Art Nouveau

Alfons Mucha, lithographed poster Dancel (1898).

Art Nouveau (French for "new art") is a style in art, architecture and design that peaked in popularity at the beginning of the 20th century. Other, more localized terms for the cluster of self-consciously radical, somewhat mannered reformist chic that formed a prelude to 20th-century modernism, included "Jugendstil" in Germany and the Netherlands, named for the snappy avant-garde periodical Jugend ('Youth') or "Sezessionsstil" ('Secessionism') in Vienna, where forward-looking artists and designers seceded from the mainstream salon exhibitions, to exhibit on their own in more congenial surroundings.

In Russia, the movement revolved around the art magazine World of Art, which spawned the revolutionary Ballets Russes. In Italy, "Stile Liberty" was named for the London shop, Liberty & Co, which distributed modern design emanating from the Arts and Crafts movement, a sign both of the Art Nouveau's commercial aspect and the "imported" character that it always retained in Italy. In Catalonia, the movement was centred in Barcelona and was known as "modernisme", with Antoni Gaudí as the most noteworthy practitioner.

Bookcover of Arthur Mackmurdo, Wren's City Churches, 1883

Career of Art Nouveau

Though Art Nouveau climaxed in the years 1892 to 1902, the first stirrings of an Art Nouveau can be recognized in the 1880s, in a handful of progressive designs influenced by the Arts and Crafts movement, such as the architect-designer Arthur Mackmurdo's often-illustrated bookcover design for his essay on the city churches of Sir Christopher Wren, published in 1883. Some free-flowing wrought iron from the 1880s could also be adduced, or some flat floral textile designs, most of which owed some impetus to vegetal-derived patterns of High Victorian design.

The name "Art Nouveau" derived from the name of a shop in Paris, Maison de l'Art Nouveau, at the time run by Samuel Bing, that showcased objects that followed this approach to design.

A high point in the evolution of Art Nouveau was the Universal Exposition of 1900 in Paris, in which the "modern style" triumphed in every medium. It probably reached its apogee, however, at the 1902 Turin Exposition in Italy, where designers exhibited from almost every European country where Art Nouveau flourished. Ironically, Art Nouveau made use of many technological innovations of the late 19th century, especially the broad use of exposed iron and large, irregularly-shaped pieces of glass in architecture, but by the start of the First World War the highly stylized nature of Art Nouveau design — which itself was expensive to produce — began to be dropped in favor of more streamlined, simply rectilinear modernism that was cheaper and thought to be more faithful to the rough, plain industrial aesthetic.

The entrances to the Paris Metro designed by Hector Guimard in 1899 and 1900 are notable and famous examples of Art Nouveau.

Character of Art Nouveau

St. Louis World's Fair, (1904). Entrance to the Creation exhibit.

Dynamic, undulating and flowing, curved "whiplash" lines of syncopated rhythm characterize much of Art Nouveau. Another feature is usage of hyperbolas and parabolas. Conventional moldings seem to spring to life and "grow" into plant-derived forms.

As an art movement it has affinities with the Pre-Raphaelites and the Symbolism movement, and artists like Aubrey Beardsley, Alfons Mucha, Edward Burne-Jones, Gustav Klimt, and Jan Toorop could be classed in more than one of these styles. Unlike Symbolist painting, however, Art Nouveau has a distinctive visual look; and unlike the backwards-looking Pre-Raphaelites, Art Nouveau artists quickly used new materials, machined surfaces, and abstraction in the service of pure design.

Daum, Nancy (c. 1900).

Art Nouveau in architecture and interior design eschewed the eclectic historicism of the Victorian era. Though, Art Nouveau designers selected and "modernized" some of the more abstract elements of Rococo style, such as flame and shell textures, in place of the historically-derived and basically tectonic or realistic naturalistic ornament of high Victorian styles, Art Nouveau advocated the use of highly-stylized nature as the source of inspiration and expanded the "natural" repertoire to embrace seaweed, grasses, and insects. Correspondingly organic forms, curved lines, especially floral or vegetal, and the like, were used.

Japanese wood-block prints with their curved lines, patterned surfaces and contrasting voids, and flatness of their picture-plane, also inspired Art Nouveau. Some line and curve patterns became graphic clichés that were later found in works of artists from all parts of the world.

Art Nouveau did not negate the machine, as other movements such as the Arts and Crafts Movement, but used it to an advantage. For sculpture the principle materials employed were glass and wrought iron, leading to sculpturesque quality even in architecture.

