Audi A6

The new Audi A6 (the sixth-generation) has been drawn by Italian Walter Dà Silva. Whitburn, Joel, The Billboard Book of Top 40 Hits, 1992
Wilson, Brian (with Todd Gold), Wouldn't It Be Nice, My Own Story, 1991. The updated 2005 A6 won the World Car of the Year award for 2005. Three albums have been released since the group's split. The A6 was on Car and Driver magazine's Ten Best list for 2000 and 2001. ("The Beach Boys Band") -- members of the current touring band along with Love and Johnston. The C6 design was available with the following engines:. The group was inducted into the Rock and Roll Hall of Fame in 1988 (see here) and into the Vocal Group Hall of Fame in 1998 (see here).

It is powered by a Lamborghini-derived V10. While he will vigorously defend himself he is deeply saddened that his cousin Mike Love has sunk to these depths for his own financial gain.”. The sporting S6 was introduced in the Frankfurt Motor Show, with sales beginning in early 2006. Brian Wilson’s website listed the following statement in response: “The lawsuit against Brian is meritless. The Allroad model is slated to make its debut during 2006. There has been speculation that Love's lawsuit is an attempt to pressure Wilson into agreeing to let Love continue to use the profitable Beach Boys name for his and Johnstone's touring efforts [5]. The Avant arrived during the course of 2005, while in China, a longer version was introduced in the same year, named A6 L (the A8 is not sold in this country). I simply want to stop the infringers and stop the deception!”[4].

Like the previous model, the A6 is available with other body options. Because of Brian’s mental issues he has always been vulnerable to manipulation. Quattro four wheel drive is available in most of the lineup, and standard in the most powerful models. Unfortunately, history repeats itself. The Multitronic automatic transmission continues as an alternative alongside a new 6-speed Tiptronic gearbox available in the high end models. Mike has stated: “Once again the people around Brian, my cousin and collaborator on many hits, who I love and care about, have used him for their own financial gain without regard to his rights, or my rights, or even the rights of the estates of his deceased brothers, Carl and Dennis, and their children.. Although the line of engines represents the same progression as the former model, all engines were new. He is seeking several million dollars in damages, and also a million dollars to cover costs of advertising to correct the perceived damage to the band's reputation.

On the engine side the new FSI direct injection technology was introduced for the first time outside the race track. ' Love also says that the Smile CD and "Good Vibrations" were marketed using The Beach Boys’ names and images without permission. Most notably is the MMI (Multi Media Interface) which is an optional system controlling radio, satellite navigation, climate control and (when available) suspension settings through a central screen interface. This free CD, Love alleges, includes five of Mike Love and Brian Wilson’s co-authored hit Beach Boys songs, and was done to promote Brian Wilson's solo CD, Smile. The new model is a larger car (492 cm) with more sophisticated technology. Love alleges that the UK publication The Mail on Sunday and Brian Wilson’s representatives gave the false impression to the readers of The Mail on Sunday that their joint promotional giveaway of nearly three million copies of the CD called "Good Vibrations" was authorized by Mike Love and The Beach Boys. The new A6 (C6-design) came in 2004. In November 2005, Mike Love filed another lawsuit against Brian Wilson.

The C5 design was available with the following engines:. In interviews, Mike revealed that on some songs he wrote most of the lyrics, on others only a line or two. This model saw the end of the C5 design which was replaced in 2004 by a new model. Soon after Brian won his case, Mike Love sued him to gain credit for his co-authorship of a number of important Beach Boys songs, including "Catch A Wave," "I Get Around," "When I Grow Up," "Be True To Your School," "Help Me Rhonda," "I Know There's An Answer," and numerous others. Producing a staggering 450 PS (331 kW) and 560 Nm (413 ft.lbf), it propels the A6 from 0-100 km/h in 4.7 sec and on to 200 km/h in under 18 seconds. The second lawsuit stemmed from Brian's reclamation of his publishing rights. In the late years of the A6 C5 design, a monstrous Audi RS6 model was presented. Brian successfully argued that he had not been mentally fit to make an informed decision and ownership of the catalog reverted to him.

A four wheel drive version of the estate with raised ground clearance and slightly altered styling was sold as the Audi Allroad Quattro, Audi's first crossover SUV. The first was Brian's suit to reclaim the rights to his songs and the group's publishing company, Sea Of Tunes, which he had signed away to his father in 1967. All models, except the 2.0 petrol and 1.9 TDI, were available with Audi's four wheel drive system, quattro. In addition to the challenges over the use of the band's name and over the best way to care for Brian, there were three significant legal cases involving the Beach Boys in recent years. Also new was the revolutionary Multitronic drive by wire continuously variable transmission, available in most front wheel drive models in the lineup. But Landy became increasingly possessive of his star patient and was fired after it became apparent that he was using his control over Brian for his own benefit. A new more powerful V6 diesel was also introduced presenting 180 bhp and 370 nm. He successfully treated Brian's drug dependence, and by 1987 Brian had recovered sufficiently to record his first solo album.

