Code Black

In this instance, the term refers to the presence or the threat of a bomb within the hospital. Since the observer is generally closer to the light source, crystal orientation matters less in the formation of these pillars. Code black is a medical term used in the ABC series Grey's Anatomy, in the episode "It's The End of the World, Part 1". Pillars forming from ground-based light sources may appear much taller than those associated with the sun or moon. Despite California's attempt at standardization, in some hospitals (including the Texas Tech University hospital: see link below), Code Black denotes a bomb threat. Light pillars can also form around the moon, and around street lights or other bright lights. According to this revised coding scheme, Code Yellow denotes a bomb threat. The crystals tend to orient themselves near-horizontally as they fall or float through the air, and the width and visibility of a sun pillar depends on crystal alignment.

In light of this, HASC published a handbook titled "Healthcare Facility Emergency Codes: A Guide for Code Standardization" listing various codes and has strongly urged hospitals to voluntarily implement the revised codes. Plate crystals generally cause pillars only when the sun is within 6 degrees of the horizon, or below it; column crystals can cause a pillar when the sun is as high as 20 degrees above the horizon. While codes for fire (Code Red) and medical emergency (Code Blue) were similar in 90% of California hospitals queried, there were 47 different codes used for infant abduction and 61 for combative person. Hexagonal plate- and column-shaped ice crystals cause the phenomenon. In 2000, the Healthcare Association of Southern California (HASC) determined that a uniform code system is needed. A sun pillar appears most often as a vertical pillar or column of light rising from the sun near sunset or sunrise, though it can appear below the sun, particularly if the observer is at a high elevation or altitude. Mass Casualty is alternatively abbreviated "MASCAL". When the sun dog phenomenon is seen around the Moon rather than the Sun, it is called a mock moon, moon dog, or by the proper name paraselene.

In Military hospitals, Code Black is the medical emergency term for mass casualties, as from an epidemic or other public health threat. The crystals are hexagonal cylinders, and they have to be oriented vertically. Alternatively, Code Yellow is the term used for a bomb threat in many California hospitals. The orientation of the ice crystals involved in this process is important. For example, this term may refer to a bomb threat or a bomb being discovered in a workplace. Sun dogs are uncommon and typically appear only when a low sun shines through loose cirrus clouds, e.g., in a milky-white winter afternoon sky. Color codes denote different events at different workplaces and are not universal. Sun dogs, also known as parhelia (single parhelion), appear as near-horizontal colored spots or bars on both sides of the sun, at nearly a 22 degree angle.

jargon for various kinds of emergency situations. This sign is supposed to have prompted him to become a Christian. Code Black is U.S. Emperor Constantine I of the Roman Empire is said to have seen such a halo in 313 near Trier. Halos can also have unusual shapes, for example a cross. Atmospheric phenomena such as halos were used as an empirical means of weather forecasting before meteorology was developed.

The crystals behave like jewels, refracting and reflecting sunlight between their faces, sending shafts of light in particular directions. Sometimes in very cold weather optical halos are formed by crystals close to ground level, called diamond dust. A more Christian interpretation, less dualistic in its assumptions, is that the halo represents the light of divine grace suffusing the soul, which is perfectly united and in harmony with the physical body. Some think the halo symbolizes the saint's consciousness as 'radiating' beyond the physical body, and that it serves as a pictorial reminder to the saint's devotees of the saint's transcendence of the physical body.

Tibetan Buddhism uses halos extensively in the Thangka paintings of Buddhist saints such as Milarepa and Padmasambhava. In Pure Land Buddhism the halo is used in depicting the image of Amida Buddha. In Zen Buddhism, ink brush paintings also commonly use the halo in depictions of saints such as Bodhidharma. Halos are found in Buddhist sculpture and painting from the Gandharan period, influenced by Greek artists brought to India with the army of Alexander the Great.

The halo has been widely used in Buddhist iconography as well since at least the 1st century AD. This form of halo is still used in many popular depictions of angels and of blessed souls in heaven. During the Renaissance, when rigorous perspective came to be considered essential, the halo was changed from an aura surrounding the head to a golden ring that appeared in perspective, mysteriously floating above the heads of the saints. The term "glory" may also refer to a glowing effusion —used in art to cover up depictions of genitalia.

This whole-body image of radiance is sometimes called the 'aureole', a lemon-drop-shaped item that appears to radiate from the entire body of the saints' being. Of the many stories about saints, some reports claimed that a saint was literally glowing. Some faithful believe the halo to be equivalent to the Eastern religion aura, and as with the latter, believe that halos are visible to those with perception. In popular piety, this practice has led to the literal belief that saints' have visible halos around their heads, rather than it be understood as a metaphorical representation.

Especially noteworthy in this respect is Michelangelo Buonarroti's statue of Moses in San Pietro in Vincoli. This description was taken literally by Medieval and Renaissance artists, who depicted Moses with small horns growing from his forehead. Jerome avoided this by translating the phrase into Latin as "cornuta esset facies sua" (his face was horned). However, this would have implied a halo, which was reserved for Christian-era saints.

When Moses came down from Mount Sinai carrying the tablets of the law, he is said in the Hebrew text (Exodus 34,29) to have a glowing or radiant face. The use of halos to designate Christian saints presented a problem in the translation of the Hebrew Bible. Square halos are used to depict unusually saintly living personages. Triangular halos are used for representations of the Trinity.

A cross within a halo is used to represent Jesus. people considered as spiritually gifted. Round halos are typically used to signify saints —ie. It first appeared culture in the art of ancient Greece and Rome, and was incorporated into Christian art sometime in the 4th century.

The halo represents an aura or glow of sanctity which was most prominent around the head and was conventionally drawn as a circle. The halo has become an object of religious iconography in both Christian and Buddhist traditions. . Light is reflected and refracted by the ice crystals and may split up into colors because of dispersion, similarly to the rainbow.

The particular shape and orientation of the crystals is responsible for the type of halo observed. There are many types of optical halos, but they are mostly caused by ice crystals in cold cirrus clouds located high (5-10 km, or 3-6 miles) in the upper troposphere. Halos, also known as icebows, are also optical phenomena that appear near or around the Sun or Moon, and sometimes near other strong light sources such as street lights. In Christian sacred art (Eastern and Western churches), holy persons (saints) are depicted with a halo, a golden, yellow or white circular glow, around the head.

They are often used in religious works to depict holy or sacred figures. A halo (also known as a nimbus or Gloriole) is a ring of light that surrounds an object.