting Andrade, she worked singing and dancing on the streets for change money, as well as teaching ballet for twelve hours each day and serving tacos at a taco stand. Before that, in 1985, she was a member of a short lived girl group named Boquitas Pintadas (Little Colored Mouths).

In 1989, and with the help of Andrade, Trevi released her first album, named Y Que Hago Aqui? (But What am I Doing Here?). The album scored an instant number one hit for her, Dr. Siquiatra (Dr. Psychiatrist), and four other songs from that album went up on the charts too. She soon became known as a challenger to the machismo ideas of many of Mexico's men, breaking social standards and taking a feminist stand point on many of her songs, while exploring sexuality in away that not many female Mexican entertainers had done before her. Trevi would even bring unsuspecting male members of her public during her presentations to the stage and undress them. Despite the way she carried herself on stage, she was also able to become very popular among Mexico's and Latin American children. At that point of her career, it became common for many little girls and teenaged females to dress themselves like Gloria during her concerts.

Trevi, however, also carried herself to the public as a girl who could break up and cry at any minute and for anything she heard about. A lot of times, during her television interviews, the talk show host would mention her childhood and she'd go from acting happy to spreading her tears from one minute to the other.

She followed up her first record, with the 1991 album Angel De La Guardia (Guardian Angel), which became even more successful than the first one, her song Pelo Suelto (Loose Hair) becoming her most widely known hit and a number one hit all over Latin America and for the Latino population in the United States.

Trevi then filmed a movie, also named Pelo Suelto. In it, she participated with fellow wild living former world boxing champion Jorge Paez. The movie became a number one ticket hit, and Gloria was invited to tour at many countries. In 1992, she began a tour all over the Caribbean and South America, which took her to such countries like Puerto Rico, the Dominican Republic, Argentina, Venezuela and Chile. She also released her first calendar, which was considered by many of her fans and critics to be very suggestive and sexually oriented. Meanwhile, she kept talking in public about such things as teen sex, abortion, drugs, AIDS, prostitution and anything that came into her mind.

Her third album was released in 1993, and it garnered her another hit, Zapatos Viejos (My Old Shoes). The album's name was Me Siento Tan Sola (I Feel so Lonely), and was taped in Los Angeles. She released a new calendar, which was, according to many of her fans, more suggestive than the first one. Then, her second movie, also named like her song, Zapatos Viejos, was released.

Trevi became more seclusive after that, and for years, all that was heard about her was rumors and questions. But then, in 1995, Sergio Andrade's former wife pubished a book about how Andrade allegedly would pick up teenaged girls and lure them into a web of sex and slavery by promising to make them superstars. According to the book, named De La Gloria Al Infierno (From Glory to Hell), Trevi was also a willing participant of Andrade's scams, and she had fallen in love with her manager, supposedly participating in his manager's sexual orgies and slavery acts with the teenaged girls just to please him.

Around 1997, many of the girls that were allegedly abused escaped Andrade's side and declared stories of horror and violence to television cameras, and Andrade and Trevi were able to fly out of Mexico without being captured, stopping in Spain and Chile before they were declared, along with a third accomplice named Mary Boquitas, as fugitives of the Mexican judicial system. Soon after, Karina Yapor, a girl from Northern Mexico, gave birth to a baby boy she alleged to be Andrade's son. By this time, Trevi, Boquitas and Andrade were the talk of every Spanish tabloid television show in the United States, and most of Latin America. Trevi, Andrade and the rest of their 'troop' soon escaped to Argentina, where the remaining girls escaped and were soon flown to Mexico. But before Trevi, Andrade and Boquitas were caught, they escaped to Brazil, where they were able to live for a couple of years, until they were finally caught by Brazilian police and arrested, being taken to jail. In Brazil, Trevi allegedly enjoyed walking around the neighborhood where she was living at, and eating at a local bakery every day. When they were caught, the news travelled all over Spanish speaking people instantly.

A legal battle ensued because Brazilian prosecutors wanted them charged there, but Mexican prosecutors claimed that the three prisoners belonged to them because they had begun their practices while still in Mexico. Trevi, Andrade and Boquitas were flown from their original jail to another facility because of over-crowding. Soon after, a tape where she can be heard singing songs allegedly to Andrade on the plane ride became public. In the song, which didn't seem to be a written song but one she was making up, she talks of how she'd done everything for the love of a man.

