Electric guitarAn electric guitar is a type of guitar with a solid or semi-solid body that utilizes electronic "pickups" to convert the vibration of the steel-cored strings into electrical current. The signal may be electrically altered to achieve various tonal effects prior to being fed into an amplifier, which produces the final sound. OperationIn contrast to the acoustic guitar and most other acoustic string instruments, the solid-body electric guitar does not rely as extensively on the acoustic properties of its construction to amplify the sound produced by the vibrating strings; as such, the electric guitar does not need to be naturally loud, and its body can be virtually any shape. Since all the sound produced by the amplifier comes from string vibrations detected by the electric pickups, an electric guitar that produces minimal acoustic sound may have maximal sustain, since less of the energy from the string oscillations is radiated as sound energy. For this reason, electric versions of almost all other similar string instruments have also been produced. Left: Rosa Hurricane, a heavy metal-style solid-body guitar.Right: Maton Freshman, a hollow-body guitar. The electric guitar is used extensively in many popular styles of music, including blues, rock and roll, country music, pop music, jazz, rap and even contemporary classical music. HistoryThe popularity of the electric guitar began with the big band era because amplified instruments became necessary to compete with the loud volumes of the large brass sections common to jazz orchestras of the thirties and forties. Initially, electric guitars consisted primarily of hollow "archtop" acoustic guitar bodies to which electromagnetic transducers had been attached. Electric guitars were originally designed by an assortment of luthiers, electronics enthusiasts, and instrument manufacturers, in varying combinations. Some of the earliest electric guitars used tungsten pickups and were manufactured in the 1930s by Rickenbacker. FenderIn the 1930s, steel guitar and instrument amplifier maker Leo Fender, through his eponymous company, designed the first commercially successful solid-body electric guitar, which was initially named the Broadcaster. However, the Gretsch company had a drumset by the same name, (Broadkaster) so Fender was forced to change the name, choosing Telecaster. Features of the Telecaster included an ash body; a maple 25½" scale, 20-fret neck attached to the body with four-bolts reinforced by a steel neckplate; two single-coil, 6-pole pickups (bridge and neck positions), with tone and volume controls, pickup selector switch, and an output jack mounted on a control plate on the body top. A black bakelite pickguard concealed body routings for pickups and wiring. The bolt-on neck was consistent with Leo Fender's belief that the instrument design should be modular to allow cost-effective and consistent manufacture and assembly, as well as simple repair or replacement. A variant of the Telecaster, the Esquire, had only the bridge pickup. Due to the Broadcaster trademark issue, the earliest Telecasters were delivered with headstock decals with the Fender logo but no model identificaton, and are commonly referred by collectors as "Nocasters". In 1954 Fender introduced the Stratocaster, or "Strat", which was positioned as a deluxe model and offered various product improvements and innovations over the Telecaster. These innovations included an ash or alder double-cutaway body design for balance, a bridge assembly with an integrated vibrato mechanism (called a "tremolo" by Fender), three single-coil pickups, and body comfort contours. The Stratocaster has become the most-recognizable and most copied electric guitar design ever. Pink Floyd's guitarist, David Gilmour, owns one of the first Fender Stratocasters ever made. Leo Fender is also credited with developing the first commercially-successful electric bass called the Fender Precision Bass, introduced in 1951. The version of the instrument that is most well known today is the "solid body" electric guitar: a guitar made of solid wood, without resonating airspaces within it. One of the first solid body electric guitars was built by musician and inventor Les Paul in the early 1940s, working after hours in the Epiphone Guitar factory. His "log" guitar, so called because it consisted of a simple rectangular block of wood with a neck attached to it, was generally considered to be the first of its kind until recently, when research through old trade publications and with surviving luthiers and their families revealed many other prototypes, and even limited production models, that fit our modern conception of an 'electric guitar.' At least one company, Audiovox, built and may have offered an electric solid-body as early as the mid-1930s. Rickenbacher (later spelled Rickenbacker, pronounced Rickenbocker) offered a solid Bakelite electric guitar beginning in 1935 that, when tested by vintage guitar researcher John Teagle, reportedly sounded quite modern and aggressive. GibsonGibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his "log" electric in the 1940s. In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solidbody guitar in 1952, designed at least in part with input from Les Paul. Features of the Les Paul included a mahogany body with a carved maple top (much like a violin) and contrasting edge binding, two single-coil "soapbar" pickups, a 24¾" scale mahogany neck with a more traditional glued-in "set" neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three tuners to a side. The earliest models had a combination bridge and trapeze-tailpiece design that was deemed unsuitable by Les Paul himself. Gibson then developed the Tune-o-Matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. By 1957, Gibson had made the final major change to the Les Paul as we know it today - the humbucking pickup, or humbucker. The humbucker, invented by Seth Lover, was a dual-coil pickup which produced a distinctive tone but also offered the advantage of elimination of the 60-cycle hum associated with single-coil pickups. The more traditionally designed and style Gibson solid-body instruments were contrast to Leo Fender's modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck. Each design has it own merits. To this day, the basic design nearly every solid-body electric guitar available today echoes the features of early 1950s originals - the Fender Telecaster & Stratocaster, and the Gibson Les Paul. Types of electric guitarMost electric guitars are fitted with six strings and are usually tuned from low to high E - A - D - G - B - e, the same as an acoustic guitar, although many guitarists occasionally tune their instruments in a different way, including "dropped D", various transposed and open chord tunings, usually to simplify fretting of some chord inversions in a certain key. Seven-string models exist, most of which add a low B string below the E. Seven-string guitars were popularized by Steve Vai and others in the '80s, and have been recently revived by some nu metal bands. Jazz guitarists using a seven-string include veteran jazzman Bucky Pizzarelli and his popular son John Pizzarelli. There are even eight-string electric guitars, such as the Novax played by Charlie Hunter, but they are extremely unusual. The largest manufacturer of 8- to 14-strings is Warr Guitars, and their models are used by Trey Gunn and King Crimson. Jimmy Page, an innovator of hard rock, used and made famous custom Gibson electric guitars with two necks - essentially two instruments in one; in his case, a 6-string and 12-string guitar, to replicate his use of two different guitars when playing live "Stairway to Heaven". These are commonly known as double-neck (or, less commonly, "twin-neck") guitars. The purpose is to obtain different ranges of sound from each instrument; typical combinations are six-string and four-string (guitar and bass guitar) or, more commonly, a six-string and twelve-string. Such a combination may come handy when playing ballads live, where the 12-string gives a mellower sound as accompaniment, while the 6-string may be used for a guitar solo. English progressive rock bands such as Genesis took this trend to its zenith using custom made instruments produced by the Shergold company. Rick Nielsen, guitarist for Cheap Trick, uses a variety of custom guitars, many of which have five necks - more for comic effect than for actual usefulness. Guitar virtuoso Steve Vai occasionally uses a triple-neck guitar; one neck is twelve string, one is six string, and the third is a fretless six string. Detail of a Squier-made Fender Stratocaster. Note the tremolo arm, the 3 single-coil pickups, the volume and tone knobs.Some electric guitars have a tremolo arm or whammy bar, which is a lever attached to the bridge that can slacken or tighten the strings temporarily, changing the pitch or creating a vibrato. Tremolo properly refers to a quick variation of volume, not pitch; however, the misnaming (probably originating with Leo Fender printing "Synchronized Tremolo" right on the headstock of his original 1954 Stratocaster) is probably too established to change. Eddie Van Halen often uses this feature to embellish his playing, as heard in Van Halen's "Eruption". Early tremolo systems tended to cause the guitar to go out of tune with extended use; an important innovator in this field was Floyd Rose, who introduced one of the first tremolos which allowed the guitar to stay in tune, even after heavy use. PickupsElectric guitars are not usually amplified by using a microphone, but with special pickups that sense the movement of strings. Such pickups tend to also pick up the ambient electrical noises of the room, the so-called "hum", with a strong 50- or 60-Hz component depending on the locale. Hum is annoying, especially when playing with distortion, so "humbucker" pickups were invented to counter this. Normal pickups are single-coil; humbuckers are essentially like twin microphones arranged in such a way that electrical noise cancels itself. A similar effect may be achieved using a guitar with multiple single coil pickups with an appropriate selection of dual pickups. (See main articles on pickups and humbuckers.) Another instrument, the pedal steel guitar, does not look like a guitar at all, but resembles a small rectangular table with one or more sets of strings on top. Country musician Junior Brown uses a custom-built instrument of his invention, the guit-steel, which has one neck that is a steel guitar, and one standard electric guitar neck. The physical principleThe physics of electric guitars and other electric string instruments is fairly simple, since they are based on induced currents (see the electromagnetism article for more details). Magnets are located under each string, which make the strings behave as magnets themselves. When a string is played, it oscillates at a certain frequency, causing the magnetic field it creates to oscillate with