This page will contain news stories about T. Rex (band), as they become available.T. Rex (band)
Before finding teenybopper adulation as a 1970s pop group T. Rex began life as Tyrannosaurus Rex, darlings of the hippy/lighter weight end of the UK Underground scene in 1960s London. The band was founded by Marc Bolan in 1967 and gave one performance as a five piece rock band at the Roundhouse before immediately breaking up in disarray. Bolan retained the services of Steve Peregrin Took and the duo began producing eccentric pastoral and folk tinged ditties steeped in Tolkienian mythology, with spiritual homages to Gene Vincent thrown into the whimsical mix for good measure. The combination of Bolan's guitar and cat-like wail with Steve Took's bongos and assorted percussion (which often included children's instruments such as the Pixiephone) gained them a devoted following on a thriving underground scene that included the Incredible String Band and DJ John Peel, who befriended them and ferried them to and from gigs in his mini and eventually read stories written by Bolan on two of their albums. Another key pairing was with the record producer Tony Visconti who went on to produce all of their albums well into their second phase. As Tyrannosaurus Rex Bolan and Took recorded the albums
Singles
The reverse cover of Unicorn follows a convention begun by Dylan with Bringing It All Back Home: the pair are pictured lurking in a Bayswater flat surrounded by influences – LPs, books and objets d'art. These range from the modish to the obscure – Lamb's Tales from Shakespeare, The Bible, works of William Blake, a Muddy Waters LP, tabla drums and toy cymbals etc. The photo sums up Bolan's earnest playfulness and the duo's position as both typical within their scene and a unique proposition, and the music on Unicorn, with its melancholic grandeur, marks the high water mark for pixie-rock. By 1969 there was a clear rift between the two halves of Tyrannosaurus Rex. Bolan and his girlfriend June Child (ex-girlfriend of Syd Barrett) were living a quiet life, while Took was fully embracing the anti-commercial/community spirited/drug taking ethics of the UK Underground scene centred around Ladbroke Grove. Took was also attracted to the most anarchistic elements such as Mick Farren/Deviants and members of the Pink Fairies Rock 'n' Roll and Drinking Club. By now Took was writing his own songs and wanted the duo to perform some of them. Bolan, seeing himself as the creative force behind the duo refused. Probably the final straw for Bolan was when Took 'donated' two songs to Twink's Think Pink album and ignored warnings by the management to stop seeing members of the UK Underground. Bolan sacked Took after Unicorn, prior to their first ever US tour, although Took was contractually obliged to go through with the tour. The tour was poorly promoted and planned and because the acoustic duo were billed along side loud electric acts Took commented later that the audience often didn't even notice they'd started so in an Iggy Pop manner he stripped to the waist and whipped himself. Final Tyrannosaurus Rex AlbumAs soon as he returned to the UK Bolan replaced Took with bongo player Mickey Finn which genuinely was his real name. The final album under the name Tyrannosaurus Rex was A Beard Of Stars (1970) featured Mickey Finn who would remain with Bolan until 1975. Finn had no song writing aspirations. As well as progressively shorter titles, the albums show increasing production values, more accessible song writing from Bolan and experimentation with electric guitars and a rock sound. The breakthrough with this was in King of the Rumbling Spires (recorded with Steve Took) which used a full rock band and which, despite the lyrical content, is a long way removed from the first couple of albums. This purple patch also saw the publication of The Warlock of Love, Bolan's book of poems, derided by critics but which nevertheless became the best-selling poetry book of its time. T.RexThe next album, entitled simply T. Rex continued the process of simplification by shortening the name and completed the move to electric guitars. (Legend has it the Tony Visconti got fed up with writing the name out in full on studio chitties and tapes and began to abbreviate it. When Bolan first noticed he was furious, but later claimed it was his idea.) The sound was altogether poppier and the first single, Ride a White Swan, provided the first hit reaching #2 in the UK chart in late 1970. Glam Rock is born!Ride a White Swan was quickly followed with a second, Hot Love. A band was hastily formed and began to tour to increasing audiences, with teenage girls (teeny boppers) replacing the hippies of old. Chelita Secunda (wife of Tony Secunda manager to The Move and for a brief period T.Rex) added two spots of glitter under the eyes of Bolan and Glam rock was born! It would sweep the United Kingdom and many parts of Europe during 1971/1972 and result in various artists of differing merits (See the section on Glam rock for more information). The second T.Rex album, Electric Warrior is considered by many to be their best and brought great success. The music press at the time coined the term 'T.Rextasy' to describe the audience reaction at their performances. A