Bow Wow Wow

Bow Wow Wow was a New Wave band organized by Malcolm McLaren, who is better known as the man behind the Sex Pistols. McLaren used the former members of Adam & the Ants after Adam Ant's solo career began. Matthew Ashman, Leigh Gorman and David Barbarossa, along with Annabella Lwin on vocals, formed the band and began playing before Lwin quit in 1983 to pursue a solo career and the remaining trio became the Chiefs of Relief. After issuing a few albums, Ashman died from diabetes complications and Lwin and Gorman reunited to release Wild in the U.S.A. in 1998, adding Dave Calhoun and Eshan Khadaroo.

Discography (UK)

Jul 1980 C30, C60, C90, Go! b/w Sun, Sea and Piracy (EMI 5088, 45rpm single)

Dec 1980 Your Cassette Pet (EMI WOW 1, cassette EP)

  1. Louis Quatorze
  2. Gold He Said
  3. Uomo Sex Al Apache
  4. I Want My Baby On Mars
  5. Sexy Eiffel Towers
  6. Giant Sized Baby Thing
  7. Fools Rush In
  8. Radio G. String

Mar 1981 W.O.R.K. (N.O. Nah, No No My Daddy Don't) b/w C30, C60, C90, Anda (EMI 5153, 45rpm single)

Jul 1981 Prince of Darkness b/w Orang-outang (RCA 100, 45rpm single)

Oct 1981 See Jungle! See Jungle! Go Join Your Gang, Yeah. City All Over! Go Ape Crazy. (RCA RCALP 3000, 33rpm LP)

  1. Jungle Boy
  2. Chihuahua
  3. Prince of Darkness (Sinner! Sinner! Sinner!) [Instrumental]
  4. Mickey Put It Down
  5. (I'm a) TV Savage
  6. Elimination Dancing
  7. Golly! Golly! Go Buddy!
  8. King Kong
  9. Go Wild in the Country
  10. I'm Not a Know It All
  11. Why Are Babies So Wise?
  12. Orang-Outang
  13. Hello, Hello Daddy (I'll Sacrifice You)

Oct 1981 Chihuahua b/w Golly! Golly! Go Buddy! (RCA 144, 45rpm single)

Jan 1982 Go Wild in the Country b/w El Boss Dieho (RCA 175, 45rpm single)

Apr 1982 See Jungle! (Jungle Boy) / (I'm a ) TV Savage (RCA 220, 45rpm single, double A-side)

May 1982 I Want Candy b/w King Kong (RCA 238, 45rpm single)

Jul 1982 I Want Candy (EMI EMC 3416, 33rpm LP)

  1. I Want Candy
  2. Cowboy
  3. Louis Quatorze
  4. The Mile High Club
  5. W.O.R.K. (N.O. Nah No! No! My Daddy Don't) (extended version)
  6. Bow Wow Wow
  7. Fools Rush In
  8. I Want my Baby on Mars
  9. Gold He Said
  10. Sexy Eiffel Towers
  11. Radio G-String
  12. C-30, C-60, C-90 Go
  13. Sun, Sea and Piracy
  14. Uomo Sex Al Apache
  15. Giant Sized Baby Thing
  16. C-30, C-60, C-90 Anda!

Jul 1982 Louis Quatorze b/w Mile High Club (RCA 263, 45rpm single)

Sep 1982 Fools Rush In b/w Sex (instrumental) (EMI 5344, 45rpm single)

Feb 1983 When the Going Gets Tough, The Tough Get Going (RCA RCALP 6068, 33rpm LP)

  1. Aphrodisiac
  2. Do You Wanna Hold Me?
  3. Roustabout
  4. Lonesome Tonight
  5. Love Me
  6. What's the Time? (Hey Buddy)
  7. Mario (Your own Way to Paradise)
  8. Quiver (Arrows in my)
  9. The Man Mountain
  10. Rikki Dee
  11. Tommy Tucker
  12. Love, Peace and Harmony