it. Solenoids (electromagnetic coils) are wrapped around each magnet, giving a periodic induced current (at the same frequency) [1]. Electric guitar sound and effectsBoth the North America-built Godin LG (left) and the Fender Stratocaster (right - an entry-level, Korean-made Squier model is shown) are solidbody electric guitars, but they differ significantly in design, including scale length, neck and body woods, and pickup type.An acoustic guitar's sound is largely dependent on the vibration of the guitar's body and the air within it; the sound of an electric guitar is largely dependent on a magnetically induced electrical signal, generated by the vibration of metal strings near sensitive pickups. The signal is then shaped on its path to the amplifier. By the late 1960s, it became common practice to exploit this dependence to alter the sound of the instrument. The most dramatic innovation was the generation of distortion by increasing the gain, or volume, of the preamplifier in order to clip the electronic signal. This form of distortion generates harmonics, particularly in even multiples of the input frequency, which are considered pleasing to the ear. Beginning in the 1960s, the tonal palette of the electric guitar was further modified by introducing an effects box in its signal path. Traditionally built in a small metal chassis with an on/off foot switch, such "stomp boxes" have become as much a part of the instrument for many electric guitarists as the electric guitar itself. Typical effects include stereo chorus, fuzz, wah-wah and flanging, compression/sustain, delay, reverb, and phase shift. Some important innovators of this aspect of the electric guitar include guitarists Link Wray, Jimi Hendrix, Brian May, Eddie Van Halen, Steve Jones, Jerry Garcia, David Gilmour, Yngwie J. Malmsteen, Thurston Moore, Daniel Ash, and Tom Morello, and technicians such as Roger Mayer. By the 1980s, and 1990s, digital and software effects became capable of replicating the analog effects used in the past. These new digital effects attempted to model the sound produced by analog effects and tube amps, to varying degrees of quality. There are many free to use guitar effects software for personal computer downloadable from the Internet. Today anyone can transform his PC with sound card into a digital guitar effects processor. Although there are some obvious advantages to digital and software effects, many guitarists still use analog effects for their real or perceived quality over their digital counterparts. Some innovations have been made recently in the design of the electric guitar. In 2002, Gibson announced the first digital guitar, which performs analog-to-digital conversion internally. The resulting digital signal is delivered over a standard Ethernet cable, eliminating cable-induced line noise. The guitar also provides independent signal processing for each individual string. Also, in 2003 amp maker Line 6 released the Variax guitar. It differs in some fundamental ways from conventional solid-body electrics. For example it uses piezoelectric pickups instead of the conventional electro-magnetic ones, and has an onboard computer capable of modifying the sound of the guitar to realistically model many popular guitars. UsesThe electric guitar can be played either solo or with other instruments. It has been used in numerous genres of popular music, as well as (much less frequently) classical music. Rock and jazzIn rock music, the electric guitar is generally used in conjunction with electric bass guitar and drum set. When two electric guitars are used, one generally plays the role of "lead" guitar and the other is the "rhythm" guitar. Contemporary classical musicWhile the classical guitar had historically been the only variety of guitar favored by classical composers, in the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Karlheinz Stockhausen's Gruppen (1955-1957); Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); and Michael Tippett's The Knot Garden (1966-70). In the 1980s and 1990s, a growing number of composers (many of them composer-performers who had grown up playing the instrument in rock bands) began writing for the instrument. These include Steven Mackey, Lois V Vierk, Tim Brady, Tristan Murail, and Yngwie Malmsteen with his Concerto Suite for Electric Guitar and Orchestra. The American composers Glenn Branca and Rhys Chatham have written "symphonic" works for large ensembles of electric guitars, in some cases numbering up to 100 players. Still, like many electric and electronic instruments, the electric guitar remains primarily associated with rock and jazz music, rather than with classical compositions and performances. Common Brands
