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The Exorcist

The Exorcist is an influential and successful 1973 horror film, adapted by William Peter Blatty from his 1971 novel of the same name.

Directed by William Friedkin and starring Max von Sydow as Father Lankaster Merrin, Ellen Burstyn as Chris MacNeil, Jason Miller as Father Damien Karras, Lee J. Cobb as Lieutenant William Kinderman and Linda Blair as Regan MacNeil. Regan's voice was dubbed by Mercedes McCambridge when possessed.

Blatty based his novel on a supposedly genuine exorcism from 1949, in Cottage City, Maryland. [1] (http://www.strangemag.com/exorcistpage1.html) Several area newspapers reported on a speech a minister gave to an amateur parapsychology society, in which he claimed to have exorcised a demon from a thirteen-year-old boy named Robbie, and that the ordeal lasted a little more than six weeks.

Plot

Spoiler warning: Plot or ending details follow.

In the film, a young girl named Regan, living in Georgetown, Washington, D.C., with her mother, (a famous actress) becomes ill after playing with a Ouija board. She undergoes a series of physical and psychological changes.

After unsuccessful medical help, Regan's mother turns to religion. The girl is examined by a priest, Father Damien Karras, who is convinced of the diabolical nature of the case. He turns to the local bishop, who appoints a second priest, Father Merrin, to perform an exorcism. The lengthy exorcism tests the priests, both physically and spiritually.

The Exorcist contained a number of disturbing special effects, engineered by makeup legend and pioneer Dick Smith. The effects were so graphic that Roger Ebert writes "That it received an R rating and not the X is stupefying."[2] (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19731226/REVIEWS/301010310/1023)

The Exorcist was also accused of, among many other things, manipulation of its audience through the use of subliminal imagery; a claim that is verifiably false upon a viewing of the film. The imagery in question is readily apparent and easily recognizable as a simple, yet effective editing technique, designed to make the viewer ill at ease - the desired effect for a horror film, after all.

The film originally contained several key sequences from the novel, which were cut prior to release by director Friedkin, despite Blatty's protests. These scenes were later restored and--along with a number of new digital effects--inserted into the re-release subtitled "the version you've never seen" in 2000.

Response

The film was a huge international hit, grossing as of 2004 $402,500,000 worldwide. It was nominated for ten Academy Awards (winning two), and also won four Golden Globes. McCambride's role was originally uncredited; after Blair was nominated for her role, McCambridge initiated a lawsuit seeking redress. (Incidentally, McCambridge's voice was not processed or treated for The Exorcist, she had worked extensively in radio drama and had a flexible vocal range.)

The Exorcist is commonly regarded as one of the best and most effective horror films; one that balances a stellar script, gruesome effects, and outstanding performances.

Interestingly, the part of Regan was originally offered to troubled actress Dana Plato, whose mother refused to allow her to take it.

In the United Kingdom, the movie was included in the 'Video nasty' phenomenon of the early 1980s. Although it had been released uncut for home video in 1981, when resubmitted for classification to the British Board of Film Classification after the implementation of the Video Recording Act 1984 it was refused a release and no video copies were to be sold in the UK. However, following a successful re-release in cinemas in 1998, the film was resubmitted and was passed uncut with an 18 certificate rating in 1999, signifying a relaxation of the censorship rules with relation to home video in the UK.

Sequels

John Boorman's poorly-received Exorcist II: The Heretic was released in 1977.

1990's more successful The Exorcist III, written and directed by Blatty himself from his own 1983 novel Legion, the true sequel to the original novel. Exorcist III ignored the events of the previous sequel and presented a satisfying conclusion to the story after 15 years.

A parody entitled Repossessed was released the same year, with Blair lampooning the role that made her (in)famous.

A prequel, Exorcist: The Beginning (2004) attracted controversy even before its release. John Frankenheimer was originally scheduled to direct the script by William Wisher and Caleb Carr. Frankenheimer died during the film's early casting.