Art Nouveau is considered a "total" style, meaning that it encompasses a hierarchy of scales in design — architecture, interior design, jewellery, furniture and textile design, utensils and art objects, lighting, and etc. (See Hierarchy of genres.)

Art Nouveau media

The Peacock Skirt, by Aubrey Beardsley, (1892).

2-dimensional Art Nouveau pieces were painted, drawn, and quite popular in printed material like advertising, posters, labels, magazines and the like.

Glass making was an area in which the style found tremendous expression — for example, the works of Louis Comfort Tiffany in New York and Émile Gallé and the Daum brothers in Nancy, France.

Jewelry of the Art Nouveau period revitalised the jeweller's art, with nature as the principal source of inspiration, complemented by new levels of virtuosity in enamelling and the introduction of new materials, such as opals and semi-precious stones. The widespread interest in Japanese art and the more specialised enthusiasm for Japanese metalworking skills, fostered new themes and approaches to ornament.

For the previous two centuries the emphasis in fine jewellery had been on gemstones, particularly on the diamond, and the jeweller or goldsmith had been principally concerned with providing settings for their advantage. With Art Nouveau, a different type of jewellery emerged, motivated by the artist-designer rather than the jeweller as setter of precious stones.

Mikhail Vrubel. Demon Seated in a Garden, 1890

The jewellers of Paris and Brussels created and defined Art Nouveau in jewellery, and in these cities it achieved the most renown. Contemporary French critics were united in acknowledging that jewellery was undergoing a radical transformation, and that the French designer-jeweller René Lalique was at its heart. Lalique glorified nature in jewellery, extending the repertoire to include new aspects of nature — dragonflies or grasses — inspired by his encounter with Japanese art.

The jewellers were keen to establish the new style in a noble tradition, and for this they looked back to the Renaissance, with its jewels of sculpted and enamelled gold, and its acceptance of jewellers as artists rather than craftsmen. In most of the enamelled work of the period precious stones receded. Diamonds were usually given subsidiary roles, used alongside less familiar materials such as moulded glass, horn and ivory.

Geographical scope of Art Nouveau

Principal centers of the style were:

  • Mannheim, Barcelona, Brussels, Darmstadt, Moscow, Glasgow, Rīga, London, School of Nancy France, Paris, St.Petersburg, Russia, Munich, New York, Vienna.

Other centers included:

  • Amsterdam, Ålesund, Berlin, Chicago, Illinois, Helsinki, Ljubljana, Osijek, Oslo, Prague, The Hague, Subotica, Vladivostok, La Chaux-de-Fonds.

Noted Art Nouveau artists

Architecture

  • Émile André (1871-1933)
  • Georges Biet (1868-1955)
  • Paul Charbonnier (1865-1953)
  • Raimondo Tommaso D'Aronco (1857-1932)
  • August Endel (1871-1925)
  • Antoni Gaudi (1852-1926)
  • Victor Horta (1861-1947)
  • Josef Hoffmann (1870-1956)
  • Hector Guimard (1867-1942)
  • Charles Rennie Mackintosh (1868-1928)
  • Louis Sullivan (1856-1924)
  • Eugène Vallin (1856-1922)
  • Fyodor Shekhtel (1859-1926)
  • Henry Van de Velde (1863-1957)
  • Otto Wagner (1841-1918)
  • Lucien Weissenburger (1860-1929)
  • Marian Peretiatkovich (1872-1916)

Drawing, Graphics

  • Aubrey Beardsley (1872-1898)
  • Gaston Gerard (1878-1969)
  • Alfons Mucha (1860-1939)
  • Edvard Munch (1863-1944)
  • Henri de Toulouse-Lautrec (1864-1901)
  • Pierre Bonnard (1867-1947)

Furniture

  • Carlo Bugatti (1856-1940)
  • Eugène Gaillard (1862-1933)
  • Louis Majorelle (1859-1926)
  • Henry van de Velde (1863-1957)

Glassware and Stained glass

  • Daum Frères (1825-1885)
  • Émile Gallé (1846-1904)
  • Jacques Gruber (1870-1936)
  • René Lalique (1860-1945)
  • Louis Comfort Tiffany (1848-1933)

