DevoPromotional photo distributed during Are We Not Men? era.Devo (The De-Evolution Band) was a rock music band from Akron, Ohio whose music mingled kitsch science fiction themes, deadpan surrealist humor, satirical social commentary and thinly veiled sexual allusions in discordantly synthesized pop songs that often featured unusual time signatures. They proved hugely influential on new wave music, and to a lesser extent on punk rock and geek rock. The band's deliberately constructed 'geeky' image also enabled them to expound often provocative commentaries about the state of American society and, like Frank Zappa, beneath the clownish exterior there was serious musicianship, and social and political content -- founder member Gerry Casale had witnessed the killing of students at Kent State University when National Guard troops infamously opened fire on demonstrators in 1970. Devo was probably as well known for their image as for their music, donning uniforms that mocked industrial culture and pop consumerism, such as the yellow chemical-protection suits during the early Q: Are We Not Men? period, matching plastic hairdos, masks and the signature "flower pot" hats (energy domes) for Freedom of Choice. Mothersbaugh also donned a baby mask to create his famous alter-ego, Booji Boy (pronounced Boogie Boy), who symbolised the infantile regression that Devo saw in so much of American culture. The character featured in many stage performances and video clips, as did Booji Boy's father, General Boy (played by Mothersbaugh's own dad), who satirised American authority figures. Devo were pioneers of the music video — the video for 'Whip It' became an early staple of MTV — and their many promotional films and video clips are important landmarks in the development of this genre. They also pioneered the use of long-form promotional video cassettes with releases such as The Truth About De-Evolution and The Men Who Make The Music, which mixed self-produced conceptual video clips with live performance footage and mock-documentary segments. Devo created and directed many of their own videos, and the band have cited the video for the song "Beautiful World" as their favourite example of their video work. Devo were strongly influenced by the German Krautrock genre and the music of European groups such as Neu!, Can and the production work of Conny Plank, and they are certainly one of the few American acts who were able to incorporate these influences while still achieving widespread mainstream commercial and critical success. Other likely influences were American rock iconoclasts Frank Zappa and Captain Beefheart. They were one of the first American groups to use the services of noted British producer, musician and artist Brian Eno, who produced several landmark American New Wave music groups including Talking Heads. HistoryFormed in 1972, Devo's original inspiration came from Oscar Kiss Maerth's "The Beginning Was the End": a pseudoscientific anthropological thesis which attributes the rise of man as an evolutionary accident caused by a species of sex-crazed, cannibalistic apes who developed tools to exploit each other sexually and feed on each others' brains. This metaphor is carried throughout Devo's work as an abstraction of modern society. The core members of the group are Mark Mothersbaugh, the band's lead singer, guitarist and synthesizer player, and Gerald V. (Gerry) Casale, the group's bassist and main songwriter. The first lineup formed in 1972 with Gerry Casale, Mark Mothersbaugh and Mark's two brothers Jim on homemade electronic drums and Bob (aka Bob I) on lead guitar. Devo's big break came in 1976 when their short film The Truth About De-Evolution won a prize at the Ann Arbor Film Festival; it was then seen by David Bowie and Iggy Pop, who championed them and enabled Devo to secure a recording contract with Warner Brothers Records. By this time Alan Myers had replaced Jim Mothersbaugh as drummer and Gerry Casale's brother (also called Bob) joined as second guitarist (dubbed 'Bob II'). Their first album, Q: Are We Not Men? A: We Are Devo was produced by Eno and featured a radical cover of the Rolling Stones' (I Can't Get No) Satisfaction and the controversially titled Mongoloid. Devo might have remained a cult attraction but for the advent of American cable TV music station MTV. They scored a major success in 1980 with their third album Freedom of Choice and the single 'Whip It', which became a big hit thanks to regular MTV screenings of its unique music video. Although they started out with a mixture of traditional rock instruments and electronic effects, during the early 1980s Devo adopted mostly or entirely synthetic instrumentation, becoming