The V6 Diesel was also slightly modified resulting in 163 PS (120 kW) (after the second modification) and 350 Nm (258 ft.lbf). Landy did achieve some significant improvements in Brian's overall condition; from Brian's own admissions about his massive drug intake, it's highly likely that Brian would have died if Landy had not intervened. The turbocharged 2.7 L was given a tweak on the turbo resulting in 250 PS (184 kW) and 330 Nm (244 ft.lbf), controlled by standard quattro. In the mid 1970s the band hired controversial therapist Eugene Landy in an attempt to help Brian. The 2.4's power was slightly upgraded and the 2.8 V6 was replaced by a 3.0 L engine boosting 220 PS (162 kW). Many legal problems arose from Brian's psychological issues. The 1.9 L TDI was tweaked into producing a maximum of 130 PS (96 kW) and 310 Nm (228 ft.lbf), receiving a 6-speed gearbox in the process. Jardine now tours with the Endless Summer Band which includes his two sons, Hinsche, and several other performers.

The 1.8 L engine was removed and replaced by a 2.0 L powerplant with 130 PS (96 kW). Al Jardine toured for a while with the Beach Boys Family & Friends (which for legal reasons quickly became Alan Jardine Family & Friends Beach Band), featuring his sons Matt and Adam, Brian's daughters Carnie and Wendy, and Carl's brother-in-law Billy Hinsche, among others. In 2000 the A6 received a facelift which saw little change in the design of the car but presented a few notable changes in terms of engines. They then recorded a new studio version of Smile using vintage recording equipment and including sessions at the fabled Sunset Sound Studios in Hollywood, where some of the original recordings were made. The Avant body arrived in 1998. In 2003 and 2004, Brian and Van Dyke Parks reunited to complete the unfinished sections of Smile, and in 2004 Brian and his band toured the world performing a live concert version of the album. As an alternative to the manual transmission, a 5-speed Tiptronic automatic transmission was also available. Their note-perfect live performances of the entire Pet Sounds album earned some of the most glowing concert reviews of Brian's career, with some commentators calling the shows "the concert of a lifetime".

The crisp 30-valve 2.4 and 2.8 V6 engines represented the bulk of the A6's development programme, but the resilient 2.5 V6 TDI and the powerful all-new Audi S6 were the flagships. To the surprise and delight of fans around the world, Brian Wilson has mounted several major tours under his own name with a band containing members of The Wondermints and led by former Beach Boys guitarist Jeff Foskett plus other supporting musicians. The new A6 presented itself with a wide range of engines and configurations. Love and Johnston have often hinted at a new Beach Boys studio album, but as of this writing at the end of 2005, nothing has yet appeared. With the introduction of an ambitious new design (C5) and a new pack of engines, the A6 moved up a notch and was positioned alongside the hegemonious BMW 5-Series and the solid Mercedes E-class. Despite the deaths of two original Beach Boys, the band continues to this very day, one of the busiest bands on the circuits. In 1997 the scene changed strikingly for the A6. He joined in the singing, and can be heard singing harmony in the "Barbara Ann" cut from that album.

The C4 design was available with the following engines:. Years later, Torrence happened upon the studio where the Beach Boys were recording their "Beach Boys' Party!" album. Like the 100, the A6 was available with. Jan and Dean, at the time not nearly as popular as The Beach Boys, recorded the song and scored their first number one single, long before the Beach Boys reached the same milestone. The exterior was largely left unchanged from the C4 100 as well as the engines; up until 1997 the A6 came with several different engines, two of them Diesel, and most of them available with Audi's quattro four wheel drive system. Much to the consternation of other band members, Brian composed "Surf City" and gave the song, without compensation, to Dean Torrence. In 1994 the last version (C4) of the Audi 100 was facelifted and re-badged as the A6, to fit in with Audi's new naming policy (as the A8 had just been introduced). They enjoyed a casual collaboration with fellow Southern Californians Jan and Dean.