Paul Schrader was hired to replace Frankenheimer. He filmed a version called The Exorcist: Dominion, staring Stellan Skarsgard as a younger Father Merrin. Morgan Creek Productions disliked Schrader's rough final edit of the film. Roger Ebert writes that the company thought Schrader's version was "too complex and intelligent, although those of course were not the words they used, and not scary enough." Ebert adds, "it seems scary to me ... (it) is not a conventional horror film, but does something risky and daring: It takes evil seriously."[3] (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050501/REVIEWS/50412001/1023)

Renny Harlin was then hired to direct. He brought on a new cast, keeping only Skarsgard, and Alexi Hawley rewrote the script to make it more conventionally scary. The New York Times quotes Skarsgard as saying that the updated script "wasn't really a script ... but just a bunch of ideas about how to make the film scarier, basically by throwing in unmotivated scares in every second scene. I didn't like it and I didn't want to do it. But then Renny Harlin came on, who I've worked with before ... who is a friend."[4] (http://www.nytimes.com/2005/05/02/movies/02exor.html)

Harlin's version was not widely screened for critics (and was generally panned by those critics who did see it). Blatty was quoted in the New York Times, saying his screening of Harlin's version "was surely the most humiliating professional experience of my life, particularly the finale. I don't blame Renny Harlin, for he gave Morgan Creek, I promise you, precisely what Morgan Creek demanded: not shocking obscenity, but shocking vulgarity."

Harlin's version did disappointing business, grossing about $40Million (the budget was about $30Million for Schrader's unreleased version, and another $50 for Harlin's).

Schrader's version will be issued on the same DVD with Harlin's version of the film, and will see limited theatrical release beginning May, 10, 2005.

Curse Rumors

There have been rumors that the various Exorcist films were cursed.[5] (http://www.lsj.com/apps/pbcs.dll/article?AID=/20040819/THINGS010701/408190318/1055/news). Blatty, Schrader and von Sydow have discounted such tales as nonsense, used primarily for promotion.


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There have been rumors that the various Exorcist films were cursed.[5] (http://www.lsj.com/apps/pbcs.dll/article?AID=/20040819/THINGS010701/408190318/1055/news). Blatty, Schrader and von Sydow have discounted such tales as nonsense, used primarily for promotion. She eerily begins to dance around for them on the sand, as she did when she was a child star, as the nightmare and the beautiful dream mingle. Schrader's version will be issued on the same DVD with Harlin's version of the film, and will see limited theatrical release beginning May, 10, 2005. Jane obviously thinks they are her adoring public. Harlin's version did disappointing business, grossing about $40Million (the budget was about $30Million for Schrader's unreleased version, and another $50 for Harlin's). When she goes and gets two ice cream cones at the small stand, the police approach her and begin asking where her sister is as a crowd gathers. I don't blame Renny Harlin, for he gave Morgan Creek, I promise you, precisely what Morgan Creek demanded: not shocking obscenity, but shocking vulgarity.". After a silence, Jane says, with a childish smile, "Do you like ice cream?".

Blatty was quoted in the New York Times, saying his screening of Harlin's version "was surely the most humiliating professional experience of my life, particularly the finale. Jane turns to her and says pitifully, "You mean, all this time we could have been friends?". Harlin's version was not widely screened for critics (and was generally panned by those critics who did see it). Blanche tells her the truth of the dark secret she has kept because of her hatred of Jane. who is a friend."[4] (http://www.nytimes.com/2005/05/02/movies/02exor.html). She begins acting like a child and covers her ears. But then Renny Harlin came on, who I've worked with before .. As the sun comes up, Jane is sitting beside the ill and dying Blanche, who she has wrapped up in hot blankets. Blanche wants to tell her something about the night she was paralyzed, but Jane will not listen.

I didn't like it and I didn't want to do it. Driving through Los Angeles at night, they wind up at the beach. but just a bunch of ideas about how to make the film scarier, basically by throwing in unmotivated scares in every second scene. She runs upstairs and gets Blanche. The New York Times quotes Skarsgard as saying that the updated script "wasn't really a script .. Jane, realizing the police will be summoned, screams for Blanche to help her. He brought on a new cast, keeping only Skarsgard, and Alexi Hawley rewrote the script to make it more conventionally scary. When he sees the skeletal woman bound and gagged, he then runs from the house in horror.

Renny Harlin was then hired to direct. While he is there, he hears a noise upstairs, as Blanche has managed to turn over her night stand in a cry for help, and goes up to her room against Jane's urgent pleadings. Roger Ebert writes that the company thought Schrader's version was "too complex and intelligent, although those of course were not the words they used, and not scary enough." Ebert adds, "it seems scary to me ... (it) is not a conventional horror film, but does something risky and daring: It takes evil seriously."[3] (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050501/REVIEWS/50412001/1023). When a drunken Edwin comes back to confront Jane, she lets him in. Morgan Creek Productions disliked Schrader's rough final edit of the film. He takes it as a rebuff and angrily storms away. He filmed a version called The Exorcist: Dominion, staring Stellan Skarsgard as a younger Father Merrin. Edwin goes to the Hudson home, but Jane will not answer the door.