one of the first American acts to perform on stage using only synthesizers; they were also one of the first groups in the world to regularly use radio microphones and microphone headsets on stage. Devo actively embraced the Church of the SubGenius in the early 1980s. In concert, Devo often performed as the opening band for themselves, pretending to be a Christian soft-rock group called "Dove (the Band of Love)". They also recorded "E-Z Listening Muzak" versions of their own songs to play before their concerts. In 1982, they appeared in the Neil Young film "Human Highway." Devo remained popular in many countries and they had a large and loyal following in Australia, where the '70s-'80s pop TV Countdown was one of the first in the world to broadcast their video clips. Their popularity and sales slipped over the next few years, however, although they produced the albums New Traditionalists (1981), Oh, No! It's Devo (1982), Shout and Total Devo (1988). After the release of Smooth Noodle Maps in 1990, the band folded, although it has been revived on several occasions for one-off performances and short tours in 1996, 2000 and 2004. In 2001, members of Devo formed the surf band The Wipeouters, claiming that it was actually a reunion of the first garage band they started while in their early teens. Mothersbaugh has gone on to considerable success writing and producing music for television programs (starting with Pee Wee's Playhouse), video games, animated cartoons and movies. In 1985, he released an elaborately packaged solo cassette, "Musik for Insomniaks," which was later expanded and released as two CDs. His company, Mutato Muzika, provides employment for Devo guitarists Bob Mothersbaugh and Bob Casale: the former works as a composer, and the latter as a recording engineer. Gerry Casale, the group's bass player, has directed rock videos by other bands, including Rush and Foo Fighters. In the early 21st century, the band did a special version of "Whip It" for Swiffer commercials. DiscographyDiscography:
Compilations:
As a backup band for others:
As The Wipeouters:
Mark Mothersbaugh, some solo and soundtrack releases:
Books About DEVO:
This page about Devo includes information from a Wikipedia article. Additional articles about Devo News stories about Devo External links for Devo Videos for Devo Wikis about Devo Discussion Groups about Devo Blogs about Devo Images of Devo |
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Books About DEVO:. She can be featured on the hit single with rapper Twista titled "Hope" on the Coach Carter soundtrack. Mark Mothersbaugh, some solo and soundtrack releases:. Now signed to Capitol Records after her tenure with Bad Boy ended in 2003, she will release her fourth album, The First Lady this spring. As The Wipeouters:. They later were granted misdemeanors and paid for their crime. As a backup band for others:. In 2004, Evans and her husband got into trouble when the couple was arrested for having marijuana in their car. Compilations:. The video was a remix of the song, which featured extra raps from Missy Elliott, in addition to Loon, and garnered substantial MTV2 play throughout the summer of 2002. Discography:. "Burnin' Up", the album's third single, featured Bad Boy rapper Loon and was successful on urban radio, despite failing to make the pop charts. In the early 21st century, the band did a special version of "Whip It" for Swiffer commercials. The next single, a tender ballad called "I Love You", was released in early 2002 and achieved moderate pop success--a first for a Faith Evans single. Gerry Casale, the group's bass player, has directed rock videos by other bands, including Rush and Foo Fighters. In late 2001, Evans released her third album, which spawned the successful urban single "You Gets No Love". His company, Mutato Muzika, provides employment for Devo guitarists Bob Mothersbaugh and Bob Casale: the former works as a composer, and the latter as a recording engineer. The same year, she was featured on Carl Thomas' single, "Can't Believe". In 1985, he released an elaborately packaged solo cassette, "Musik for Insomniaks," which was later expanded and released as two CDs. members Ja Rule, Vita, and Cadillac Tah. Mothersbaugh has gone on to considerable success writing and producing music for television programs (starting with Pee Wee's Playhouse), video games, animated cartoons and movies. In early 2001, Evans released "Good Life", a single from the Fast And The Furious soundtrack, which featured rap from Murder Inc. In 2001, members of Devo formed the surf band The Wipeouters, claiming that it was actually a reunion of the first garage band they started while in their early teens. The