Badfinger

Badfinger was a British band from the 1960s and 70s. Their meteoric rise and tragic demise became a cautionary tale for the rock music industry. Once widely touted as the heir apparent to the Beatles, Badfinger is now seldom remembered outside their native land of Wales.

The band originated with guitarist/keyboardist Pete Ham (1947-75) and a group called The Panthers. Members changed to resemble the first band line-up, with Ron Griffiths on bass guitar and Dai Jenkins on guitar. The trio formed a band called the Iveys, named after a street in Swansea, Wales. By 1965, Mike Gibbins had joined as the drummer, and the band began playing locally with such groups as the Spencer Davis Group, the Who, the Moody Blues and the Yardbirds. The following year, with manager Bill Collins, Badfinger worked in London, both for David Garrick, a local singer, and as a solo act. In 1967, Dai Jenkins left and was replaced by Tom Evans.

This line-up signed with the Beatles label Apple Records in 1968 and Paul McCartney soon became enamored with the group's vocal sound, if not their unassuming name. He proposed a change to his proteges, still known as the Iveys.

John Lennon wanted to call the band "Glass Onion", but no one liked the name. (Lennon later used the name for one of his comical songs on the White Album). Instead, The Iveys chose another Beatles-inspired moniker: "Badfinger." This was a reference to "Badfinger Boogie", an early working title of "With a Little Help from My Friends," from "Sgt. Pepper's Lonely Hearts Club Band".

Studio recording was difficult for Badfinger, with many failed attempts at a single occurring before the group finally offered "Maybe Tomorrow" in 1968. The single did well in the Netherlands and Germany, but not so well in England or the United States. Business and personal problems with Apple Records also contributed to the record's failure. However, enough interest was generated to keep the band alive for another year.

Paul McCartney wrote the band's breakthrough song, "Come and Get It", intended for part of the soundtrack to The Magic Christian. It was a hit throughout Europe and the United States, where it reached the Top Ten. Ron Griffiths soon quit the band to spend more time with his family. After the departure of Griffiths, the band reorganized into their definitive lineup. Tom Evans became the bassist, while guitarist Joey Molland joined in time to tour in support of Magic Christian Music, the band's first major outing.

The band's career began increasing exponentially in 1969. "Come and Get It", "Carry on Tomorrow" and "Rock of All Ages" were popular singles in the U.K. The band recorded many sessions for fellow Apple Records labelmates, notably George Harrison's All Things Must Pass," and John Lennon's Imagine."

In 1970, Badfinger released the album No Dice, the group's first true album. The riff-heavy "No Matter What" has endured well on classic rock stations, while "Without You", became a bigger hit when sung by Harry Nilsson and Mariah Carey. One wonders at the potential songwriting talents of Pete Ham and Tom Evans, had their partnership survived the coming tragedies.

Badfinger subsequently found a new manager in Stan Polley, who would prove their downfall. The group toured in America, where their debut album had been well-received, but the group still saw no money and felt like they were living in the shadow of the Beatles. Some music critics had made unfavorable comparisons, during the anti-Beatles backlash that ensued, following the Fab Four's breakup in 1970.

Badfinger's second album, Straight Up came out in 1971, including "Day After Day", "Baby Blue" and "Name of the Game", all popular singles on both sides of the pond. 'Straight Up' was hailed as the most requested CD release in Goldmine magazine during the early 1990s. Both George Harrison and Todd Rundgren took production credits on perhaps their most commercially successful record. The group also performed during the Concert for Bangladesh, raising their critical stock even further among the rock intelligentsia.

Unfortunately, Apple Records' finances were in chaos. Straight Up was not marketed effectively. Meanwhile, Stan Polley had been withholding income from the band members as they toured and recorded nonstop. Their last Apple album was Ass (1973), with a satirical record cover of a donkey following a carrot on a stick -- a theme more recently purloined by American band Styx. Unlike its predecessors, Ass lacked hit singles, and fared poorly in the charts. Further problems recording Badfinger's fifth album led to Polley negotiating a multi-million dollar deal with Warner Brothers Records.

Ass was almost immediately followed by the first Warner Brothers release, Badfinger. With the band's popularity in America at its peak, they recorded Wish You Were Here in late (1974). These last two Badfinger albums had more in common with another Beatles-inspired rock band that had just emerged, namely Queen. But American and British critics panned these albums as bland and disappointing.