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Still, like many electric and electronic instruments, the electric guitar remains primarily associated with rock and jazz music, rather than with classical compositions and performances. Some makers are currently experimenting with new technologies and high-performance materials such as boron, but graphite rods still cover the broadest range of fly rods for all purposes, from 'ultralight' to two-handed spey rods to serious saltwater rods built to cast exceptionally long distances and deal with strong winds. The American composers Glenn Branca and Rhys Chatham have written "symphonic" works for large ensembles of electric guitars, in some cases numbering up to 100 players. Fiberglass rods became popular in the years following WWII, but by the late 1980s, graphite rods had emerged as the material of choice for that mass market. These include Steven Mackey, Lois V Vierk, Tim Brady, Tristan Murail, and Yngwie Malmsteen with his Concerto Suite for Electric Guitar and Orchestra. On the other hand, fly rods made from man-made materials generally offer greater versatility, durability and performance than bamboo, and they require less maintenance. In the 1980s and 1990s, a growing number of composers (many of them composer-performers who had grown up playing the instrument in rock bands) began writing for the instrument. In competent hands, they provide more than adequate performance in most freshwater trout fishing situations. Examples of such works include Karlheinz Stockhausen's Gruppen (1955-1957); Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); and Michael Tippett's The Knot Garden (1966-70). These rods offer grace and form, and they demand a 'slow' or 'soft' casting style that's beautifully suited to refined, leisurely fishing. While the classical guitar had historically been the only variety of guitar favored by classical composers, in the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Quality rods made by the famous masters (Leonard, Dickerson and Winston to name but three) in good condition may fetch prices well over US$2,000, and new rods from competent contemporary builders may bring nearly that much. When two electric guitars are used, one generally plays the role of "lead" guitar and the other is the "rhythm" guitar. It may take well over 100 hours of labor to select and split the raw cane, then cure, flame, plane, file, taper, glue, wrap and finish each rod. In rock music, the electric guitar is generally used in conjunction with electric bass guitar and drum set. Split-cane bamboo fly rods combine sport, history and art. It has been used in numerous genres of popular music, as well as (much less frequently) classical music. The mystical appeal of handmade split-cane rods has endured despite the emergence over the last 50 years of rod-making materials that offer more durability and performance: fiberglass and graphite. The electric guitar can be played either solo or with other instruments. The earliest fly rods were made from greenheart, a tropical wood, and later bamboo originating in the Tonkin area of Guangdong Province in China. For example it uses piezoelectric pickups instead of the conventional electro-magnetic ones, and has an onboard computer capable of modifying the sound of the guitar to realistically model many popular guitars. As stated, most fly fishing rods vary between 2m (6 feet) and 4m (14 feet) in length. It differs in some fundamental ways from conventional solid-body electrics. World destinations include parts of South America on the Amazon as well as the Patagonia region. Also, in 2003 amp maker Line 6 released the Variax guitar. The UK, the United States, Canada, New Zealand, Tasmania, Patagonia and parts of Europe are probably the most common destinations for freshwater trout fishing. The guitar also provides independent signal processing for each individual string. Methods and flies also vary substantially across regions and countries. The resulting digital signal is delivered over a standard Ethernet cable, eliminating cable-induced line noise. Fly fishing for trout usually takes place in small streams and ponds, as well as rivers or lakes; although the basics are the same, methods and flies vary. In 2002, Gibson announced the first digital guitar, which performs analog-to-digital conversion internally. Other types of flies are simply 'stimulators' which are used to anger or trigger a natural aggressive response from species such as spawning salmon. Some innovations have been made recently in the design of the electric guitar. These can be: aquatic larva and pupae, fish, eggs, worms, grasshoppers, mice, frogs, leeches, etc. Although there are some obvious advantages to digital and software effects, many guitarists still use analog effects for their real or perceived quality over their digital counterparts. While flies originally were made to imitate flying insects, they have evolved to match the diets and stimulants of the targeted species. Today anyone can transform his PC with sound card into a digital guitar effects processor. Another aspect of fly fishing is choosing the appropriate 'fly'. There are many free to use guitar effects software for personal computer downloadable from the Internet. The fish is then 'played' either by hand, where the angler continues to hold the fly line in his hand to control the tension applied to the fish, or he eliminates the slack in the line to get the fish 'on the reel' in order to use the reel's mechanism ('drag') to slow the fish's runs. These new digital effects attempted to model the sound produced by analog effects and tube amps, to varying degrees of quality. This sets the hook in the fish's mouth. By the 1980s, and 1990s, digital and software effects became capable of replicating the analog effects used in the past. If a fish strikes, the angler pulls in line while raising the rod tip. Malmsteen, Thurston Moore, Daniel Ash, and Tom Morello, and technicians such as Roger Mayer. The angler then makes another presentation, perhaps after a few false casts. Some important innovators of this aspect of the electric guitar include guitarists Link Wray, Jimi Hendrix, Brian May, Eddie Van Halen, Steve Jones, Jerry Garcia, David Gilmour, Yngwie J. After several