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The Birds (film)

The Birds (1963) is a horror film by Alfred Hitchcock, based on a short story by Daphne Du Maurier. (Hitchcock also adapted Du Maurier's novel Rebecca into an acclaimed film) about birds mobbing humans.

The screenplay for The Birds was written by Evan Hunter, better known as crime fiction novelist Ed McBain. This film is notable in that it has no music score per se (other than brief source music); instead a montage of assorted bird calls and sound effects put together by perennial Hitchcock composer Bernard Herrmann provides the "incidental music".

In the film, various kinds of birds attack Bodega Bay, California, a seaside village. It may be noted that in Du Maurier's story, the birds attack Britain instead of California.


Synopsis

Spoiler warning: Plot or ending details follow.

A young lady (Hedren) visits a bird shop on a Friday afternoon. There, she meets Mitch (Taylor), a lawyer that is looking for two lovebirds for his little sister. She pretends to be the shopkeeper, showing him various species of birds, until she accidentally lets out a canary. When Mitch reveals after the incident that he knows her as Melanie Daniels, the daughter of a newspaper magnate, and tells her off for being a spoiled prankster, she decides to pay a visit to his house to get back at him and give his sister the lovebirds that he couldn't obtain. Outside, a flock of pigeons menacingly circle the sky.

When she arrives at the town of Bodega Bay, she seeks out Annie Hayworth (Suzanne Pleshette), the local teacher, in order to learn the name of Mitch's sister, Cathy (Veronica Cartwright). Then, she travels out by boat and stealthily enters Mitch's house, placing the present in the living room. On the way back, however, a seagull inexplicably swoops down and claws her.

Cleaning up her wounds, Melanie gives Mitch the alibi that Annie was an old friend of hers and she wanted to pay a visit. She then returns to Annie's house, rents out a room for the weekend, and heads over to Mitch's house for dinner. There, his mother, Lydia (Jessica Tandy), argues with someone over the phone that the chicken feed she bought was defective—her chickens wouldn't eat a bite—only to learn that the vendor's own fowl, who had been given a different brand, had the same problem. After dinner, Melanie returns to Annie's house and the two chat about their past, when a thud is heard against the front door. Opening the door, Melanie discovers a dead crow sprawled on the ground.

The next day, Cathy hosts a birthday party. A peaceful flock of birds make their way across the clear blue sky as Melanie and Mitch walk along the beach. As time goes on, however, the sound of bird calls grows louder, and a shadowy cloud appears over the festivities. All of a sudden, a bird swoops down and switches Cathy on the ear, and an attack on the party commences. Terrified guests rush into the house as birds scratch, peck, and bite at them ravenously and without motive.

From then on, things go from bad to worse as bird attacks increase, both in scope and in violence. Lydia drives over to the farmer who sold her the defective chicken feed and discovers a gory corpse with his eyes gouged out. After fleeing the scene in a hysteria, Lydia begs Melanie to keep watch over Cathy during school the next day. A flock of crows gather in the playground, and when Melanie evacuates the school, they viciously tear at the children, nearly killing one of them.

At a pub where a majority of the children have evacuated, Melanie bears witness to the death of a gas clerk across the street after a seagull attacks him. A trail of gasoline makes its way down the road, to where a man is lighting a cigarette. The cries of bystanders are in vain, and a shattering explosion alerts scores of birds, who attack those who rushed out to help the clerk. Melanie runs to assist, but quickly retreats to a phone booth as she is attacked. From that vantage point, she bears witness to the horrific spectacle as birds rush at her from all angles. The local fire department soon arrives to fight the fire and end up fighting the birds instead. A dying man leans against the booth, slowly collapsing and leaving a streak of blood on the glass, which begins to crack as birds endlessly peck and fly at it. Finally, Mitch ventures into the storm and brings her back into the pub, where a woman accuses her of being cursed.

At last, the screeching of the birds comes to an end. Melanie sets out in search of Annie and Cathy. Annie lies dead on her porch, while a terrified Cathy uncontrollably sobs. Melanie comforts Cathy and Mitch brings Annie inside, as the afternoon descends into dusk.

Cathy, Melanie, Mitch, and Lydia hole up in their house, boarding up all the windows, doors, and openings, with the exception of a single fireplace that has a fire going around the clock. In this claustrophobic environment, the four spend hours wondering when the next attack will come. Finally, a clamor erupts, and Mitch quickly checks and repairs openings while the rest look on, terrified out of their wits. The power goes out, and Mitch gets a flashlight from the basement.

