This page will contain news stories about The Who, as they become available.The WhoThe cover of the soundtrack to the film The Kids Are Alright. From left to right: Keith Moon, Roger Daltrey, Pete Townshend, and John Entwistle.The Who is a British rock band. They were noted for the dynamism of their live performances and for their thoughtful music, including Tommy, one of the first rock operas. While not a heavy metal band themselves, their distorted guitars, epic songwriting, and over-the-top stage show were an influence on the genre. HistoryKeith Moon, drummerIn its earliest days, prior to Keith Moon joining, the band was known as The Detours and played mostly rhythm and blues. They eventually changed their name to The Who and Keith joined soon after, making the classic line-up complete. For a short period, under the management of Peter Meaden, they changed their name to The High Numbers during which time they released a mostly unsuccessful single under that name, designed to appeal to their mostly mod fans. When "Zoot Suit/I'm The Face" failed to chart, they quickly reverted back to The Who. The rest, as they say, is history. They became one of the most popular bands among the British Mods, a social movement of the early 60s who rejected the "greaser" music favored by the Rockers. From the beginning, The Who drew attention because all three instrumentalists, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon played, in effect, lead parts, yielding music at once more cacophonous and sophisticated than standard-issue rock tracks. The Who were natural showmen: Singer Roger Daltrey (a former sheet metal worker), was a dynamic front man, twirling his microphone on the end of its cord while Townshend played chords on his guitar with great windmill-like sweeps of his arms, and the maniacal Moon bashed and crashed like no drummer ever before him. Through it all, Entwistle stood still, seemingly bored by the whole thing, and played intricate, powerful, innovative bass lines. At the end of their live performances in their first years, the band would sometimes smash their instruments and explode smoke bombs, signalling that they had given the audience all they had. (They were also notorious for treating their hotel rooms and dressing rooms the same way.) The Who's performances were traditionally extremely loud. For a long period of time during the 1970s, they were listed in the Guinness Book of World Records as the loudest rock band in the world, measured at 130 decibels, though other bands have since taken the title. Townshend's partial deafness is well documented; popular legend has it that the members of the band suffered permanent hearing loss and tinnitus from their loud concerts, though Townshend maintains that the true cause was listening to the music at high volume through headphones. One story also claims that Townshend's hearing loss was the result of standing too close to an explosive Moon had placed in his drum kit and detonated at the conclusion of a performance on the Smothers Brothers Comedy Hour variety show in 1967. Roger Daltrey, lead singerThe band soon crystallized around Townshend as the primary songwriter (though Entwistle would also make the occasional contribution). Townshend was at the center of the band's tensions, as he strove to write challenging and thoughtful music, while Daltrey preferred energetic and macho material (Daltrey would occasionally refuse to sing a Townshend composition and Townshend would thus sing it himself), while Moon was a fan of American surf music. The Who's first hit was the 1965 Kinks-like single "I Can't Explain", and they vaulted to fame with their My Generation album that same year. The album included such mod anthems as "The Kids are Alright" and the title track "My Generation", which contained the famous line, "Hope I die before I get old". Another early favorite, showing Townshend's way with words, was the 1966 single "Substitute", which included the line, "I was born with a plastic spoon in my mouth." The 1967 hit single "Pictures Of Lily", a tribute to masturbation, was possibly one of the most accomplished of all European contributions to psychedelic music. Although they had great success as a singles band, the Who, or more properly their leader Townshend, had their sights set higher, and over the years their music became more complex and their lyrics more provocative and involving. Townshend also wanted to treat the Who's albums as unified works, rather than collections of unconnected songs. The first sign of this ambition came in their album A Quick One (1966), which included the story-telling medley "A Quick One, While He's Away", which they later refered to as a "mini opera". A Quick One was followed by The Who Sell Out (1967), a concept album that played like an offshore radio station, complete with jingles and commercials. The Who Sell Out also included a track from a never-completed Rock opera. Those early efforts were followed by Tommy (1969), their first complete Rock opera and the first commercially successful one by any artist. Around this time the spiritual teachings of Meher Baba began to influence Peter Townshend's songwriting, and he is credited as 'Avatar' on the Tommy album. Pete Townshend, lead guitarist & vocalistTownshend then attempted an even more ambitious concept album cum Performance Art project called Lifehouse. Although the intended album was not released until reconstructed as a radio play for the BBC in 2000, the Who