moments the angler withdraws the fly by pulling in a small portion of line by hand (this is called 'tending' the line), then lifting the tip of the rod. Typical effects include stereo chorus, fuzz, wah-wah and flanging, compression/sustain, delay, reverb, and phase shift. This presentation of the fly onto the water is one of fly-fishing's most difficult aspects, because the angler is attempting to cast in such a way that the line lands smoothly on the water's surface and the fly appears as natural as possible. Traditionally built in a small metal chassis with an on/off foot switch, such "stomp boxes" have become as much a part of the instrument for many electric guitarists as the electric guitar itself. Once on the water, the fly may either float or sink, depending on the type of fly and the style of fishing. Beginning in the 1960s, the tonal palette of the electric guitar was further modified by introducing an effects box in its signal path. Casts are made to spots where fish are likely to hold, such as pools and pockets in streams. This form of distortion generates harmonics, particularly in even multiples of the input frequency, which are considered pleasing to the ear. When a 'false cast' is 'released' the line floats gently down to the water. The most dramatic innovation was the generation of distortion by increasing the gain, or volume, of the preamplifier in order to clip the electronic signal. Anything over 18m (60 feet) in freshwater is likely to impress fellow anglers more than the fish, but many saltwater situations call for casts well beyond 25m (82 feet). By the late 1960s, it became common practice to exploit this dependence to alter the sound of the instrument. False casting continues until the desired amount of fly line is airborne: perhaps as little as 3m (roughly 10 feet) for small streams, but averaging around 10m (30 feet) in most freshwater conditions. The signal is then shaped on its path to the amplifier. This motion, known as 'false casting', can be used to pay out line, dry a soaked fly, reposition a cast, or show off one's casting abilities. An acoustic guitar's sound is largely dependent on the vibration of the guitar's body and the air within it; the sound of an electric guitar is largely dependent on a magnetically induced electrical signal, generated by the vibration of metal strings near sensitive pickups. The objective of this motion is to "load" the rod tip with energy and allow the energy to travel the length of the fly line creating distance and control. Solenoids (electromagnetic coils) are wrapped around each magnet, giving a periodic induced current (at the same frequency) [1]. Generally, the rod is moved from the 10 o'clock position to the 2 o'clock position without letting the line touch the water or ground. When a string is played, it oscillates at a certain frequency, causing the magnetic field it creates to oscillate with it. The most common cast is when the angler whisks the fly rod forward and back using primarily the forearm and upper arm, using the wrist to soften the motion. Magnets are located under each string, which make the strings behave as magnets themselves. There are several types of casts in fly fishing that are used in a variety of situations. The physics of electric guitars and other electric string instruments is fairly simple, since they are based on induced currents (see the electromagnetism article for more details). The average freshwater rod is around 8 to 9 feet in length and weighs between 2 and 5 ounces, though a recent trend has popularized lighter, shorter rods. Country musician Junior Brown uses a custom-built instrument of his invention, the guit-steel, which has one neck that is a steel guitar, and one standard electric guitar neck. Fly fishing rods can be as short as 2m (6 ft) long in freshwater fishing and up to 4 m (14 ft) long for saltwater or spey rod fishing. (See main articles on pickups and humbuckers.) Another instrument, the pedal steel guitar, does not look like a guitar at all, but resembles a small rectangular table with one or more sets of strings on top. The fly angler uses a rod longer and lighter than those used for cast and spin fishing. A similar effect may be achieved using a guitar with multiple single coil pickups with an appropriate selection of dual pickups. In recent years, more exotic locations for reaching native populations of species have become popularized such as Mongolia ( for the largest Salmonid species in the world, the taimen ), and the Kamchatka Peninsula in Russia, where many believe holds the largest runs of salmon species in the world. Normal pickups are single-coil; humbuckers are essentially like twin microphones arranged in such a way that electrical noise cancels itself. Christmas Island in the Pacific is famous for bonefish, and various parts of coastal Australia offer a wide variety of saltwater sport fish. Hum is annoying, especially when playing with distortion, so "humbucker" pickups were invented to counter this. The Bahamas and Belize also provide outstanding opportunities for salt-water fly angling. Such pickups tend to also pick up the ambient electrical noises of the room, the so-called "hum", with a strong 50- or 60-Hz component depending on the locale. Salt-water fly fishing has rapidly expanded in popularity, especially along the Gulf Coast and the Florida Keys for such species as bonefish, tarpon, redfish, and permit, and along the mid-Atlantic and Northeast coasts for bluefish and striped