Apocalypse Now

Apocalypse Now is a 1979 American film by Francis Ford Coppola, inspired by Joseph Conrad's classic novella Heart of Darkness. Set in the Vietnam War, a taciturn American soldier is sent to "terminate with extreme prejudice" a rogue Green Beret colonel. The narrative of his journey and its culmination is studded with events which, while bizarre, partake of real Vietnam stories. The soldier's journey becomes increasingly nonlinear and hallucinatory. Coppola's agenda clearly includes larger themes of life and war.

The film features performances by Martin Sheen as Captain Benjamin L. Willard (Marlow in Conrad's novel), Marlon Brando as Colonel Walter E. Kurtz, Dennis Hopper as a fast-talking hallucinogenic photojournalist and Robert Duvall in an Oscar-nominated turn as the borderline-psychotic Lt. Colonel Kilgore. Several other actors who were (or later became) prominent stars had minor or supporting roles in the movie including Harrison Ford, R. Lee Ermey and Laurence Fishburne (who, only fourteen years old during filming, was credited as 'Larry Fishburne') .


Primary cast

  • Marlon Brando - Col. Walter E. Kurtz
  • Martin Sheen - Capt. Benjamin L. Willard
  • Dennis Hopper - "American photojournalist"
  • Robert Duvall - Lt. Col. Bill Kilgore
  • Frederic Forrest - "Chef", sailor
  • Albert Hall - Chief Phillips, Navy boat commander
  • Sam Bottoms - Lance B. Johnson, sailor and famous surfer
  • Laurence Fishburne - Tyrone, AKA "Clean", sailor
  • G. D. Spradlin - Gen. Corman, G-2
  • Harrison Ford - Col. Lucas, aide to Corman
  • Scott Glenn - Lt. Richard M. Colby, previously assigned Willard's current mission
  • Tom Mason - supply sgt.
  • Colleen Camp - Playmate, "Miss May"

Background

Filmed in the Philippines (most notably the Pagsanjan River and Hidden Valley Springs), the film went far over budget and schedule: a typhoon destroyed many of the sets, the Philippine Army helicopters used for shooting were constantly called back by Ferdinand Marcos to be used in actual combat, the lead role was recast (Martin Sheen replaced Harvey Keitel after shooting had begun), Sheen then had a near-fatal heart attack, Brando was intractable and out of shape, and Coppola himself was mentally fragile. After the first edit, the film was six hours long and had to be severely edited; the original released version was just over two and a half hours long. (Coppola re-released the film in 2001 under the title Apocalypse Now Redux, restoring footage and sequences and lifting the running time to 200 minutes.) For background information on the film, see Eleanor Coppola's documentary, Hearts of Darkness: A Filmmaker's Apocalypse, released in 1991.

Synopsis

Spoiler warning: Plot or ending details follow.

U.S. Special Forces Captain Benjamin L. Willard is stationed in Saigon; a seasoned veteran, he is deeply troubled and apparently no longer fit for civilian life. A group of intelligence officers approaches him with a special mission up-river into the remote Cambodian jungle to find Colonel Walter E. Kurtz, a member of the Green Berets.

They state that Kurtz, once considered a model officer and future general, has apparently gone insane and is commanding a legion of his own troops deep in neutral Cambodia. Their claims are supported by very disturbing radio broadcasts and/or recordings made by Kurtz himself. Willard is asked to undertake a mission to find Kurtz and dispose of him 'with extreme prejudice'.

Willard studies the intelligence files during the boat ride to the river entrance and learns that Kurtz, isolated in his compound and in a strange mental state, has assumed the role of a warlord and is worshipped by the natives and his own loyal men. Another officer, sent earlier to kill Kurtz, has apparently become one of his lieutenants.

Willard will begin his trip up the Nung river on a PBR ("patrol boat, rigid"), with an eclectic crew composed of by-the-book and formal Chief Phillips, a black Navy boat commander; GM3 Lance B. Johnson, a tanned all-American California surfer; GM3 Tyrone, AKA "Clean", a black 17-year-old from the Bronx; and the Cajun Engineman, Jay "Chef" Hicks.