Feb 1983 Do You Wanna Hold Me? b/w What's the Time (RCA 314, 45rpm single)

May 1983 I Want Candy (RCA RCXK 004, cassette EP)

  1. I Want Candy
  2. See Jungle
  3. Go Wild in the Country
  4. Chihuahua

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May 1983 I Want Candy (RCA RCXK 004, cassette EP). In 2004, Carpenter and his wife pledged a generous $3 Million gift to the Thousand Oaks Civic Arts Plaza Foundation in memory of Karen Carpenter. Feb 1983 Do You Wanna Hold Me? b/w What's the Time (RCA 314, 45rpm single). Today, Richard Carpenter lives with his wife in Thousand Oaks, California and is a prominent supporter of the arts there. Feb 1983 When the Going Gets Tough, The Tough Get Going (RCA RCALP 6068, 33rpm LP). Both recordings have been honored with Grammy Hall of Fame awards for recordings of lasting quality or historical significance: "We've Only Just Begun" was inducted in 1998, while "Close to You" followed in 2000. Sep 1982 Fools Rush In b/w Sex (instrumental) (EMI 5344, 45rpm single). In particular, "Close To You" is frequently sung in karaoke bars, while the duo's signature tune, "We've Only Just Begun", continues to be performed at weddings and receptions.

Jul 1982 Louis Quatorze b/w Mile High Club (RCA 263, 45rpm single). Several of their songs have achieved the status of popular standards. Jul 1982 I Want Candy (EMI EMC 3416, 33rpm LP). A tribute album by contemporary artists also appeared that year and provided an alternative rock interpretation of numerous Carpenters hits. May 1982 I Want Candy b/w King Kong (RCA 238, 45rpm single). A 1994 biography, The Carpenters: The Untold Story, by respected music journalist and biographer Ray Coleman, covered the arc of the duo's career and personal lives. Apr 1982 See Jungle! (Jungle Boy) / (I'm a ) TV Savage (RCA 220, 45rpm single, double A-side). A critical reevaluation of the Carpenters' musical output followed during the 1990s, as interest in and appreciation for the duo's recorded work increased.

Jan 1982 Go Wild in the Country b/w El Boss Dieho (RCA 175, 45rpm single). A 1989 TV movie, The Karen Carpenter Story, produced with Richard's cooperation, gained favorable notices and reached a wide audience. Oct 1981 Chihuahua b/w Golly! Golly! Go Buddy! (RCA 144, 45rpm single). Although numerous critics found Karen's portrayal to be sympathetic, the film depicted the Carpenter family in an unflattering light, and Richard prevailed in pulling the film from distribution on the basis that Carpenters tracks were used on the soundtrack without permission. City All Over! Go Ape Crazy. (RCA RCALP 3000, 33rpm LP). In 1987 he intervened to limit the distribution of the Todd Haynes short film Superstar - The Karen Carpenter Story (using Barbie dolls to relate a perspective on Karen's untimely death). Oct 1981 See Jungle! See Jungle! Go Join Your Gang, Yeah. His dedication to protecting the Carpenters' image and recording legacy has sparked criticism from some quarters, as Richard has insisted on substantial project oversight as the price for his cooperation in any documentary or drama focusing on them.

Jul 1981 Prince of Darkness b/w Orang-outang (RCA 100, 45rpm single). Following Karen's death, Richard Carpenter has continued to produce recordings of the duo's music, including several albums of previously unreleased material and numerous compilation albums. Nah, No No My Daddy Don't) b/w C30, C60, C90, Anda (EMI 5153, 45rpm single). The years of dieting and abuse proved too much strain on her heart, however, and on February 4, 1983, Karen suffered cardiac arrest at her parents' home in Downey and was pronounced dead at Downey Memorial Hospital at the age of only 32. (N.O. In 1982, Karen sought therapy with noted psychotherapist Steven Levenkron in New York City for her disorder and returned to California later that year determined to regain her professional career. Mar 1981 W.O.R.K. Personal troubles, however, dimmed the prospects of this modest return to the charts, as Karen suffered a failed marriage and the ongoing effects of her anorexia.