bass. Electric guitars are not usually amplified by using a microphone, but with special pickups that sense the movement of strings. On the other side of the globe, the active geothermal area around Lake Taupo on the North Island of New Zealand is another world-famous trout destination, particularly the Tongariro River near Turangi. Early tremolo systems tended to cause the guitar to go out of tune with extended use; an important innovator in this field was Floyd Rose, who introduced one of the first tremolos which allowed the guitar to stay in tune, even after heavy use. Along with the River Don and the River Dee, Scotland boasts the River Spey after which an entire genre of two-handed fly rods and casting techniques is named. Eddie Van Halen often uses this feature to embellish his playing, as heard in Van Halen's "Eruption". In addition to River Test, River Itchen, the Kennet, the Lambourn, and the Avon in the same area of southern England may also be considered legendary. Tremolo properly refers to a quick variation of volume, not pitch; however, the misnaming (probably originating with Leo Fender printing "Synchronized Tremolo" right on the headstock of his original 1954 Stratocaster) is probably too established to change. There are also tens of thousands of miles lesser known but very worthwhile streams. Some electric guitars have a tremolo arm or whammy bar, which is a lever attached to the bridge that can slacken or tighten the strings temporarily, changing the pitch or creating a vibrato. Many of the traditional “Holy Waters” of North American fly fishing can be found in these areas: New York’s Beaverkill, Michigan’s AuSable and Two Hearted (the latter made famous by Hemingway’s “Big Two-Hearted River” although there is widespread agreement that internal evidence in the story suggests he was actually describing the nearby Fox river), Wisconsin’s Bois Brule, Pennsylvania’s Letort, and numerous others. Guitar virtuoso Steve Vai occasionally uses a triple-neck guitar; one neck is twelve string, one is six string, and the third is a fretless six string. and Canada), New England and most of the Appalachian corridor also offer abundant opportunities for fly fishing for trout. Rick Nielsen, guitarist for Cheap Trick, uses a variety of custom guitars, many of which have five necks - more for comic effect than for actual usefulness. Although not as widely popular among fly fishers as the west, other regions including the Canadian Maritime provinces and Newfoundland and Labrador, the upper Great Lakes region (in both the U.S. English progressive rock bands such as Genesis took this trend to its zenith using custom made instruments produced by the Shergold company. Famous North American waters include the Henrys Fork (home to Mike Lawson) and Silver Creek (Ernest Hemingway's favorite haunt) in Idaho, the Yellowstone and the Madison in Montana, the Deschutes, the North Umpqua and the Rogue rivers in Oregon, the Pitt, Hat Creek, the Owens and the East Walker in California, Lee's Ferry on the Colorado River in Arizona, the San Juan in New Mexico, the Upper Delaware and the Green River in Utah, and the Arkansas, the Frying Pan, the South Platte and the Blue River in Colorado, and the White River in Arkansas. Such a combination may come handy when playing ballads live, where the 12-string gives a mellower sound as accompaniment, while the 6-string may be used for a guitar solo. The city of Calgary, Alberta holds the distinction of having one of the world's best trout rivers (thanks to nutrient rich runoff from the city's waste water sewage) run through the centre of the city, although West Yellowstone is arguably the epicenter for Western Fly Fishing in North America. The purpose is to obtain different ranges of sound from each instrument; typical combinations are six-string and four-string (guitar and bass guitar) or, more commonly, a six-string and twelve-string. North American fly fishing for trout is now generally centred in the western states and provinces with Utah, Idaho, Colorado, Wyoming, Montana, British Columbia and Alberta, and California holding the most interest. These are commonly known as double-neck (or, less commonly, "twin-neck") guitars. . Jimmy Page, an innovator of hard rock, used and made famous custom Gibson electric guitars with two necks - essentially two instruments in one; in his case, a 6-string and 12-string guitar, to replicate his use of two different guitars when playing live "Stairway to Heaven". Movies such as A River Runs Through It starring Brad Pitt, cable fishing shows, and the emergence of a competitive fly casting circuit have also added to the sport's recent resurgence. The largest manufacturer of 8- to 14-strings is Warr Guitars, and their models are used by Trey Gunn and King Crimson. In recent years, interest in flyfishing has surged as baby boomers discover the tranquil nature of the sport. There are even eight-string electric guitars, such as the Novax played by Charlie Hunter, but they are extremely unusual. Ernest Hemingway helped to popularize fly fishing, along with deep-sea fishing, through his works of fiction, including The Sun Also Rises. Jazz guitarists using a seven-string include veteran jazzman Bucky Pizzarelli and his popular son John Pizzarelli. Participation in flyfishing peaked in the early 1920's in the eastern states of Maine and Vermont and in the midwest in the spring creeks of Wisconsin. Seven-string guitars were popularized by Steve Vai and others in the '80s, and have been recently revived by some nu metal bands. The Junction Pool in Roscoe, where the Willowemoc flows into the Beaver Kill, is the center of an almost ritual pilgrimage every April 1, when the season begins. Seven-string models exist, most of which add a low B string below the E. Many of them also wrote about the practice and invented new flies, drawing yet more anglers to the region, which is still considered the birthplace of American dry-fly fishing. Most electric guitars are fitted with six strings and are usually tuned from low to high E - A - D - G - B - e, the same as an acoustic guitar, although many guitarists occasionally tune their instruments in a different way, including "dropped D", various transposed and open chord tunings, usually to simplify fretting of some chord inversions in a certain key. In the late 19th century, anglers, such as Ray Bergman, in the Catskill Mountains of New York began using the fly to fish the region’s many trout-rich streams such as the Beaverkill and Willowemoc Creek. To this day, the basic design nearly every solid-body electric guitar available today echoes the features of early 1950s originals - the Fender Telecaster & Stratocaster, and the Gibson Les Paul. American rod builders such as Hiram Leonard, developed superior techniques for making bamboo rods: thin strips were cut from the cane, planed into shape, and then glued together to form light, strong, hexagonal rods with a hollow core that were superior to anything developed before. Each design has it own merits. But the use of new woods in fly rods, first Greenheart, then bamboo, made it possible to cast flies into the wind on silk lines. The more traditionally designed and style Gibson solid-body instruments were contrast to Leo Fender's modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck. Cotton and his predecessors fished their flies with long rods, and light lines allowing the wind to do most of the work of getting the fly out to the fish. The humbucker, invented by Seth Lover, was a dual-coil pickup which produced a distinctive tone but also offered the advantage of elimination of the 60-cycle hum associated with single-coil pickups. Lines made of silk, instead of horse-hair, were heavy enough to be cast in the modern style. By 1957, Gibson had made the final major change to the Les Paul as we know it today - the humbucking pickup, or humbucker. These became the foundation of all later developments. Gibson then developed the Tune-o-Matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. So it was necessary to develop new techniques that would keep the fly and the line floating on the surface. The earliest models had a combination bridge and trapeze-tailpiece design that was deemed unsuitable by Les Paul himself. The weed in these rich rivers tends to grow very close to the surface, so that traditional wet fly fishing is impossible: the fly would snag in weed long before it reached a trout. Features of the Les Paul included a mahogany body with a carved maple top (much like a violin) and contrasting edge binding, two single-coil "soapbar" pickups, a 24¾" scale mahogany neck with a more traditional glued-in "set" neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three tuners to a side. British fly-fishing was further developed in the 19th Century, with the development of dry-fly techniques for use on the slower, clearer rivers of the south such as the River Test and the other 'chalk streams' concentrated in Hampshire, Surrey, Dorset and Berkshire (see Southern England Chalk Formation for the geological specifics). In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solidbody guitar in 1952, designed at least in part with input from Les Paul. The first detailed writing about the sport comes in two chapters of Izaak Walton's Compleat Angler which were actually written by his friend Charles Cotton and described the fishing in the Derbyshire Wye. Gibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his "log" electric in the 1940s. Modern fly fishing originated on the fast, rocky rivers of Scotland and Northern England. Rickenbacher (later spelled Rickenbacker, pronounced Rickenbocker) offered a solid Bakelite electric guitar beginning in 1935 that, when tested by vintage guitar researcher John Teagle, reportedly sounded quite modern and aggressive. Records of fishing with a fly go back to Ancient Greece when it was common to catch fish on a hook dressed with red yarn. His "log" guitar, so called because it consisted of a simple rectangular block of wood with a neck attached to it, was generally considered to be the first of its kind until recently, when research through old trade publications and with surviving luthiers and their families revealed many other prototypes, and even limited production models, that fit our modern conception of an 'electric guitar.' At least one company, Audiovox, built and may have offered an electric solid-body as early as the mid-1930s. Wet flies are divided into other types such as nymphs, lures and true wet flies and they are all fished beneath the surface of the water. One of the first solid body electric guitars was built by musician and inventor Les Paul in the early 1940s, working after hours in the Epiphone Guitar factory. They are mostly cast upstream in moving water when fishing for trout. The version of the instrument that is most well known today is the "solid body" electric guitar: a guitar made of solid wood, without resonating airspaces