This page will contain news stories about T.S. Eliot, as they become available.T. S. Eliot(Redirected from T.S. Eliot) T.S. Eliot (by E.O. Hoppe, 1919)Thomas Stearns Eliot (September 26, 1888 – January 4, 1965) was an Anglo-American poet, dramatist, and literary critic, whose works like The Love Song of J. