Chicago (band)Chicago is a rock band that formed in 1967 in Chicago, Illinois. Well known for being one of the first (and, indeed, one of the few) rock bands to make extensive use of horns and for producing a number of hit ballads, Chicago had a steady stream of hits throughout the 1970s and 1980s. BeginningsThe band was formed when a group of DePaul University music students began playing a series of late-night jams at clubs on and off campus. They added more members, eventually growing to seven players, and went professional as a cover band called The Big Thing. The band featured an unusual and unusually versatile line-up of instrumentalists including saxophonist Walter Parazaider, trombonist James Pankow, and trumpet player Lee Loughnane along with more traditional rock instruments. While gaining some success as a cover band, the group worked on original songs and in 1968 moved to Los Angeles, California under the guidance of their friend and manager James William Guercio, and signed with Columbia Records. Upon release of their first record in early 1969, the band took a new name, Chicago Transit Authority (the name would almost immediately be changed to simply Chicago after the real CTA objected). Chicago's heydayThe band's first album, the eponymously titled Chicago Transit Authority, was an audacious debut: a sprawling double album (unheard of for a rookie band) that included jazzy instrumentals, extended jams featuring Latin percussion, and experimental, feedback-laden guitar abstraction. The album also included a number of pop-rock gems (several of which would later be released as singles and eventually become rock radio staples), and began to receive heavy airplay on the fledgling FM radio band. The band's popularity exploded with the release of their second album, another double-LP set, which included several top-40 hits. This second album, unofficially titled Chicago II, was the group's breakthrough album. The centerpiece track was a 15-minute suite composed by James Pankow called "Ballet For A Girl In Buchannon" (the structure of this suite was inspired by Pankow's love for classical music). The suite yielded two top ten hits, "Make Me Smile", and "Colour My World". Among the other tracks on the album: keyboardist Robert Lamm's "25 Or 6 To 4" (sung by bass player Peter Cetera), and the lengthy "It Better End Soon". With that, the pattern had been set: the band, ever prolific, recorded and released music at a rate of more than two LP discs per year (always titled with the band name and a Roman numeral) from their debut in 1969 through the 1970s. Some fans say a low point of the group's early career came when they released a quadruple-album live set, At Carnegie Hall, Vols. 1-4 (Chicago IV) (consisting of music from their first three albums). The performances and sound quality were judged sub-par; in fact, one group member went on record to say that "the horn section sounded like kazoos". The group bounced back from this misstep in 1972 with their first single-disc release, Chicago V, a diverse set that reached number one on both the Billboard pop and jazz albums charts and yielded the radio hit "Saturday In the Park". Other successful albums and singles followed in each of the succeeding years. 1973's Chicago VI also topped the charts bouyed by hits "Feelin' Stronger Every Day" and "Just You and Me". Chicago VII, the band's double-disc 1974 release, featured the Cetera-composed "Wishing You Were Here" (sung by lead guitarist Terry Kath, with background vocals by The Beach Boys). The next year's release, Chicago VIII featured the political allegory "Harry Truman" and the nostalgic "Old Days". That summer saw a very successful joint tour across America with the Beach Boys, with each act performing some of the other's material. But for all their effort, none of their singles went to number one until the group's tenth album (Chicago X) in 1976, when Cetera's slow, exquisite ballad "If You Leave Me Now" went to the top of the charts. That was the song which won the group their only Grammy award for Best Rock Performance by a duo or group in 1977. Time of transition1978 was a tragic and transitional year for the band. The year began with an acrimonius split with long-time manager Guercio. Then, singer/guitarist/group founder Terry Kath died of a self-inflicted gunshot wound, delivering a devastating blow to the band. Kath's death could have meant the end for the band, but instead the group stood strong and later that year recorded and released Hot Streets, their first album without Kath and Guercio and their first album with a title rather than a roman numeral (they would return to the old naming scheme immediately afterward, for the most part). The release also marked