After the 1974 U.S. tour, severe financial problems plagued the group. Large amounts of money disappeared from their account. Subsequently, the band lost their contract with Warner Brothers, who pulled "Wish You Were Here" from store shelves in early 1975. Disgusted with Badfinger's infighting over money and songwriting credits, Peter Ham left the band to focus on his songwriting. He was replaced by Bob Jackson, who remained as keyboardist when Ham rejoined for the "Head First" sessions. Unfortunately, this album would never see light of day.

In March 1975, Pete Ham hanged himself in his garage studio in Surrey. His suicide letter blamed Stan Polley, "a soulless bastard," for the group's misfortunes, a tragic irony since Ham had been most supportive of Polley's management early on. For years afterward, lawsuits and bankruptcies haunted Badfinger on both sides of the Atlantic. Ham also left behind a widow and a daughter, Petera.

With Pete Ham's suicide, Badfinger had lost their arguably most talented member. However, Joey Molland had emerged as a songwriter during the band's recording career. Together with American session musicians, he and Tom Evans revitalized the Badfinger lineup, without Mike Gibbins. However, ego problems and lineup changes stalled the recording in 1977.

Airwaves came out in 1978, with Peter Clarke (Stealers Wheel) on drums and Tony Kaye (Yes) on keyboards. However, the poorly-recorded album fared poorly, and the band was reduced to playing small-time venues in the U.S and Britain. Tony Kaye later rejoined Yes.

Ultimately, Tom Evans and Joey Molland split acrimoniously in 1979. They briefly operated rival bands, both using the name Badfinger. In 1983, Tom Evans hanged himself at his home, in an eerie replay of Pete Ham's 1975 death scene. For all intents, Badfinger was over.

Since Tom Evans' death, Joey Molland and Mike Gibbins have alternated between recording projects and Badfinger live albums and compilations. Molland now lives in America, where he has been writing a definitive band history. The Cleveland Agora concert of 1974 reveals a band that capably straddled the 1960s melodic Beatles era and the power-pop of the 1970s.

In 1999, a new collection of posthumous Pete Ham recordings revealed his unfulfilled promise as a gifted rock musician. More recently, the City of Swansea planned a museum exhibit, commemorating the Welsh members of Badfinger.


Further reading

  • Dan Mantovini: Without You: The Tragic Story of Badfinger. ISBN 0965712214



Joey Molland makes his home in the Minnetonka area of Minnesota, and performs frequently in the region as "Badfinger". Still pretty good! - Dan Parlin


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Still pretty good! - Dan Parlin.
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Joey Molland makes his home in the Minnetonka area of Minnesota, and performs frequently in the region as "Badfinger". Moby covers their song "Sailin' On" for the Never Give In: A Tribute to Bad Brains (1999, Century Media) tribute album to the band.
. Both the Beastie Boys and Minor Threat opened for Bad Brains early in their careers and credit the band for helping inspire them early on.
. Other bands like 311, No Doubt, and Rage Against the Machine have stated Bad Brains as significant influences to their style and have covered Bad Brains songs.

More recently, the City of Swansea planned a museum exhibit, commemorating the Welsh members of Badfinger. Bad Brains were among the first hardcore bands. In 1999, a new collection of posthumous Pete Ham recordings revealed his unfulfilled promise as a gifted rock musician. Henry Rollins--one of H.R.'s temporary replacements as vocalist--considered Bad Brains among the most important rock bands, and Dave Grohl stated they were the "greatest live band ever.". The Cleveland Agora concert of 1974 reveals a band that capably straddled the 1960s melodic Beatles era and the power-pop of the 1970s. The band hasn't toured since 2000, and is considered to be split yet again. Molland now lives in America, where he has been writing a definitive band history. In 2003, however, the band, now able to use the name Bad Brains, I and I Survived, an album devoted entirely to dub and reggae; many fans had been pushing for such an album for years.

Since Tom Evans' death, Joey Molland and Mike Gibbins have alternated between recording projects and Badfinger live albums and compilations. Unfortunately, the band hasn't toured since. For all intents, Badfinger was over. A live album, A Bad Brains Reunion Live From Maritime Hall was released in 2000. In 1983, Tom Evans hanged himself at his home, in an eerie replay of Pete Ham's 1975 death scene. Four years later in 1999, the original lineup, due to legal issues, toured under the name Soul Brains. They briefly operated rival bands, both using the name Badfinger. Bad Brains broke up after the tour.

