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Humour

Humour (Commonwealth English) or humor (American English) is the ability or quality of people, objects or situations to evoke feelings of amusement in other people. The term encompasses a form of entertainment or human communication which evokes such feelings, or which makes people laugh or feel happy.

The origin of the term derives from the humoral medicine of the ancient Greeks, which stated that a mix of fluids known as humours controlled human health and emotion.

A sense of humour is the ability to experience humour, a quality which all people share, although the extent to which an individual will personally find something humorous depends on a host of absolute and relative variables, including, but not limited to geographical location, culture, maturity, level of education and context. For example, young children (of any background) particularly favour slapstick, while satire tends to appeal to more mature audiences.

Styles or techniques

Humans often find the behaviour of animals amusing or humourous.

Examples of various different styles of humour, or techniques for evoking humour or creating a humourous situation are listed below.

  • Verbal
    • Figure of speech
      • Triple and paraprosdokian
      • Enthymeme
      • Syllepsis (zeugma)
      • Hyperbole
      • Understatement
    • Word play
      • Oxymoron
      • Pun
    • Comic sounds or inherently funny words with sounds that make them amusing in a language
    • Joke
      • Adages, often in the form of paradox "laws" of nature, such as Murphy's law
      • Stereotyping, such as blonde jokes, lawyer jokes, racial jokes, viola jokes.
      • Sick Jokes, arousing humour through grotesque, violent or exceptionally cruel scenarios
    • Riddle
    • Irony, where a statement or situation implies both a superficial and a concealed meaning which are at odds with each other.
    • Wit, as in many one-liner jokes
    • Non-sequitur
    • Droll
    • Obscenity
    • Parody
    • Sarcasm
    • Satire
    • Self-irony
    • Ridicule, such as the Darwin Awards
      • Self-ridicule, such as Rodney Dangerfield's self-deprecating humour
        • Ridicule of self through absurdism, as in the surreally dry and bizarre comedy of Steven Wright
  • Nonverbal
    • Deadpan Fake stern manner
    • Slapstick
      • Exaggerated or unexpected gestures and movements
      • Inflicting pain, such as kick in the groin
    • Faking stupidity
    • Clash of context humour, such "fish out of water".
    • Surreal humour or absurdity
    • Practical joke: luring someone into a humorous position or situation and then laughing at their expense
    • Form-versus-content humour
    • Funny pictures: Photos or drawings/cartoons that are intentionally or unintentionally humorous.
    • Visual humour: Like the above, but encompassing narrative in theater or comics ,or on film or video.
  • Anti-humour
    • Deliberate ambiguity and confusion with reality, often performed by Andy Kaufman
  • Unintentional humour, that is, making people laugh without intending to (as with Ed Wood's Plan 9 From Outer Space)
  • Character Driven, deriving humour from the way characters act in specific situations, without punchlines. Exemplified by The Larry Sanders Show and Curb Your Enthusiasm.

Understanding humour

The term "humour" as formerly applied in comedy referred to the interpenetration of the sublime and the ridiculous. For this reason humour is often a subjective experience as it depends on a special mood or perspective from its audience to be effective. By comparison, the use of irony creates the perception of a passage from the serious to the comic, while in humour the opposite is true. Arthur Schopenhauer lamented the misuse of the term (the German loanword from English) to mean any type of comedy.

One explanation of humour is based on the fact that a great deal of humour is a consequence of language. Language is an approximation of thoughts through symbolic manipulation, and the gap between the expectations inherent in those symbols and the breaking of those expectations leads to laughter. Irony is explicitly this form of comedy, whereas slapstick takes more passive social norms relating to physicality and plays with them. In other words, comedy is a sign of a 'bug' in the symbolic make-up of language, as well as a self-correcting mechanism for such bugs. Once the problem in meaning has been described through a joke, people immediately begin correcting their impressions of the symbols that have been mocked. This is why jokes are often funny only when told the first time.

Some claim that humour cannot or should not be explained. Author E.B. White once said that "Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind." However, attempts to do just that have been made, such as this one:

Perhaps the essence of humour lies in the presentation of something familiar to a person, so they think they know the natural follow-on thought or conclusion, then providing a twist through presentation something different from what the audience expected (see surprise), or else the natural result of interpreting the original situation in a different, less common, way. For example:

For this reason also, many jokes work in threes. For instance, a class of jokes exists beginning with the formulaic line "A priest, a rabbi, and a lawyer are sitting in a bar..." (or close variations on this). Typically, the priest will make a remark, the rabbi will continue in the same vein, and then the lawyer will make a third point that forms a sharp break from the established pattern, but nonetheless forms a logical (or at least stereotypical) response.

