Engelbert Humperdinck (singer)Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. Early LifeGrowing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Upon his return to England, Humperdinck soon found himself singing publicly for the first time. Early CareerHis first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. With a new image of charm and an association with high culture, Humperdinck was soon to take off. In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. music charts as well. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. No crooner has the range I have-I can hit notes a bank couldn't cash. What I am is a contemporary singer, a stylized performer." Career in the 1960's and 1970'sThroughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'" By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. "I call them the spark plugs of my success." The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Humperdinck's albums began to cover more musical terrain than ballads alone. 1980's to presentBy the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. He had met the queen of England and several American presidents. Still, he retained his element of humanism, and began major involvement in charity foundations. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen." In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. Like most of Humperdinck's tours, the anniversary was almost completely sold out. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. "I never knew what was coming next but it's been a wonderful journey. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given." He is a patron of County Air Ambulance, based in the East Midlands of England. Well Known Songs
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He is a patron of County Air Ambulance, based in the East Midlands of England. She is now remembered best for her powerful, distinctive voice, which was significantly divergent from the soft folk-influenced styles more common at the time, as well as for her lyrical themes of pain and loss. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given.". The movie The Rose, with Bette Midler in the lead role, was loosely based on Joplin's life. "I never knew what was coming next but it's been a wonderful journey. The album Pearl was released six weeks after her death. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. She was cremated in the Westwood Village Memorial Park Cemetery in Westwood, California, and her ashes were scattered into the Pacific Ocean. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. Shortly thereafter, Joplin died of an overdose of unusually pure heroin on October 4, 1970 in a Los Angeles, California motel room, at the age of 27. Like most of Humperdinck's tours, the anniversary was almost completely sold out. She made it there, but it would be one if the last decisions of her life. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. Her last public appearance was on The Dick Cavett Show in 1970, where she said that she was going to attend her 10-year high school reunion, although she had formerly said when in high school there she was "laughed out of class, out of school, out of town". In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. The result was the posthumously released Pearl (1971), which featured a hit single in the form of Kris Kristofferson's Me and Bobby McGee and the wry social commentary of Mercedes-Benz, written by beat poet Michael McClure. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen.". That group broke up, and Joplin then formed the Full Tilt Boogie Band. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. Splitting from Big Brother, she formed a backup group, named the Kozmic Blues Band, which backed her on I Got Dem Ol' Kozmic Blues Again Mama! 1969 (year she played at Woodstock). Still, he retained his element of humanism, and began major involvement in charity foundations. (The D.A. Pennebaker documentary Monterey Pop captured Cass Elliott in the crowd silently mouthing "Wow" during part of Joplin's performance.) Their 1968 album Cheap Thrills featured more raw emotional performances and made Joplin's name. He had met the queen of England and several American presidents. The band's big break came at the Monterey Pop Festival, which included a version of Big Mama Thornton's Ball and Chain and featured a barnstorming vocal by Joplin. In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. However, the lack of success of their early singles led to the album being withheld until after their subsequent success. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. The band signed a deal with independent Mainstream Records and recorded an eponymously titled album in 1967. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. After a return to Port Arthur to recuperate, she again moved to San Francisco in 1966, where her bluesy vocal style saw her join Big Brother and The Holding Company, a band that was gaining some renown among the nascent hippie community in Haight-Ashbury. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. She was a heavy drinker throughout her career, and her trademark beverage was Southern Comfort. By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. She also used other intoxicants. Humperdinck's albums began to cover more musical terrain than ballads alone. Around this time her drug use began to increase, and she acquired a reputation as a "speed freak" and occasional heroin user. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Cultivating a rebellious manner that could be viewed as "liberated", Joplin styled herself after the beat poets, left Texas for San Francisco in 1963, lived in North Beach, and worked occasionally as a folk singer. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. There, she began singing blues and folk music with friends. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. Joplin graduated from Jefferson High School in Port Arthur in 1960 and went to college at the University of Texas in Austin, though she never completed a degree. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. She grew up listening to blues musicians such as Bessie Smith and Big Mama Thornton and singing in the local choir. The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. Joplin was born in Port Arthur, Texas. "I call them the spark plugs of my success.". Joplin released four albums as the frontwoman for several bands from 1967 to a posthumous release in 1971. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. Janis Lyn Joplin (January 19, 1943 - October 4, 1970) was an American blues-influenced rock, R&B, and soul singer and occasional songwriter with a distinctive voice. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. Download sample of "Try (Just a Little Bit Harder)" from I Got Dem Ol’ Kozmic Blues Again Mama!. By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'". "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. What I am is a contemporary singer, a stylized performer.". No crooner has the range I have-I can hit notes a bank couldn't cash. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. music charts as well. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. With a new image of charm and an association with high culture, Humperdinck was soon to take off. It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. His first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Upon his return to England, Humperdinck soon found himself singing publicly for the first time. Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Growing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name. Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. http://www.engelbert.com/. Engelbert Humperdinck (composer), 1854-1921. After the Lovin'. The Last Waltz. Release Me. Am I That Easy to Forget?. |