Dec 1980 Your Cassette Pet (EMI WOW 1, cassette EP). (The solo LP remained unreleased until 1996.) Their LP Made in America, released in 1981, spawned a final top 20 hit single, "Touch Me When We're Dancing". Jul 1980 C30, C60, C90, Go! b/w Sun, Sea and Piracy (EMI 5088, 45rpm single). The resulting product, however, met a tepid response from Richard and A&M executives in early 1980, and Karen wavered in her dedication to the project. Ultimately, she abandoned the solo effort in favor of launching a new LP with her brother, now fully recovered from his addiction. After issuing a few albums, Ashman died from diabetes complications and Lwin and Gorman reunited to release Wild in the U.S.A. in 1998, adding Dave Calhoun and Eshan Khadaroo. Her choice of more adult-oriented and dance-tempo material represented an effort to retool their image. Matthew Ashman, Leigh Gorman and David Barbarossa, along with Annabella Lwin on vocals, formed the band and began playing before Lwin quit in 1983 to pursue a solo career and the remaining trio became the Chiefs of Relief. Karen, meanwhile, decided to pursue a solo album project with renowned producer Phil Ramone in New York.

McLaren used the former members of Adam & the Ants after Adam Ant's solo career began. Richard sought treatment for his addiction at a Topeka, Kansas, facility in early 1979. Bow Wow Wow was a New Wave band organized by Malcolm McLaren, who is better known as the man behind the Sex Pistols. and Japan. Richard, meanwhile, developed an addiction to Quaaludes, which began to affect his performance in the late 1970s and led to the end of the duo's live concert appearances in 1978. Chihuahua. Karen dieted obsessively and developed the disorder anorexia nervosa, which first manifested itself in 1975, when an exhausted and emaciated Karen was forced to cancel concert tours in the U.K. Go Wild in the Country. By the mid-1970s, extensive touring and lengthy recording sessions had begun to take their toll on the duo and contributed to their professional difficulties during the latter half of the decade.

See Jungle. (A second Christmas collection, An Old Fashioned Christmas, was released in 1984 after Karen's death.) Their television specials also garnered solid ratings and kept them before the public eye during the late 1970s. I Want Candy. A second Singles album (covering the years 1974-1978) was released in the U.K., while in the States, their 1978 holiday album, A Christmas Portrait, proved an exception to their faltering career at home and became a seasonal favorite. Love, Peace and Harmony. Despite their disappointing performance on domestic charts, the Carpenters continued to enjoy enormous popularity. Tommy Tucker. charts, and the album failed to cross the gold threshold of 500,000 copies sold in the States.

Rikki Dee. Although the single release of "Calling Occupants" became a top ten hit in the U.K., it stalled at number 32 on the U.S. The Man Mountain. The most notable tracks included cover versions of "Don't Cry For Me, Argentina" (from the rock opera Evita), and Klaatu's "Calling Occupants Of Interplanetary Craft", both complete with choral and orchestral accompaniment. Quiver (Arrows in my). The LP featured an unlikely mix of Latin rock, calypso, and pop, and included the Top 40 hit "All You Get From Love is a Love Song". Mario (Your own Way to Paradise). Their more experimental album, Passage, released in 1977, marked an attempt to broaden their appeal by venturing into other musical genres.

What's the Time? (Hey Buddy). The follow-up single, the Carpenter-Bettis song "I Need to Be in Love" charted no higher than 25, while the novelty song "Goofus" failed to reach the Top 40 entirely. Love Me. The duo's highest charting single that year was a cover of Herman's Hermits' "There's a Kind of Hush", which peaked at number 12. Lonesome Tonight. Their singles releases in 1976 likewise followed a pattern of diminishing returns. Roustabout. The LPs Horizon and A Kind of Hush, released in 1975 and 1976 respectively, achieved "gold" status but failed to peak as high as previous efforts.