within it. Dry flies are coated with a floatant and sit on the surface of the water. Leo Fender is also credited with developing the first commercially-successful electric bass called the Fender Precision Bass, introduced in 1951. There are two basic forms of fly fishing, dry or wet. Pink Floyd's guitarist, David Gilmour, owns one of the first Fender Stratocasters ever made. Stealth is often critical in fly fishing. The Stratocaster has become the most-recognizable and most copied electric guitar design ever. The point is that a fly can be presented gently and under the control of the angler instead of plopping down with a big splash. These innovations included an ash or alder double-cutaway body design for balance, a bridge assembly with an integrated vibrato mechanism (called a "tremolo" by Fender), three single-coil pickups, and body comfort contours. In fact, a fly line can be "cast" without any fly or lure on it at all, a feat impossible with a typical casting rod and reel. In 1954 Fender introduced the Stratocaster, or "Strat", which was positioned as a deluxe model and offered various product improvements and innovations over the Telecaster. In fly fishing, the "fly" is virtually weightless and you are using the weight of the line to place the fly where you want it to be. Due to the Broadcaster trademark issue, the earliest Telecasters were delivered with headstock decals with the Fender logo but no model identificaton, and are commonly referred by collectors as "Nocasters". In fact, the main practical difference between fly fishing and casting is that in casting, you are using the weight of the lure to "throw" it out (much like throwing a baseball). A variant of the Telecaster, the Esquire, had only the bridge pickup. The fly itself can weigh very little and is normally attached to the line by a 2-3 meter leader which may taper to a very fine line at the tip end, also called the tippet. The bolt-on neck was consistent with Leo Fender's belief that the instrument design should be modular to allow cost-effective and consistent manufacture and assembly, as well as simple repair or replacement. Lines may be tapered and of differing densities to float or sink and are matched to the rod according to weight. A black bakelite pickguard concealed body routings for pickups and wiring. Fly rods are relatively light and long while the lines are relatively heavy, providing the casting weight. Features of the Telecaster included an ash body; a maple 25½" scale, 20-fret neck attached to the body with four-bolts reinforced by a steel neckplate; two single-coil, 6-pole pickups (bridge and neck positions), with tone and volume controls, pickup selector switch, and an output jack mounted on a control plate on the body top. Artificial flies are constructed — "tied" onto a hook with thread, fur, feathers and other materials — in sizes and colours to match naturally occurring food or simply to excite a fish. However, the Gretsch company had a drumset by the same name, (Broadkaster) so Fender was forced to change the name, choosing Telecaster. Fly fishing is a distinct and ancient angling method, developed primarily for salmonids (trout and salmon, mostly) and now extended to other species such as pike, bass, and carp, as well as a wide range of marine species. In the 1930s, steel guitar and instrument amplifier maker Leo Fender, through his eponymous company, designed the first commercially successful solid-body electric guitar, which was initially named the Broadcaster. Amadou. Some of the earliest electric guitars used tungsten pickups and were manufactured in the 1930s by Rickenbacker. Fly lure. Electric guitars were originally designed by an assortment of luthiers, electronics enthusiasts, and instrument manufacturers, in varying combinations. Initially, electric guitars consisted primarily of hollow "archtop" acoustic guitar bodies to which electromagnetic transducers had been attached. The popularity of the electric guitar began with the big band era because amplified instruments became necessary to compete with the loud volumes of the large brass sections common to jazz orchestras of the thirties and forties. The electric guitar is used extensively in many popular styles of music, including blues, rock and roll, country music, pop music, jazz, rap and even contemporary classical music. For this reason, electric versions of almost all other similar string instruments have also been produced. Since all the sound produced by the amplifier comes from string vibrations detected by the electric pickups, an electric guitar that produces minimal acoustic sound may have maximal sustain, since less of the energy from the string oscillations is radiated as sound energy. In contrast to the acoustic guitar and most other acoustic string instruments, the solid-body electric guitar does not rely as extensively on the acoustic properties of its construction to amplify the sound produced by the vibrating strings; as such, the electric guitar does not need to be naturally loud, and its body can be virtually any shape. . The signal may be electrically altered to achieve various tonal effects prior to being fed into an amplifier, which produces the final sound. An electric guitar is a type of guitar with a solid or semi-solid body that utilizes electronic "pickups" to convert the vibration of the steel-cored strings into electrical current. Gretsch. Peavey. Washburn. Yamaha. PRS. Dean. Rich. B.C. ESP. Jackson. Schecter. Ibanez. Gibson. Fender. |