Ultimately, Tom Evans and Joey Molland split acrimoniously in 1979. attacked the group's manager and brother Earl before a show in Montreal with the Beastie Boys. Tony Kaye later rejoined Yes. Earlier that year, again allegedly high, H.R. However, the poorly-recorded album fared poorly, and the band was reduced to playing small-time venues in the U.S and Britain. At a show in Lawrence, Kansas in 1995, H.R.--while allegedly high on mushrooms--bashed a mic stand against the skull of a fan (some say a skinhead who was taunting him). Airwaves came out in 1978, with Peter Clarke (Stealers Wheel) on drums and Tony Kaye (Yes) on keyboards. Filled with more reggae than ever before, the album, despite lots of press and major promotion, failed to widen the band's audience.

However, ego problems and lineup changes stalled the recording in 1977. With the original band back together for the first time in five years, an old fan from the band's punk days, Madonna, signed the Brains to her Maverick Records for the 1995 release God of Love. Together with American session musicians, he and Tom Evans revitalized the Badfinger lineup, without Mike Gibbins. and Earl. However, Joey Molland had emerged as a songwriter during the band's recording career. Sales were weak, however, and Israel and Mackie were sacked to make room for the return of H.R. With Pete Ham's suicide, Badfinger had lost their arguably most talented member. Mixing jazz, punk, reggae, pop, funk, and rock, Rise was by far the most diverse album the group had released.

Ham also left behind a widow and a daughter, Petera. Rise was released in 1993 and remains one of the band's strongest albums. For years afterward, lawsuits and bankruptcies haunted Badfinger on both sides of the Atlantic. clone named Israel Joseph I (he sounded almost exactly like H.R.). His suicide letter blamed Stan Polley, "a soulless bastard," for the group's misfortunes, a tragic irony since Ham had been most supportive of Polley's management early on. Know and Daryl Jenifer replaced them with former Cro-Mags drummer Mackie Jayson, and a young H.R. In March 1975, Pete Ham hanged himself in his garage studio in Surrey. Dr.

Unfortunately, this album would never see light of day. and Earl weren't interested, as they were concentrating strictly on reggae. He was replaced by Bob Jackson, who remained as keyboardist when Ham rejoined for the "Head First" sessions. However, H.R. Disgusted with Badfinger's infighting over money and songwriting credits, Peter Ham left the band to focus on his songwriting. Know was approached by Sony Records in 1993 to offer the band a major label record deal. Large amounts of money disappeared from their account. Subsequently, the band lost their contract with Warner Brothers, who pulled "Wish You Were Here" from store shelves in early 1975. As bands influenced by Bad Brains enjoyed commercial success (like Living Colour and Fishbone), Dr.

tour, severe financial problems plagued the group. Soon thereafter, Bad Brains broke up again. After the 1974 U.S. was replaced by former Faith No More vocalist Chuck Mosley. But American and British critics panned these albums as bland and disappointing. Therefore, during the Quickness tour, H.R. These last two Badfinger albums had more in common with another Beatles-inspired rock band that had just emerged, namely Queen. Charges of homophobia dogged the band,especially H.R.; his frequent unreliability cost the band a number of perfoming opportunities.

With the band's popularity in America at its peak, they recorded Wish You Were Here in late (1974). Know and Jennifer were increasingly interested in heavy metal music. Ass was almost immediately followed by the first Warner Brothers release, Badfinger. He and his brother, drummer Earl Hudson, wanted to devote the band to reggae, while Dr. Further problems recording Badfinger's fifth album led to Polley negotiating a multi-million dollar deal with Warner Brothers Records. was mildly schizophrenic (even being hospitalized for a period [3] (http://www.crispinsartwell.com/hc.htm)) and was notoriously tempermental, sometimes refusing to perform at scheduled concerts. Unlike its predecessors, Ass lacked hit singles, and fared poorly in the charts. Bad Brains were plagued with internal tensions nearly from their beginning: H.R.

Their last Apple album was Ass (1973), with a satirical record cover of a donkey following a carrot on a stick -- a theme more recently purloined by American band Styx. The band had their first MTV video with "Soul Craft." The album continued where I Against I left off, yet with a heavier sound and featuring the return of reggae with "The Prophet's Eye.". Meanwhile, Stan Polley had been withholding income from the band members as they toured and recorded nonstop. Finally, they signed to a major label in the late 1980s to release Quickness in 1989. Straight Up was not marketed effectively. Despite the success of I Against I, Bad Brains broke up again after spening most of 1987 on the road. Unfortunately, Apple Records' finances were in chaos. Know sounded a bit like a punked-out Eddie Van Halen, and there was an outright love song in "She's Calling You." Also praised is H.R.'s performances: He "digs deep into his bag of voices and pulls them all out, one by one: the frightening nasal falsetto that was his signature in the band's hardcore days, an almost bel canto baritone, and a declamatory speed-rap chatter that spews lyrics with the mechanical precision of a machine gun."[2] (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:x95g8qbtbtz4~T1).

