Chinatown (1974 movie)

Chinatown is a 1974 film directed by Roman Polanski. It uses many elements of the film noir genre to present a multi-layered story, part mystery and part psychological drama. The movie is highly regarded and won several high-profile awards, including an Academy Award in 1975 for Best Writing and Original Screenplay for Robert Towne.

Chinatown stars Jack Nicholson, Faye Dunaway, and John Huston. It also features a brief cameo appearance by its director, Roman Polanski.

Chinatown is consistently listed in the top 50 on the Internet Movie Database's top 250 films and has been selected for preservation in the United States National Film Registry.

A sequel, called The Two Jakes, was released in 1990. Jack Nicholson directed and starred in it. The screenplay was also written by Robert Towne.

Spoiler warning: Plot or ending details follow.

Plot

A Los Angeles detective named Jake Gittes (Jack Nicholson) is hired by a woman claiming to be Mrs. Mulwray to spy on her husband. When Gittes' photographs of Mr. Mulwray, revealing an apparent affair, appear in the papers another Mrs. Mulwray, whom we discover is the real one, appears in his office threatening to sue if he doesn't drop the case immediately. Gittes pursues the case nevertheless, slowly uncovering a vast conspiracy around water management, state and municipal corruption, land use and real estate, and involving at least one murder, further complicated by the tangled emotional relationships between the primary characters in the film.

The plot is based in part on real events that formed the California Water Wars, in which William Mulholland acted on behalf of Los Angeles interests to secure water rights in the Owens Valley.

Selected Quotations

Wikiquote has a collection of quotations by or about: Chinatown

From the first meeting between Jake and Mrs. Mulwray:

Jake, to Mrs Mulwray: "...Don't get tough with me..."
Mrs. Mulwray to Jake: "I don't get tough with anyone Mr. Gittes... My lawyer does."

Russ Yelburton, observing Jake's bandaged nose:

"You've got to be more careful; that must really smart."
"Only when I breathe."

Mrs. Mulwray conversing with Jake in the restaurant:

"Look, Hollis seems to think you're an innocent man."
"Well, I've been accused of many things, Mrs. Mulwray, but never that."

Excerpt from a phone conversation:

"Hello, Miss Sessions. I don't believe we've had the pleasure."
"Oh, yes we have. Are you alone?"
"Isn't everyone?"

Final lines:

"As little as possible. (http://www.imdb.com/title/tt0071315/board/flat/16950438)"
"Forget it, Jake. It's Chinatown."

Bibliography

  • Chinatown and The Last Detail: 2 Screenplays by Robert Towne
  • Chinatown (B.F.I. Film Classics series) by Michael Eaton (brief critical analysis)

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Final lines:. The character of Crabbin was originally meant to be two characters, to be played by Basil Radford and Naunton Wayne, who were an established comedy duet in films. Excerpt from a phone conversation:. As well as Welles' contributions, there were other significant changes between Greene's screenplay and the film. Mulwray conversing with Jake in the restaurant:. (The impact of Lime's statement is in some ways enhanced by the fact that the cuckoo clock is in fact a German invention, and the Swiss do not even have that to their credit.). Mrs. Greene has confessed that this remark was not his own invention, but rather Welles' contribution to the script.

Russ Yelburton, observing Jake's bandaged nose:. In Switzerland, they had brotherly love, five hundred years of democracy and peace, and what did that produce? The cuckoo clock.". Mulwray:. "In Italy, for thirty years under the Borgias, they had warfare, terror, murder, bloodshed — they produced Michelangelo, Leonardo da Vinci and the Renaissance. From the first meeting between Jake and Mrs. Back on the ground, he makes the now famous remark:. The plot is based in part on real events that formed the California Water Wars, in which William Mulholland acted on behalf of Los Angeles interests to secure water rights in the Owens Valley. Looking down upon the people beneath from his vantage point on top of the Riesenrad, the large Ferris wheel in the Prater amusement park, Lime compares them to ants.

Gittes pursues the case nevertheless, slowly uncovering a vast conspiracy around water management, state and municipal corruption, land use and real estate, and involving at least one murder, further complicated by the tangled emotional relationships between the primary characters in the film. In 1999 it came first in a BFI poll of British films, while in 2004 the magazine Total Film named it the third greatest British film. Mulwray, whom we discover is the real one, appears in his office threatening to sue if he doesn't drop the case immediately. The film was also voted the best British film of all time by the British Film Institute, and in public opinion polls is consistently placed in the top ten British films of all time. Mulwray, revealing an apparent affair, appear in the papers another Mrs. The film won the 1949 Palme d'Or (Golden Palm) at the Cannes Film Festival, a British Academy Award for Best Film, and an Academy Award for Best Black and White Cinematography in 1950. When Gittes' photographs of Mr. A single, The Third Man Theme, released in 1950 (Decca in UK, London Records in USA) became a bestseller, and later an LP was released.

