This page will contain images about The Butthole Surfers, as they become available.Butthole Surfers(Redirected from The Butthole Surfers)The Butthole Surfers is an American indie and punk band. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. In 1991 they were part of the first Lollapalooza tour. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. Those records are now in print on their own Latino Buggerveil record label. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Samples
Discography
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This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Eagle-Eye Cherry Homepage (http://www.eagle-eye-cherry.com/index2.html). As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. His second album came in 2000 (Living in the Present Future) but was remixed for the States (where it was released as Present/Future), but saw disappointing sales. In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. "Save Tonight" proved a major hit, and made Cherry into an international hit. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). He soon recorded Desireless, and it became a hit across Scandinavia and the rest of Europe, and an American release came in 1998. Those records are now in print on their own Latino Buggerveil record label. After Don Cherry's death in 1995, Eagle-Eye moved to Stockholm with his girlfriend, and began to focus on songwriting. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. He was born in Stockholm in 1971, and soon moved to New York with his father, where he began acting and playing music. The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. Cherry comes from a musical family that includes sister Neneh Cherry, father Don Cherry and half-sister on his Swedish side Titiyo. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). Eagle-Eye Cherry is an American-Swedish singer known best for his hit "Save Tonight". The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. In 1991 they were part of the first Lollapalooza tour. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. The Butthole Surfers is an American indie and punk band. Humpty Dumpty LSD (2002). Weird Revolution (2001). After the Astronaut (unreleased) (1998). Electric Larryland (1996). Independent Worm Saloon (1993). Pioughd (1990). Double Live (1989). Widowermaker EP (1989). Hairway to Steven (1988). Locust Abortion Technician (1987). Rembrandt Pussyhorse (1986). Cream Corn from the Socket of Davis EP (1985). Another Man's Sac (1984). Powerless.. Psychic.. Live PCPPEP (1984). Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live"). Download sample of "Pepper" from Electriclarryland. |