included many of the project's best songs in Who's Next (1971), which would become their most successful album. Who's Next was followed by a second Rock opera called Quadrophenia (1973), with a story line based on the clashes between Mods and Rockers in the early 1960s, particularly the riots between the two factions at Brighton. The band's later albums contained songs of more personal content for Townshend, and he eventually transferred this personal style to his solo albums, as seen on the album Empty Glass. In 1978 the band released Who Are You, a move away from epic rock opera and towards a more radio-friendly sound, though it did contain one song from a never-completed Rock opera by John Entwistle. The release of the album was overshadowed by the accidental drug overdose death of Keith Moon shortly afterward. Kenny Jones, of The Small Faces and The Faces, joined the band as his replacement. The following year was also traumatic for the band: on December 3, 1979 in Cincinnati, Ohio, a stampede for seats at Riverfront Coliseum at the start of a Who concert killed eleven fans. Band members were not told of the deaths until after the show because civic authorities feared more crowd control problems if the concert were cancelled, and the band members were reportedly devastated when they found out about it. John Entwistle, bassistThe band released two more studio albums with Jones as their drummer, Face Dances (1981) and It's Hard (1982). In 1982 they also embarked on the first in a series of farewell tours. Thereafter they stopped recording new material and settled into intermittent forays on the "nostalgia tour circuit", as Townshend focused on solo projects such as The Iron Man and Psychoderelict, a forerunner to the eventual release of the radio work Lifehouse. Their best-known reunion tour occurred in 1989 and emphasized Tommy. In 1996 they staged successful multi-media performances of Quadrophenia featuring a narrator and guest singers. By this time Zak Starkey was their regular drummer. Just before the outset of a tour in the summer of 2002, John Entwistle was found dead in his room at the Hard Rock Hotel in Las Vegas, Nevada. A coroner's investigation revealed that while not technically an overdose, a modest amount of cocaine in his system was a contributing factor in a fatal heart attack, the result of years of heart trouble caused or aggravated by regular cocaine use. After a brief delay, the tour commenced with bassist Pino Palladino filling in for Entwistle. In 2004 The Who released two new songs, and it is expected that in the spring of 2005 they will release their first new album in 22 years. In September of 2002, Q magazine named The Who as one of the "50 Bands To See Before You Die". Discography and filmographyFor a full discography, see The Who discography. References
This page about The Who includes information from a Wikipedia article. Additional articles about The Who News stories about The Who External links for The Who Videos for The Who Wikis about The Who Discussion Groups about The Who Blogs about The Who Images of The Who |
|
For a full discography, see The Who
discography.. Louis Rams (won 1, lost 2; one loss as Los Angeles Rams) A coroner's investigation revealed that while not technically an overdose, a modest amount of cocaine in his system was a contributing factor in a fatal heart attack, the result of years of heart trouble caused or aggravated by regular cocaine use. Super Bowl XXXVIII was shown on CBS, Super Bowl XXXIX was shown on FOX, and Super Bowl XL will be shown on ABC. Just before the outset of a tour in the summer of 2002, John Entwistle was found dead in his room at the Hard Rock Hotel in Las Vegas, Nevada. In the United States it is shared between three of the four major television networks - ABC, CBS, and FOX. By this time Zak Starkey was their regular drummer. The television network showing the game changes from year to year. In 1996 they staged successful multi-media performances of Quadrophenia featuring a narrator and guest singers. While most home teams in the Super Bowl pick to wear their colored ones, only the Cowboys in XIII and XXVII and the Washington Redskins in XVII have worn white as the home team. Their best-known reunion tour occurred in 1989 and emphasized Tommy. The Dallas Cowboys wore their rarely-used blue uniform tops in Super Bowl V, and lost to the then-Baltimore Colts, which has led to the belief that many people believe that the Cowboys do not play well in their blue shirts. Thereafter they stopped recording new material and settled into intermittent forays on the "nostalgia tour circuit", as Townshend focused on solo projects such as The Iron Man and Psychoderelict, a forerunner to the eventual release of the radio work Lifehouse. Prior to that, the home team always wore the dark jerseys. In 1982 they also embarked on the first in a series of farewell tours. The home team is given the choice of either wearing their colored jerseys or their white ones, this started with Super Bowl XIII. The band released two more studio albums with Jones as their drummer, Face Dances (1981) and It's Hard (1982). The designated "home team" alternates between the NFC team in odd-numbered years (the Philadelphia Eagles in 2005), and the AFC team in even-numbered years (the New England Patriots in 2004). Band members were not told of the deaths until after the show because civic authorities feared more crowd control problems if the concert were cancelled, and