The PBR arrives at an Landing Zone where Willard and the crew meet up with Colonel Bill Kilgore, the merciless commander of the AirCav in the region, following a massive and hectic mopping-up operation of a conquered enemy town. Kilgore, a keen surfer, befriends Johnson and announces that down the coast there is a beach with perfect surf that also marks the opening to the river, which he is more than happy to capture. The problem is, his troops say, it's "Charlie's point" and heavily fortified. Dismissing these gripes, Kilgore orders his men to saddle up in the morning so that the AirCav can take town and the beach. Riding high above the coast in a fleet of Hueys, Kilgore launches an attack on the beach. The scene, famous for its use of Richard Wagner's epic "Ride of the Valkyries", ends with the soldiers surfing the barely claimed beach amidst skirmishes with infantry and VC. After helicopters swoop over the village and demolish all visible signs of resistance, a giant napalm strike in the nearby jungle dramatically marks the climax of the battle. "I love the smell of napalm in the morning" Kilgore remarks to Willard and the boat crew, explaining that it "smells like...victory."

The lighting and mood darken as the boat navigates upstream and Willard's silent obsession with Kurtz deepens. Episodes on the journey include a run-in with a tiger while Willard and Chef search for mangos, an impromptu inspection of a Vietnamese boat that leads to accidental slaughter, a surreal stop at the last American outpost during a Vietnamese attack against a wood bridge under construction there, and the shocking deaths of both "Clean" and Chief Phillips during a gunfire ambush with hidden Vietnamese soldiers and a spear thrown by a native on the shore, respectively.

Once arrived at Kurtz's palatial compound, Willard leaves Chef behind with orders to call in an air strike on the village if he does not return. They are met by a rather eccentric freelance photographer (played by Dennis Hopper) that explains the greatness and philosophic skills of Kurtz to provoke his people into following him. At this point, the narrative becomes increasingly nonlinear and abstract, and slows to an excruciating pace. While brought before Kurtz and held in captivity in a darkened temple, Willard’s constitution appears to weaken as Kurtz lectures him on his theories of war, humanity, and civilization. When bound outside in the pouring rain, Kurtz places the head of Chef in Willard's lap. Coppola makes little explicit, but we come to believe that Willard and Kurtz develop an understanding nonetheless: Kurtz wishes to die at Willard's hands, and that Willard, having subsequently granted Kurtz his wish, is offered the chance to succeed him in his warlord-demigod role. Juxtaposed with a ceremonial slaughtering of a cow, Willard enters Kurtz's chamber during one of his message recordings, and kills him with a machete. Lying bloody and dying on the ground, Kurtz whispers "The horror...the horror," in reference to the war and man's potential for great power and violence. The natives and soldiers do not try and stop Willard, instead, they look up at him as a God, replacing the recently deceased Colonel Kurtz. Willard looks back at them and puts down his weapon, he wants all this violence to end. The natives imitate him and he and Lance slowly leave the temple area and depart downriver in the patrol boat.

"Redux"

In Apocalypse Now: Redux Coppola restored several scenes that were cut from the original film, including stopovers at a French garrison and another chaotic American base.

Also in this version Willard steals Kilgore's surfboard, which can still be seen briefly onboard the PBR in the original cut.

Alternate Endings

Coppola denied having any actual alternative endings. In the DVD commentary, he states that they simply had a massive amount of footage to edit with and thus had some choices to make. They did consider using the explosion footage made during their destruction of the Kurtz compound, but he later decided that implying that the air strike had been called in was contrary to his wish to offer some slight hope that we could overcome the horrors of war.

However, there are multiple slightly varying versions of the ending credits.

Literary Differences

Although inspired by Joseph Conrad's novel Heart of Darkness the film deviates from it extensively. Time and location are changed: from the Congo Free State (colony of King Leopold II of Belgium) at the end of the 19th century to Vietnam in the middle of the 20th century. Subsequently Willard (Marlow, in the book) and Kurtz are not commercial agents of a Belgian ivory company thats seeks fortune by brutally exploiting African native workers, but soldiers of the American Army in a war. There is no Kilgore character either, a major player in the film. Captain Willard is not sent to bring Kurtz back, as in ‘’Heart of Darkness’’, where he dies of natural death (most likely a peaceful heart attack while on Marlow's boat), but to kill him instead.