a move somewhat away from the jazz-rock direction favored by Kath and towards more pop songs and ballads. This second phase of the band's career lasted through the 1980s with a new producer, David Foster, and again topping the charts with "Hard To Say I'm Sorry/Get Away" (from Chicago 16). The following album, Chicago 17, became the biggest selling album of the band's history, with two more Top Ten singles, "You're The Inspiration" and "Hard Habit To Break". In 1988, they topped the charts yet again with the Diane Warren composed single, "Look Away". From time to time, other artists contributed to Chicago recordings. For example, Al Green guested on a bonus track on the Chicago VI CD, while The Bee Gees guested on a track off of "Hot Streets". Chicago itself guested on a Paul Anka song, "Hold Me 'Til The Morning Comes", while the horn section made an appearance on the Bee Gees' album Spirits Having Flown. The group also contributed to movie soundtracks, such as "Two Of A Kind", "Summer Lovers", and "Days Of Thunder". The post-Cetera eraBut the conflict between Peter Cetera's style of composing and those of the rest of the group caused Cetera to leave the band in 1985 for a solo career (he topped the charts with the "Karate Kid Part II" theme song "The Glory of Love" and a duet with Amy Grant, "Next Time I Fall (In Love)"). By the end of the decade, the group planned and recorded a concept album, Stone Of Sisyphus. Their record company at the time, Warner Bros. Records, was unhappy with the finished result, and thus the album was never released officially, although in succeeding years bootleg recordings of the album have surfaced worldwide, including over the Internet. Selected tracks from the unreleased album have since been officially released on a compilation greatest hits CD box set. During 1989, they did a joint concert tour with The Beach Boys (who had years earlier sung back-up vocals for "Wishing You Were Here"). The band continued to be innovative in the decade of the 1990s, even though their popularity began to decline. In 1995, they attempted to merge their unique sound with Big Band music for their album Chicago: Night And Day (Big Band), which consisted of covers of songs originally recorded by Sarah Vaughan, Glenn Miller, and Duke Ellington (from whom the album mainly got its inspiration). During a L.A. concert in 1997, they teamed up with the Hollywood Bowl Orchestra to perform a James Pankow/Dwight Mikelson orchestral arrangement of Pankow's rock epic "Ballet For A Girl In Buchannon". In 2002, the group (minus Cetera) had the opportunity to tell their story in an episode of VH1's Behind The Music. The show, however, was not without its difficulties. The episode put more emphasis on the death of Terry Kath than their entire career combined, and Cetera completely disowned the special and went so far as to not allow VH1 to use all the songs he composed for the band, even declining to be interviewed (although stock news footage of a Cetera interview does appear). Chicago todayLead singers have changed from time to time (ranging from Bill Champlin to Jason Scheff), but the group still keeps active more than three-and-a-half decades after its founding. And as a new century turned, the band sold their entire recorded output to Rhino Records (after years with Columbia Records as well as their own label). The group continues to tour in big and small venues worldwide. Currently, they are on a joint-tour with the band Earth, Wind and Fire. Discography
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Currently, they are on a joint-tour with the band Earth, Wind and Fire. Murphy also has been stricken with cancer, and is organizing a Death tribute album to be released this year. The group continues to tour in big and small venues worldwide. James Murphy has formed numerous projects such as Disincarnate and has made a name for himself. And as a new century turned, the band sold their entire recorded output to Rhino Records (after years with Columbia Records as well as their own label). DiGiorgio is now a permanent member of both Sadus and Testament. Lead singers have changed from time to time (ranging from Bill Champlin to Jason Scheff), but the group still keeps active more than three-and-a-half decades after its founding. Ralph Santolla also ended up with Iced Earth, as did Steve DiGiorgio momentarily. The episode put more emphasis on the death of Terry Kath than their entire career combined, and Cetera completely disowned the special and went so far as to not allow VH1 to use all the songs he composed for the band, even declining to be interviewed (although stock news footage of a Cetera interview does appear). Richard Christy went on to gigs with Acheron and