Ostern

The Oil, the Baby and the Transylvanians was a Romanian film, but featured emigrant Hungarians heavily in the storyline.
. The Sons of the Great Mother Bear for example was a co-production between East Germany and Czechoslovakia, starring a Yugoslav, scripted in German, and shot in a number of different Eastern Bloc countries and used a variety of locations including Yugoslavia, Bulgaria, Mongolia and Czechoslovakia. Kappa and Fortis. Interestingly, many of the non-Soviet examples of the genre were international co-productions akin to the Spaghetti Westerns. Hermes House Band. it started a series of "Indian films" by the East German DEFA studios which were quite successful. DJ Panic.

The German The Sons of the Great Mother Bear (Die Söhne der großen Bärin, 1966) turned the traditional American "Cowboy and Indian" conventions on their head, casting the Native Americans as the heroes and the American Army as the villains, with some obvious Cold War overtones.. Rob & MC Joe. The Czech Lemonade Joe and the Soviet A Man from the Boulevard des Capuchines plump for pastiche or satire, making fun of the hard worn conventions of the American films. DJ Paul Elstak. Red Westerns which use the actual American west as a setting include, the Romanian The Oil, the Baby and the Transylvanians (Pruncul, Petrolul Si Ardelenii, 1981) which dramatises the struggles of Romanian and Hungarian settlers in a new land. Dennis van der Geest. Add the gun slinging ethos, horse riding, working the land, pioneers of a sort (ideological often in this case!), the bounty hunter traversing difficult terrain with outlaw in tow, railroading and taming the wild frontier and you have a generic mirror image of the American genre. Ramon Sluijter.

The Ural Mountains can be equivalent to Monument Valley, the Volga river for the Rio Grande. Martin Schwab. By substituting, 'red' for 'blue' and 'Turk' for Mexican, there are the same opportunities for a sweeping drama played out against a backdrop of wide-open spaces. Jan Marijnissen. In Russia, the Ostern uses the generic calling cards of the American Western to dramatise the civil war in Central Asia in the 1920s and 30s, in which the Red Army fought to maintain their country against Islamic Turkic 'Basmachi' rebels. Arjan Erkel. Westerns have proven particularly transferrable in the way that they create a mythology out of relatively recent history, a malleable idea that translates well to different cultures. Gerrit Zalm.

In a war in which many fabrications were made on both sides, there was often a lingering fascination with the cultural developments in enemy countries. Wouter Bos. 'Red Westerns' provide a counterpoint to familiar mythologies and conventions of the original genre, particularly as the makers were on the other side of a propaganda war without parallel, the Cold War, and this is partially why many have never been shown in the west, at least not until after the Cold War ended. Lee Towers. In particular, Yugoslavia, Mongolia and the Southern USSR were used. Gerard Cox. 'Red Westerns' of the first type are often compared to 'Spaghetti Westerns' (although technically these are 'Paella Westerns' being shot in Spain, rather than Italy), in that they use local scenery to double up for the American West. Feyenoord home games are known for the incredible atmosphere, probably the best of all the Dutch clubs.

Naturally many of these contained political messages, but they can still be watched impartially as action films, comedies etc, and it is certainly true to say that American director John Ford imbued his films with controversial political messages too. Their stadium song is I Will Survive, the tune is played every time Feyenoord Rotterdam scores at home. It generally took two forms:. Their motto is: Geen Woorden Maar Daden ("No words but deeds"), a good motto as Feyenoord Rotterdam was founded by hard working labourers from the harbours in the Feijenoord district in Rotterdam-South. The Ostern (Eastern) or Red Western was the Soviet Union and Iron Curtain countries' take on the Western movie. Eredivisie 2005-2006 | 2005-2006,2nd (28 November 2005). Examples of these include The Burning Miles (Ognennie Versti/Огненные вёрсты, 1957), The Bodyguard (Telokhranitel/Телохранитель, 1979), At Home among Strangers (1971), and famous Soviet film White Sun of the Desert (Beloye Solntse Pustynt/Белое солнце пустыни', 1970). While some of these are obviously influenced by Westerns, in some cases, the material can be seen as a parallel formation. Eredivisie 2004-2005 | 2004-2005, 4th.

Easterns (Osterns), which took place usually on the steppes or Asian parts of the USSR, especially during the Russian Revolution or following Civil War. Eredivisie 2003-2004 | 2003-2004, 3rd. These were much more common in Eastern Europe, rather than the USSR itself. Eredivisie 2002-2003 | 2002-2003, 3rd. Proper Red Westerns, set in America's 'Wild West', such as Czechoslovakia's Lemonade Joe (Limonadovy Joe, 1964), or the East-German The Sons of the Great Mother Bear (Die Söhne der großen Bärin, 1966) or The Oil, the Baby and the Transylvanians (Pruncul, Petrolul Si Ardelenii, Romania, 1981) involving radically different themes and genres. Eredivisie 2001-2002 | 2001-2002, 3rd. Eredivisie 2000-2001 | 2000-2001, 2nd.

Eredivisie 1999-2000 | 1999-2000, 3rd. Eredivisie 1998-1999 | 1998-1999, 1st. Eredivisie 1997-1998 | 1997-1998, 4th. Eredivisie 1996-1997 | 1996-1997, 2nd.

Eredivisie 1995-1996 | 1995-1996, 3rd. Eredivisie 1994-1995 | 1994-1995, 4th. Eredivisie 1993-1994 | 1993-1994, 2nd. Eredivisie 1992-1993 | 1992-1993, 1st.

Eredivisie 1991-1992 | 1991-1992, 3rd. Eredivisie 1990-1991 | 1990-1991, 8th. It is a match between the two largest cities of the Netherlands, one of which identifies with artists and creativity (Amsterdam) and one with hard work and guts (Rotterdam). Although Ajax has fought with PSV for the championship in recent years, its main rivalry remains with Feyenoord, culminating every year in the "Klassieker" ("The Classic").

Their archrival is Ajax from Amsterdam and in the past there have been many clashes between the supporters of both clubs, of which the Beverwijk clash in 1997 was the most infamous, leading to the death of Ajax-supporter Carlo Picornie. The supporters of Feyenoord are said to be one of the most loyal supporter groups, and are nicknamed Het Legioen, Dutch for The Legion. . Together with Ajax, AZ Alkmaar and PSV, Feyenoord belongs to the top clubs of the Netherlands.

There are two other professional football teams from Rotterdam, namely Sparta and Excelsior. The average attendance in 2004/05 was 45,288 people. It is located in the Feijenoord district in the south of Rotterdam. It has 50,000 seats and has hosted a record of 10 finals of UEFA club competitions, including the 2002 UEFA Cup Final which was won by Feyenoord.

The club's Feijenoord Stadion is nicknamed De Kuip, Dutch for The Tub and was built in 1937, and is one of the major European stadiums. The club was founded on July 19, 1908. It was previously named Feijenoord, after the Feijenoord district of south Rotterdam, but the club internationalised its name in 1973. Feyenoord Rotterdam is a Dutch football club from the city of Rotterdam.

Intercontinental Cup: 1970. UEFA Cup: 1974, 2002. European Cup: 1970. Supercup: 1991, 1999.

KNVB Cup|Amstel Cup winner: 1930, 1935, 1965, 1969, 1980, 1984, 1991, 1992, 1994, 1995. League winner: 1924, 1928, 1936, 1938, 1940, 1961, 1962, 1965, 1969, 1971, 1974, 1984, 1993, 1999.