This page will contain external links about The Guns of Navarone, as they become available.The Guns of Navarone
The book brought together elements that would characterize much of MacLean's subsequent work: tough, competent, worldly men as main characters; frequent but non-graphic violence; betrayal of the hero(es) by a trusted associate; and extensive use of the sea and other dangerous environments as settings. Its three principal characters (New Zealand mountaineer-turned-commando Keith Mallory, U.S. demolitions expert "Dusty" Miller, and Greek resistance fighter Andrea Stavros) are among the most fully drawn in all of MacLean's work. The film version of The Guns of Navarone was part of a cycle of big-budget World War II adventures that included The Longest Day (1960) and The Great Escape (1963). The screenplay, adapted by producer Carl Foreman, made significant changes in virtually all of the major characters. It also introduced female characters, romance, and a subplot that radically altered the relationship between Mallory and Andrea. Principal cast:
The film was a major box office success and the top grossing film of 1961. As a result, MacLean reunited Mallory, Miller, and Andrea in Force 10 From Navarone, the only sequel of his long writing career, in 1968. It was filmed in 1978 by UK director Guy Hamilton, a veteran of several James Bond adventures. Despite a cast that included Robert Shaw, Edward Fox, and Harrison Ford, it was a critical and commercial failure.
Movie synopsisSpoiler warning: Plot or ending details follow.Mallory finally meets the man he's been working for and is assigned an impossible job: to scale an unguarded cliff on the coast of enemy-occupied Greece, meet the underground, and go blow up two huge artillery pieces. A thousand Canadian soldiers trapped on an island will die in a week if he fails, as the guns dominate the straits leading to the island. Mallory balks at the impossible task, but is teamed up with old "friend" Colonel Andrea (who plans to kill him after the war because Mallory's sense of Anglo-Saxon decency got Andrea's family murdered by treacherous Nazis.) The team assembles at a base to discuss their plans, only to be overheard by a knife-wielding Greek laundry boy. The ever-cautious Colonel Andrea nabs him and questions him; he seems to know no English. When the base commander bursts into the room, Major Franklin orders a man to execute the spy, and the base commander too if he interferes. Mallory intervenes, threatening to tell Commodore Jensen and have him shipped stateside as a private unless he locks up the spy for a week. He agrees, but in the next scene, their ship is observed and boarded by English-speaking Germans. In the first of two tense "playing dumb" scenes, the team pretend to be Greek sailors. Only Mallory, who speaks fluent Greek and perfect German, addresses the leader of the boarding party. Suddenly, the tables are turned as the team springs into violent action, killing the entire boarding party with machine guns, pistols, and grenades. Explosives expert Corporal Miller sinks the German vessel by tossing a small explosive charge down a vent. Their landing on the coast that night is hampered by a storm, and Franklin's head is injured just before their boat sinks at the rocky landing point. They scale the cliff, led by Mallory and Andrea, but Franklin slips and severely injures his leg. After killing the lone guard at the summit, they find themselves bereft of food or medicine. Miller suggests they leave Mallory to be "well cared for" by the enemy. Mallory, balks, saying that Franklin would unwillingly reveal their plans under questioning. It's either kill him, or take him along. Mallory orders two men to carry the injured man on a stretcher. As they rest in a mountain cave, Franklin tries suicide, but is talked out of it when Mallory lies to him, saying the mission has been scrubbed. He feeds him a false story of a major naval attack on Navarone. A ttacked by German soldiers, they split up leaving Andrea and his sniper rifle behind while they move to their next rendezvous point, an exotic ancient Greek ruin which looks great on film, by the way. This page about The Guns of Navarone includes information from a Wikipedia article. Additional articles about The Guns of Navarone News stories about The Guns of Navarone External links for The Guns of Navarone Videos for The Guns of Navarone Wikis about The Guns of Navarone Discussion Groups about The Guns of Navarone Blogs about The Guns of Navarone Images of The Guns of Navarone |