Other decorative arts

  • Charles R. Ashbee (1863-1942)
  • William Bradley (1868-1962)
  • Jules Brunfaut (1852-1942)
  • Auguste Delaherche (1857-1940)
  • Georges de Feure (1868-1928)
  • Hermann Obrist (1863-1927)
  • Philippe Wolfers (1858-1929)

Murals and mosaics

  • Mikhail Vrubel (1856-1910)
  • Gustav Klimt (1862-1918)

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Other centers included:. However, as a player with 10 years of major league service (five with the same club), Bonds must approve any deal, and he has stated on the record that he will not accept a trade. Principal centers of the style were:. Giants owner Peter Magowan says he wants Bonds back but would not rule out a trade. Diamonds were usually given subsidiary roles, used alongside less familiar materials such as moulded glass, horn and ivory. The Giants, it is presumed, may be better off moving forward without Bonds than spending another season fretting over his availability at a price of $18 million; however, the box-office benefits to the club of Bonds' seemingly-inevitable chase to overtake Hank Aaron's 755 home runs could result in Bonds' continued sojourn in San Francisco. In most of the enamelled work of the period precious stones receded. Bonds, who will turn 42 in July 2006, may be better off as a designated hitter than trying to play left field regularly on his thrice-surgically repaired right knee.

The jewellers were keen to establish the new style in a noble tradition, and for this they looked back to the Renaissance, with its jewels of sculpted and enamelled gold, and its acceptance of jewellers as artists rather than craftsmen. His salary for the 2005 season was $22 million, and is tied with Manny Ramirez for the second-highest salary in Major League Baseball. Lalique glorified nature in jewellery, extending the repertoire to include new aspects of nature — dragonflies or grasses — inspired by his encounter with Japanese art. Bonds re-signed with the Giants for a five-year, $90 million contract in January 2002. Contemporary French critics were united in acknowledging that jewellery was undergoing a radical transformation, and that the French designer-jeweller René Lalique was at its heart. However, according the San Francisco Chronicle, in the transcript of Bonds' December 4, 2003 grand jury testimony, prosecutors showed Bonds documents detailing both the steroids they alleged he used, as well as "a drug for female infertility that can be used to mask steroid use" [2]. The jewellers of Paris and Brussels created and defined Art Nouveau in jewellery, and in these cities it achieved the most renown. Bonds has failed no Major League Baseball drug test taken in 2003, 2004 or 2005.

With Art Nouveau, a different type of jewellery emerged, motivated by the artist-designer rather than the jeweller as setter of precious stones. Some baseball pundits, fans, and even players have taken this as evidence that Bonds has used illegal steroids. For the previous two centuries the emphasis in fine jewellery had been on gemstones, particularly on the diamond, and the jeweller or goldsmith had been principally concerned with providing settings for their advantage. In August 2005, all four defendants in the BALCO steroid scandal trial, including Anderson, struck deals with federal prosecutors that did not require them to reveal names of athletes who may have used banned drugs. The widespread interest in Japanese art and the more specialised enthusiasm for Japanese metalworking skills, fostered new themes and approaches to ornament. Bonds said that at the time he did not believe them to be steroids. Jewelry of the Art Nouveau period revitalised the jeweller's art, with nature as the principal source of inspiration, complemented by new levels of virtuosity in enamelling and the introduction of new materials, such as opals and semi-precious stones. BALCO founder Victor Conte had identified "the clear" as the designer steroid THG, and prosecutors contended "the cream" was a testosterone-based ointment.

Glass making was an area in which the style found tremendous expression — for example, the works of Louis Comfort Tiffany in New York and Émile Gallé and the Daum brothers in Nancy, France. During grand jury testimony on December 4, 2003 — which was obtained through unknown means by the San Francisco Chronicle and published almost a year later, on December 3, 2004 [1] — Bonds said Anderson gave him a rubbing balm and a liquid substance he called "the cream" and "the clear". 2-dimensional Art Nouveau pieces were painted, drawn, and quite popular in printed material like advertising, posters, labels, magazines and the like. Bonds declared his innocence, attributing his changed physique and increased power to a strict regimen of bodybuilding and legitimate dietary supplements. (See Hierarchy of genres.). This led to speculation that Bonds had used performance-enhancing drugs during a time when there was no mandatory testing in Major League Baseball. Art Nouveau is considered a "total" style, meaning that it encompasses a hierarchy of scales in design — architecture, interior design, jewellery, furniture and textile design, utensils and art objects, lighting, and etc. Anderson of the Bay Area Laboratory Co-operative, Bonds' trainer since 2000, was indicted by a federal grand jury and charged with supplying anabolic steroids to athletes, including a number of unnamed baseball players.

