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Butthole Surfers

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The Butthole Surfers is an American indie and punk band. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers.

While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass.

They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. In 1991 they were part of the first Lollapalooza tour. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s.

In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. Those records are now in print on their own Latino Buggerveil record label. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney).

In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date.

Samples

  • Download sample of "Pepper" from Electriclarryland

Discography

  • Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live")
  • Live PCPPEP (1984)
  • Psychic... Powerless... Another Man's Sac (1984)
  • Cream Corn from the Socket of Davis EP (1985)
  • Rembrandt Pussyhorse (1986)
  • Locust Abortion Technician (1987)
  • Hairway to Steven (1988)
  • Widowermaker EP (1989)
  • Double Live (1989)
  • Pioughd (1990)
  • Independent Worm Saloon (1993)
  • Electric Larryland (1996)
  • After the Astronaut (unreleased) (1998)
  • Weird Revolution (2001)
  • Humpty Dumpty LSD (2002)

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This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. The following albums were released under the name Bootsy Collins or William "Bootsy" Collins. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. Bootsy recently provided "vocal spice" on the TobyMac album, Welcome to Diversity. In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. Collins has collaborated extensively with Bill Laswell and made bright appearances on two Fatboy Slim records. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). Most of Bootsy's albums in the post-Parliament and Funkadelic days were released under the name Bootsy's Rubber Band.

Those records are now in print on their own Latino Buggerveil record label. Bootsy's Rubber Band is a part of the P Funk umbrella of bands. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. When Bootsy, Catfish, Waddy, Joel Johnson, Mudbone Cooper, Robert Johnson and The Horny Horns formed Bootsy's Rubber Band in 1976, the character of Bootsy evolved into Bootzilla, a rhinestone-bedecked, flashy rock god. The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. He also took the name "Bootsy" during this time, adopting it as part of an ever-evolving character, an alien rock star who grew gradually more alien, bizarre and flashy as time went on (see P Funk mythology). However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). His bass playing was hard, driving and rhythmic, and has been very influential in the development of Funk, Heavy Metal and Soul music.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. Bootsy played on most of their early albums, garnering several songwriting credits as well. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. Franklin introduced both Collins brothers to George Clinton, and 1972 saw both of the Collins brothers, along with Waddy and Wynne, join Funkadelic. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. Regardless of his reasons for leaving Brown's band, Collins then moved to Detroit, following the advice of singer and future Parliament member Mallia Franklin. In 1991 they were part of the first Lollapalooza tour. A possibly apocryphal story states than Brown fired Collins after the latter suffered LSD hallucinations on-stage.

They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. Until 1971, the Pacesetters were the backing band for James Brown, and were known in that context as The JB's. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. With his brother, Catfish Collins, and Kash Waddy and Philippe Wynne, Collins formed a group called The Pacesetters in 1968. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. William Collins (born October 26, 1951, Cincinnati, Ohio), best known as Bootsy Collins, is a pioneering funk bassist, singer and songwriter. It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge.

Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar).

Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. The Butthole Surfers is an American indie and punk band. Humpty Dumpty LSD (2002).

Weird Revolution (2001). After the Astronaut (unreleased) (1998). Electric Larryland (1996). Independent Worm Saloon (1993).

Pioughd (1990). Double Live (1989). Widowermaker EP (1989). Hairway to Steven (1988).

Locust Abortion Technician (1987). Rembrandt Pussyhorse (1986). Cream Corn from the Socket of Davis EP (1985). Another Man's Sac (1984).

Powerless.. Psychic.. Live PCPPEP (1984). Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live").

Download sample of "Pepper" from Electriclarryland.

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