In the new jail facility, she became pregnant, and she initially accused a jail guard of raping her, supposedly causing the pregnancy. But, after giving birth to a baby boy, she admitted the boy was Andrade's son. She was released under a Brazilian law that allows women who give birth while prisoners to live in a house with their children, but her new freedom lasted short, because once again, Mexican authorities began to ask for her, so she had to be taken back to jail.

Brazil's authorities came to an agreement with Mexican authorities and, on December 21, 2002 they extradited Trevi, Andrade and Boquitas to Mexico so they can face charges there. Her baby ended up living with his grandmother, Trevi's mother.

There were allegations also that, while fugitive, Trevi supposedly gave birth to a baby girl of Andrade, and that they left the baby to die. However, no body or evidence of that happening for real were found, so they were not charged of any murder.

On November 27 of 2003, her former manager Andrade was extradited to Mexico and jailed in the same facility as Trevi, but they will not be allowed to get in contact there.

On February 24, 2004, she was expecting to be set free by Mexico's justice system. She was denied freedom at the time, however, and remains jailed. After she learned that she would not be allowed to go free, she began a hunger strike.

On September 21, 2004, Trevi was acquited and set free by a Mexican court, citing a lack of evidence in the case. She had spent nearly five years incarcerated in Brazil and Mexico.


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She had spent nearly five years incarcerated in Brazil and Mexico. Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. On September 21, 2004, Trevi was acquited and set free by a Mexican court, citing a lack of evidence in the case. She is entombed in the Cypress Hills Cemetery at 833 Jamaica Avenue in Brooklyn, New York. After she learned that she would not be allowed to go free, she began a hunger strike. She died at her home in the Ravenswood apartment building on Rossmore Avenue. She was denied freedom at the time, however, and remains jailed. In November 1980, she suffered a stroke and was rushed to the hospital, but the prognosis was not good and she was sent home.

On February 24, 2004, she was expecting to be set free by Mexico's justice system. Both movies were amusingly terrible and failed at the box-office, in spite of the fact that before the release of Sextette large photographs of her reclining on a chaise longue went up on billboards all over Hollywood proclaiming, "Mae West Is Coming.". On November 27 of 2003, her former manager Andrade was extradited to Mexico and jailed in the same facility as Trevi, but they will not be allowed to get in contact there. And at the age of eighty-five she returned in her last movie, Sextette (1978). However, no body or evidence of that happening for real were found, so they were not charged of any murder. After an absence of almost thirty years from the silver screen, she appeared in Myra Breckinridge (1970) with Raquel Welch. There were allegations also that, while fugitive, Trevi supposedly gave birth to a baby girl of Andrade, and that they left the baby to die. West also appeared on television talk shows and, in the early 1960s, she guest starred as herself on the Mister Ed series about a talking horse.

Brazil's authorities came to an agreement with Mexican authorities and, on December 21, 2002 they extradited Trevi, Andrade and Boquitas to Mexico so they can face charges there. Her baby ended up living with his grandmother, Trevi's mother. In 1958, she wrote her autobiography titled Goodness Had Nothing To Do With It. She was released under a Brazilian law that allows women who give birth while prisoners to live in a house with their children, but her new freedom lasted short, because once again, Mexican authorities began to ask for her, so she had to be taken back to jail. In order to keep her appeal fresh with younger generations, she recorded a Rock and Roll album titled "Great Balls of Fire.". But, after giving birth to a baby boy, she admitted the boy was Andrade's son. She was banned from the airwaves for several years. In the new jail facility, she became pregnant, and she initially accused a jail guard of raping her, supposedly causing the pregnancy. On radio, West appeared on ventriloquist Edgar Bergen's show and did a sexy sketch with Bergen's dummy, Charlie McCarthy, that shocked the listening audience.

In the song, which didn't seem to be a written song but one she was making up, she talks of how she'd done everything for the love of a man. She also starred in her own Las Vegas stage show surrounded by muscle men and singing to delighted crowds. Soon after, a tape where she can be heard singing songs allegedly to Andrade on the plane ride became public. Among her stage performances was the title role in Catherine Was Great on Broadway. Trevi, Andrade and Boquitas were flown from their original jail to another facility because of over-crowding. She remained active during the ensuing years. A legal battle ensued because Brazilian prosecutors wanted them charged there, but Mexican prosecutors claimed that the three prisoners belonged to them because they had begun their practices while still in Mexico. West appeared in her last movie during the studio age with The Heat's On (1943) for Columbia.