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ttacked by German soldiers, they split up leaving Andrea and his sniper rifle behind while they move to their next rendezvous point, an exotic ancient Greek ruin which looks great on film, by the way. On release, the film was compared with the 1941 novel No Bed for Bacon, which also features Shakespeare writing his plays. A. At the conclusion of the play, the Queen applauds the abilities of both writer and "actor," but orders that Viola rejoin her husband, who is about to move to America. He feeds him a false story of a major naval attack on Navarone. By the time Will realizes that Viola and Thomas are the same person, she is promised in marriage to a lord approved of by Queen Elizabeth herself (portrayed by Judi Dench). But the couple find themselves unable to avoid a clandestine affair and even risk the wrath of the law against women being on stage by having Viola play "Juliet" in Shakespeare's play, by now renamed Romeo and Juliet. As they rest in a mountain cave, Franklin tries suicide, but is talked out of it when Mallory lies to him, saying the mission has been scrubbed. Shakespeare meets Viola de Lesseps (played by Gwyneth Paltrow), who lives in the same house as Kent, and promptly falls in love with her, which inspires him to begin writing his play again. Mallory orders two men to carry the injured man on a stretcher. At a fake audition of a play that he has not yet written a word of, "Romeo and Ethel, the Sea Pirate's Daughter", he admires the talent of a new actor, Thomas Kent, who promptly runs away. It's either kill him, or take him along. This is however consistent with the style of Shakespeare's plays, which often featured anachronisms. Mallory, balks, saying that Franklin would unwillingly reveal their plans under questioning. It should be noted that the movie is entirely fictional, and indeed often inconsistent with the historical record (for instance, the colonization of North America by the English did not begin until 1584 and Romeo and Juliet was largely written by 1596 or 1597). Miller suggests they leave Mallory to be "well cared for" by the enemy. Most of the film's major plot devices are also taken from Shakespeare. After killing the lone guard at the summit, they find themselves bereft of food or medicine. In this dramatic comedy/romance, William Shakespeare is portrayed as a young, struggling playwright, plagued by money shortages, problems with women, and writer's block. Some of the characters and their lines are references to lines and characters in real Shakespeare plays -- implying that these inspire the film's Shakespeare later in life. They scale the cliff, led by Mallory and Andrea, but Franklin slips and severely injures his leg. Shakespeare in Love is a 1998 motion picture. Their landing on the coast that night is hampered by a storm, and Franklin's head is injured just before their boat sinks at the rocky landing point. BAFTA Award for Best Production Design - Martin Childs. Explosives expert Corporal Miller sinks the German vessel by tossing a small explosive charge down a vent. BAFTA Award for Best Costume Design - Sandy Powell. Suddenly, the tables are turned as the team springs into violent action, killing the entire boarding party with machine guns, pistols, and grenades. BAFTA Anthony Asquith Award for Film Music - Stephen Warbeck. Only Mallory, who speaks fluent Greek and perfect German, addresses the leader of the boarding party. BAFTA Award for Best Sound - Robin O'Donoghue, Dominic Lester, Peter Glossop, John Downer. In the first of two tense "playing dumb" scenes, the team pretend to be Greek sailors. Academy Award for Sound - Robin O'Donoghue, Dominic Lester, Peter Glossop. He agrees, but in the next scene, their ship is observed and boarded by English-speaking Germans. BAFTA Award for Best Make Up/Hair - Lisa Westcott. Mallory intervenes, threatening to tell Commodore Jensen and have him shipped stateside as a private unless he locks up the spy for a week. Academy Award for Makeup - Lisa Westcott & Veronica Brebner. When the base commander bursts into the room, Major Franklin orders a man to execute the spy, and the base commander too if he interferes. Academy Award for Film Editing - David Gamble. The ever-cautious Colonel Andrea nabs him and questions him; he seems to know no English. BAFTA Award for Best Original Screenply - Marc Norman & Tom Stoppard. The team assembles at a base to discuss their plans, only to be overheard by a knife-wielding Greek laundry boy. BAFTA Award for Best Cinematography - Richard Greatrex. Mallory balks at the impossible task, but is teamed up with old "friend" Colonel Andrea (who plans to kill him after the war
because Mallory's sense of Anglo-Saxon decency got Andrea's family murdered by treacherous Nazis.). Academy Award for Best
Cinematography - Richard
Greatrex. A thousand Canadian soldiers
trapped on an island will die in a week if he fails, as the guns dominate the straits leading to the island. Golden Globe Award for Best Supporting Actress - Motion
Picture - Judi Dench. Mallory finally meets the man he's been working for and is assigned an impossible job: to scale an unguarded cliff on the
coast of enemy-occupied Greece, meet the underground, and go blow up two huge artillery pieces. BAFTA Award for Best Actor in a Supporting Role - Tom Wilkinson.