the band members were reportedly devastated when they found out about it. However, Super Bowl XIV (which involved the then-Los Angeles Rams) was played in the Rose Bowl in nearby Pasadena; and Super Bowl XIX (which involved the San Francisco 49ers) was played at the nearby Stanford Stadium on the Stanford University campus in Palo Alto. The following year was also traumatic for the band: on December 3, 1979 in Cincinnati, Ohio, a stampede for seats at Riverfront Coliseum at the start of a Who concert killed eleven fans. No NFL team has ever played the Super Bowl on its own home turf. Kenny Jones, of The Small Faces and The Faces, joined the band as his replacement. The chosen venues have either been located in the southern regions of the United States where the wintertime weather is expected to be mild, or in domed stadiums where weather is not an issue. The release of the album was overshadowed by the accidental drug overdose death of Keith Moon shortly afterward. The location of the Super Bowl is chosen well in advance, usually 3-5 years before the game. In 1978 the band released Who Are You, a move away from epic rock opera and towards a more radio-friendly sound, though it did contain one song from a never-completed Rock opera by John Entwistle. This ban includes the pre and post game shows. The band's later albums contained songs of more personal content for Townshend, and he eventually transferred this personal style to his solo albums, as seen on the album Empty Glass. Las Vegas is the only city that is not allowed to run commericals during the game. Who's Next was followed by a second Rock opera called Quadrophenia (1973), with a story line based on the clashes between Mods and Rockers in the early 1960s, particularly the riots between the two factions at Brighton. Prices have increased each year, reaching $2.4 million (US) for a 30 second spot during Super Bowl XXXIX in 2005. Although the intended album was not released until reconstructed as a radio play for the BBC in 2000, the Who included many of the project's best songs in Who's Next (1971), which would become their most successful album. Famous commercial campaigns include the Budweiser "Bud Bowl" campaign, and the 1999 and 2000 dot-com ads. Townshend then attempted an even more ambitious concept album cum Performance Art project called Lifehouse. Following Apple Computer's 1984 commercial introducing the Apple Macintosh computer, directed by Ridley Scott, the broadcast of the Super Bowl became the premier showcase for high concept or simply extravagantly expensive commercials. Around this time the spiritual teachings of Meher Baba began to influence Peter Townshend's songwriting, and he is credited as 'Avatar' on the Tommy album. In terms of household percentage, the most watched was Super Bowl XVI in 1982 which was watched in 49.1% of households (73 share) or 40,020,000 households at the time. Those early efforts were followed by Tommy (1969), their first complete Rock opera and the first commercially successful one by any artist. The most watched Super Bowl was 1998's Super Bowl XXXII between the Denver Broncos and Green Bay Packers which received a 44.5 rating and 67 share, attracting 90 million viewers. The Who Sell Out also included a track from a never-completed Rock opera. Also it is estimated that 130-140 million tune into some part of the game. The first sign of this ambition came in their album A Quick One (1966), which included the story-telling medley "A Quick One, While He's Away", which they later refered to as a "mini opera". A Quick One was followed by The Who Sell Out (1967), a concept album that played like an offshore radio station, complete with jingles and commercials. This means that on average, 80 to 90 million Americans are tuned into the Super Bowl at any given moment. Townshend also wanted to treat the Who's albums as unified works, rather than collections of unconnected songs. households, and 60 percent of all homes tuned into television during the game). Although they had great success as a singles band, the Who, or more properly their leader Townshend, had their sights set higher, and over the years their music became more complex and their lyrics more provocative and involving. on average, 40 percent of all U.S. Another early favorite, showing Townshend's way with words, was the 1966 single "Substitute", which included the line, "I was born with a plastic spoon in my mouth." The 1967 hit single "Pictures Of Lily", a tribute to masturbation, was possibly one of the most accomplished of all European contributions to psychedelic music. The Super Bowl tends to have high Nielsen television ratings which usually come in around a 40 rating and 60 share (i.e. The album included such mod anthems as "The Kids are Alright" and the title track "My Generation", which contained the famous line, "Hope I die before I get old". (See: Professional American football championship games and National Football League championships). The Who's first hit was the 1965 Kinks-like single "I Can't Explain", and they vaulted to fame with their My Generation album that same year. The game was called the "All-America Football Conference Championship Game", the "AFL Championship Game" or the "NFL Championship Game", depending on the league playing it. Townshend was at the center of the band's tensions, as he strove to write challenging and thoughtful music, while Daltrey preferred energetic and macho material (Daltrey would occasionally refuse to sing a Townshend composition and Townshend would thus sing it himself), while Moon was a fan of American surf music. Previous to the 1966 football season, American professional football's championship games were played for various league championships, and games were not played between league champions. The band soon crystallized around Townshend as the primary songwriter (though Entwistle would also make the occasional contribution). The trophy was named prior to Super Bowl V in his honor following his death in 1970. One story also claims that Townshend's hearing loss was the result of standing too close to an explosive Moon had placed in his drum kit and detonated at the conclusion of a performance on the Smothers Brothers Comedy Hour variety show in 1967. The winning team receives the Vince Lombardi Trophy, named for the coach of the Green Bay Packers, who won the first two Super Bowl games. Townshend's partial deafness is well documented; popular legend has it that the members of the band suffered permanent hearing loss and tinnitus from their loud concerts, though Townshend maintains that the true cause was listening to the music at high volume through headphones. After the 1970 season, the game reverted from an essentially interleague championship to the NFL championship, featuring the champions of the NFL's two conferences, the American Football Conference and the National Football Conference. For a long period of time during the 1970s, they were listed in the Guinness Book of World Records as the loudest rock band in the world, measured at 130 decibels, though other bands have since taken the title. The name was inspired by Kansas City Chiefs owner Lamar Hunt's daughter playing with a small rubber ball with high bouncing powers called a super ball. The Who's performances were traditionally extremely loud. The third such game, after the 1968 season, was called the "Super Bowl", and that name is now used to refer to the first two AFL-NFL Championship Games as well. (They were also notorious for treating their hotel rooms and dressing rooms the same way.). The game was a result of the merger agreement between the two leagues that took full effect for the 1970 season. At the end of their live performances in their first years, the band would sometimes smash their instruments and explode smoke bombs, signalling that they had given the audience all they had. An AFL-NFL Championship Game was first played after the 1966 football season on January 15, 1967, between the champions of the American Football League and the NFL. Through it all, Entwistle stood still, seemingly bored by the whole thing, and played intricate, powerful, innovative bass lines. It is held annually on the last Sunday in January or the first Sunday in February, and is one of the most watched television broadcasts of the year. The Who were natural showmen: Singer Roger Daltrey (a former sheet metal worker), was a dynamic front man, twirling his microphone on the end of its cord while Townshend played chords on his guitar with great windmill-like sweeps of his arms, and the maniacal Moon bashed and crashed like no drummer ever before him. The game is almost like a national holiday in the United States. From the beginning, The Who drew attention because all three instrumentalists, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon played, in effect, lead parts, yielding music at once more cacophonous and sophisticated than standard-issue rock tracks. The Super Bowl is the championship game of the National Football League, the pinnacle of American football. They became one of the most popular bands among the British Mods, a social movement of the early 60s who rejected the "greaser" music favored by the Rockers. Super Bowl XXXIX was the first such game to be tied after three quarters of play. The rest, as they say, is history. Also, because of the attacks, the Super Bowl was a National Special Security Event. When "Zoot Suit/I'm The Face" failed to chart, they quickly reverted back to The Who. Most of the events two years afterward were scheduled in February. For a short period, under the management of Peter Meaden, they changed their name to The High Numbers during which time they released a mostly unsuccessful single under that name, designed to appeal to their mostly mod fans. This was the first Super Bowl to be played in February. They eventually changed their name to The Who and Keith joined soon after, making the classic line-up complete. But the game was moved back one week to February 3, 2002 because of the September 11, 2001 attacks. In its earliest days, prior to Keith Moon joining, the band was known as The Detours and played mostly rhythm and blues. Super Bowl XXXVI was originally scheduled to be played on January 27, 2002. While not a heavy metal band themselves, their distorted guitars, epic songwriting, and over-the-top stage show were an influence on the genre. The reason for this was that "XXX" is usually associated with pornography, and proxy servers thought those trying to visit that site were trying to access pornography. They were noted for the dynamism of their live performances and for their thoughtful music, including Tommy, one of the first rock operas. In the months leading up to Super Bowl XXX (30) it was discovered that some proxy servers were blocking the web site for the event. The Who is a British rock band. ISBN 0312071558. Martin's Press. St. Before I Get Old: The Story of the Who. Marsh, Dave (1983). |