For sculpture the principle materials employed were glass and wrought iron, leading to sculpturesque quality even in architecture. In 2003, Bonds became embroiled in a scandal when Greg F. Art Nouveau did not negate the machine, as other movements such as the Arts and Crafts Movement, but used it to an advantage. Bonds continued his pre-injury dominance at the plate, hitting home runs in four consecutive games from September 18 to September 21. Some line and curve patterns became graphic clichés that were later found in works of artists from all parts of the world. Bonds finished the night 1-for-4 with a double. Japanese wood-block prints with their curved lines, patterned surfaces and contrasting voids, and flatness of their picture-plane, also inspired Art Nouveau. In his return against the San Diego Padres, he nearly hit a home run in his first at-bat, but the ball was ruled to be only a double due to fan interference.

Correspondingly organic forms, curved lines, especially floral or vegetal, and the like, were used. He was indeed activated that day and immediately returned to being a starter in left field. Though, Art Nouveau designers selected and "modernized" some of the more abstract elements of Rococo style, such as flame and shell textures, in place of the historically-derived and basically tectonic or realistic naturalistic ornament of high Victorian styles, Art Nouveau advocated the use of highly-stylized nature as the source of inspiration and expanded the "natural" repertoire to embrace seaweed, grasses, and insects. On September 10, the Giants announced that Bonds would be activated on September 12. Art Nouveau in architecture and interior design eschewed the eclectic historicism of the Victorian era. In September, Bonds started working out with the team while the team was in Los Angeles, playing the Dodgers. Unlike Symbolist painting, however, Art Nouveau has a distinctive visual look; and unlike the backwards-looking Pre-Raphaelites, Art Nouveau artists quickly used new materials, machined surfaces, and abstraction in the service of pure design. On August 5, however, he stated on his website that he was unsure but remained optimistic.

As an art movement it has affinities with the Pre-Raphaelites and the Symbolism movement, and artists like Aubrey Beardsley, Alfons Mucha, Edward Burne-Jones, Gustav Klimt, and Jan Toorop could be classed in more than one of these styles. On August 1, in an interview with MLB.com, Bonds stated that he would most likely not return for the 2005 season due to continued buildup of fluid in the knee due to activities. Conventional moldings seem to spring to life and "grow" into plant-derived forms. It also raised much speculation as to whether Hank Aaron's career home run record of 755 is out of reach. Another feature is usage of hyperbolas and parabolas. This setback led many to assume Bonds would not play in the 2005 season. Dynamic, undulating and flowing, curved "whiplash" lines of syncopated rhythm characterize much of Art Nouveau. On May 4, Bonds revealed on his website that he had undergone a third arthroscopic knee surgery because of a bacterial infection in his knee.

The entrances to the Paris Metro designed by Hector Guimard in 1899 and 1900 are notable and famous examples of Art Nouveau. For the media, this story was irresistible in light of baseball's recently toughened testing program for steroids. Ironically, Art Nouveau made use of many technological innovations of the late 19th century, especially the broad use of exposed iron and large, irregularly-shaped pieces of glass in architecture, but by the start of the First World War the highly stylized nature of Art Nouveau design — which itself was expensive to produce — began to be dropped in favor of more streamlined, simply rectilinear modernism that was cheaper and thought to be more faithful to the rough, plain industrial aesthetic. Later, Bonds sounded positive about his rehabilitation and told fans at the Opening Day festivities, "I will be back!" The chances of Bonds' return to the playing field were covered relentlessly through the summer by ESPN, in anticipation of potentially unprecedented scrutiny by the media and baseball fans. It probably reached its apogee, however, at the 1902 Turin Exposition in Italy, where designers exhibited from almost every European country where Art Nouveau flourished. At the press conference, Bonds also indicated that he was frustrated by the focus on his alleged steroid use and the negative portrayal of him in the media. A high point in the evolution of Art Nouveau was the Universal Exposition of 1900 in Paris, in which the "modern style" triumphed in every medium. On March 22, 2005, Bonds announced that he could be sidelined for the rest of the 2005 season because of surgery on his knee.