album's third single, "Never Gonna Let You Go", was less successful. After the release of Smooth Noodle Maps in 1990, the band folded, although it has been revived on several occasions for one-off performances and short tours in 1996, 2000 and 2004. Diddy, both of which failed to catch on with mainstream radio despite performing substantially at urban radio. Their popularity and sales slipped over the next few years, however, although they produced the albums New Traditionalists (1981), Oh, No! It's Devo (1982), Shout and Total Devo (1988). It produced the singles "Love Like This" and "All Night Long", featuring P. Devo remained popular in many countries and they had a large and loyal following in Australia, where the '70s-'80s pop TV Countdown was one of the first in the world to broadcast their video clips. Evans' sophomore album, Keep The Faith, was released in 1999. In 1982, they appeared in the Neil Young film "Human Highway.". Although Evans had had previous urban successes, this song was the first that mainstream America heard of her. They also recorded "E-Z Listening Muzak" versions of their own songs to play before their concerts. Diddy in recording "I'll Be Missing You", a touching song which sampled The Police's "Every Breath You Take" and acted as a fitting tribute to the late Notorious B.I.G. In concert, Devo often performed as the opening band for themselves, pretending to be a Christian soft-rock group called "Dove (the Band of Love)". After her husband's murder in early 1997, Evans joined 112 and P. Devo actively embraced the Church of the SubGenius in the early 1980s. The album also contained a duet with Blige on a cover of Rose Royce's disco hit, "Love Don't Live Here Anymore". Although they started out with a mixture of traditional rock instruments and electronic effects, during the early 1980s Devo adopted mostly or entirely synthetic instrumentation, becoming one of the first American acts to perform on stage using only synthesizers; they were also one of the first groups in the world to regularly use radio microphones and microphone headsets on stage. Its singles, "Soon As I Get Home", "You Used To Love Me", "Come Over", and "Ain't Nobody" became smashes at urban radio that year and into 1996. They scored a major success in 1980 with their third album Freedom of Choice and the single 'Whip It', which became a big hit thanks to regular MTV screenings of its unique music video. With Diddy's full concentration on Evans, the First Lady of Bad Boy's debut album, Faith Evans was released in early 1995. Devo might have remained a cult attraction but for the advent of American cable TV music station MTV. Diddy started to spend more time working on Faith's upcoming album than work with Blige at the time who was visibly upset over what she saw as a disrespect on Diddy's part, she parted from Diddy in 1995 but would be present on Faith's first album writing several singles for her as Faith had done on Blige's 1994 album, My Life. Their first album, Q: Are We Not Men? A: We Are Devo was produced by Eno and featured a radical cover of the Rolling Stones' (I Can't Get No) Satisfaction and the controversially titled Mongoloid. (who was one of Diddy's closet friends) slowly became closer, P. By this time Alan Myers had replaced Jim Mothersbaugh as drummer and Gerry Casale's brother (also called Bob) joined as second guitarist (dubbed 'Bob II'). As Evans and B.I.G. Devo's big break came in 1976 when their short film The Truth About De-Evolution won a prize at the Ann Arbor Film Festival; it was then seen by David Bowie and Iggy Pop, who championed them and enabled Devo to secure a recording contract with Warner Brothers Records. Blige and Aaliyah, Evans sang the chorus on the popular remix of B.I.G.'s single "One More Chance". The first lineup formed in 1972 with Gerry Casale, Mark Mothersbaugh and Mark's two brothers Jim on homemade electronic drums and Bob (aka Bob I) on lead guitar. Along with other premier female soul singers at the time, Mary J. (Gerry) Casale, the group's bassist and main songwriter. Diddy's successful Bad Boy record label. The core members of the group are Mark Mothersbaugh, the band's lead singer, guitarist and synthesizer player, and Gerald V. Faith Evans was considered an R&B superstar for much of the early and mid '90s, as part of P. This metaphor is carried throughout Devo's work as an abstraction of modern society. She is most often remembered for being the widow of the late rapper, Notorious B.I.G. Formed in 1972, Devo's original inspiration came from Oscar Kiss Maerth's "The Beginning Was the End": a pseudoscientific anthropological thesis which attributes the rise of man as an evolutionary