couple of years of regular chart success followed, with hit singles such as Metal Guru and Telegram Sam pouring off what came to resemble a production line. It was the "Electric Warrior" album that produced T.Rex' best-known hit, "Get It On", which hit number one on the British charts, while becoming a Top Ten hit in the U.S., where the song was retitled "Bang A Gong (Get It On)" (to avoid confusion with another song called "Get It On", released the same year of 1971 by the group Chase). What comes after Up?Down - Original members of the band, began to leave in 1973, alienated by Bolan's increasingly egotistical behaviour which resulted in part from the absence of Bolan's regulating factor (his wife June Bolan) from 1973 onwards when he began his relationship with Gloria Jones. Finn left in the band in 1975. The second bongo player to be sacked by Bolan. Sadly, too much money, success, Cocaine and Brandy resulted in Bolan, always the fantasist with a Napoleon complex becoming more Narcissistic and Egotistical. His success made him isolated from the 'real world' and high UK Tax rates drove him and many other successful musicians into exile. No longer a vegetarian Bolan piled on the weight on a diet of hamburgers and alcohol (His 'Fat-Elvis phase'). Many of those who had suffered at the hands of his hard-nosed drive to become a Star took the opportunity for revenge and he was ridiculed in the Music Press. What comes after Bottom?Level-headedness? - By 1977 Bolan had hit rock bottom, much of his wealth had gone and he managed to lose weight. This is no doubt largely due to the birth of his only child - a son Rolan Bolan in September 1975. In March 1977 he performed what would be his final tour with the Punk Rock band The Damned as support. In September 1977 he recorded six programmes for Granada Television to be screened during the Children's Tea-Time slot. Bolan looked fit although perhaps a little too thin and mimed through a number of old T.Rex songs with a group of disinterested session musicians as T.Rex. His links were delivered in exquisite Campness and an example was his introduction for the Punk Rock band Generation X where he said the lead singer was supposed to be as "pretty as me" (as he finished delivering this line he sniffed a Carnation he had been delicately holding). The day a simple tree became Bolan's Rock ShrineBolan was talking of getting back to his roots and performing with his two original partners Mickey Finn and Steve Took. This was not to be because he died when the car (a Mini) driven by his girlfriend hit a tree in Barnes, South West London, less than a Mile from his home in Richmond a few minutes before 5:00 am on September 16, 1977. Albums as T. Rex
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His links were delivered in exquisite Campness and an example was his introduction for the Punk Rock band Generation X where he said the lead singer was supposed to be as "pretty as me" (as he finished delivering this line he sniffed a Carnation he had been delicately holding). Featuring Flo and Eddie. Bolan looked fit although perhaps a little too thin and mimed through a number of old T.Rex songs with a group of disinterested session musicians as T.Rex. In 1984 (see 1984 in music), Kaylan and Volman regained the use of The Turtles and began touring as The Turtles.. In September 1977 he recorded six programmes for Granada Television to be screened during the Children's Tea-Time slot. Kaylan and Volman joined the Mothers of Invention as Phlorescent Leech & Eddie, since the use of The Turtles was prohibited by their contract with White Whale. Flo & Eddie, as they soon became known, also recorded for children's movies like The Care Bears and Strawberry Shortcake and began hosting their own radio show on KROQ in Los Angeles and WXRK in New York City. In March 1977 he performed what would be his final tour with the Punk Rock band The Damned as support. With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and soon folded. This is no doubt largely due to the birth of his only child - a son Rolan Bolan in September 1975. In 1970, The Turtles released More Golden Hits, which contained the singles Sound Asleep and The Story of Rock and Roll, and in 1971, a B-sides and rarities album, Wooden Head, their last album. Level-headedness? - By 1977 Bolan had hit rock bottom, much of his wealth had gone and he managed to lose weight. In spite of Turtle Soup's critical success, commercial acclaim was low and the band soon began disintegrating. Many of those who had suffered at the hands of his hard-nosed drive to become a Star took the opportunity for revenge and he was ridiculed in the Music Press. Kaylan and Volman then rebelled against White Whale's attempts to push The Turtles towards Monkees-style studio chicanery, and they recorded Turtle Soup, a critically well-received album that was inspired by The Kinks' Village Green Preservation Society. No longer a vegetarian Bolan piled on the weight on a diet of hamburgers and alcohol (His 'Fat-Elvis phase'). Elenore may be the only Top Ten single to contain the lyrics et cetera. Sadly, too much money, success, Cocaine and Brandy resulted in Bolan, always the fantasist with a Napoleon complex becoming more Narcissistic and Egotistical. His success made him isolated from the 'real world' and high UK Tax rates drove him and many other successful musicians into exile. "Elenore" and "You Showed Me" were Top Ten singles. The second bongo player to be sacked by Bolan. Later in the year, The Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands, each with a song. Down - Original members of the band, began to leave in 1973, alienated by Bolan's increasingly egotistical behaviour which resulted in part from the absence of Bolan's regulating factor (his wife June Bolan) from 1973 onwards when he began his relationship with Gloria Jones. Finn left in the band in 1975. 