Later on, Melanie wakes up with the intuition that something is terribly wrong. She grabs Mitch's flashlight and carefully examines the rooms, then cautiously treads the stairs, opens a door, and goes inside. Birds attack her from all sides as she gazes at a gigantic hole in the ceiling. Unable to fight, she collapses onto the floor, nearly dying before Mitch comes and rescues her. Realizing that she needs to get to a hospital, he tells the others that they have to leave, and daringly ventures outside to get the car. Here, Hitchcock offers one of the most surreal and apocalyptic scenes to appear on film, as a sea of birds move under a cloudy twilight. Mitch quietly enters the garage and turns on the car radio, which reports that bird attacks have occurred further inland, mentioning the town of Santa Rosa, about thirty miles away. He brings the car around front and helps Cathy, Melanie, and Lydia inside, then drives away, parting waves of birds that seem to lie in anticipation of something...

The ending to this movie is purposefully abrupt in order to allow the audience to make their own guesses as to why these birds attacked. One reason could be revenge/uprising. The caged lovebirds brought along throughout the movie serve as a subtle justification to the bird attacks. Could the birds be getting back at mankind for all the abuse, exploiting and hunting they have been through?


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Could the birds be getting back at mankind for all the abuse, exploiting and hunting they have been through?. Dimension Films also currently own rights to any further sequels in the Halloween series. The caged lovebirds brought along throughout the movie serve as a subtle justification to the bird attacks. Both Halloween H20 and its follow-up, Halloween: Resurrection (2002), were produced in the same style as Dimension's previous 1990s horror films (such as Scream (1996)). One reason could be revenge/uprising. Halloween H20 marked the return of Jamie Lee Curtis as Laurie Strode (since her character had died sometime before the events of the fourth film, the continuity of the previous three films in the series are ignored and this film is treated as a direct follow-up to Halloween II). The ending to this movie is purposefully abrupt in order to allow the audience to make their own guesses as to why these birds attacked. Donald Pleasance, who had appeared in every entry of the series to date, died before Halloween H20: 20 Years Later could begin production in 1998 (the 20th anniversary of the first film).

He brings the car around front and helps Cathy, Melanie, and Lydia inside, then drives away, parting waves of birds that seem to lie in anticipation of something... Joe Chappelle directed, but studio interference caused re-editing of the film and the re-shooting of certain scenes, leaving the door open for another sequel. Mitch quietly enters the garage and turns on the car radio, which reports that bird attacks have occurred further inland, mentioning the town of Santa Rosa, about thirty miles away. Miramax/Dimension then released Halloween: The Curse of Michael Myers, which partially told the story of Michael Myers' origins. Here, Hitchcock offers one of the most surreal and apocalyptic scenes to appear on film, as a sea of birds move under a cloudy twilight. In 1995, the sequel rights were sold again, this time to Miramax Films (via its Dimension Films division). Realizing that she needs to get to a hospital, he tells the others that they have to leave, and daringly ventures outside to get the car. Main articles: Halloween: The Curse of Michael Myers, Halloween H20: 20 Years Later, Halloween: Resurrection.

Unable to fight, she collapses onto the floor, nearly dying before Mitch comes and rescues her. The success of this sequel inspired yet another the following year, Halloween 5: The Revenge of Michael Myers, also released independently. Birds attack her from all sides as she gazes at a gigantic hole in the ceiling. Loomis back from their graves (in Hollywood scriptwriting tradition). She grabs Mitch's flashlight and carefully examines the rooms, then cautiously treads the stairs, opens a door, and goes inside. The film (which was released independently) brought both murderer Michael Myers and Dr. Later on, Melanie wakes up with the intuition that something is terribly wrong. In 1988 (the tenth anniversary of the release of the original movie), Moustapha Akaad bought back the rights to the series from Dino DeLaurentis, and produced Halloween 4: The Return of Michael Myers.

The power goes out, and Mitch gets a flashlight from the basement. John Carpenter was to play no further part in the series, other than supplying the original Halloween theme music. Finally, a clamor erupts, and Mitch quickly checks and repairs openings while the rest look on, terrified out of their wits. Main articles: Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers. In this claustrophobic environment, the four spend hours wondering when the next attack will come. Many were disappointed that Michael Myers did not return in this entry, although it was Carpenter himself who felt that the Myers storyline could not be extended any further. Cathy, Melanie, Mitch, and Lydia hole up in their house, boarding up all the windows, doors, and openings, with the exception of a single fireplace that has a fire going around the clock. Whereas the first sequel was a direct continuation of the original story, Halloween III was an entirely unrelated film.