Notable studies of humour have come from the pens of Aristotle in The Poetics (Part V), of Sigmund Freud in Jokes and Their Relation to the Unconscious and of Schopenhauer. The French philosopher Henri Bergson wrote an essay on "the meaning of the comic", in which he viewed the essence of humour as the encrustation of the mechanical upon the living. He used as an instance a book by an English humorist, in which an elderly woman who desired a reputation as a philanthropist provided "homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing, etc." This idea seems funny because a genuine impulse of charity as a living, vital impulse has become encrusted by a mechanical conception of how it should manifest itself.

A Bergsonian might explain puns in the same spirit. Puns classify words not by what lives (their meaning) but by mechanics (their mere sound).

There also exist linguistic and psycholinguistic studies of humour, irony, parody and pretence. Prominent theoreticians in this field include Raymond Gibbs, Herbert Clark, Michael Billig, Willibald Ruch, Victor Raskin, Eliot Oring, and Salvatore Attardo. Although many writers have emphasised the positive or cathartic effects of humour some, notably Billig, have emphasises the potential of humour for cruelty and its involvement with social control and regulation.

Users of some psychoactive drugs tend to find humour in many more situations and events than one normally would.

One notable trait of Australians (perhaps inherited from the British) lies in their use of deadpan humour, in which the joker will make an outrageous or ridiculous statement without giving any explicit signs of joking. Americans visiting Australia have gained themselves a reputation for gullibility and a lack of a sense of humour by not recognising that tales of kangaroos hopping across the Sydney Harbour Bridge exemplify the propensity for this style of leg-pulling.

A number of science fiction writers have explored the theory of humour. In Stranger in a Strange Land, Robert A. Heinlein proposes that humour comes from pain, and that laughter is a mechanism to keep us from crying. Isaac Asimov, on the other hand, proposes (in his first jokebook, Treasury of Humor) that the essence of humour is anticlimax: an abrupt change in point of view, in which trivial matters are suddenly elevated in importance above those that would normally be far more important.

Humour formula

Required components:

  • some surprise, contradiction, ambiguity or paradox.
  • appealing to feelings or to emotions.
  • similar to reality, but not real

Methods:

  • metaphor
  • hyperbole
  • reframing
  • timing

This page about humor includes information from a Wikipedia article.
Additional articles about humor
News stories about humor
External links for humor
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Wikis about humor
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Images of humor

Methods:. 'Wallpaper' is the term used in Microsoft Windows, while the Mac OS avoids mixing metaphors by calling it a 'desktop picture' (prior to Mac OS X, the term desktop pattern was used to refer to a small pattern that was repeated to fill the screen). Required components:. The terms wallpaper and desktop picture refer to an image used as a background on a computer screen, usually for the desktop of a graphical user interface. Isaac Asimov, on the other hand, proposes (in his first jokebook, Treasury of Humor) that the essence of humour is anticlimax: an abrupt change in point of view, in which trivial matters are suddenly elevated in importance above those that would normally be far more important. Warning: Only soak what you intend to remove today...if it dries, the glue is reactivated and hardens to an almost impossible to remove finish. Heinlein proposes that humour comes from pain, and that laughter is a mechanism to keep us from crying. After about three applications and some waiting...the paper (even multiple layers) can be removed easily with the aid of a putty knife.

In Stranger in a Strange Land, Robert A. Soak thoroughly....wait and soak again. A number of science fiction writers have explored the theory of humour. Then spray on warm water or a mixture of warm water and vinegar. Americans visiting Australia have gained themselves a reputation for gullibility and a lack of a sense of humour by not recognising that tales of kangaroos hopping across the Sydney Harbour Bridge exemplify the propensity for this style of leg-pulling. You can also lightly score the old paper with a tool that looks like a hand sander with sharp wheels/teeth. One notable trait of Australians (perhaps inherited from the British) lies in their use of deadpan humour, in which the joker will make an outrageous or ridiculous statement without giving any explicit signs of joking. The drywall remains undamaged, whereas often with steaming approach underlying plaster can end up crumbling leaving an uneven surface.