The group also performed during the Concert for Bangladesh, raising their critical stock even further among the rock intelligentsia. Dr. Both George Harrison and Todd Rundgren took production credits on perhaps their most commercially successful record. As the title track demonstrated, Bad Brains could still play at jaw-droppingly fast tempos, but there was also a new variety: There was much more melody, slower grooves, and straight-ahead heavy metal (but, surprisingly, no reggae). 'Straight Up' was hailed as the most requested CD release in Goldmine magazine during the early 1990s. SST Records released I Against I, sometimes seen as their finest recording. Badfinger's second album, Straight Up came out in 1971, including "Day After Day", "Baby Blue" and "Name of the Game", all popular singles on both sides of the pond. In 1986, Bad Brains were back.

Some music critics had made unfavorable comparisons, during the anti-Beatles backlash that ensued, following the Fab Four's breakup in 1970. H.R. began a solo career devoted to reggae music (with Hudson on drums), releasing two albums in 1984 and 1985. The group toured in America, where their debut album had been well-received, but the group still saw no money and felt like they were living in the shadow of the Beatles. In 1984, the Bad Brains broke up; it was the first of many splits. Badfinger subsequently found a new manager in Stan Polley, who would prove their downfall. seemed to reflect Bad Brains' music: one minute calm while espousing peace and love, and the next minute an aggressive, sometimes violent man. One wonders at the potential songwriting talents of Pete Ham and Tom Evans, had their partnership survived the coming tragedies. H.R.

The riff-heavy "No Matter What" has endured well on classic rock stations, while "Without You", became a bigger hit when sung by Harry Nilsson and Mariah Carey. The band fought constantly with volatile singer H.R., who is mildly schizophrenic. In 1970, Badfinger released the album No Dice, the group's first true album. These two albums, containing only hardcore thrash punk or mellow reggae, were landmarks, influencing an entire generation of musicians, including the Beastie Boys, Red Hot Chili Peppers, Living Colour, Rage Against the Machine, and arguably hundreds more. The band recorded many sessions for fellow Apple Records labelmates, notably George Harrison's All Things Must Pass," and John Lennon's Imagine.". Their self-titled debut album was released on New York's ROIR Records in December 1981, followed in 1983 by Rock for Light, produced by Ric Ocasek of The Cars. The band's career began increasing exponentially in 1969. "Come and Get It", "Carry on Tomorrow" and "Rock of All Ages" were popular singles in the U.K. [1] (http://www.breakmyface.com/bands/badbrains.html).

Tom Evans became the bassist, while guitarist Joey Molland joined in time to tour in support of Magic Christian Music, the band's first major outing. The band subsequently relocated to New York City. After the departure of Griffiths, the band reorganized into their definitive lineup. area clubs and performance venues (later addressed in their song, Banned in D.C.). Ron Griffiths soon quit the band to spend more time with his family. In 1979, Bad Brains found themselves the subject of an unnoficial ban among many Washington D.C. It was a hit throughout Europe and the United States, where it reached the Top Ten. was a muscular and unpredictable stage performer with a very wide vocal range who often leaped into the audience or onto amplifiers.

Paul McCartney wrote the band's breakthrough song, "Come and Get It", intended for part of the soundtrack to The Magic Christian. H.R. However, enough interest was generated to keep the band alive for another year. Their music still contained hints of their progressive rock past, with quick time changes and H.R.'s fluctuating vocal dynamics. The single did well in the Netherlands and Germany, but not so well in England or the United States. Business and personal problems with Apple Records also contributed to the record's failure. Bad Brains' emphasis on extreme speed--especially in their early records and performances--are often regarded as influencing or perhaps even establishing hardcore punk. Studio recording was difficult for Badfinger, with many failed attempts at a single occurring before the group finally offered "Maybe Tomorrow" in 1968. Their considerable musical technique--due in part to their jazz and progressive rock roots--set them apart from other Washington DC punk groups, who were typically earnest, but often amateurish performers.