In spite of this, Coppola has maintained many episodes (the spear and arrow attack on the boat, for example) that have respected the spirit of the novel and in particular its critique of the concept of civilization and progress. The fact that Coppola substituted European colonization with American interventionism does not change the universal message of the book. [1] (http://www.cyberpat.com/essays/coppola.html)

Award wins:

  • Cannes Film Festival : Palme d'Or
  • Academy Award for Best Cinematography (Vittorio Storaro)
  • Academy Award for Sound (Richard Beggs, Mark Berger, Nathan Boxer and Walter Murch)
  • Golden Globe Award for Best Director (Francis Ford Coppola)
  • Golden Globe Award for Best Supporting Actor (Robert Duvall)
  • Golden Globe Award for Best Original Score - Motion Picture (Carmine Coppola & Francis Ford Coppola)


In 2000 the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.


Award nominations:

  • Academy Award for Best Picture
  • Golden Globe Award for Best Motion Picture - Drama
  • Academy Award for Best Supporting Actor - (Robert Duvall)
  • Academy Award for Best Art Direction - Set Decoration (Angelo P. Graham, George R. Nelson and Dean Tavoularis)
  • Academy Award for Directing (Francis Ford Coppola)
  • Academy Award for Film Editing (Lisa Fruchtman, Gerald B. Greenberg, Richard Marks and Walter Murch)
  • Best Writing, Screenplay Based on Material from Another Medium (Francis Ford Coppola & John Milius)
  • WGA Award for Best Drama Written Directly for the Screen (John Milius & Francis Ford Coppola)
  • Grammy Award for Best Original Score Written for a Motion Picture (Carmine Coppola & Francis Ford Coppola)

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Award nominations:. His strong presence in his children's lives prevents them from becoming symbols of destroyed innocence, such as Boo Radley and Tom Robinson.
In 2000 the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry. Atticus serves as a guiding light for his children, always calm and patient, he allows them to come to the understanding that, although evil exists, one should not dwell on that but should instead realize that the existence of this evil is a sign that there is work to do, and progress to make. Award wins:. He defends Tom Robinson because he feels that not doing so would make him a hypocrite. [1] (http://www.cyberpat.com/essays/coppola.html). He represents morality and kindness.

The fact that Coppola substituted European colonization with American interventionism does not change the universal message of the book. Atticus Finch is one of the most important characters in the story. In spite of this, Coppola has maintained many episodes (the spear and arrow attack on the boat, for example) that have respected the spirit of the novel and in particular its critique of the concept of civilization and progress. His misconceived good nature testifies to the message of the story, one of kindness and the notion that people should not make judgements on others, since human beings are not that simple. Captain Willard is not sent to bring Kurtz back, as in ‘’Heart of Darkness’’, where he dies of natural death (most likely a peaceful heart attack while on Marlow's boat), but to kill him instead. He does several heroic things, including giving Scout a blanket during a neighborhood fire, and saving the kids from an assault by the father of the girl that accused Tom Robinson of rape. There is no Kilgore character either, a major player in the film. A gentle creature, he is viewed with fear by the children, who do not come to a better understanding of him until the end of the work.

Subsequently Willard (Marlow, in the book) and Kurtz are not commercial agents of a Belgian ivory company thats seeks fortune by brutally exploiting African native workers, but soldiers of the American Army in a war. As a child he was abused by his father, and was driven to agoraphobia. Time and location are changed: from the Congo Free State (colony of King Leopold II of Belgium) at the end of the 19th century to Vietnam in the middle of the 20th century. Boo Radley symbolizes destroyed innocence. Although inspired by Joseph Conrad's novel Heart of Darkness the film deviates from it extensively. Jem was able to overcome his sullenness due to the strong presence of Atticus in his life, and became a bigger person as he achieved a greater understanding of the world and how to view and treat other human beings. However, there are multiple slightly varying versions of the ending credits. He viewed Boo Radley, for example, as a frightening figure.