. Some of the changes in The Beach Boys' organization were less formal. Its primary competitors are the Mercedes-Benz E-Class, BMW 5-Series, Alfa Romeo 166, Jaguar S-Type, Lexus GS and Volvo S80. Billy Hinsche, of Dino, Desi & Billy fame, was also a longtime member of the supporting band throughout the '70s, '80s, and '90s. The second generation A6 was also used as the basis for the Allroad. Jeff Foskett joined the touring band in 1981 as a guitarist and vocalist and remained with the group until 1990. It is available in two bodywork configurations, the sedan and the station wagon (Avant). Carli Muñoz, who had been playing percussion with the band since 1970, in 1971 replaced Daryl Dragon as keyboard player until 1981.

The Audi A6 is an executive luxury car produced by Audi. Keyboard player Daryl Dragon, later famous as half of the pop duo Captain & Tennille, toured with the band, along with his future wife Toni Tennille. Though not official members, The Beach Boys' supporting band has featured many notable musicians over the years. During the mid-1970s drummer Ricky Fataar and guitarist Blondie Chaplin joined the band. Campbell was subsequently replaced by Bruce Johnston, who later became a permanent member.

Glen Campbell toured for several months with the group in 1965, as a touring replacement for Brian, who had played bass in concert. Marks rejoined the band in 1997, during Carl Wilson's last illness, and remained with them for two years. Wilson neighbor David Marks appeared on their first four albums and was a member from 1962 to 1963 as a temporary replacement for Jardine, who had left the group to pursue a career in dentistry. From the start, The Beach Boys have undergone many variations in composition, being represented by fill-ins as often as not.

Although Mike Love and Bruce Johnston continue to tour as "The Beach Boys", no other original members accompany them. Tragedy struck the Wilson family again in 1998 when Carl Wilson died of lung cancer. The critically acclaimed documentary I Just Wasn't Made For These Times, important in restoring Brian's reputation, saw him performing for the first time with his now grown-up daughters, Wendy and Carnie, and included glowing tributes to Brian's talents from a host of major music stars of the '60s, '70s, and '80s. Members of the band appeared on sitcoms such as Full House (starring sometime drummer John Stamos) and Home Improvement in the 1990s, as well as touring occasionally, but their declining career contrasted dramatically with the massive public interest and rabid critical praise that followed Brian's gradual return to touring in the 1990s.

In 1996 they guested with Status Quo on a re-recording of Fun Fun Fun, which was a British Top 30 hit. Despite Dennis's tragic death, The Beach Boys soldiered on, and they enjoyed a resurgence of interest later in the 1980s, assisted by tributes such as the David Lee Roth version of "California Girls"; they scored their first #1 in twenty-two years with the 1988 song "Kokomo," which was featured on the soundtrack of the hit Tom Cruise movie Cocktail and which became their biggest-selling hit ever. Dennis Wilson's problems had escalated in the early 1980s and he accidentally drowned in late 1983 while diving from his boat as he drunkenly tried to recover items he had previously thrown overboard. The group most recently appeared on the Mall in 2005 for the Fourth of July concert.

First Lady Nancy Reagan apologized, and in 1985 the group appeared on the Mall again. [3] This drew howls of outrage from the many of the Beach Boys' American fans, who stated that the Beach Boys sound was a very desirable part of the American cultural fabric. This tradition continued for the next two years, but in 1983 Secretary of the Interior James Watt banned the group from playing on the Mall, saying that rock concerts drew "an undesirable element". before a vast crowd.

In 1980 The Beach Boys played a Fourth of July concert on the National Mall in Washington, D.C. In spite of his own frequent drinking, Dennis managed to release his first solo work Pacific Ocean Blue, and to launch the now famed work-in-progess Bamboo, with friend and musician Carli Muñoz. The band was forced to publicly apologise after a shambolic performance in Sydney in 1979 during which several members of the group appeared to be drunk. In the late 70s Dennis Wilson also began to suffer increasingly from drug and alcohol abuse, and some of the group's concert appearances were marred by Dennis and other band members being drunk or drugged on stage.

Many expected that Brian would one day become the latest in a long line of celebrity drug casualties. Despite a much-publicised "Brian's Back" campaign in the late 70s, most critics believed the group was past their prime. Although he appeared sporadically with them in concert, he contributed little to their performances or recordings. Many problems affected their later career, none more so than Brian's continuing drug and mental health problems.

The group and its tours remained popular, even as they came to be viewed primarily as a nostalgia act. "If Mars had life on it/I might find my wife on it" from "Solar System" sums up the oddball preoccupations of Love You, which has since gained the status of a classic within the Beach Boys' oeuvre. In 1977 the Beach Boys released the LP Love You, a collection of songs that reflected both Brian's continuing retreat from the world ("Johnny Carson," "Solar System") and his continued genius as a musical thinker ("Airplane," "The Night Was So Young"). In 1975, the Beach Boys staged a highly successful joint concert tour with Chicago, with each group performing some of the other's songs, including their previous year's collaboration on Chicago's hit "Wishing You Were Here".

