ATC (band)

As of July 2004, they have produced a second album, Touch The Sky (2003).
. "Around the World" has received massive radio play world-wide, but the rest of the album was generally considered lacking by critics.
. They broke into the mainstream with their electronica crossover hit single "Around the World (La La La)" (a cover of Ruki Vverkh's "Pesenka") off their debut album Planet Pop (February 6, 2001). Beck is a Scientologist. ATC, meaning A Touch of Class, is a pop band based in Germany, although the four members each come from different countries—Joe from New Zealand, Sarah from Australia, Tracey from England, and Livio from Italy. He has also appeared as a guest on another animated show Space Ghost: Coast to Coast.

Set Me Free. In keeping with Beck's sense of humour, there is much self-deprecation ("Odelay is a word! Just look it up in the Becktionary"). Why Oh Why. Beck has done a guest voice on Matt Groening's animated show Futurama, playing himself. Around the World. Instead of pushing for an early release, a variety of bonus tracks including remixes from Boards of Canada and Dizzee Rascal will be released on March 29th, 2005. Touch the Sky. Like many commercial artists, Beck's newest album fell victim to an internet leak in mid January 2005.

Planet Pop. The video for the first single, "E-Pro," has been released to the general public on msn.com. The record, Guero, produced by the Dust Brothers and Tony Hoffer, is tentatively slated for an early 2005 release. In late 2004, Beck returned to the studio to work on his sixth major-label album. Beck has a number of b-sides and soundtrack-only songs as well, including "Midnite Vultures" (curiously, not on the album of the same name), a cover of Korgis' "Everybody's Got to Learn Sometime" which appeared in the 2004 movie Eternal Sunshine of the Spotless Mind and David Bowie's Diamond Dogs from Moulin Rouge!.

The Sea Change tour featured The Flaming Lips as Beck's opening and backing band. Although some radio singles were released no commercial singles were made available to the public. The album also featured string arrangements by Beck's father David Campbell and a sonically dense mix recalling at times Mutations and elements of Midnite Vultures. Sea Change was conceptualized as an album with one unifying theme—the stages following the end of a relationship.

After Midnite Vultures came Sea Change in 2002, another airy and emotional album with producer Nigel Godrich. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza—the live stage set including a red bed that descended from the ceiling for the song "Debra" and the touring band was supplemented by a brass section. In 1999, Geffen released the much-anticipated Midnite Vultures, an orgy of sexual and culinary innuendo that was supported by a world tour. A catalogue of the show was published by Plug In Editions/Smart Art Press.

The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Canada. During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition entitled Beck & Al Hansen: Playing With Matches and showcased solo and collaborative collage, assemblage, drawing and poetry works. Track 10, "Sing It Again,"was written for Johnny Cash, but Beck never submitted it, considering it "rubbish." Cash would go on to record "Rowboat," a song that originally appeared on Beck's Stereopathetic Soul Manure. Songs on the album consisted of older tracks, some even dating back as far as 1994.

Mutations was a departure from the electronic density of Odelay, and was filled with folk and blues influences. Recorded over two weeks, during which Beck recorded one song a day, the sessions produced 14 songs. Produced by Nigel Godrich of Radiohead fame, it was intended as a stopgap measure before the next album proper. Odelay was followed in 1998 by Mutations.

Within the year, Odelay had received perfect reviews in Rolling Stone and Spin magazines, been listed on countless "Best of" lists, had received double-platinum status, and earned an impressive number of industry awards, including two Grammies. The lead single, "Where It's At," received heavy airplay and its video was in constant rotation on MTV. That one-hit wonder label was put to rest with the release of 1996's Odelay, a collaborative effort with the Dust Brothers, creators of the Beastie Boys' Paul's Boutique. It didn't help that a lot of audiences (especially at Lollapalooza) were only familiar with "Loser"' and would generally ignore his other work.

Beck took his act on the road with the 1995 Lollapalooza tour. Still, some critics panned him as a one-hit wonder. At the same time, he released One Foot in the Grave on independent K Records and Stereopathetic Soul Manure on Flipside Records. Beck would comment often that like "Loser," the song that inspired it, the "slacker" label was very ironic. In 1994, Geffen's release of Mellow Gold made Beck a mainstream success—and led to his iconic status as the "slacker" representative of the alternative rock scene.

Eventually, he chose Geffen Records, who offered him terms that included allowing for the release of independent albums while under contract. Their 1993 12" vinyl "Loser," from an initial run of 500 copies, created a sensation on alternative radio that led to a furious bidding war between labels to sign Beck. It was in this atmosphere of heady creativity that the founders of Bong Load Custom Records discovered Beck. Some of his earliest and most thought provoking recordings were achieved by working with Tom Grimley at Poop Alley Studios, a part of WIN Records.

In the spirit of an artist struggling to make a name for himself, his shows were memorable for their mix of humor and eccentricity. During this time, Beck sought out (or snuck onto) stages at venues all over LA, from punk clubs to coffee shops. To support himself, he took a variety of low-paying, dead-end jobs, and even lived in a shed, all the while continuing to develop his music. Beck returned to LA at the turn of the decade, destitute but motivated.

New York City and the late '80s found himself part of the punk-influenced anti-folk music movement. In Germany, he spent time with his maternal grandfather, fluxus artist Al Hansen. After dropping out of high school in the mid-1980s, Beck educated himself and traveled widely. Hopefully compared by critics to the more obscure moments of Bob Dylan and given an enthusiastic seal of approval by Allen Ginsberg, Beck was a link between the folk and beatnik past and the hip-hop present.

Bungle and avant garde composers such as John Zorn who experimented with similar genre raiding, Beck achieved notice with his free-flowing, sometimes absurd lyrical stylings. Beck's music is often considered to be typical of much popular alternative music of the 1990s with its disdain for genre conventions, obtuse and ironic lyrics, and the melding of samples with played instruments. However, what set him apart from rock groups such as Mr. When his parents separated, he stayed with his mother and brother in LA, where he was influenced by that city's diverse musical offerings—everything from hip-hop to Latin music—and his mother's art scene – all of which would later reappear in his recorded and published work. Beck Hansen was born in Los Angeles, California to parents, David Campbell, a musician, and Bibbe Hansen, a visual artist.

Beck Hansen (born Bek David Campbell, July 8, 1970) is an American musician and songwriter. Southlander. Download sample of "Sissyneck" from Odelay.