Paul Schrader was hired to replace Frankenheimer. She tells her son the stories of Jane's trying to kill her own sister, but he tells her off. John Frankenheimer was originally scheduled to direct the script by William Wisher and Caleb Carr. Frankenheimer died during the film's early casting. In the meantime, Dehlia has recalled the old gossip about the Hudsons. A prequel, Exorcist: The Beginning (2004) attracted controversy even before its release. She takes away the body in the trunk of the car at night. A parody entitled Repossessed was released the same year, with Blair lampooning the role that made her (in)famous. As she walks in and sees Blanche bound and gagged, Jane picks up the hammer and murders her.

Exorcist III ignored the events of the previous sequel and presented a satisfying conclusion to the story after 15 years. Jane finally gives it to her. 1990's more successful The Exorcist III, written and directed by Blatty himself from his own 1983 novel Legion, the true sequel to the original novel. She is taking off the bolts with a hammer and screwdriver when Jane returns and finds her. Elvira demands the key to the door. John Boorman's poorly-received Exorcist II: The Heretic was released in 1977. Elvira waits until Jane leaves, then returns to find Blanche's door locked. In the United Kingdom, the movie was included in the 'Video nasty' phenomenon of the early 1980s. Although it had been released uncut for home video in 1981, when resubmitted for classification to the British Board of Film Classification after the implementation of the Video Recording Act 1984 it was refused a release and no video copies were to be sold in the UK. However, following a successful re-release in cinemas in 1998, the film was resubmitted and was passed uncut with an 18 certificate rating in 1999, signifying a relaxation of the censorship rules with relation to home video in the UK. Elvira comes by, but Jane tells her that Blanche is sleeping and that she is fired.

Interestingly, the part of Regan was originally offered to troubled actress Dana Plato, whose mother refused to allow her to take it. He is not sure she is serious about her act, but is drawn to the promise of money. The Exorcist is commonly regarded as one of the best and most effective horror films; one that balances a stellar script, gruesome effects, and outstanding performances. He is not exactly what Jane imagined, but she hires him. McCambride's role was originally uncredited; after Blair was nominated for her role, McCambridge initiated a lawsuit seeking redress. (Incidentally, McCambridge's voice was not processed or treated for The Exorcist, she had worked extensively in radio drama and had a flexible vocal range.). At the urging of his mother, Dehlia Flagg (played by Bennett), a fat piano player, Edwin Flagg (played by Buono), who has no other job, goes to the Hudson home to apply. It was nominated for ten Academy Awards (winning two), and also won four Golden Globes. She ties Blanche up in bed and begins starving her to death.

The film was a huge international hit, grossing as of 2004 $402,500,000 worldwide. Afterward, she calls back and, imitating Blanche's voice, tells the doctor that it was a mistake, that all is fine. These scenes were later restored and--along with a number of new digital effects--inserted into the re-release subtitled "the version you've never seen" in 2000. She then beats and kicks Blanche. The film originally contained several key sequences from the novel, which were cut prior to release by director Friedkin, despite Blatty's protests. Jane returns during the call. The imagery in question is readily apparent and easily recognizable as a simple, yet effective editing technique, designed to make the viewer ill at ease - the desired effect for a horror film, after all. Eventually, she crawls downstairs to call her doctor for help.

The Exorcist was also accused of, among many other things, manipulation of its audience through the use of subliminal imagery; a claim that is verifiably false upon a viewing of the film. She then sees where Jane has been practicing writing the signiture Blanche Hudson. The effects were so graphic that Roger Ebert writes "That it received an R rating and not the X is stupefying."[2] (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19731226/REVIEWS/301010310/1023). She finds a box of chocolates and devours them ravenously. The Exorcist contained a number of disturbing special effects, engineered by makeup legend and pioneer Dick Smith. While Jane is away, Blanche goes to her room in her wheelchair. The lengthy exorcism tests the priests, both physically and spiritually. She buys more liquor, has replicas made of the costumes she wore in 1917, and places an ad in the paper for a musical accompanist.

