American GraffitiAmerican Graffiti is a 1973 film directed by George Lucas. It tells the story of a group of small-town middle-class American California teenagers on the last night of summer. It is set in 1962 against the backdrop of commentary and music created by disc jockey Wolfman Jack. The commentary is from his U.S. broadcasting studio that is linked to the transmitter of border-blaster XERB in Mexico. The film was followed by a sequel titled More American Graffiti in 1979. ProductionStarsAmerican Graffiti starred Richard Dreyfuss (Curt Henderson), Ron Howard (Steve Bolander), Paul Le Mat (John Milner), Charles Martin Smith (Terry Fields), Candy Clark, Cindy Williams, Mackenzie Phillips and Harrison Ford. It also featured the first major public appearance by disc jockey Wolfman Jack. Suzanne Somers had a small but notable part as a blonde in the Ford Thunderbird. Script and locationThe script was written by George Lucas, Gloria Katz and Willard Huyck. Although the movie was based upon the memories of George Lucas regarding his teenage years in Modesto, California, it was shot on location around San Rafael and Petaluma in the Bay Area of Northern California. The low-budget movie was mostly shot during night in less than a month. Musical accuracyThe movie gained some of its popularity through its accurate reflection of period music. The depiction of Wolfman Jack broadcasting live from a local studio in California via a transmitter in Mexico is not accurate. This is because provisions of the Brinkley Act forbade cross-border broadcasting. However, Wolfman Jack did broadcast from XERB, but not in the manner shown in the picture. StorylineSpoiler warning: Plot or ending details follow.The film focuses on vignettes about the four young men: Curt, Steve, Terry, and John. Curt is not sure if he wants to go off to college, despite receiving a lodge scholarship, much to Steve's consternation. Steve, on the other hand, is not sure about his relationship with steady girlfriend Laurie, Curt's sister. Curt spends the whole night riding around in other people's cars obsessing about a mysterious blonde driving a white Ford Thunderbird. John splits his time between trying to pick up girls and defending his reputation as the fastest drag racer in town. Terry uses Steve's car to pick up a girl. Ironically, by the end of the night it is Curt who goes off to college, while Steve decides to stay in town and settle down with Laurie. Instead of attending college, he becomes an insurance salesman. Academy AwardsThe film was nominated for several Academy Awards:
The film is included in the National Film Registry. Inspiration for TV seriesThe unexpected success of this film helped to inspire ABC to give the green light for the television series Happy Days, which also starred Ron Howard. Both shows also featured as their theme song "Rock Around the Clock" by Bill Haley & His Comets, which led to the song returning to the American record charts in 1974, 20 years after it was recorded. This page about American Graffiti includes information from a Wikipedia article. Additional articles about American Graffiti News stories about American Graffiti External links for American Graffiti Videos for American Graffiti Wikis about American Graffiti Discussion Groups about American Graffiti Blogs about American Graffiti Images of American Graffiti |
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Both shows also featured as their theme song "Rock Around the Clock" by Bill Haley & His Comets, which led to the song returning to the American record charts in 1974, 20 years after it was recorded. The soundtrack is by Cat Stevens, and includes two songs which he composed specifically for the movie and which were unavailable for several decades on vinyl or cassette (they were later released on the compact disc Footsteps in the Dark). The unexpected success of this film helped to inspire ABC to give the green light for the television series Happy Days, which also starred Ron Howard. She tells Harold at one point about Alfred Dreyfus seeing fantastic birds on Devil's Island and finding out later that they were only seagulls. She says that to her they would always be fantastic birds. The film is included in the National Film Registry. Her backstory is only hinted in the film. The film was nominated for several Academy Awards:. She sees beauty where others see none, believes in the innate goodness of people (but not the State), and practices what she calls her own individual revolution. Instead of attending college, he becomes an insurance salesman. Maude, on the other