Melanie comforts Cathy and Mitch brings Annie inside, as the afternoon descends into dusk. It was directed by Tommy Lee Wallace, with John Carpenter only acting as producer. Annie lies dead on her porch, while a terrified Cathy uncontrollably sobs. A third film in the series, Halloween III: Season of the Witch was released in 1982, also by Universal Pictures. Melanie sets out in search of Annie and Cathy. Main article: Halloween III: Season of the Witch. At last, the screeching of the birds comes to an end. Many of the original films' fans are disenchanted by the seemingly endless spate of further sequels featuring Michael Myers, which are perceived as cynically-motivated moneymakers, rather than quality horror films made by dedicated filmmakers with a love for the originals and a genuine artistic vision.

Finally, Mitch ventures into the storm and brings her back into the pub, where a woman accuses her of being cursed. Carpenter himself was extremely displeased with the end result, describing it as "about as scary as an episode of Quincy" and, reportedly, reshooting many scenes himself. Retrospectively, it is now generally considered by far the best of the sequels. A dying man leans against the booth, slowly collapsing and leaving a streak of blood on the glass, which begins to crack as birds endlessly peck and fly at it. Critics generally agreed it was not the calibre of its predecessor. The local fire department soon arrives to fight the fire and end up fighting the birds instead. At the time, this sequel was intended to be the final chapter of the series. From that vantage point, she bears witness to the horrific spectacle as birds rush at her from all angles. It was designed to pick up precisely where the 1978 original left off, in fact taking place on the same night the original movie ended.

The cries of bystanders are in vain, and a shattering explosion alerts scores of birds, who attack those who rushed out to help the clerk. Melanie runs to assist, but quickly retreats to a phone booth as she is attacked. Later that year, DeLaurentis (in partnership with Universal Pictures) released Halloween II, also written by Carpenter, but this time directed by Rick Rosenthal. A trail of gasoline makes its way down the road, to where a man is lighting a cigarette. In 1981, Akkad sold the film rights to maverick producer Dino DeLaurentis (though Akkad was still actively involved in production of any films that used those rights). At a pub where a majority of the children have evacuated, Melanie bears witness to the death of a gas clerk across the street after a seagull attacks him. Halloween's success led inevitably to a sequel. A flock of crows gather in the playground, and when Melanie evacuates the school, they viciously tear at the children, nearly killing one of them. Main article: Halloween II.

After fleeing the scene in a hysteria, Lydia begs Melanie to keep watch over Cathy during school the next day. But looking out of the upstairs window, Loomis discovers that Myers is gone... Myers has "come home" (as the tagline on the movie poster mentions). Lydia drives over to the farmer who sold her the defective chicken feed and discovers a gory corpse with his eyes gouged out. Myers falls through a window and Loomis rescues Laurie. From then on, things go from bad to worse as bird attacks increase, both in scope and in violence. Eventually, Loomis catches up with Myers in the upstairs room of a house, and shoots the murderer six times. Terrified guests rush into the house as birds scratch, peck, and bite at them ravenously and without motive. Sam Loomis (Pleasance), Myers sets his murderous intentions on babysitter Laurie Strode (Curtis) (after already killing two of her friends).

All of a sudden, a bird swoops down and switches Cathy on the ear, and an attack on the party commences. Pursued by his psychiatrist Dr. As time goes on, however, the sound of bird calls grows louder, and a shadowy cloud appears over the festivities. Fifteen years later, he escapes and returns to his hometown of Haddonfield, Illinois (trivia: named after co-writer & producer Debra Hill's hometown of Haddonfield, New Jersey) to repeat his rampage. A peaceful flock of birds make their way across the clear blue sky as Melanie and Mitch walk along the beach. Six-year-old Michael Myers brutally kills his older sister on Halloween night, 1963, and is locked in a mental institution. The next day, Cathy hosts a birthday party. Nevertheless the parallel between a character's moral strengths and their likelihood of not getting killed has become a standard slasher movie trope.