The film was a major box office success and the top grossing film of 1961.
As a result, MacLean reunited Mallory, Miller, and Andrea in Force 10 From Navarone, the only sequel of his long writing career, in 1968. Golden Globe Award for Best Director - Motion Picture - John
Madden. Lee Thompson after original director
Alexander Mackendrick (best-known for the small, quirky
comedies he directed for Ealing Studios) was fired by Carl Foreman due
to "creative differences." The Greek island of Rhodes provided locations, and Quinn was so taken with the area that he bought land there in an area still called
Anthony Quinn Bay. DGA Award for Outstanding Directorial
Achievement in Motion Pictures - John Madden. It also introduced female characters, romance, and a subplot that radically altered the relationship between Mallory and Andrea. BAFTA Award for Best Editing - David Gamble. The screenplay, adapted by producer Carl Foreman, made significant changes in virtually all of the major characters. Academy Award for Original Music Score - Stephen Warbeck. The film version of The Guns of Navarone was part of a cycle of big-budget World War II adventures that included The Longest Day (1960) and The Great Escape (1963). Academy Award for Costume Design - Sandy Powell. demolitions expert "Dusty" Miller, and Greek resistance fighter Andrea Stavros) are among the most fully drawn in all of MacLean's work. Best Art Direction-Set Decoration - Martin Childs & Jill Quertier. Its three principal characters (New
Zealand mountaineer-turned-commando Keith Mallory, U.S. Writers Guild of America Award for Best Original
Screenplay - Marc Norman & Tom Stoppard. The book brought together elements that would characterize much of MacLean's subsequent work: tough, competent, worldly men as
main characters; frequent but non-graphic violence; betrayal of the hero(es) by a trusted associate; and extensive use of the sea
and other dangerous environments as settings. Golden Globe Award Best Screenplay - Comedy/Musical Film - Marc Norman
& Tom Stoppard. The book and the film share the same basic plot: the efforts of an Allied commando team to destroy a seemingly
impregnable German fortress that
threatens Allied naval operations in the Aegean Sea. Academy
Award for Writing Original Screenplay - Marc Norman & Tom Stoppard. Academy Award for Writing Adapted Screenplay (Carl Foreman). Academy Award for Best Supporting Actress - Judi Dench. Academy Award for Sound (John Cox). Golden Globe Award for Best Actress - Motion Picture Musical or Comedy - Gwyneth Paltrow. Grammy Award for Best Original Score Written for a Motion Picture (Dimitri Tiomkin). Academy Award for Best Actress - Gwyneth Paltrow. Academy Award for Original Music Score (Dimitri Tiomkin). Golden Globe Award for Best Motion Picture - Musical or Comedy. Academy Award for Film Editing (Alan Osbiston). BAFTA Award for Best Picture. Lee Thompson). Academy Award for Best Picture. DGA Award for Outstanding Directorial Achievement in Motion Pictures (J. Ben Affleck: Ned Alleyn. Lee Thompson). Imelda Staunton: Nurse. Academy Award for Directing (J. Simon Callow: Tilney, Master of the Revels. Academy Award for Best Picture. Martin Clunes: Richard Burbage. Academy Award Best Effects, Special Effects (Bill Warrington & Chris Greenham). Colin Firth: Lord Wessex. Golden Globe Award for Best Original Score - Motion Picture (Dimitri Tiomkin). Judi Dench: Queen Elizabeth. Golden Globe Award for Best Motion Picture - Drama. Tom Wilkinson: Hugh Fennyman. Richard Harris : Squadron Leader Howard Barnsby RAAF. Geoffrey Rush: Philip Henslowe. James Robertson Justice : Commodore Jensen/Prologue Narrator. Gwyneth Paltrow: Viola De Lesseps. Gia Scala : Anna. Joseph Fiennes: William Shakespeare. Irene Papas : Maria Pappadimos. Spyros Pappadimos. James Darren : Pvt. Roy Franklin. Anthony Quayle : Maj. 'Butcher' Brown. Stanley Baker : Pvt. Andrea Stavros. Anthony Quinn : Col. John Anthony Miller. David Niven : Cpl. Keith Mallory. Gregory Peck : Capt. |