Iced Earth before joining the Howard Stern Show. The show, however, was not without its difficulties. Others went on to do so, such as Sean Reinert, who formed the legendary Cynic with fellow Death member Paul Masvidal. Ironically, both of these pioneering death metal musicians have ended up in a sensitive pop band laced with delicate guitars and Masvidal's soft croon, named Aeon Spoke. In 2002, the group (minus Cetera) had the opportunity to tell their story in an episode of VH1's Behind The Music. Some, such as Gene Hoglan from Dark Angel and Andy LaRocque from King Diamond, already had made a name for themselves. concert in 1997, they teamed up with the Hollywood Bowl Orchestra to perform a James Pankow/Dwight Mikelson orchestral arrangement of Pankow's rock epic "Ballet For A Girl In Buchannon". The members of Death have dispersed all throughout the landscape of extreme metal. During a L.A. But their markedly unfinished state and lack of vocals led few to pay attention to what was obviously an unlistenable product. In 1995, they attempted to merge their unique sound with Big Band music for their album Chicago: Night And Day (Big Band), which consisted of covers of songs originally recorded by Sarah Vaughan, Glenn Miller, and Duke Ellington (from whom the album mainly got its inspiration). In 2004, Hammerheart Records released a CD made up of both old, pre Scream Bloody Gore demos, and partial demos of the unfinished album, under the name Chuck Schuldiner, not Death. The band continued to be innovative in the decade of the 1990s, even though their popularity began to decline. The second Control Denied release is yet to be completed and is mired in a variety of odd legal problems involving their label, Chuck's mother, and the musicians who have publicly stated their desire to complete the album. During 1989, they did a joint concert tour with The Beach Boys (who had years earlier sung back-up vocals for "Wishing You Were Here"). And as he worked on the second release, the disease overcame him, and he passed from this earth. Records, was unhappy with the finished result, and thus the album was never released officially, although in succeeding years bootleg recordings of the album have surfaced worldwide, including over the Internet. Selected tracks from the unreleased album have since been officially released on a compilation greatest hits CD box set. As Chuck finished their debut album, he was stricken with brain cancer, forcing them to scrap plans for a tour. Their record company at the time, Warner Bros. Clendenin was cashiered in favor of Steve DiGiorgio, who was once again available, and an underground power metal singer named Tim Aymar. By the end of the decade, the group planned and recorded a concept album, Stone Of Sisyphus. After the album and a supporting tour, Chuck dissolved Death to pursue Control Denied with Christy and Hamm from his last album. But the conflict between Peter Cetera's style of composing and those of the rest of the group caused Cetera to leave the band in 1985 for a solo career (he topped the charts with the "Karate Kid Part II" theme song "The Glory of Love" and a duet with Amy Grant, "Next Time I Fall (In Love)"). Somehow this did not pan out, and he reformed the band with Florida musicians Richard Christy, Shannon Hamm, and Scott Clendenin, to record 1998's The Sound of Perseverance with his new label Nuclear Blast. The group also contributed to movie soundtracks, such as "Two Of A Kind", "Summer Lovers", and "Days Of Thunder". After Symbolic, Chuck dissolved the band and all ties with Roadrunner Records and began writing songs for Control Denied. Chicago itself guested on a Paul Anka song, "Hold Me 'Til The Morning Comes", while the horn section made an appearance on the Bee Gees' album Spirits Having Flown. Afterwards, for 1995's Symbolic, Santolla and DiGiorgio were cashiered for Kelly Conlon and Bobby Koelbe, underground Florida musicians. For example, Al Green guested on a bonus track on the Chicago VI CD, while The Bee Gees guested on a track off of "Hot Streets". Chuck replaced them with Gene Hoglan of the recently dissolved thrash metal band Dark Angel, and for Individual Thought Patterns, worked with guitarist Andy LaRocque from King Diamond, LaRocque being obligated to his band, Chuck hired Ralph Santolla as touring guitarist. From time to time, other artists contributed to Chicago recordings. In 1993, Reinert and Masvidal left the group to continue with Cynic, Chuck being unable to persuade them otherwise.