They did consider using the explosion footage made during their destruction of the Kurtz compound, but he later decided that implying that the air strike had been called in was contrary to his wish to offer some slight hope that we could overcome the horrors of war. The trial of Tom Robinson is Jem's first real encounter with true evil, and the realization of its existence drives him into a sullen state. Prior to this, he had viewed the world innocently, thinking of people as being one-sided. In the DVD commentary, he states that they simply had a massive amount of footage to edit with and thus had some choices to make. Jem undergoes crucial transformations in the work as he becomes a man. Coppola denied having any actual alternative endings. Jem Finch is Scout's older brother. Also in this version Willard steals Kilgore's surfboard, which can still be seen briefly onboard the PBR in the original cut. It was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry in 1995.

In Apocalypse Now: Redux Coppola restored several scenes that were cut from the original film, including stopovers at a French garrison and another chaotic American base.
. The natives imitate him and he and Lance slowly leave the temple area and depart downriver in the patrol boat. (Harper Lee, Book Review, 1964). Willard looks back at them and puts down his weapon, he wants all this violence to end. Harper Lee stated " To get the ideas for the book I used recent events in my time like the Scottsboro Trials". The natives and soldiers do not try and stop Willard, instead, they look up at him as a God, replacing the recently deceased Colonel Kurtz. Note that several of the main protagonists are named after birds: Scout, Jem, Atticus Finch, and Tom Robinson.

Lying bloody and dying on the ground, Kurtz whispers "The horror...the horror," in reference to the war and man's potential for great power and violence. The mockingbird represents innocence, and to kill one is to metaphorically kill innocence. Juxtaposed with a ceremonial slaughtering of a cow, Willard enters Kurtz's chamber during one of his message recordings, and kills him with a machete. Metaphorically, several of the book's characters can be seen as "mockingbirds", attacked despite doing nothing but good. Coppola makes little explicit, but we come to believe that Willard and Kurtz develop an understanding nonetheless: Kurtz wishes to die at Willard's hands, and that Willard, having subsequently granted Kurtz his wish, is offered the chance to succeed him in his warlord-demigod role. The blue jay is a very common bird, and is often perceived as a bully and a pest, whereas mockingbirds do nothing but "sing their hearts out for us". When bound outside in the pouring rain, Kurtz places the head of Chef in Willard's lap. The title of the book is taken from Atticus's advice to his children about firing their air rifles at birds: "Shoot all the blue jays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird".

While brought before Kurtz and held in captivity in a darkened temple, Willard’s constitution appears to weaken as Kurtz lectures him on his theories of war, humanity, and civilization. Nonetheless, it is clear that the author believes strongly that the prejudiced actions of the characters are wrong, even if they are believed by the majority and by those in power. They are met by a rather eccentric freelance photographer (played by Dennis Hopper) that explains the greatness and philosophic skills of Kurtz to provoke his people into following him. At this point, the narrative becomes increasingly nonlinear and abstract, and slows to an excruciating pace. Since the story is told from the point of view of a child (Scout), the author is able to present situations without adding an explicit opinion—the reader is left to make sense of events and come to his own conclusion. Once arrived at Kurtz's palatial compound, Willard leaves Chef behind with orders to call in an air strike on the village if he does not return. The story explores prejudice in its various forms, as well as childhood and maturity. Episodes on the journey include a run-in with a tiger while Willard and Chef search for mangos, an impromptu inspection of a Vietnamese boat that leads to accidental slaughter, a surreal stop at the last American outpost during a Vietnamese attack against a wood bridge under construction there, and the shocking deaths of both "Clean" and Chief Phillips during a gunfire ambush with hidden Vietnamese soldiers and a spear thrown by a native on the shore, respectively. At least one person—Pearl Kazin Bell, an editor at Harper's— has gone on record as believing his assertions were true.

The lighting and mood darken as the boat navigates upstream and Willard's silent obsession with Kurtz deepens. Capote frequently implied that he himself had written a considerable portion of her novel, and some have said he ghosted the entire novel. "I love the smell of napalm in the morning" Kilgore remarks to Willard and the boat crew, explaining that it "smells like...victory.". Truman Capote was a lifelong friend of childhood neighbor Lee, and allegedly was the inspiration for the character of Dill in her best-seller. After helicopters swoop over the village and demolish all visible signs of resistance, a giant napalm strike in the nearby jungle dramatically marks the climax of the battle. The protagonist and her brother Jem watch as her father defends a black man, Tom Robinson, wrongly accused of raping a white girl in a racist community in the 1930's. The scene, famous for its use of Richard Wagner's epic "Ride of the Valkyries", ends with the soldiers surfing the barely claimed beach amidst skirmishes with infantry and VC. A coming-of-age story, it is told from the point of view of Jean Louise "Scout" Finch, the young daughter of Atticus Finch, an educated lawyer in Maycomb, Alabama, a small town in the deep South of the United States.

