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Butthole Surfers

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The Butthole Surfers is an American indie and punk band. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers.

While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass.

They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. In 1991 they were part of the first Lollapalooza tour. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s.

In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. Those records are now in print on their own Latino Buggerveil record label. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney).

In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date.

Samples

  • Download sample of "Pepper" from Electriclarryland

Discography

  • Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live")
  • Live PCPPEP (1984)
  • Psychic... Powerless... Another Man's Sac (1984)
  • Cream Corn from the Socket of Davis EP (1985)
  • Rembrandt Pussyhorse (1986)
  • Locust Abortion Technician (1987)
  • Hairway to Steven (1988)
  • Widowermaker EP (1989)
  • Double Live (1989)
  • Pioughd (1990)
  • Independent Worm Saloon (1993)
  • Electric Larryland (1996)
  • After the Astronaut (unreleased) (1998)
  • Weird Revolution (2001)
  • Humpty Dumpty LSD (2002)

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This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Recently, the band has followed a more country music style. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. The Cardigans returned in 2003 with the quieter, more introspective Long Gone Before Daylight. In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. Nina Persson released an album as A Camp, Peter Svensson worked on the project Paus with help from Joachim Berg of Kent, and Magnus Sveningsson recorded as Righteous Boy. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). 1998's Gran Turismo was less popular, and was followed by a long hiatus during which the band members pursued solo side projects (however, they did collaborate with Tom Jones for a track on his 1999 album Reload).

Those records are now in print on their own Latino Buggerveil record label. "Lovefool" was a hit across the globe, especially in the United States and again in Japan, where the album reached platinum in only three weeks. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. They were signed to Mercury Records thereafter, and released First Band on the Moon in 1996 was a marked departure from previous works, including more unusual accompaniment and lyrics with violent themes. The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. The rest of 1994 was spent touring Europe and recording Life, which was released in 1995. Life became an international success, selling more than a million copies worldwide and achieving platinum status in Japan. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The album was later voted the best of 1994 by a readers poll in Slitz magazine.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. Their debut album was Emmerdale (1994), which include the Swedish radio hit "Rise & Shine". They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. Living together in a small apartment, The Cardigans recorded a demo tape which record producer Tore Johansson heard, leading to invitation to record at a studio in Malmö. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. Peter Svensson and Magnus Sveningsson, both heavy metal musicians, formed the group in 1992 in Jönköping, Sweden, with drummer Bengt Lagerberg, keyboardist Lars-Olof Johansson and lead singer Nina Persson. In 1991 they were part of the first Lollapalooza tour. They remain best-known for their breakthrough album, Life (1995) and hit singles including "Lovefool", known as the title track in Baz Luhrmann's Romeo + Juliet.

They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. The Cardigans are a Swedish indie/pop band that formed in 1992. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge.

Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar).

Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. The Butthole Surfers is an American indie and punk band. Humpty Dumpty LSD (2002).

Weird Revolution (2001). After the Astronaut (unreleased) (1998). Electric Larryland (1996). Independent Worm Saloon (1993).

Pioughd (1990). Double Live (1989). Widowermaker EP (1989). Hairway to Steven (1988).

Locust Abortion Technician (1987). Rembrandt Pussyhorse (1986). Cream Corn from the Socket of Davis EP (1985). Another Man's Sac (1984).

Powerless.. Psychic.. Live PCPPEP (1984). Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live").

Download sample of "Pepper" from Electriclarryland.

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