The name "Art Nouveau" derived from the name of a shop in Paris, Maison de l'Art Nouveau, at the time run by Samuel Bing, that showcased objects that followed this approach to design. Many of the game's best players, hitter and pitcher alike, remain in awe of Bonds' bat speed and dominance at the plate. Some free-flowing wrought iron from the 1880s could also be adduced, or some flat floral textile designs, most of which owed some impetus to vegetal-derived patterns of High Victorian design. Today Bonds is generally considered to be the best hitter in the game, and comparable only to a handful of hitters in the sport's entire history. Though Art Nouveau climaxed in the years 1892 to 1902, the first stirrings of an Art Nouveau can be recognized in the 1880s, in a handful of progressive designs influenced by the Arts and Crafts movement, such as the architect-designer Arthur Mackmurdo's often-illustrated bookcover design for his essay on the city churches of Sir Christopher Wren, published in 1883. Bonds holds virtually every record associated with walks, whether in a season (232), in a game (6), or intentional (4). . The very next year, he broke Ted Williams' single-season on-base percentage record with .582, and then shattered his own record in 2004 with an unprecedented .609.

In Catalonia, the movement was centred in Barcelona and was known as "modernisme", with Antoni Gaudí as the most noteworthy practitioner. In 2001, Bonds hit 73 HRs (the only time he has hit over 50 in a season), and even more astonishingly, surpassed Babe Ruth's record of single-season slugging percentage with a mind-blowing .863. In Italy, "Stile Liberty" was named for the London shop, Liberty & Co, which distributed modern design emanating from the Arts and Crafts movement, a sign both of the Art Nouveau's commercial aspect and the "imported" character that it always retained in Italy. While by the end of the decade Bonds was regarded as a surefire Hall of Famer, it was in the beginning of the millennium - at the age of 37 - when Bonds would surpass his peers and achieve a level that only a couple of hitters in the history of the game have achieved. In Russia, the movement revolved around the art magazine World of Art, which spawned the revolutionary Ballets Russes. Through the decade, Bonds was a very patient hitter and great slugger who stole bases and played exceptional defense. Other, more localized terms for the cluster of self-consciously radical, somewhat mannered reformist chic that formed a prelude to 20th-century modernism, included "Jugendstil" in Germany and the Netherlands, named for the snappy avant-garde periodical Jugend ('Youth') or "Sezessionsstil" ('Secessionism') in Vienna, where forward-looking artists and designers seceded from the mainstream salon exhibitions, to exhibit on their own in more congenial surroundings. However, while Bonds was nominated as a finalist for the Major League Baseball All-Century Team that year, Griffey was actually elected to it, probably due to being more popular rather than more impressive or more respected.

Art Nouveau (French for "new art") is a style in art, architecture and design that peaked in popularity at the beginning of the 20th century. When the Sporting News list was redone in 2005, Bonds jumped up 28 spaces to Number 6 All Time, behind only Babe Ruth, Willie Mays, Ty Cobb, Walter Johnson, and Hank Aaron. Gustav Klimt (1862-1918). In 1999, with only statistics through 1997 counted, Bonds ranked Number 34 on The Sporting News' list of the 100 Greatest Baseball Players, making him the highest-ranking active player (next-best was Greg Maddux at Number 39), while Griffey came in at Number 93. Mikhail Vrubel (1856-1910). was voted Player of the Decade in the 1990s, many believed that Bonds was the better player. Philippe Wolfers (1858-1929). Although Ken Griffey Jr.

Hermann Obrist (1863-1927). The Proceeds were then split between Popov and Hayashi. Georges de Feure (1868-1928). In the end Comic book creator and producer Todd McFarlane, paid $450,000 for the ball at an auction. Auguste Delaherche (1857-1940). Several experts estimated the ball to be worth around $1.5 Million. Jules Brunfaut (1852-1942). 28, 2002 ruling that stated: Since Popov did briefly have control of the ball, and since Hayashi ultimately ended up with it and could not be shown to have caused Popov to lose it, both men, said McCarthy, had "equal claim under the law.".

William Bradley (1868-1962). In the end, McCarthy issued a Dec. Ashbee (1863-1942). He even convened a summit of experts, during which the case law was applied to the legal quandary: Just what constitutes possession of a baseball that lands in the stands?. Charles R. Ultimately Superior Court Judge Kevin McCarthy considered arguments based on old whaling laws, precedent-setting fox hunting cases, and laws about abandoned property. Louis Comfort Tiffany (1848-1933). Patrick Hayashi said he found it rolling free in the minute-long melee.