Riding high above the coast in a fleet of Hueys, Kilgore launches an attack on the beach. It was made into an Academy Award-winning motion picture starring Gregory Peck by director Robert Mulligan in 1962. Dismissing these gripes, Kilgore orders his men to saddle up in the morning so that the AirCav can take town and the beach.
To Kill a Mockingbird is a 1960 novel by Harper Lee, which won the Pulitzer Prize for Fiction in 1961. The problem is, his troops say, it's "Charlie's point" and heavily fortified. The American Film Institute named Atticus Finch the greatest movie hero of the 20th Century. Kilgore, a keen surfer, befriends Johnson and announces that down the coast there is a beach with perfect surf that also marks the opening to the river, which he is more than happy to capture. In the flash cartoon, the narrator is an elementary school student presenting a book report on the book, but it becomes obvious he hasn't read it when he deviates into fantasies about pirates, dinosaurs, robots, and ninja.

The PBR arrives at an Landing Zone where Willard and the crew meet up with Colonel Bill Kilgore, the merciless commander of the AirCav in the region, following a massive and hectic mopping-up operation of a conquered enemy town. The humor website AwesomeFunny made an extremely popular parody of To Kill a Mockingbird called How to Kill a Mockingbird. Johnson, a tanned all-American California surfer; GM3 Tyrone, AKA "Clean", a black 17-year-old from the Bronx; and the Cajun Engineman, Jay "Chef" Hicks. He visualizes Atticus as his own father, and contrives him as Psychiatrist Curtis McCabe. Willard will begin his trip up the Nung river on a PBR ("patrol boat, rigid"), with an eclectic crew composed of by-the-book and formal Chief Phillips, a black Navy boat commander; GM3 Lance B. The movie Vanilla Sky shows a clip of the movie with Atticus and Scout as remembered by the lead character, David Aames. Willard studies the intelligence files during the boat ride to the river entrance and learns that Kurtz, isolated in his compound and in a strange mental state, has assumed the role of a warlord and is worshipped by the natives and his own loyal men. Another officer, sent earlier to kill Kurtz, has apparently become one of his lieutenants. Actors Demi Moore and Bruce Willis named their daughter "Scout" after the book's young heroine.

Willard is asked to undertake a mission to find Kurtz and dispose of him 'with extreme prejudice'. The character of Boo Radley—a mysterious neighbor who lives quietly in his dark house and is feared by the local children—gave his name to the popular British band The Boo Radleys. Their claims are supported by very disturbing radio broadcasts and/or recordings made by Kurtz himself. Academy Award for Best Music, Score - Substantially Original - (Elmer Bernstein). They state that Kurtz, once considered a model officer and future general, has apparently gone insane and is commanding a legion of his own troops deep in neutral Cambodia. Academy Award for Best Cinematography - (Russell Harlan). Kurtz, a member of the Green Berets. Academy Award for Best Supporting Actress - (Mary Badham).

A group of intelligence officers approaches him with a special mission up-river into the remote Cambodian jungle to find Colonel Walter E. Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures - (Robert Mulligan). Willard is stationed in Saigon; a seasoned veteran, he is deeply troubled and apparently no longer fit for civilian life. Academy Award for Directing - (Robert Mulligan). Special Forces Captain Benjamin L. Golden Globe Award for Best Motion Picture - Drama. U.S. BAFTA Award for Best Picture.