Opening the door, Melanie discovers a dead crow sprawled on the ground. Carpenter has been quoted as saying that inclusion of this sort of morality into the story was entirely unintentional, and he did not mean for the movie to be seen as a form of "punishment" for those who indulge in sex and drug use. After dinner, Melanie returns to Annie's house and the two chat about their past, when a thud is heard against the front door. Deeper meaning has been read into this movie by some film critics, including the idea that everyone who dies in the film is sexually promiscuous, while the "innocent" (chaste) heroine survives. There, his mother, Lydia (Jessica Tandy), argues with someone over the phone that the chicken feed she bought was defective—her chickens wouldn't eat a bite—only to learn that the vendor's own fowl, who had been given a different brand, had the same problem. The movie originated a great many of the clichés seen in countless low-budget slashers of the 1980s and 1990s (although first-time viewers of Halloween may be surprised by the fact that compared to its many imitators and competitors, the original film actually has very few explicitly violent scenes). She then returns to Annie's house, rents out a room for the weekend, and heads over to Mitch's house for dinner. Telling the story of an unstoppable psycho-killer wearing a William Shatner mask, Halloween is generally considered the first of a long line of modern-day "slasher" movies (although there are several potential predecessors, including Alfred Hitchcock's Psycho (1960)).

Cleaning up her wounds, Melanie gives Mitch the alibi that Annie was an old friend of hers and she wanted to pay a visit. Shot on a budget of $300,000, it became the highest grossing independent film ever, and held that title until Dirty Dancing was released in 1987. On the way back, however, a seagull inexplicably swoops down and claws her. It starred Jamie Lee Curtis and Donald Pleasence. Then, she travels out by boat and stealthily enters Mitch's house, placing the present in the living room. It was written by Debra Hill and John Carpenter, who also directed, and was executive produced by Moustapha Akkad. When she arrives at the town of Bodega Bay, she seeks out Annie Hayworth (Suzanne Pleshette), the local teacher, in order to learn the name of Mitch's sister, Cathy (Veronica Cartwright). The first film, Halloween, (originally titled The Babysitter Murders), was released in 1978.

Outside, a flock of pigeons menacingly circle the sky. The Halloween films are a series of horror movies, of which the first film is considered one of the most important and influential of the genre. When Mitch reveals after the incident that he knows her as Melanie Daniels, the daughter of a newspaper magnate, and tells her off for being a spoiled prankster, she decides to pay a visit to his house to get back at him and give his sister the lovebirds that he couldn't obtain. Television rights: Miramax/Dimension. She pretends to be the shopkeeper, showing him various species of birds, until she accidentally lets out a canary. Home video rights: Miramax/Dimension. There, she meets Mitch (Taylor), a lawyer that is looking for two lovebirds for his little sister. Main rights: Miramax/Dimension.

A young lady (Hedren) visits a bird shop on a Friday afternoon. Halloween: Resurrection

    .
    . Television rights: Miramax/Dimension. It may be noted that in Du Maurier's story, the birds attack Britain instead of California. Home video rights: Miramax/Dimension. In the film, various kinds of birds attack Bodega Bay, California, a seaside village. Main rights: Miramax/Dimension.

    This film is notable in that it has no music score per se (other than brief source music); instead a montage of assorted bird calls and sound effects put together by perennial Hitchcock composer Bernard Herrmann provides the "incidental music". Halloween H20: 20 Years Later

      . The screenplay for The Birds was written by Evan Hunter, better known as crime fiction novelist Ed McBain. Television rights: Miramax/Dimension. (Hitchcock also adapted Du Maurier's novel Rebecca into an acclaimed film) about birds mobbing humans. Home video rights: Miramax/Dimension. The Birds (1963) is a horror film by Alfred Hitchcock, based on a short story by Daphne Du Maurier. Main rights: Miramax/Dimension.

      Halloween: The Curse of Michael Myers

        . Television rights: Anchor Bay Entertainment. Home video rights: Anchor Bay Entertainment. Main rights: Trancas International Films.

        Halloween 5: The Revenge of Michael Myers

          . Television rights: Anchor Bay Entertainment. Home video rights: Anchor Bay Entertainment. Main rights: Trancas International Films.

          Halloween 4: The Return of Michael Myers

            . Television rights: Universal Pictures. Home video rights: Universal Pictures. Main rights: Universal Pictures.

            Halloween III: Season of the Witch

              . Television rights: Universal Pictures. Home video rights: Universal Pictures. Main rights: Universal Pictures.

              Halloween II

                . Television rights: Carlton/ITC. Home video rights: Anchor Bay Entertainment. Main rights: Trancas International Films (Akkad's production company).

                Halloween

                  .