René Lalique (1860-1945). Alex Popov claimed he was the first person to get a glove on the baseball only to have it taken away in the ensuing scuffle. Jacques Gruber (1870-1936). 7, 2001 two men laid claim to ownership of the baseball. Émile Gallé (1846-1904). After the homerun on Oct. Daum Frères (1825-1885). On September 17, 2004, Bonds hit his 700th home run off San Diego Padres pitcher Jake Peavy in San Francisco and became only the third man to achieve the 700 home run plateau.

Henry van de Velde (1863-1957). On May 28, 1998, Bonds became one of only four players in major league history to be intentionally walked with the bases loaded, when the Arizona Diamondbacks elected to give up a run and face catcher Brent Mayne instead. Louis Majorelle (1859-1926). He broke his previous record of 68 intentional walks, set in 2002, on July 10, 2004 in his last appearance before the All-Star break. Eugène Gaillard (1862-1933). In the first month of the 2004 season, Bonds drew 43 walks, 22 of them intentional. Carlo Bugatti (1856-1940). Bonds, a prolific home run hitter, is an easy candidate for the intentional walk.

Pierre Bonnard (1867-1947). Bonds holds almost every major league record in existence for intentional walks with four in a nine-inning game (2004), 120 in a season (2004) and 604 in his career (more than the next two players on the all-time list, Hank Aaron and Willie McCovey, combined). Henri de Toulouse-Lautrec (1864-1901). He has been the league leader in the category for 13 of the past 14 seasons. Edvard Munch (1863-1944). Bonds also has the 2nd- and 3rd-highest single-season intentional walk totals, with 68 in 2002 and 61 in 2003. Alfons Mucha (1860-1939). Included in Bonds' 2004 total were 120 intentional walks, the most issued since MLB began recording them separately in 1954.

Gaston Gerard (1878-1969). His total of 232 walks was 105 more than the next closest leader, Lance Berkman, Todd Helton, and Bobby Abreu who all had 127. Aubrey Beardsley (1872-1898). Later in 2004, he broke his own single-season record for walks, becoming the first player with over 200 in a season and ending the season with 232. Marian Peretiatkovich (1872-1916). On July 4, 2004, Bonds passed Rickey Henderson to take the lead in career walks, with his 2191st. Lucien Weissenburger (1860-1929). (Ellison was in a kayak in McCovey Cove, an arm of San Francisco Bay that lies behind the right-field stands at SBC Park, so this wasn't quite the amazing coincidence it appears at first sight.).

Otto Wagner (1841-1918). Ellison also caught number 661, but kept it for himself with Barry's blessing. Henry Van de Velde (1863-1957). He hit his 661st home run at the same venue the next day, April 13, placing him in outright third behind Babe Ruth (714) and Hank Aaron (755). Fyodor Shekhtel (1859-1926). Larry Ellison (not the CEO of Oracle Corporation) caught the home run and returned it to Barry. Eugène Vallin (1856-1922). On April 12, 2004, Bonds hit his 660th home run, tying him with his godfather Willie Mays for 3rd on the all-time career home run list in a game against the Milwaukee Brewers at SBC Park.

Louis Sullivan (1856-1924). The new regulations also banned hitters from using hard protective gear apart from helmets (e.g., hard elbow or chest guards), which enabled them to get closer to the plate. Charles Rennie Mackintosh (1868-1928). Because of Bonds and others like Mo Vaughn, in 2001 Major League Baseball instructed umpires to call a slightly different strike zone, calling more high inside pitches strikes. Hector Guimard (1867-1942). Bonds is among the power hitters who "crowd the plate": standing in such a way that his body is almost over the plate (and thus close to the strike zone). Josef Hoffmann (1870-1956). The other two members are José Canseco and Alex Rodriguez.

Victor Horta (1861-1947). In addition, in 1996 Bonds became the second of the three current members of the so called 40-40 club: 40 home runs and 40 stolen bases in one season. Antoni Gaudi (1852-1926). With 633 career home runs at the time, Bonds became the first 500-500 player in baseball history, already the only member of the 400-400 club. August Endel (1871-1925). By chance, his ailing father Bobby was in attendance that night. Raimondo Tommaso D'Aronco (1857-1932). Bonds later scored the winning run.