Users of some psychoactive drugs tend to find humour in many more situations and events than one normally would. Wallwik uses no caustic chemicals and no heavy steam equipment -- just water, and a small amount of Wallwik Power solution, a scoring tool & Wallwik fabric. Although many writers have emphasised the positive or cathartic effects of humour some, notably Billig, have emphasises the potential of humour for cruelty and its involvement with social control and regulation. A newer method of wallpaper stripping is the Wallwik approach, which is to apply damp sheets of wallwik fabric to the wallpaper. Prominent theoreticians in this field include Raymond Gibbs, Herbert Clark, Michael Billig, Willibald Ruch, Victor Raskin, Eliot Oring, and Salvatore Attardo. However, care must be taken to prevent damage to the drywall underneath. There also exist linguistic and psycholinguistic studies of humour, irony, parody and pretence. The steam dissolves the wallpaper paste, allowing the wallpaper to be peeled off.

Puns classify words not by what lives (their meaning) but by mechanics (their mere sound). In fact, one of the ways to remove wallpaper is to apply steam, usually from a wallpaper steamer that consists of a reservoir of water, an electric heating element, and a hose to direct the steam at the wallpaper. A Bergsonian might explain puns in the same spirit. For example, bathroom wallpaper may deteriorate rapidly due to excessive steam. He used as an instance a book by an English humorist, in which an elderly woman who desired a reputation as a philanthropist provided "homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing, etc." This idea seems funny because a genuine impulse of charity as a living, vital impulse has become encrusted by a mechanical conception of how it should manifest itself. Additionally, wallpaper is not suitable for all areas. The French philosopher Henri Bergson wrote an essay on "the meaning of the comic", in which he viewed the essence of humour as the encrustation of the mechanical upon the living. Like paint, wallpaper requires proper surface preparation before application.

Notable studies of humour have come from the pens of Aristotle in The Poetics (Part V), of Sigmund Freud in Jokes and Their Relation to the Unconscious and of Schopenhauer. 'Wallpaper' is the term used in Microsoft Windows, while the Mac OS avoids mixing metaphors by calling it a 'desktop picture' (prior to Mac OS X, the term desktop pattern was used to refer to a small pattern that was repeated to fill the screen). Typically, the priest will make a remark, the rabbi will continue in the same vein, and then the lawyer will make a third point that forms a sharp break from the established pattern, but nonetheless forms a logical (or at least stereotypical) response. The terms wallpaper and desktop picture refer to an image used as a background on a computer screen, usually for the desktop of a graphical user interface. For instance, a class of jokes exists beginning with the formulaic line "A priest, a rabbi, and a lawyer are sitting in a bar..." (or close variations on this). Currently "Wallpaper" is used as a term for Computer Wallpaper. For this reason also, many jokes work in threes. By the early twentieth century, wallpaper had established itself as one of the most popular household items across the Western world.

For example:. Wallpaper enjoyed a huge boom in popularity in the nineteenth century, seen as a cheap and very effective way of brightening up cramped and dark rooms in working-class areas. Perhaps the essence of humour lies in the presentation of something familiar to a person, so they think they know the natural follow-on thought or conclusion, then providing a twist through presentation something different from what the audience expected (see surprise), or else the natural result of interpreting the original situation in a different, less common, way. The development of steam-powered printing presses in Britain in 1813 allowed manufacturers to mass-produce wallpaper, reducing its price and so making it affordable to working-class people. White once said that "Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind." However, attempts to do just that have been made, such as this one:. However, the end of the war saw a massive demand in Europe for British goods which had been inaccessible during the wars, including cheap, colourful wallpaper. Author E.B. During the Napoleonic Wars, trade between Europe and Britain evaporated, resulting in the gradual decline of the wallpaper industry in Britain.

Some claim that humour cannot or should not be explained. By the mid-eighteenth century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. This is why jokes are often funny only when told the first time. Following the Restoration of Charles II, wealthy people across England began demanding wallpaper again - Cromwell's regime had imposed a boring culture on people, and following his death, wealthy people began purchasing comfortable domestic items which had been banned under the Puritan state. Once the problem in meaning has been described through a joke, people immediately begin correcting their impressions of the symbols that have been mocked. During The Protectorate under Oliver Cromwell, England became an austere and dull country, and the manufacture of wallpaper, seen as a frivolous item by the Puritan government, was halted. In other words, comedy is a sign of a 'bug' in the symbolic make-up of language, as well as a self-correcting mechanism for such bugs. Unable to import tapestries and without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper.

Irony is explicitly this form of comedy, whereas slapstick takes more passive social norms relating to physicality and plays with them. Wallpaper became very popular in England following Henry VIII's excommunication from the Catholic Church - English aristocrats had always imported tapestries from Flanders and Arras, but Henry VIII's split with the Catholic Church had resulted in a fall in trade with Europe and increased wars. Language is an approximation of thoughts through symbolic manipulation, and the gap between the expectations inherent in those symbols and the breaking of those expectations leads to laughter. Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets of the paper were hung loose on the walls, in the style of tapestries. One explanation of humour is based on the fact that a great deal of humour is a consequence of language. Less well-off members of the elite, unable to buy tapestries due either to prices or wars preventing international trade, turned to wallpaper to brighten up their rooms. Arthur Schopenhauer lamented the misuse of the term (the German loanword from English) to mean any type of comedy. However, tapestries were extremely expensive and so only the very rich could afford them.

By comparison, the use of irony creates the perception of a passage from the serious to the comic, while in humour the opposite is true. These tapestries added colour to the room as well as providing an insulating layer between the stone walls and the room, thus retaining heat in the room. For this reason humour is often a subjective experience as it depends on a special mood or perspective from its audience to be effective. The elite of society were accustomed to hanging large tapestries on the walls of their homes, a tradition from the Middle Ages. The term "humour" as formerly applied in comedy referred to the interpenetration of the sublime and the ridiculous. Wallpaper gained popularity in Renaissance Europe amongst the emerging gentry. Examples of various different styles of humour, or techniques for evoking humour or creating a humourous situation are listed below. Modern-style wallpaper, with block designs in continuous patterns, was developed in 1675 by the French engraver, Jean Papillon.

. Wallpaper can be traced back to 200BC when the Chinese, inventors of paper itself, pasted rice paper on their walls. For example, young children (of any background) particularly favour slapstick, while satire tends to appeal to more mature audiences. Currently "Wallpaper" is used as a term for Computer Wallpaper as well. A sense of humour is the ability to experience humour, a quality which all people share, although the extent to which an individual will personally find something humorous depends on a host of absolute and relative variables, including, but not limited to geographical location, culture, maturity, level of education and context. All manufactured wallpaper patterns are based on these groups. The origin of the term derives from the humoral medicine of the ancient Greeks, which stated that a mix of fluids known as humours controlled human health and emotion. Mathematically speaking, there are seventeen basic patterns, described as wallpaper groups, that can be used to tile an infinite plane.

The term encompasses a form of entertainment or human communication which evokes such feelings, or which makes people laugh or feel happy. Wallpapers can come either plain so it can be painted or with patterned graphics. Humour (Commonwealth English) or humor (American English) is the ability or quality of people, objects or situations to evoke feelings of amusement in other people. Wallpapers are usually sold in rolls and are put onto a wall using wallpaper paste. timing. Wallpaper is material which is used to cover and decorate the interior walls of homes, offices, and other buildings; it is one aspect of interior decoration. reframing. History of Wallpaper.

hyperbole. metaphor. similar to reality, but not real. appealing to feelings or to emotions.

some surprise, contradiction, ambiguity or paradox. Exemplified by The Larry Sanders Show and Curb Your Enthusiasm. Character Driven, deriving humour from the way characters act in specific situations, without punchlines. Unintentional humour, that is, making people laugh without intending to (as with Ed Wood's Plan 9 From Outer Space).

Deliberate ambiguity and confusion with reality, often performed by Andy Kaufman. Anti-humour

    . Visual humour: Like the above, but encompassing narrative in theater or comics ,or on film or video. Funny pictures: Photos or drawings/cartoons that are intentionally or unintentionally humorous.

    Form-versus-content humour. Practical joke: luring someone into a humorous position or situation and then laughing at their expense. Surreal humour or absurdity. Clash of context humour, such "fish out of water".

    Faking stupidity. Inflicting pain, such as kick in the groin. Exaggerated or unexpected gestures and movements. Slapstick

      .

      Deadpan Fake stern manner. Nonverbal

        . Ridicule of self through absurdism, as in the surreally dry and bizarre comedy of Steven Wright. Self-ridicule, such as Rodney Dangerfield's self-deprecating humour
          .

          Ridicule, such as the Darwin Awards

            . Self-irony. Satire. Sarcasm.

            Parody. Obscenity. Droll. Non-sequitur.

            Wit, as in many one-liner jokes. Irony, where a statement or situation implies both a superficial and a concealed meaning which are at odds with each other. Riddle. Sick Jokes, arousing humour through grotesque, violent or exceptionally cruel scenarios.

            Stereotyping, such as blonde jokes, lawyer jokes, racial jokes, viola jokes. Adages, often in the form of paradox "laws" of nature, such as Murphy's law. Joke

              . Comic sounds or inherently funny words with sounds that make them amusing in a language.

              Pun. Oxymoron. Word play

                . Understatement.

                Hyperbole. Syllepsis (zeugma). Enthymeme. Triple and paraprosdokian.

                Figure of speech

                  . Verbal
                    .