These sales performances demonstrated that the classic Beach Boys sound was back in fashion. [2] The following year another compilation, Spirit of America, also did well. Helped by a sunny, colorful graphic cover, it caught the mood of the country and surged to #1 on the Billboard album chart, becoming their first gold record since "Good Vibrations", and stayed on the album chart for three years. In the summer of 1974 Capitol, in consultation with Mike Love, released a double album compilation of the Beach Boys' pre-Pet Sounds hits, entitled Endless Summer.

Parks claims that part of the reason it was so heavily stressed to be a mostly Wilson composition (indeed, Parks had to sue to gain any credits at all) is because Warner Brothers had demanded Wilson return to writing music and to the front of the band-something Wilson was not willing to do. Recent statements by Parks on Brian Wilson's message board, however, suggest that the song was not really worked on by Wilson (That Wilson gave him a few chords with a small melody). The album's lead single "Sail on Sailor," a brief return to the collaboration between Parks and Brian, was one of the more emblematic of Beach Boys songs; it hit the charts in both 1973 and 1975. The slightly more traditional Holland of 1973 received mixed reviews.

The addition of Ricky Fataar and Blondie Chaplin in 1972 led to the very un-Beach Boys-like Carl and the Passions-"So Tough", a unique, R&B-flavored LP that was a dramatic departure in sound for the band. Their first two Reprise LPs were Sunflower (1970) and 1971's Surf's Up. According to the liner notes for the 2004 version, Reprise expected Smile to be completed and released as part of the new contract. Despite Brian's deteriorating health, the band continued to work, recording the albums Friends (1968) and 20/20 (1969, featuring lyrics by Charles Manson[1]) before finally breaking with Capitol and signing with Reprise Records.

Their image problems were not helped by the criticism that followed their forced withdrawal from the bill of the 1967 Monterey International Pop Festival as a result of Carl's draft problems, an event which would undoubtedly have been crucial in establishing their new sound had they been able to play and to present their new material. The 1967 album Wild Honey is regarded by many critics as a classic and features a cover of Stevie Wonder's "I Was Made to Love Her." Wild Honey and its hit single "Darlin'" also marked the end of the Beach Boys as a major commercial entity, with subsequent releases faring far less well than those previous. As Brian became increasingly withdrawn in the late 1960s and 1970s, Carl gradually took over leadership of the band, and developed into an accomplished songwriter and producer. A substantial number of original tracks and linking fragments were included on the group's 30th anniversary CD boxed set in 1993.

The band was expecting to complete and release Smile even until 1972, when it became clear that only Brian would ever be able to make sense out of the endless fragments that were recorded. However, despite the cancellation of Smile, interest in the work remained high and versions of several major tracks -- including "Our Prayer," "Cabinessence," "Cool, Cool Water," and "Surf's Up" -- were assembled by Carl Wilson over the next few years and included on later albums. Smile itself, in its original conception, did not surface until Wilson and Parks completed the writing and Brian rerecorded it as a solo project in 2004. These were released, along with the completed versions of "Good Vibrations" and "Heroes and Villains," on the LP Smiley Smile, which would prove to be a critical and commercial disaster for the group.

Some of the tracks were salvaged and rerecorded at Brian's new home studio in drastically scaled-down versions. Over the next thirty years the legends surrounding Smile grew, until it became the most famous unreleased album in the history of popular music. Just weeks before The Beatles' Sgt Pepper's Lonely Hearts Club Band was released, Smile was shelved. Matters were complicated by his reliance on both prescription and illegal drugs, particularly marijuana and Amphetamine, which only exacerbated his underlying mental health problems.

Many factors combined to focus intense pressure on Brian as Smile neared completion, including mental instability, drug use, the pressure to perform against fierce opposition to his new music, the relatively poor response to Pet Sounds, Carl's draft resistance, and a major dispute with Capitol. The problems came to a head during the recording of "Cabinessence," when Love demanded that Parks explain the meaning of the closing refrain of the song, "Over and over the crow cries uncover the cornfield." After a heated argument, Parks walked out and his partnership with Brian came to an abrupt end. Love was bitterly opposed to Smile and was particularly critical of Parks's lyrics; he has also since stated that he was becoming deeply concerned about Brian's escalating drug intake. But the other Beach Boys -- especially Mike Love -- found the new music too difficult and too far removed from their established style; another serious concern was that the new music was simply not feasible for live performance by the current Beach Boys lineup.

