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Butthole Surfers

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The Butthole Surfers is an American indie and punk band. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers.

While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar). Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass.

They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. In 1991 they were part of the first Lollapalooza tour. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s.

In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. Those records are now in print on their own Latino Buggerveil record label. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney).

In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date.

Samples

  • Download sample of "Pepper" from Electriclarryland

Discography

  • Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live")
  • Live PCPPEP (1984)
  • Psychic... Powerless... Another Man's Sac (1984)
  • Cream Corn from the Socket of Davis EP (1985)
  • Rembrandt Pussyhorse (1986)
  • Locust Abortion Technician (1987)
  • Hairway to Steven (1988)
  • Widowermaker EP (1989)
  • Double Live (1989)
  • Pioughd (1990)
  • Independent Worm Saloon (1993)
  • Electric Larryland (1996)
  • After the Astronaut (unreleased) (1998)
  • Weird Revolution (2001)
  • Humpty Dumpty LSD (2002)

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This culminated in 'The Weird Revolution' (a reworking of an aborted album recorded for Capital called 'After the Astronaut') their most electronic album to date. Coles became a journalist for the Times Literary Supplement and Catholic Herald. As the 'nineties went on, the band became increasingly influenced by electronica, with Gibby namechecking Massive Attack, Tricky, and The Chemical Brothers as influences. They split in 1988 and Somerville began a solo career. In the early 'nineties Gibby Haynes and Jeff Pinkus released a side project (The Jackofficers) which produced a highly psychedelic take on House music. In 1987 they released an album called Red which featured a cover version of Gloria Gaynor's hit Never Can Say Goodbye, which the Communards took to Number 4. At the same time a huge legal battle with Capital records began which ended up with the band being kicked off the label and signing to Hollywood Records (a subsidiary of Disney). Later that year The Communards had another Top 10 hit with the single So Cold the Night.

Those records are now in print on their own Latino Buggerveil record label. It featured Sarah-Jane Morris as a co-vocalist. In 1996 the band brought a legal action to recover rights from Touch and Go to their back catalogue, a case they eventually won in 1999. The following year they had their biggest hit with an energetic cover version of Thelma Houston's soul classic Don't Leave Me This Way which spent four weeks at number one and became the UK's biggest selling single of 1986. The story of the creation of this album is told in Our Band Could Be Your Life by Michael Azerrad (Little, Brown) amidst other tales from the American underground in the 1980s. The band had their first UK Top 20 hit in 1985 with the piano-based single You Are My World. However, probably their best album is the critically lauded Locust Abortion Technician (Touch & Go - US/ Blast First - UK). Jimmy was renowned for his falsetto (high pitched) singing style, and the fact that he was openly gay.

The band's most famous song is "Pepper" from the album Electriclarryland in 1996, which recounted the somewhat sordid stories of several high school students in Texas. Though mainly a pianist, Coles played a number of instruments and had been seen previously performiong the clarinet solos on the Bronski Beat hit It Ain't Necessarily So. They also contributed songs to the soundtracks of Baz Luhrman's Romeo + Juliet and Mission Impossible around about this time. They formed in 1985 after singer Jimmy Somerville left his earlier band Bronski Beat to team up with classically-trained musician Richard Coles. Soon afterwards they signed to Capitol Records and this one time underground band eventually became a mainstream commodity with songs on modern rock radio and Beavis and Butt-head. The Communards were a British pop duo of the 1980s. In 1991 they were part of the first Lollapalooza tour. Communars 08.jpg.

They recorded two more albums and numerous EPs for Touch and Go before leaving to record an album (Pioughd) for Rough Trade Records. For the French political activists, see communards.. bands such as Throbbing Gristle and Einsturzende Neubauten) as well as American eccentrics like Frank Zappa and The Residents. This article is about the pop group The Communards. Their second album Rembrandt Pussyhorse showed the increased influence of the European avant-garde (e.g. It also showed the influence of heavy metal (especially Black Sabbath), again, many years before this sound became fashionable: in marrying punk and heavy metal it might be seen as one of the first precursors of grunge.

Along with The Teardrop Explodes in the UK this album might be said to have begun the psychedelic revival (psychedelia having been extremely unfashionable in the five years since punk). They recorded their debut EP on Alternative Tentacles, before moving to Touch & Go to release their debut album Psychic...Powerless...Another Man's Sac. Mark Kramer (of Bongwater and Shimmy Disc) also briefly played bass. While their line-up changed frequently through the years, they had a core membership of Jeff Pinkus on bass, with King Coffey and Teresa Taylor on drums in addition to Haynes (vocals) and Leary (guitar).

Incorporating elements of hardcore, psychedelia, and performance art, their live shows also made heavy use of strobe lights, background films and naked dancers. The band was founded by Gibby Haynes and Paul Leary in San Antonio, Texas in 1982; the pair met while students at Trinity University. The Butthole Surfers is an American indie and punk band. Humpty Dumpty LSD (2002).

Weird Revolution (2001). After the Astronaut (unreleased) (1998). Electric Larryland (1996). Independent Worm Saloon (1993).

Pioughd (1990). Double Live (1989). Widowermaker EP (1989). Hairway to Steven (1988).

Locust Abortion Technician (1987). Rembrandt Pussyhorse (1986). Cream Corn from the Socket of Davis EP (1985). Another Man's Sac (1984).

Powerless.. Psychic.. Live PCPPEP (1984). Butthole Surfers EP (1983) (alternate title: "A Brown Reason To Live").

Download sample of "Pepper" from Electriclarryland.

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