Do You Wanna Hold Me?. Both singles appeared on the LP Horizon, which also included covers of The Eagles' "Desperado" and Neil Sedaka's "Solitaire", which became a moderate hit for the duo that year. Aphrodisiac. Later that spring the pair scored a final top five hit with the Carpenter-Bettis song "Only Yesterday". C-30, C-60, C-90 Anda!. charts in January 1975, becoming the duo's third and final number one single. Giant Sized Baby Thing. Released in late 1974, the single soared to #1 on the U.S.

Uomo Sex Al Apache. Postman". Sun, Sea and Piracy. In early 1975 the Carpenters scaled the charts with a remake of the Marvelettes' hit "Please Mr. C-30, C-60, C-90 Go. In late 1974 a Christmas single followed, a jazz-influenced rendition of "Santa Claus Is Coming to Town". Radio G-String. charts.

Sexy Eiffel Towers. Instead the pair chose for single release the Williams-Nichols composition, "I Won't Last a Day Without You." Originally recorded as an album track for 1972's Song for You LP, the single version became the fifth and final selection from that album project to chart in the Top 20, reaching #11 on the U.S. Gold He Said. As a result, the Carpenters did not issue a new album in 1974. I Want my Baby on Mars. Extensive touring in 1973-74 left the duo with little time for recording new material. Fools Rush In. In 1973, the Carpenters were voted Best Band, Duo, or Group (Pop/Rock) at the first annual American Music Awards.

Bow Wow Wow. The recording industry, however, bestowed awards on the duo, who won three Grammy Awards during their career (including Best New Artist, and Best Pop Performance by a Duo, Group, or Chorus, for "Close to You" in 1970; and Best Pop Performance by a Duo or Group for the LP Carpenters in 1971). Nah No! No! My Daddy Don't) (extended version). With their output focused on ballads and mid-tempo pop, the duo's music was often dismissed by critics as bland and "saccharine". (N.O. The Carpenters' popularity often confounded critics. W.O.R.K. In May 1973 the Carpenters accepted an invitation to perform at the White House for President Richard Nixon and visiting West German chancellor Willy Brandt.

The Mile High Club. In 1971 the duo appeared in a television special on the BBC in the United Kingdom and were the featured performers in a summer replacement series, Make Your Own Kind of Music, which aired on NBC-TV in the U.S. Louis Quatorze. Among their numerous television credits were appearances on such popular series as American Bandstand, The Ed Sullivan Show, The Tonight Show starring Johnny Carson, and the Carol Burnett Show. Cowboy. To promote their recordings, the Carpenters maintained a staggering schedule of concert tours and television appearances during this period. I Want Candy. Several of his compositions with lyricist John Bettis became hit records, including "Goodbye to Love", "Yesterday Once More", and "Top of the World".

Hello, Hello Daddy (I'll Sacrifice You). To his role as vocalist, keyboardist, and arranger, Richard added that of composer on numerous tracks. Orang-Outang. The duo produced a distinctive sound featuring Karen's expressive contralto on lead vocals, with both siblings contributing background vocals that were overdubbed to create densely layered harmonies. Why Are Babies So Wise?. During the first half of the 1970s, the Carpenters' music was a staple of Top 40 playlists. I'm Not a Know It All. alone.

Go Wild in the Country. and the United Kingdom and became one of the bestselling albums of the decade, ultimately selling more than 7,000,000 copies in the U.S. King Kong. A greatest hits LP, titled The Singles: 1969-1973, topped the charts in the U.S. Golly! Golly! Go Buddy!. "Top of the World", an album selection on the Song for You LP, was covered by country artist Lynn Anderson, became a word-of-mouth hit and was re-recorded for single release in 1973, reaching number one on the Top 40 late that year. Elimination Dancing. A string of hit singles and albums kept the Carpenters on the charts through the early 1970s, including "For All We Know", "Rainy Days and Mondays", and "Superstar" (all from the LP, Carpenters) in 1971; "Hurting Each Other", "It's Going to Take Some Time", and "Goodbye to Love" (from the LP, A Song for You) in 1972; "Sing" and "Yesterday Once More" (from the LP, Now and Then) in 1973.