Although the structure of the album and the exact running order of the songs have been subjects of endless speculation, it is apparent that Wilson and Parks intended Smile to be a continuous suite of songs that were linked both thematically and musically, with the main songs being linked together by small vocal pieces and instrumental segments that elaborated the musical themes of the major songs. Using the same methods as on "Good Vibrations," recording began in late 1966 and carried on into early 1967. Shortly after completing "Good Vibrations," Brian met session musician and songwriter Van Dyke Parks, and in late 1966 they began an intense collaboration that resulted in a suite of superb new songs for the Beach Boys' next album, which was eventually named Smile. Several biographies have suggested that his father Murry may have had bipolar disorder, and after years of suffering, Brian's own condition was eventually diagnosed as schizophrenia.

He abused drugs heavily, gained an enormous amount of weight, suffered long bouts of depression, and became paranoid as well. The exact nature of his problems was a topic of much speculation. Even as his personal life deteriorated, Brian's musical output remained remarkable. The group members recall the "Good Vibrations" vocal sessions as among the most demanding of their career.

The song's innovative instrumentation included drums, organ, piano, tack piano, two basses, guitars, electro-theremin, harmonica, and cello. He then assembled his favorite sections into a master backing track and added vocals. In contrast to his work on Pet Sounds, Brian adopted a modular approach to "Good Vibrations"--he broke the song into sections and taped multiple versions of each at different studios to take advantage of the different sound of each facility. It was also one of the more complex pop productions ever undertaken, and was reputed to have been the most expensive American single ever recorded, costing a reported $16,000 -- more than most pop albums of that time -- with sessions stretching over several months in at least three major studios.

In 1997 it was named the "Greatest Single of All Time" by Mojo music magazine, in 2000 VH1 placed it at number 8 on their "100 Greatest Rock Songs" list, and in late 2004 Rolling Stone magazine placed it at number 6 on their "500 Best Songs of All Time" list. # 1 single in 1966—many critics consider it to be one of the best rock singles of all time. and U.K. The song became the Beach Boys' biggest hit to date, and a U.S.

Its first fruit was "Good Vibrations," which Brian described as "a pocket symphony". Seeking to expand on the advances made on Pet Sounds, Brian began an even more ambitious project, originally dubbed Dumb Angel. Lead singer Mike Love is reported to have been strongly opposed to it, partly because he feared the band would lose its audience if they changed their successful formula, and partly because he personally disliked the new material, which he famously criticised as "Brian's ego music." At Love's insistence, Brian changed the title of one song from "Hang on to Your Ego" to "I Know There's an Answer." Another likely factor in Love's antipathy to Pet Sounds was that Brian worked extensively on it with outside lyricist Tony Asher rather than with Love, who had written most of the lyrics for their earlier songs and who was the lead vocalist on most of their early hits. There was some resistance from within the band to this new direction.

They returned to find a substantially complete album, requiring only their vocals to finish it off. Because of his withdrawal from touring, Brian was able to complete almost all the backing for the album while the Beach Boys were on tour in Japan. Its failure to gain wide recognition hurt him deeply. Despite the critical praise it received, the album was poorly promoted by Capitol Records and failed to become the major hit Brian had hoped it would be (only reaching #10).

Pepper's Lonely Hearts Club Band. The album is still widely regarded as a classic and Paul McCartney has named it one of his favorite albums of all time, often saying that it was a major influence on the Beatles' album, Sgt. It remains one of the more evocative releases of the decade, with a distinctive strain of melancholy and nostalgia for youth. The album's meticulously layered harmonies and inventive instrumentation (performed by the cream of Los Angeles session musicians known as The Wrecking Crew) set a new standard for popular music.

The 1993 box set Good Vibrations: Thirty Years of The Beach Boys presents a comprehensive review of the group's career plus a number of rare tracks, including some from the legendary Smile sessions. 1 are currently out of print, but can be found used on CD. Still Cruisin', Summer in Paradise, and Stars and Stripes Vol. The Beach Boys' Christmas Album is available both on its own and as part of the Ultimate Christmas album, which includes tracks from an aborted 1977 Christmas album.

3 (1968) #153 US; #9 UK. Best of The Beach Boys Vol. 2 (1967) #50 US; #3 UK. Best of The Beach Boys Vol.

Beach Boys Concert (1964) #1 US. 1 (1996) #101 US. Stars and Stripes Vol. Summer in Paradise (1992).

Still Cruisin' (1989) #46 US. The Beach Boys (1985) #52 US, #60 UK. Keepin' the Summer Alive (1980) #75 US, #54 UK. (Light Album) (1979) #100 US, #32 UK.

L.A. Album (1978) #151 US. M.I.U. Love You (1977) #53 US, #28 UK.