accident caused by a species of sex-crazed, cannibalistic apes who developed tools to exploit each other sexually and feed on each others' brains. Faith Evans (born June 10, 1973) is an R&B singer from Newark, New Jersey, who achieved fame in the early 1990s. They were one of the first American groups to use the services of noted British producer, musician and artist Brian Eno, who produced several landmark American New Wave music groups including Talking Heads. Other likely influences were American rock iconoclasts Frank Zappa and Captain Beefheart. Devo were strongly influenced by the German Krautrock genre and the music of European groups such as Neu!, Can and the production work of Conny Plank, and they are certainly one of the few American acts who were able to incorporate these influences while still achieving widespread mainstream commercial and critical success. Devo created and directed many of their own videos, and the band have cited the video for the song "Beautiful World" as their favourite example of their video work. They also pioneered the use of long-form promotional video cassettes with releases such as The Truth About De-Evolution and The Men Who Make The Music, which mixed self-produced conceptual video clips with live performance footage and mock-documentary segments. Devo were pioneers of the music video — the video for 'Whip It' became an early staple of MTV — and their many promotional films and video clips are important landmarks in the development of this genre. The character featured in many stage performances and video clips, as did Booji Boy's father, General Boy (played by Mothersbaugh's own dad), who satirised American authority figures. Mothersbaugh also donned a baby mask to create his famous alter-ego, Booji Boy (pronounced Boogie Boy), who symbolised the infantile regression that Devo saw in so much of American culture. Devo was probably as well known for their image as for their music, donning uniforms that mocked industrial culture and pop consumerism, such as the yellow chemical-protection suits during the early Q: Are We Not Men? period, matching plastic hairdos, masks and the signature "flower pot" hats (energy domes) for Freedom of Choice. The band's deliberately constructed 'geeky' image also enabled them to expound often provocative commentaries about the state of American society and, like Frank Zappa, beneath the clownish exterior there was serious musicianship, and social and political content -- founder member Gerry Casale had witnessed the killing of students at Kent State University when National Guard troops infamously opened fire on demonstrators in 1970. They proved hugely influential on new wave music, and to a lesser extent on punk rock and geek rock. Devo (The De-Evolution Band) was a rock music band from Akron, Ohio whose music mingled kitsch science fiction themes, deadpan surrealist humor, satirical social commentary and thinly veiled sexual allusions in discordantly synthesized pop songs that often featured unusual time signatures. This first-ever book about DEVO provides an extensively researched account focusing largely on the band's formative years, and is available at DEVObook.com. Are We Not Men? We Are Devo! by Jade Dellinger & David Giffels (SAF Publishing Ltd./UK). The Life Aquatic with Steve Zissou (2005). Music for Edward Gorey, a private release of 300 handmade CD-R discs. Mystery Men. The Rugrats Movie. The Royal Tenenbaums. Rushmore (1999). Joyeux Mutato (1999), Christmas music (released in two different versions). Musik for Insomniaks, Volumes 1 and 2 (1988). P'Twaaang!!! (2001). Martini Ranch: Holy Cow (1988) (Bob Casale produced How Can the Labouring Man Find Time for Self-Culture? while Mark Mothersbaugh contributed backup vocals.). David Byrne: Feelings (1997) (backup on Wicked Little Doll). Toni Basil: Word of Mouth (1983) (backup on covers of Devo's own Space Girls, Be Stiff and Pity You). Jermaine Jackson: Let Me Tickle Your Fancy (1982) (backup on title song). Recombo DNA (2000), a compilation of music demos and rarities (only available through Rhino Handmade). Pioneers Who Got Scalped (2000). Hardcore Devo, Volumes 1 & 2. Devo's Greatest Misses. Devo's Greatest Hits. Smooth Noodle Maps (1990). Now It Can Be Told (1989). Total Devo (1988). E-Z Listening Disc (1987). Shout (1984). Oh, No! It's Devo (1983). New Traditionalists (1981). Freedom of Choice, featuring the single "Whip It", probably the band's best known song (1980). Duty Now for the Future (1979). This debut album featured a mechanized interpretation of The Rolling Stones hit "Satisfaction", as well as "Jocko Homo", Devo's theme song and anthem. Q: Are We Not Men? A: We Are Devo! (1978). |