(I'm a) TV Savage. The single scored high on the holiday charts in 1970 and made repeat appearances on the charts in subsequent years. Mickey Put It Down. The duo rounded out the year with a holiday release, "Merry Christmas Darling", which Richard co-wrote with Frank Pooler, who had been the duo's choral director at Long Beach State. Prince of Darkness (Sinner! Sinner! Sinner!) [Instrumental]. A follow-up recording, "We've Only Just Begun" (written by Paul Williams and Roger Nichols), reached #2 to become the duo's second major hit in the fall of 1970, and helped catapult the album featuring both hits (titled Close to You) to bestseller status. Chihuahua. The Carpenters achieved their breakthrough in 1970 with the release of the Burt Bacharach-Hal David song, "(They Long to Be) Close to You", which rose to #1 and stayed atop the charts for four weeks.

Jungle Boy. The most significant track on the album, though, was a ballad rendition of The Beatles' hit "Ticket to Ride", which soon became a minor hit for the Carpenters, and the LP was subsequently retitled Ticket to Ride with somewhat improved sales. String. Their initial LP, titled Offering, featured numerous selections that Richard had written or co-written during their Spectrum period. Radio G. They sent out demo tapes and eventually attracted the attention of Herb Alpert, who signed the duo to his label, A&M Records, in 1969. Fools Rush In. After Spectrum folded, the Carpenters decided to continue as a duo, with Richard on keyboards, Karen on drums, and both contributing vocals.

Giant Sized Baby Thing. Nevertheless, the experience proved rewarding for the siblings, as Richard found a lyricist for his original compositions in fellow Spectrum member John Bettis. Sexy Eiffel Towers. Although the new group landed club dates at such venues as the Whisky A Go-Go, no record deal was forthcoming. I Want My Baby On Mars. Richard and Karen next teamed with four other student musicians from Long Beach State to form the sextet Spectrum. Uomo Sex Al Apache. The label chose not to release their songs, however, and doubting their commercial potential, RCA soon dropped the trio.

Gold He Said. Winning the Hollywood Bowl "Battle of the Bands" in 1966, the trio was picked up by the RCA label. Louis Quatorze. During this period, the pair, joined by bassist friend Wes Jacobs, formed the Richard Carpenter Trio, a jazz instrumental group. The resulting single included two of Richard's compositions, "Looking for Love" and "I'll Be Yours", but the label soon folded, bringing this promising start to a close. Asked to sing, Karen performed and landed a short-lived recording contract as a solo artist with Osborn's flegling label Magic Lamp.

bassist Joe Osborn, where Richard was to accompany an auditioning vocalist. In May 1966 Karen joined Richard in attending a late night session in the garage studio of L.A. During the mid to late 1960s, the two attempted to launch a musical career but failed to gain a successful recording deal until the decade's end. Karen, meanwhile, did not manifest her musical talents until high school, when she joined the band and soon mastered the drums.

The move to southern California was intended in part to foster his budding musical career. Richard had developed his interest in music at an early age, becoming a piano prodigy. Born in New Haven, Connecticut, USA, (Richard on October 15, 1946, and Karen on March 2, 1950), the Carpenter siblings moved with their parents to California in 1963 and settled in the Los Angeles suburb of Downey. With their brand of melodic pop, they charted a score of hit recordings on the American Top 40, becoming leading exponents of the "soft rock" or adult contemporary genre and ranking among the foremost recording artists of the decade.

The Carpenters were a 1970s vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. Ray Coleman; The Carpenters: The Untold Story; Harper Collins Publishers; ISBN 0-06-018345-4 (1st edition, paperback, 1994).

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