Paul Charbonnier (1865-1953). On June 23 2003, Bonds recorded his 500th stolen base in the eleventh inning of a game against the Los Angeles Dodgers at Pacific Bell Park. Georges Biet (1868-1955). He had stolen his 400th base on July 26, 1997 against the Pittsburgh Pirates at Candlestick Park. Émile André (1871-1933). Bonds became the first 400-400 player (400 home runs and 400 stolen bases) on August 23, 1998, when he hit home run number 400 off of Florida's Kirt Ojala. Amsterdam, Ålesund, Berlin, Chicago, Illinois, Helsinki, Ljubljana, Osijek, Oslo, Prague, The Hague, Subotica, Vladivostok, La Chaux-de-Fonds. He has been named to 13 National League All-Star teams: 1990, 1992-1998, 2000-2004.

Mannheim, Barcelona, Brussels, Darmstadt, Moscow, Glasgow, Rīga, London, School of Nancy France, Paris, St.Petersburg, Russia, Munich, New York, Vienna. Bonds' eight Gold Glove awards as an outfielder are the third-most ever for that position. The Giants would lose the World Series that year to the Anaheim Angels, four games to three. During the 2002 season, Bonds became the fourth man to hit 600 career home runs, and also set the record for most home runs hit in a single post-season (8). He was also second in the voting for the award twice: in 1991 to Terry Pendleton of the Atlanta Braves, and in 2000 to then-teammate Jeff Kent.

He is the first player in history to be MVP in four or even three consecutive years, and no other player has won the award more than three times. Bonds has been voted the National League's Most Valuable Player a record seven times, in 1990, 1992, 1993, 2001, 2002, 2003, and 2004. He also broke two of his own records: OPS, with 1.422, and on-base percentage with .609 - the only time a player has bettered .600 over a full season. In 2004, he won his second batting title with a .362 average.

He also won the National League batting title with a .370 average, becoming the oldest player to win the honor for the first time. Partly because pitchers tried to "pitch around" him whenever possible, he bettered his own record for walks with 198, which contributed greatly to a .582 on-base percentage, breaking Williams' 1941 record of .551. In 2002, however, he did not repeat his 73-homer feat. Besides the home run record, he set single-season marks for walks (177) and slugging percentage (.863) (topping Ruth's records of 170 and .847, set in 1923 and 1920, respectively).

Some analysts consider Bonds' 2001 performance among the greatest hitting seasons in history. That's frightening." The next year, Bonds set the single-season home run record, hitting 73 to break Mark McGwire's 70-homer mark set in 1998. In Sports Illustrated (June 5, 2000), San Francisco Giant Shawon Dunston said of his teammate Bonds, "He's not going to hit 70 homers, but he believes he can. His aunt Rosie Bonds finished 8th in the Women's 80-meter hurdles (Extended to 100-meter hurdles in 1971) at the 1964 Summer Olympics in Tokyo,Japan.

Baseball Hall of Famer Willie Mays is his godfather; Reggie Jackson, another Hall of Famer, is his uncle. Bonds' speed and power in his early and middle years recalled his father's abilities. In 1993, he left the Pirates to sign as a free agent with the Giants, for whom his father had played the first seven years of his career. He began his major league career in 1986 with the Pittsburgh Pirates.

Although he was immediately drafted by the San Francisco Giants, Bonds chose to go to college first, playing baseball and earning a degree at Arizona State University in criminal justice. The son of former All-Star Bobby Bonds, Barry Bonds graduated in 1982 from Junipero Serra High School (San Mateo, Calif.), excelling in baseball, basketball and football. . However, he is the focus of a raging debate in the baseball world, centering on two questions: has he had help in the form of illegal performance-improving drugs, and if so, to what degree, if any, does the use of these drugs account for his accomplishments? This debate has been further fueled by reports of testimony given in the investigation of the Bay Area Laboratory Co-operative scandal.

He has won eight Gold Glove Awards for defensive excellence. He is the only player in history to have hit at least 400 home runs and stolen at least 400 bases, as well as the only player in history to hit 500 homeruns and steal 500 bases. He is generally considered among the greatest players of all time, and has won a record seven MVP awards; for those who view baseball through the prism of sabermetrics, he, Babe Ruth, and Ted Williams are the top three hitters. He holds the record for most homers in a season with 73 and is third on the career list with 708.

Barry Lamar Bonds (born July 24, 1964 in Riverside, California) is a left fielder in Major League Baseball for the San Francisco Giants; he is most famous for his home run hitting.