1968 was a fairly successful year: The next two singles, Sound Asleep and The Story of Rock and Roll charted in the middle of the top 100, but were never received quite as well. It was the "Electric Warrior" album that produced T.Rex' best-known hit, "Get It On", which hit number one on the British charts, while becoming a Top Ten hit in the U.S., where the song was retitled "Bang A Gong (Get It On)" (to avoid confusion with another song called "Get It On", released the same year of 1971 by the group Chase). Golden Hits was released later that year, charting in the top 10. A couple of years of regular chart success followed, with hit singles such as Metal Guru and Telegram Sam pouring off what came to resemble a production line. Two other top-15 singles followed, You Know What I Mean, and She's My Girl, which marked a shift by the band towards psychedelic music as the genre became more popular. The music press at the time coined the term 'T.Rextasy' to describe the audience reaction at their performances. 1967 became The Turtles' most successful year in the charts, with another song written by Bonner and Gordon, She'd Rather Be With Me, which reached #3 on the US charts in the late spring, and actually outcharted Happy Together overseas. The second T.Rex album, Electric Warrior is considered by many to be their best and brought great success. The album by the same name was released in April and charted at a high of #25. Chelita Secunda (wife of Tony Secunda manager to The Move and for a brief period T.Rex) added two spots of glitter under the eyes of Bolan and Glam rock was born! It would sweep the United Kingdom and many parts of Europe during 1971/1972 and result in various artists of differing merits (See the section on Glam rock for more information). With its tongue-in-cheek atmosphere, incessant background guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, it spent three weeks at #1 on the American charts in 1967, the only Turtles record to do so. A band was hastily formed and began to tour to increasing audiences, with teenage girls (teeny boppers) replacing the hippies of old. Their biggest hit and signature song, "Happy Together", considered 1960s pop at its best, provided a turning point for The Turtles. Ride a White Swan was quickly followed with a second, Hot Love. It occurred to the band that, for eight months, they had been performing a certain song on stage that was moderately popular with the fans, but had yet to be recorded; originally written by songwriters Garry Bonner and Alan Gordon, Happy Together seemed almost a parody of itself, and had been rejected already. When Bolan first noticed he was furious, but later claimed it was his idea.) The sound was altogether poppier and the first single, Ride a White Swan, provided the first hit reaching #2 in the UK chart in late 1970. In the beginning of 1967, a heavy touring schedule combined with a lack of recent chart success were cited by Don Murray (drums) and Chuck Portz (bass), who left the group to be replaced by John Barbata and Chip Douglas, respectively. (Legend has it the Tony Visconti got fed up with writing the name out in full on studio chitties and tapes and began to abbreviate it. However, their second album You Baby never entered the top 200, and of several singles released that year only two (Grim Reaper of Love, Can I Get to Know You Better) entered the top 100. Rex continued the process of simplification by shortening the name and completed the move to electric guitars. Their third single, You Baby charted in the top 20 in early 1966. The next album, entitled simply T. Their second single, Let Me Be also appeared in the top 30 that fall. This purple patch also saw the publication of The Warlock of Love, Bolan's book of poems, derided by critics but which nevertheless became the best-selling poetry book of its time. Similarly to The Byrds' career, The Turtles' first break was with a Bob Dylan cover, It Ain't Me Babe, which was a Top Ten hit in summer 1965 (see 1965 in music) and the title track to their first album. The breakthrough with this was in King of the Rumbling Spires (recorded with Steve Took) which used a full rock band and which, despite the lyrical content, is a long way removed from the first couple of albums. With the help of DJ and club owner Reb Foster, The Crossfires signed to White Whale Records, and, adjusting to the prevailing musical trends of the time, became a folk-rock group known as The Tyrtles, the misspelling an ode to The Byrds that was soon dropped. As well as progressively shorter titles, the albums show increasing production values, more