He turns to the local bishop, who appoints a second priest, Father Merrin, to perform an exorcism. She embezzles Blanche's money, cashing forged checks at the bank. The girl is examined by a priest, Father Damien Karras, who is convinced of the diabolical nature of the case. Jane decides to revive her childhood act. After unsuccessful medical help, Regan's mother turns to religion. She serves disgusting things, such as a dead rat, and gets a big kick out of Blanche's repulsion. She undergoes a series of physical and psychological changes. Imitating Blanche's voice, she tells him she has changed her mind about selling the house.

In the film, a young girl named Regan, living in Georgetown, Washington, D.C., with her mother, (a famous actress) becomes ill after playing with a Ouija board. She then goes downstairs and calls the lawyer. [1] (http://www.strangemag.com/exorcistpage1.html) Several area newspapers reported on a speech a minister gave to an amateur parapsychology society, in which he claimed to have exorcised a demon from a thirteen-year-old boy named Robbie, and that the ordeal lasted a little more than six weeks. She tears out her buzzer and phone cord. Blatty based his novel on a supposedly genuine exorcism from 1949, in Cottage City, Maryland. The movie turns to horror as Jane begins to grotesquely abuse Blanche. Regan's voice was dubbed by Mercedes McCambridge when possessed. She says, "The studio was too busy giving you the big buildup!" When she asks about the call and gets a reply, she calls Blanche a liar.

Cobb as Lieutenant William Kinderman and Linda Blair as Regan MacNeil. When Blanche replies yes and gives more detail, Jane tells her that she made a picture that year too, that it was never even shown in the United States. Directed by William Friedkin and starring Max von Sydow as Father Lankaster Merrin, Ellen Burstyn as Chris MacNeil, Jason Miller as Father Damien Karras, Lee J. When Blanche tells her she was watching it, Jane angrily asks if she remembers what year she made that picture. The Exorcist is an influential and successful 1973 horror film, adapted by William Peter Blatty from his 1971 novel of the same name. She then comes upstairs where Blanche is sitting in her wheelchair watching one of her movies on TV and abruptly turns off the set. Jane eavesdrops on the call.

Blanche calls her lawyer and asks him to sell the house. The weekly cleaning woman, Elvira Stitt (played by Norman), sees through Jane and tries to get Blanche to have her committed. Blanche (played by Crawford) is an invalid stuck upstairs in her bedroom. Jane hates and resents her sister, as well as the confounded buzzer she uses to summon her.

Bates (played by Lee), who asks her to tell Blanche how much she has been enjoying her old movies that are airing on television. She is rude and snubs the neighbor, Mrs. Jane (played by Davis), who is completely forgotten by the public, is now a grotesque, drunken figure who wears a ton of make-up. The years have passed.

Blanche allowed her to stay on and care for her and her house as a flunky. She had guilt and remorse. As she was drunk, she could not remember trying to murder her sister. Jane was found drunk by the police in a hotel room.

Blanche was paralyzed by the crash. The crash is heard, as well as a piercing scream. All that is seen in the movie is the lower part of the body of the young woman walking up to the gates, the other woman putting the car in gear and slamming her foot down on the gas pedal, then the woman in front of the gates begin to run. One evening, as they returned from a party, one of the sisters got out of the car to open the gates.

Jane would get drunk at parties and mimic and mock Blanche, who she was jealous of. She lived with her sister in Blanche's Hollywood home. Jane could not act and went nowhere in Hollywood. When they grew up, Blanche Hudson became a famous movie star.

Their mother comforted Blanche. Her sister, Blanche (played by Gillespie as a child), watched with sadness as Jane, who always got her way, was idolized by her adoring public. Her father gave in. Jane Hudson (played by Allred as a child) was a child star of the vaudeville stage in 1917 who was billed as "Baby Jane." She was a spoiled brat who demanded an ice cream, or else she would not greet her fans.

134 mins.; black-and-white. It began a trend of movies featuring older women in peril or on the brink of insanity, a genre colloquially referred to as psycho-biddy. It was nominated for Best Actress in a Leading Role (Bette Davis), Best Actor in a Supporting Role (Victor Buono), Best Cinematography, Black-and-White and Best Sound. The movie won the Academy Award for Best Costume Design, Black-and-White.

It was adapted for the screen by Lukas Heller, based on the novel What Ever Happened to Baby Jane? by Henry Farrell. This classic was directed by Robert Aldrich. psychological/horror motion picture starring Bette Davis and Joan Crawford, with Victor Buono, Marjorie Bennett, Maidie Norman, Anna Lee, Julie Allred, and Gina Gillespie. What Ever Happened to Baby Jane? is a 1962 Warner Bros.