When they were caught, the news travelled all over Spanish speaking people instantly. She denied ever marrying him, and records showed she had never lived with him, but she still found it necessary to seek a legal divorce. In Brazil, Trevi allegedly enjoyed walking around the neighborhood where she was living at, and eating at a local bakery every day. She was apparently married April 11, 1911 in Milwaukee, Wisconsin, to Frank Wallace, a fellow Vaudevillian, who in 1942 showed up with a marriage certificate. But before Trevi, Andrade and Boquitas were caught, they escaped to Brazil, where they were able to live for a couple of years, until they were finally caught by Brazilian police and arrested, being taken to jail. During World War II, allied soldiers called their inflatable life jackets "Mae Wests" from its resemblance to her curvaceous torso. Trevi, Andrade and the rest of their 'troop' soon escaped to Argentina, where the remaining girls escaped and were soon flown to Mexico. Fields in My Little Chickadee at Universal.

By this time, Trevi, Boquitas and Andrade were the talk of every Spanish tabloid television show in the United States, and most of Latin America. Then, in 1940 she starred opposite W.C. Soon after, Karina Yapor, a girl from Northern Mexico, gave birth to a baby boy she alleged to be Andrade's son. West starred in eight movies for Paramount before their association came to an end. Around 1997, many of the girls that were allegedly abused escaped Andrade's side and declared stories of horror and violence to television cameras, and Andrade and Trevi were able to fly out of Mexico without being captured, stopping in Spain and Chile before they were declared, along with a third accomplice named Mary Boquitas, as fugitives of the Mexican judicial system. Her answer was to increase the double-entendre, saying phrases with risqué connotations that could also be taken to mean something else. According to the book, named De La Gloria Al Infierno (From Glory to Hell), Trevi was also a willing participant of Andrade's scams, and she had fallen in love with her manager, supposedly participating in his manager's sexual orgies and slavery acts with the teenaged girls just to please him. In 1934, the Hays Office emerged to enforce censorship of movies and her scripts began to be heavily edited.

But then, in 1995, Sergio Andrade's former wife pubished a book about how Andrade allegedly would pick up teenaged girls and lure them into a web of sex and slavery by promising to make them superstars. The movie was a huge success and earned an Academy Award nomination for Best Picture. Trevi became more seclusive after that, and for years, all that was heard about her was rumors and questions. She brought Diamond Lil, now Lady Lou, to the screen in She Done Him Wrong (1933), personally selecting Cary Grant for the male lead, a role that made him a star. Then, her second movie, also named like her song, Zapatos Viejos, was released. In her first scene, a coat check girl exclaimed, "Goodness, what lovely diamonds." West became an instant sensation when she replied, "Goodness had nothing to do with it, dearie.". She released a new calendar, which was, according to many of her fans, more suggestive than the first one. At first, she did not like her small role in Night After Night, but was appeased when she was allowed to rewrite her lines.

The album's name was Me Siento Tan Sola (I Feel so Lonely), and was taped in Los Angeles. She maintained a residence there for the rest of her life. Her third album was released in 1993, and it garnered her another hit, Zapatos Viejos (My Old Shoes). Upon arrival, she moved into an apartment in the Ravenswood at 570 North Rossmore Avenue, not far from the movie studio on Melrose Avenue. Meanwhile, she kept talking in public about such things as teen sex, abortion, drugs, AIDS, prostitution and anything that came into her mind. She signed and went to Hollywood to appear in the motion picture Night After Night starring George Raft. She also released her first calendar, which was considered by many of her fans and critics to be very suggestive and sexually oriented. In 1932, she was offered a contract by Paramount Pictures.

In 1992, she began a tour all over the Caribbean and South America, which took her to such countries like Puerto Rico, the Dominican Republic, Argentina, Venezuela and Chile. It enjoyed an enduring popularity and West would successfully revive it many times through the course of her career. The movie became a number one ticket hit, and Gloria was invited to tour at many countries. The show struck box-office gold and heralded the brazen blonde to new heights of fame. In it, she participated with fellow wild living former world boxing champion Jorge Paez. For her next adventure into theatre she had a Broadway hit, Diamond Lil (1928), about a racy, easygoing lady of the 1890s. Trevi then filmed a movie, also named Pelo Suelto. If they did not get shut down for indecency, they closed because of slow ticket sales.