(Coppola re-released the film in 2001 under the title Apocalypse Now Redux, restoring footage and sequences and lifting the running time to 200 minutes.) For background information on the film, see Eleanor Coppola's documentary, Hearts of Darkness: A Filmmaker's Apocalypse, released in 1991. Academy Award for Best Picture. After the first edit, the film was six hours long and had to be severely edited; the original released version was just over two and a half hours long. Golden Globe Award for Best Original Score - Motion Picture - (Elmer Bernstein). Filmed in the Philippines (most notably the Pagsanjan River and Hidden Valley Springs), the film went far over budget and schedule: a typhoon destroyed many of the sets, the Philippine Army helicopters used for shooting were constantly called back by Ferdinand Marcos to be used in actual combat, the lead role was recast (Martin Sheen replaced Harvey Keitel after shooting had begun), Sheen then had a near-fatal heart attack, Brando was intractable and out of shape, and Coppola himself was mentally fragile. Academy Award for Writing Adapted Screenplay - (Horton Foote).
. Academy Award for Best Art Direction-Set Decoration, Black-and-White - (Alexander Golitzen, Henry Bumstead, Oliver Emert).

Lee Ermey and Laurence Fishburne (who, only fourteen years old during filming, was credited as 'Larry Fishburne') . Golden Globe Award for Best Actor - Motion Picture Drama - (Gregory Peck). Several other actors who were (or later became) prominent stars had minor or supporting roles in the movie including Harrison Ford, R. Academy Award for Best Actor - (Gregory Peck). Colonel Kilgore. Golden Globe Award for Best Film Promoting International Understanding. The film features performances by Martin Sheen as Captain Benjamin L. Willard (Marlow in Conrad's novel), Marlon Brando as Colonel Walter E. Kurtz, Dennis Hopper as a fast-talking hallucinogenic photojournalist and Robert Duvall in an Oscar-nominated turn as the borderline-psychotic Lt. Gilmer, Prosecutor.

Coppola's agenda clearly includes larger themes of life and war. William Windom  : Mr. The soldier's journey becomes increasingly nonlinear and hallucinatory. Frank Overton  : Sheriff Heck Tate. The narrative of his journey and its culmination is studded with events which, while bizarre, partake of real Vietnam stories. John Megna  : Charles Baker 'Dill' Harris. Set in the Vietnam War, a taciturn American soldier is sent to "terminate with extreme prejudice" a rogue Green Beret colonel. Robert Duvall  : Arthur 'Boo' Radley.

Apocalypse Now is a 1979 American film by Francis Ford Coppola, inspired by Joseph Conrad's classic novella Heart of Darkness. Phillip Alford  : Jeremy 'Jem' Finch. Grammy Award for Best Original Score Written for a Motion Picture (Carmine Coppola & Francis Ford Coppola). Mary Badham  : Jean Louise 'Scout' Finch. WGA Award for Best Drama Written Directly for the Screen (John Milius & Francis Ford Coppola). Gregory Peck  : Atticus Finch. Best Writing, Screenplay Based on Material from Another Medium (Francis Ford Coppola & John Milius).

Greenberg, Richard Marks and Walter Murch). Academy Award for Film Editing (Lisa Fruchtman, Gerald B. Academy Award for Directing (Francis Ford Coppola). Nelson and Dean Tavoularis).

Graham, George R. Academy Award for Best Art Direction - Set Decoration (Angelo P. Academy Award for Best Supporting Actor - (Robert Duvall). Golden Globe Award for Best Motion Picture - Drama.

Academy Award for Best Picture. Golden Globe Award for Best Original Score - Motion Picture (Carmine Coppola & Francis Ford Coppola). Golden Globe Award for Best Supporting Actor (Robert Duvall). Golden Globe Award for Best Director (Francis Ford Coppola).

Academy Award for Sound (Richard Beggs, Mark Berger, Nathan Boxer and Walter Murch). Academy Award for Best Cinematography (Vittorio Storaro). Cannes Film Festival : Palme d'Or. Colleen Camp - Playmate, "Miss May".

Tom Mason - supply sgt. Colby, previously assigned Willard's current mission. Richard M. Scott Glenn - Lt.

Lucas, aide to Corman. Harrison Ford - Col. Corman, G-2. Spradlin - Gen.

D. G. Laurence Fishburne - Tyrone, AKA "Clean", sailor. Johnson, sailor and famous surfer.

Sam Bottoms - Lance B. Albert Hall - Chief Phillips, Navy boat commander. Frederic Forrest - "Chef", sailor. Bill Kilgore.

Col. Robert Duvall - Lt. Dennis Hopper - "American photojournalist". Willard.

Benjamin L. Martin Sheen - Capt. Kurtz. Walter E.

Marlon Brando - Col.