Mulwray to spy on her husband. The distinctive musical score was composed and played on the zither by Anton Karas (1906 – 1985). A Los Angeles detective named Jake Gittes (Jack Nicholson) is hired by a woman claiming to be Mrs. The atmospheric use of black and white cinematography (by Robert Krasker), harsh lighting, distorted camera angles, combined with the unique musical theme and excellent performances from the cast, all serve to convey the atmosphere of post-War Vienna, creating the tension inherent in the story, and making this one of Reed's best-loved films. The screenplay was also written by Robert Towne. He was a very bad shot and a very bad judge of character, but he had a way with Westerns (a trick of tension) and with girls (I wouldn't know what).". Jack Nicholson directed and starred in it. I don't think he said a word to her: it was like the end of a story.

A sequel, called The Two Jakes, was released in 1990. He caught her up and they walked side by side. Chinatown is consistently listed in the top 50 on the Internet Movie Database's top 250 films and has been selected for preservation in the United States National Film Registry. Anna does walk away from Lime's grave in the book, but the text continues: "I watched him striding off on his overgrown legs after the girl. It also features a brief cameo appearance by its director, Roman Polanski. Perhaps the most fundamental difference is the end of the novella, in which it is implied that Anna and Rollo/Holly are about to begin a new life together, in stark contrast to the unmistakable snub that makes the end of the movie so memorable. Chinatown stars Jack Nicholson, Faye Dunaway, and John Huston. Popescu's character is an American called Cooler.

The movie is highly regarded and won several high-profile awards, including an Academy Award in 1975 for Best Writing and Original Screenplay for Robert Towne. Martins' first name is Rollo rather than Holly. It uses many elements of the film noir genre to present a multi-layered story, part mystery and part psychological drama. Other differences include the nationality of both Martins and Lime (they are English in the book. Chinatown is a 1974 film directed by Roman Polanski. A small portion of his narration (given to Martins in the American release, and to an unidentified, unseen and never-returned-to character voiced by Carol Reed in the British release) is retained in a modified form at the very beginning of the movie, the part in which a voiceover declaims: "I never knew the old Vienna...". Film Classics series) by Michael Eaton (brief critical analysis). The narrator in the novella is Calloway, which gives the book a slightly different emphasis from the screenplay.

Chinatown (B.F.I. Before writing the screenplay, Greene worked out the atmosphere, characterisation and mood of the story by writing a novella. This was written purely to be used as a source text for the screenplay and was never intended to be read by the general public, although Penguin Books later published it. Chinatown and The Last Detail: 2 Screenplays by Robert Towne. Most noticeably, the opening monologue, spoken by Reed himself in the original, was re-recorded by Joseph Cotten. This probably served to reduce the strongly anti-American tone of the original. The US version of The Third Man emphasises Martins' point of view much more strongly than the cut that was shown in British cinemas.

It is a common misconception that Harry Lime himself is the "third man". It is this "third man", Joseph Harbin, that the title of the film (which is essentially an elaborate MacGuffin) refers to. Martins' investigation leads to another eyewitness not associated with Lime who claims that there was a third man who helped carry Lime's body. All eyewitnesses to the accident happen to be friends or associates of Lime.

On several accounts, two of Lime's friends carried Lime's body off the street after the accident. Martins is told that Lime was struck by a truck while crossing a street. He finds that there was more to Lime than he knew and that he was accused of being a black-market racketeer, trafficking in poor quality penicillin. At the beginning of the film, Martins discovers that his old friend Harry Lime, whom he had not seen in several years, has died under mysterious circumstances just prior to Martins' arrival in Vienna.

The story is set in a bomb-damaged Vienna just after the Second World War and is told from the point of view of a mildly successful pulp author, Holly Martins, who is searching for his friend Harry Lime. The screenplay was written by novelist Graham Greene. The Third Man (1949) is a film noir directed by Carol Reed. Although it can be said that because Joseph Harbin was actually the one that was hit by the truck, and Harry Lime apparently helped carry Harbin away, perhaps it is not entirely unreasonable to refer to Harry as the "Third Man.".

This is due in part to the greater fame of Welles, and also to the fact that the film's photography is heavily influenced by Welles's style. Many people erroneously believe that Orson Welles directed the film himself. A television series was later created out of the film, with Michael Rennie starring as Harry Lime. A radio drama series called The Third Man and centring on the adventures of Harry Lime (voiced by Welles) prior to his "death in Vienna" ran for a number of seasons.

Siegfried Breuer as Popescu. Ernst Deutsch as Kurtz. Winkel. Erich Ponto as Dr.

Paine. Bernard Lee as Sgt. Wilfrid Hyde-White as Crabbin. Trevor Howard as Major Calloway.

Alida Valli as Anna Schmidt. Joseph Cotten as Holly Martins. Orson Welles as Harry Lime.