She followed up her first record, with the 1991 album Angel De La Guardia (Guardian Angel), which became even more successful than the first one, her song Pelo Suelto (Loose Hair) becoming her most widely known hit and a number one hit all over Latin America and for the Latino population in the United States. Her productions were plagued by controversy and other problems, however. A lot of times, during her television interviews, the talk show host would mention her childhood and she'd go from acting happy to spreading her tears from one minute to the other. She continued to write plays, including The Wicked Age, Pleasure Man and The Constant Sinner. Trevi, however, also carried herself to the public as a girl who could break up and cry at any minute and for anything she heard about. It was a success, but audiences had to go to New Jersey to see it because it was banned from Broadway. At that point of her career, it became common for many little girls and teenaged females to dress themselves like Gloria during her concerts. Her second play was about homosexuality and was titled The Drag.

Despite the way she carried herself on stage, she was also able to become very popular among Mexico's and Latin American children. When she regained her freedom she set to work on her next creative effort. Trevi would even bring unsuspecting male members of her public during her presentations to the stage and undress them. You're hitting a woman.". She soon became known as a challenger to the machismo ideas of many of Mexico's men, breaking social standards and taking a feminist stand point on many of her songs, while exploring sexuality in away that not many female Mexican entertainers had done before her. She regarded the freedom to talk about sex as a basic human rights issue; she was also an early advocate of gay rights, pleading against police brutality against homosexuals by saying "A homosexual is a woman's soul in a man's body. Psychiatrist), and four other songs from that album went up on the charts too. She served eight days, with two days off for good behavior.

Siquiatra (Dr. While incarcerated on Welfare Island, she was allowed to wear her silk panties instead of the scratchy prison issue. The album scored an instant number one hit for her, Dr. She was prosecuted on morals charges and, on April 19, 1927, was sentenced to ten days in jail for public obscenity. In 1989, and with the help of Andrade, Trevi released her first album, named Y Que Hago Aqui? (But What am I Doing Here?). The theatre was raided and West was arrested along with everyone else in the cast. Before meeting Andrade, she worked singing and dancing on the streets for change money, as well as teaching ballet for twelve hours each day and serving tacos at a taco stand. Before that, in 1985, she was a member of a short lived girl group named Boquitas Pintadas (Little Colored Mouths). The notorious production did not go over well with city officials, however.

Trevi left her home city at the age of twenty, arriving at Mexico City, and there, she met the also controversial manager Sergio Andrade, alleged child molestor and slave master. Though critics hated the show, ticket sales were good. The fact her mother has come out on international television pleading for Trevi to change her wild ways, makes those rumors look even more like just rumors. Her first starring role on Broadway was in a play titled Sex, which was also written, produced and directed by West. The veracity of those rumors, however, are not clear. Eventually, she started writing her own risqué plays using the pen name Jane Mast. There have been allegations that her mother mistreated her and tried to discourage her from being a singer. By the time she was twelve she was doing burlesque under the name "The Baby Vamp." Though she had not yet grown into her generous curves, the slinky, dark-haired Mae was already raising eyebrows with a lascivious "shimmy" dance.

Trevi's parents divorced when she was ten. Mae West started performing in vaudeville at the age of five. But Gloria wanted to become an entertainer since she was little, and she began to learn poetry when she was five, and then she started taking ballet and piano lessons. Her younger sister and brother were Mildred West, called Beverly, and John Edwin West. Trevi struggled to survive when she was little, the lack of food and money in her house being a challenge for her. She was born Mary Jane West in Brooklyn, New York, the daughter of John Patrick West and Matilda Delker Doelger. Trevi was born in Monterrey, Nuevo Leon, to a house where supposedly there was violence and poverty. Mae West (August 17, 1893–November 22, 1980) was an American actress.

All of her scandals and controversies have made some people nickname her The Madonna of Mexico. Marlo Manners. Gloria de los Angeles Treviño Ruiz (born 1968) is a Mexican pop rock singer, who is better known in the entertainment world as Gloria Trevi, and whose life has been as controversial as her career as a singer has been successful. Sextette (1978) (Crown International Pictures) .. Leticia Van Allen. Myra Breckinridge (1970) (20th Century Fox) ..

Fay Lawrence. The Heat's On (1943) (Columbia) .. Flower Belle Lee. My Little Chickadee (1940) (Universal) ..

Peaches O'Day. Every Day's A Holiday (1938) (Paramount) .. Mavis Arden. Go West, Young Man (1936) (Paramount) ..

The Frisco Doll (Rose Carlton). Klondike Annie (1936) (Paramount) .. Cleo Bordon. Goin' To Town (1935) (Paramount) ..

Ruby Carter. Belle Of The Nineties (1934) (Paramount) .. Tira. I'm No Angel (1933) (Paramount) ..

Lady Lou. She Done Him Wrong (1933) (Paramount) .. Maudie Triplett. Night After Night (1932) (Paramount) ..