Pepper's Lonely Hearts Club Band". The band developed an early reputation in Washington, DC due in part to the relative novelty of an entirely Black band playing punk rock (though other all-Black punk bands existed at the time, punk was largely a white phenomenon), but also due to their high-energy performances and their undeniable talent. Instead, The Iveys chose another Beatles-inspired moniker: "Badfinger." This was a reference to "Badfinger Boogie", an early working title of "With a Little Help from My Friends," from "Sgt. The band also soon converted to Rastafarianism, becoming devout followers of late Ethiopian emperor Hallie Selasie I and reggae legend Bob Marley. Despite their burgeoning punk sound, the early Bad Brains also delved deep into reggae music. (Lennon later used the name for one of his comical songs on the White Album). Hudson, brother of the drummer Earl Hudson. John Lennon wanted to call the band "Glass Onion", but no one liked the name. Via McCray, Mind Power became obsessed with punk rock, and changed their name to The Bad Brains, after a Ramones song of the same name -- but with the word, 'bad,' in the sense of 'powerful.' Before the band recorded, McCray was replaced by singer H.R.

He proposed a change to his proteges, still known as the Iveys. Mind Power's members were talented musicians. In 1978, McCray introduced the rest of the band -- who were already interested in bands such as Black Sabbath -- to punk rock, including the Dickies, the Dead Boys, and the Sex Pistols. This line-up signed with the Beatles label Apple Records in 1968 and Paul McCartney soon became enamored with the group's vocal sound, if not their unassuming name. The band was first founded as a fairly ordinary jazz-fusion ensemble called Mind Power, with singer Sid McCray, in the mold of bands such as Return to Forever and the Mahavishnu Orchestra. In 1967, Dai Jenkins left and was replaced by Tom Evans. Know, bass guitarist Darryl Jennifer, and drummer Earl Hudson. The following year, with manager Bill Collins, Badfinger worked in London, both for David Garrick, a local singer, and as a solo act. Hudson, guitarist Dr.

By 1965, Mike Gibbins had joined as the drummer, and the band began playing locally with such groups as the Spencer Davis Group, the Who, the Moody Blues and the Yardbirds. But the group's classic line-up has been singer H.R. The trio formed a band called the Iveys, named after a street in Swansea, Wales. The Bad Brains broke up and reformed several times over the years (most recently as The Soul Brains), sometimes with different singers and/or drummers. Members changed to resemble the first band line-up, with Ron Griffiths on bass guitar and Dai Jenkins on guitar. The Bad Brains were also notable as religious Rastafarians. The band originated with guitarist/keyboardist Pete Ham (1947-75) and a group called The Panthers. They were also an adept reggae band, in a sort of Jeckyll-and-Hyde arrangement (the band never mixed styles in any given song), while later recordings featured elements of funk and heavy metal.

Once widely touted as the heir apparent to the Beatles, Badfinger is now seldom remembered outside their native land of Wales. The Bad Brains are arguably the first hardcore punk band, although many exceptions and questions remain as to this claim. Their meteoric rise and tragic demise became a cautionary tale for the rock music industry. Originally formed as a jazz-fusion ensemble, they developed an often startlingly fast and intense punk rock sound, which was both musically complex and more extreme that most of their punk rock contemporaries. Badfinger was a British band from the 1960s and 70s. Though the band found little mainstream success, they are often regarded as one of the most adept and influential groups of their time. ISBN 0965712214. The Bad Brains were an all-Black hardcore punk and heavy metal band, originally formed in Washington, DC in 1977.

Dan Mantovini: Without You: The Tragic Story of Badfinger. I and I Survived (2003, DC Records). A Bad Brains Reunion Live From Maritime Hall (1999, SST Records). God of Love (1995, Maverick Records). Rise (1993, Epic Records).

Quickness (1989, Caroline Records). Live (1988, SST Records). Youth Are Getting Restless: Live in Amsterdam (1987, Caroline Records). I Against I (1986, SST Records).

Rock for Light (1983, Caroline Records). Bad Brains (1982, ROIR Records). The Omega Sessions (demo tracks recorded in 1980). Black Dots (demo tracks recorded in 1978).

Mackie Jayson - drums (1993-1994). Israel Joseph I - vocals (1993-1994). Chuck Mosely - vocals (1990). Earl Hudson - drums (1978-1990, 1995 - ?).

Daryl Jenifer - bass (1978 - ?). Know - guitar (1978 - ?). Dr. - vocals (1978-1990, 1995 - ?).

H.R.