The release also marked a move somewhat away from the jazz-rock direction favored by Kath and towards more pop songs and ballads. Soon, in 1990 the entire band dissolved once again. Kath's death could have meant the end for the band, but instead the group stood strong and later that year recorded and released Hot Streets, their first album without Kath and Guercio and their first album with a title rather than a roman numeral (they would return to the old naming scheme immediately afterward, for the most part). More and more melody was added to the band. Then, singer/guitarist/group founder Terry Kath died of a self-inflicted gunshot wound, delivering a devastating blow to the band. Chuck abandoned the "gore" lyrical theme for more social critique and the musical style progressed from simple brutal death metal to complex, technical death metal. The year began with an acrimonius split with long-time manager Guercio. With whom in 1990 the third album was recorded: Spiritual Healing. 1978 was a tragic and transitional year for the band. A replacement was found in James Murphy. That was the song which won the group their only Grammy award for Best Rock Performance by a duo or group in 1977. But soon thereafter, Rick Rozz was fired in 1989 after lots of gigging around. But for all their effort, none of their singles went to number one until the group's tenth album (Chicago X) in 1976, when Cetera's slow, exquisite ballad "If You Leave Me Now" went to the top of the charts. In 1988, that lineup recorded the Leprosy album. That summer saw a very successful joint tour across America with the Beach Boys, with each act performing some of the other's material. Terry Butler, and Bill Andrews. The next year's release, Chicago VIII featured the political allegory "Harry Truman" and the nostalgic "Old Days". There he teamed up with former bandmate Rick Rozz, and two members of Rick's band Massacre viz. 1973's Chicago VI also topped the charts bouyed by hits "Feelin' Stronger Every Day" and "Just You and Me". Chicago VII, the band's double-disc 1974 release, featured the Cetera-composed "Wishing You Were Here" (sung by lead guitarist Terry Kath, with background vocals by The Beach Boys). The album was a great success, but nevertheless, Chuck decided to move back to Florida, leaving Chris Reifert behind. Other successful albums and singles followed in each of the succeeding years. He teamed up with a second guitar player named John Hand, who however never played anything for Death, but showed up on the album cover. The group bounced back from this misstep in 1972 with their first single-disc release, Chicago V, a diverse set that reached number one on both the Billboard pop and jazz albums charts and yielded the radio hit "Saturday In the Park". The Scream Bloody Gore album was released in 1987. The performances and sound quality were judged sub-par; in fact, one group member went on record to say that "the horn section sounded like kazoos". This enabled them to record the first LP. 1-4 (Chicago IV) (consisting of music from their first three albums). They recorded the "Mutilation" demo, which led to a deal with Combat Records. Some fans say a low point of the group's early career came when they released a quadruple-album live set, At Carnegie Hall, Vols. He returned to Florida, but then moved quickly to San Francisco, where he joined with Chris Reifert. With that, the pattern had been set: the band, ever prolific, recorded and released music at a rate of more than two LP discs per year (always titled with the band name and a Roman numeral) from their debut in 1969 through the 1970s. This only lasted two weeks, as he found out it was not his thing. Among the other tracks on the album: keyboardist Robert Lamm's "25 Or 6 To 4" (sung by bass player Peter Cetera), and the lengthy "It Better End Soon". There, in 1986, he got an invitation from Slaughter to play on their album, which he accepted and so he moved to Canada. The suite yielded two top ten hits, "Make Me Smile", and "Colour My World". But he was not happy with this incarnation of Death and moved back to Florida, without a band. The centerpiece track was a 15-minute suite composed by James Pankow called "Ballet For A Girl In Buchannon" (the structure of this suite was inspired by Pankow's love for classical music). Chuck moved to San Fransisco and recruted DRI's drummer Eric Bregt. This second album, unofficially titled Chicago II, was the group's breakthrough album. However, a drummer could not be found; the band dissolved again. The band's popularity exploded with the release of their second album, another double-LP set, which included several top-40 hits. Then, Chuck fired Kam and Rick in favour of Repulsion's bassist and guitarist, Scott Carlson and Matt Olivio. The album also included a number of pop-rock gems (several of which would later be released as singles and eventually become rock radio staples), and began to receive heavy airplay on the