Engelbert Humperdinck (singer)

Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours.

Early Life

Growing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Upon his return to England, Humperdinck soon found himself singing publicly for the first time.

Early Career

His first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey.

The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. With a new image of charm and an association with high culture, Humperdinck was soon to take off.

In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. music charts as well. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans.

Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. No crooner has the range I have-I can hit notes a bank couldn't cash. What I am is a contemporary singer, a stylized performer."

Career in the 1960's and 1970's

Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'"

By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. "I call them the spark plugs of my success."

The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Humperdinck's albums began to cover more musical terrain than ballads alone.

1980's to present

By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield.

In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. He had met the queen of England and several American presidents. Still, he retained his element of humanism, and began major involvement in charity foundations. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen."

In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. Like most of Humperdinck's tours, the anniversary was almost completely sold out. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. "I never knew what was coming next but it's been a wonderful journey. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given."

He is a patron of County Air Ambulance, based in the East Midlands of England.

Well Known Songs

  • Am I That Easy to Forget?
  • Release Me
  • The Last Waltz
  • After the Lovin'

See Also

  • Engelbert Humperdinck (composer), 1854-1921

External Links

  • http://www.engelbert.com/

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He is a patron of County Air Ambulance, based in the East Midlands of England. The song and video seemed to be intended as social commentary on the state of pop music but it left fans wondering if Jewel had in fact become what she was satirizing. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given.". Her video for the debut single Intuition had her cavorting in full dance numbers, often scantily clad in bras and bikinis. "I never knew what was coming next but it's been a wonderful journey. In 2003 Jewel underwent a drastic image change with the release of her album 0304. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. Chasing Down the Dawn is a collection of diary entries and musings detailing her life growing up in Alaska, her struggle to learn her craft and life on the road.

By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. A Night Without Armor is a collection of some of her poems. Like most of Humperdinck's tours, the anniversary was almost completely sold out. Writing is nothing new for Jewel since she has been writing poetry most of her life. She has at least two published works. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. The first movie she appeared in was in 1999 in Ride with the Devil, for which she received critical acclaim. In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. Besides singing, Jewel has also tried her hand at acting and writing.

For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen.". Due to her success, she was chosen to sing the national anthem at the opening of the Super Bowl in January 1998. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. However, her music is mostly recognized as popular music and enjoys wide exposure on a variety of music radio stations. Still, he retained his element of humanism, and began major involvement in charity foundations. Her songs resist categorization, but, because of their mostly guitar accompaniment, have sometimes been categorized as folk music or the hybrid class folk-pop. He had met the queen of England and several American presidents. Jewel is noted for her song's qualites of stark honesty and soulful introspection.

In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. The album stayed on the Billboard 200 for an impressive two years, reaching number four at its peak popularity. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. Some of the songs on the album were recorded at the coffeehouse. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. She cut her debut album, Pieces of You, when she was nineteen and it was released in 1995. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. It was at these coffeehouse appearances that she was discovered by Atlantic Records.

By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Poltz has collaborated with her on several of her songs and appeared in Jewel's band on the Spirit World Tour 1999 playing acoustic guitar. Humperdinck's albums began to cover more musical terrain than ballads alone. For a time she dated Steve Poltz, one of the band's members. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. It was at these appearances she met the band The Rugburns, who she often appeared with. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. She gained a reputation by singing at the Innerchange Coffeehouse in San Diego, California.

In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. For a time, she was poverty-stricken and lived in her van while travelling about the country. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. She started writing songs at the age of seventeen. The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. Jewel learned to play the guitar while on scholarship at the prestigious Interlochen Arts Academy in Interlochen, Michigan, where she majored in operatic voice. "I call them the spark plugs of my success.". During high school, Jewel was known to spell her name "Jule," but she attributes this to simple playing with her name as teenagers are prone to do.

"They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. Her father was a Mormon, but they stopped attending the church shortly before she turned eight. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. It was from these experiences she learned to yodel, a quality demonstrated in many of her songs. By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. She and her father sometimes earned a living by singing in bars and taverns. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'". The home she grew up in there did not have indoor plumbing, but a simple outhouse instead.

"I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. Jewel was born in Payson, Utah, but spent most of her young life growing up in Homer, Alaska, living with her father. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. Jewel Kilcher (born May 23, 1974) is a singer-songwriter better known by her stage name, Jewel. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. "2 Become 1" (0304). Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. "Stand" (0304).

What I am is a contemporary singer, a stylized performer.". "Intuition" (0304). No crooner has the range I have-I can hit notes a bank couldn't cash. "Break Me" (This Way). As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. "Standing Still" (This Way). On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. "Joy to the World" (Joy - A Holiday Collection).

Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. "Under the Water" ("The Craft" soundtrack). At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. "What's Simple is True" (Spirit). music charts as well. "Down So Long" (Spirit). The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. "Hands" (Spirit).

Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. "Have a Little Faith in Me" ("Phenomenon" Soundtrack). In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. "Foolish Games" (Pieces of You). With a new image of charm and an association with high culture, Humperdinck was soon to take off. "You Were Meant For Me" (Pieces of You). It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. "Who Will Save Your Soul?" (Pieces of You).

Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. 0304. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. This Way. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. Joy - A Holiday Collection. The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. Spirit.

A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. Pieces of You. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. His first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Upon his return to England, Humperdinck soon found himself singing publicly for the first time.

Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Growing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name.

Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. http://www.engelbert.com/. Engelbert Humperdinck (composer), 1854-1921. After the Lovin'.

The Last Waltz. Release Me. Am I That Easy to Forget?.