hand, is a fictionalizer and a dreamer. Ironically, by the end of the night it is Curt who goes off to college, while Steve decides to stay in town and settle down with Laurie. Against the backdrop of the Vietnam War, Harold can only feel significant by dying. Terry uses Steve's car to pick up a girl. While Harold is part of a society where he can have no importance and no meaning, Maude has survived against totalitarianism. John splits his time between trying to pick up girls and defending his reputation as the fastest drag racer in town. Hal Ashby, the director of the film, was part of the San Francisco youth culture, and his film posits the doomed youth of the alienated against the vital age of the Holocaust survivors. Curt spends the whole night riding around in other people's cars obsessing about a mysterious blonde driving a white Ford Thunderbird. The two form an unlikely friendship, then romance. Steve, on the other hand, is not sure about his relationship with steady girlfriend Laurie, Curt's sister. Maude is very much his opposite: a senior citizen, energetic, impulsive, and light-hearted. Curt is not sure if he wants to go off to college, despite receiving a lodge scholarship, much to Steve's consternation. At these he repeatedly sees Maude, a 79 year-old woman who befriends him. The film focuses on vignettes about the four young men: Curt, Steve, Terry, and John. For amusement, Harold attends funerals of people he doesn't know. However, Wolfman Jack did broadcast from XERB, but not in the manner shown in the picture. This has evidently been going on for so long that his mother takes no notice, other than when Harold causes a particular mess with his fake blood. This is because provisions of the Brinkley Act forbade cross-border broadcasting. Harold stages realistic mock-suicides. The depiction of Wolfman Jack broadcasting live from a local studio in California via a transmitter in Mexico is not accurate. The film first introduces us to Harold, an alienated teenaged boy from a wealthy family who lives in a large mansion with his dominating mother. The movie gained some of its popularity through its accurate reflection of period music. The screenplay on which the film was based was written by Colin Higgins, and published as a novel in 1984. The low-budget movie was mostly shot during night in less than a month. The film was a commercial failure when it was released and critics were divided. Although the movie was based upon the memories of George Lucas regarding his teenage years in Modesto, California, it was shot on location around San Rafael and Petaluma in the Bay Area of Northern California. The film is number 45 on the American Film Institute's list of 100 Funniest Movies and in 1997, it was selected for preservation in the National Film Registry of the Library of Congress. The script was written by George Lucas, Gloria Katz and Willard Huyck. The film features both dark and light humor, social satire (including anti-war), promotes the notion of living life to its fullest, and has long had a cult following. Suzanne Somers had a small but notable part as a blonde in the Ford Thunderbird. Harold and Maude is a 1971 movie, directed by Hal Ashby. It also featured the first major public appearance by disc jockey Wolfman Jack. Cinematography by: John Alonzo. American Graffiti starred Richard Dreyfuss (Curt Henderson), Ron Howard (Steve Bolander), Paul Le Mat (John Milner), Charles Martin Smith (Terry Fields), Candy Clark, Cindy Williams, Mackenzie Phillips and Harrison Ford. Borman). The film was followed by a sequel titled More American Graffiti in 1979. Motorcycle Officer: Tom Skerritt (as M. broadcasting studio that is linked to the transmitter of border-blaster XERB in Mexico. Edith Phern: Shari Summers. The commentary is from his U.S. Candy Gulf: Judy Engles. It is set in 1962 against the backdrop of commentary and music created by disc jockey Wolfman Jack. Wood. It tells the story of a group of small-town middle-class American California teenagers on the last night of summer. Psychiatrist: G. American Graffiti is a 1973 film directed by George Lucas. Priest: Eric Christmas. Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced - Willard Huyck, Gloria Katz and George Lucas. Sunshine Doré: Ellen Geer. Best Picture - Francis Ford Coppola and Gary Kurtz. Uncle Victor: Charles Tyner. Best Film Editing - Verna Fields and Marcia Lucas. Glaucus: Cyril Cusack. Best Director - George Lucas. Chasen: Vivian Pickles. Best Actress in a Supporting Role - Candy Clark. Mrs. Harold Chasen: Bud Cort. Marjorie Chardin (Maude): Ruth Gordon. |