fledgling FM radio band. In 1985, the Infernal Death tape was recorded and released. The band's first album, the eponymously titled Chicago Transit Authority, was an audacious debut: a sprawling double album (unheard of for a rookie band) that included jazzy instrumentals, extended jams featuring Latin percussion, and experimental, feedback-laden guitar abstraction. Another demo was released in called "Reign of Terror". Upon release of their first record in early 1969, the band took a new name, Chicago Transit Authority (the name would almost immediately be changed to simply Chicago after the real CTA objected). New members were found by the same Rick Rozz and Kam Lee. While gaining some success as a cover band, the group worked on original songs and in 1968 moved to Los Angeles, California under the guidance of their friend and manager James William Guercio, and signed with Columbia Records. In 1984, Chuck, however, dissolved Mantas and quickly started a new band under the name of Death. The band featured an unusual and unusually versatile line-up of instrumentalists including saxophonist Walter Parazaider, trombonist James Pankow, and trumpet player Lee Loughnane along with more traditional rock instruments. These tapes along with the "Death by Metal" demo circulated through the tape trader world, quickly establishing the bands name. They added more members, eventually growing to seven players, and went professional as a cover band called The Big Thing. Together with Barney "Kam" Lee, and Rick Rozz, Chuck started to compose songs that were released on several rehearsal tapes in 1984. The band was formed when a group of DePaul University music students began playing a series of late-night jams at clubs on and off campus. They were a part of and helped define the famous Florida death metal scene. Well known for being one of the first (and, indeed, one of the few) rock bands to make extensive use of horns and for producing a number of hit ballads, Chicago had a steady stream of hits throughout the 1970s and 1980s. Founded in 1983 by Chuck Schuldiner under the original name of Mantas in Orlando, they pioneered the Death Metal sound along with Morbid Angel, Possessed. Chicago is a rock band that formed in 1967 in Chicago, Illinois. Death was an influential death metal band from America. The Very Best of Chicago: Only the Beginning (2002). Live In Eindhoven '98 (2001). Chicago XXVI - Live in Concert (1999). Live In L.A.: Death & Raw (2001). Chicago 25: The Christmas Album (1998). Sound Of Perseverance (1998). The Heart of Chicago 1967-1998 Volume 2 (1998). Symbolic (1995). The Heart of Chicago 1967-1997 (1997). Individual Thought Patterns (1993). Night and Day: Big-Band (1995). Fate: The Best Of Death (1992). Chicago Twenty 1 (1991). Human (1991). Chicago Greatest Hits (1982-1989) (1989). Spiritual Healing (1990). Chicago 19 (1988). Leprosy (1988). Chicago 18 (1986). Scream Bloody Gore (1987). Chicago 17 (1984). Mutilation (demo, 1986). Chicago 16 (1982). Back From The Dead (demo, 1985). Chicago Greatest Hits Volume II (1981). Rigor Mortis (demo, 1985). Chicago XIV (1980). Infernal Death (demo, 1985). Chicago 13 (1979). Live At Ruby's Pub (live-demo, 1984). Hot Streets (1978). Reign Of Terror (demo, 1984). Chicago XI (1977). Death By Metal (demo as Mantas, 1984). Chicago X (1976). Shannon Hamm - guitars (1996-1999). Chicago Greatest Hits (1975). Scott Clendenin - bass (1996-1999). Chicago VIII (1975). Richard Christy - drums (1996-1999). Chicago VII (1974). Bobby Koelble - guitars (1995). Chicago VI (1973). Chris Williams - drums (1996). Live in Japan (1972). Kelly Conlon - bass (1995). Chicago V (1972). Craig Locicero - guitar (1993). Live at Carnegie Hall (1971). Ralph Santolla - guitars (1993). Chicago III (1971). Andy LaRocque (Anders Allhage) - guitars (1993). Chicago II (1970). Gene Hoglan - drums (1993-1995). Chicago Transit Authority (1969). Paul Masdival - guitars (1990-1991). Skott Carino - Bass (1991-1992). Sean Reinert - drums (1991-1992). Louie Carrisalez - vocals (1990). Walter Trachsler - guitar (1990). Steve DiGiorgio - bass (1986, 1991, 1993). James Murphy - guitars (1990). Bill Andrews - guitars(1987-1990). Terry Butler - bass (1987-1990). Chris Reifert - drums (1986-1987). Albert Gonzalez - guitars (1990). John Hand - guitars (Never played anything live or on any album) (1987). Eric (last name unknown) - bass (1985). Eric Bregt - drums (1985). Matt Olivio - guitars (1985). Scott Carlson - Bass (1985). Rick Rozz (Frederick DeLillo) - guitars(1983-1985, 1987-1989). Kam Lee (Barney Lee)- drums, vocals (1983-1985). Chuck Schuldiner - rhythm and lead guitars, vocals, main songwriter (1983-1999). Time: 1983-1999. Status: Dissolved. Country: USA. Genre: Death metal. |