accessible song writing from Bolan and experimentation with electric guitars and a rock sound. The band was formed by Howard Kaylan and Mark Volman in Westchester, California in the 1965, as a surf rock group called The Crossfires. Finn had no song writing aspirations. The Turtles are an American bubblegum pop, psychedelic and folk-rock band, best known for 1967's "Happy Together" (see 1967 in music). The final album under the name Tyrannosaurus Rex was A Beard Of Stars (1970) featured Mickey Finn who would remain with Bolan until 1975. As soon as he returned to the UK Bolan replaced Took with bongo player Mickey Finn which genuinely was his real name. The tour was poorly promoted and planned and because the acoustic duo were billed along side loud electric acts Took commented later that the audience often didn't even notice they'd started so in an Iggy Pop manner he stripped to the waist and whipped himself. Bolan sacked Took after Unicorn, prior to their first ever US tour, although Took was contractually obliged to go through with the tour. Probably the final straw for Bolan was when Took 'donated' two songs to Twink's Think Pink album and ignored warnings by the management to stop seeing members of the UK Underground. Bolan, seeing himself as the creative force behind the duo refused. By now Took was writing his own songs and wanted the duo to perform some of them. Took was also attracted to the most anarchistic elements such as Mick Farren/Deviants and members of the Pink Fairies Rock 'n' Roll and Drinking Club. Bolan and his girlfriend June Child (ex-girlfriend of Syd Barrett) were living a quiet life, while Took was fully embracing the anti-commercial/community spirited/drug taking ethics of the UK Underground scene centred around Ladbroke Grove. By 1969 there was a clear rift between the two halves of Tyrannosaurus Rex. The photo sums up Bolan's earnest
playfulness and the duo's position as both typical within their scene and a unique proposition, and the music on Unicorn,
with its melancholic grandeur, marks the high water mark for pixie-rock. These range from the modish to the obscure – Lamb's
Tales from Shakespeare, The Bible, works of William Blake, a Muddy Waters LP, tabla drums and toy cymbals etc. The reverse cover of Unicorn follows a convention begun by Dylan with
Bringing It All Back Home: the pair are pictured lurking in a Bayswater flat surrounded by influences – LPs, books
and objets d'art. Another key pairing was with the record producer Tony Visconti who went on to produce all of their albums well into their second phase. The combination of Bolan's guitar and cat-like wail with Steve Took's bongos and assorted percussion (which often included children's instruments such as the Pixiephone) gained them a devoted following on a thriving underground scene that included the Incredible String Band and DJ John Peel, who befriended them and ferried them to and from gigs in his mini and eventually read stories written by Bolan on two of their albums. Bolan retained the services of Steve Peregrin Took and the duo began producing eccentric pastoral and folk tinged ditties steeped in Tolkienian mythology, with spiritual homages to Gene Vincent thrown into the whimsical mix for good measure. The band was founded by Marc Bolan in 1967 and gave one performance as a five piece rock band at the Roundhouse before immediately breaking up in disarray. Rex began life as Tyrannosaurus Rex, darlings of the hippy/lighter weight end of the UK Underground scene in 1960s London. Before finding teenybopper adulation as a 1970s pop group T. Notable posthumous releases include the reissue of the expanded The Beginning of Doves, in 2002 which is a very interesting collection of early songs and demos recorded in between John's Children and Tyrannosaurus Rex, and The Children of Rarn, demos for the sub-Tolkien concept album that Bolan and Visconti had been talking about for years as the project that would re-establish Bolan as a creative force to be reckoned with. Bolan's girlfriend Gloria Jones survived and returned to her native America with their son Rolan Bolan shortly after the crash. Dandy in the Underworld (1977). Futuristic Dragon (1976). Zinc Alloy and the Hidden Riders of Tomorrow (1975). Bolan's Zip Gun (1974). Tanx (1973). The Slider (1972). Electric Warrior (1971). Rex (1970). T. Best Chart Position: #44 ~ Weeks in Chart: 1. King of the Rumbling Spires/Do You Remember? 25/7/69. Pewter Suitor/Warlord of the Royal Crocodiles 14/1/69. Best Chart Position: #28 ~ Weeks in Chart: 7. One Inch Rock/Salamanda Palaganda 23/8/68. Best Chart Position: #34 ~ Weeks in Chart: 7. Debora/Child Star 19/4/68. Best Chart Position: #12. Steve Peregrin Took bongos, African drums, kazoo, pixiephone, Chinese gong. Marc Bolan Vocals, guitar. Credits:. UNICORN 18/5/69. Steve Peregrin Took bongos, African drums, kazoo, pixiephone, Chinese gong. Marc Bolan Vocals, guitar. Credits:. PROPHETS, SEERS AND SAGES, THE ANGELS OF THE AGES 14/10/68. Best Chart Position: #15. John Peel story reader. Steve Peregrin Took backing vocals, drums, pixiephone, percussion. Marc Bolan Vocals, Acoustic guitar. Credits:. BUT NOW THEY'RE CONTENT TO WEAR STARS ON *THEIR BROWS 7/7/68. MY PEOPLE WERE FAIR AND HAD SKY IN THEIR HAIR .. |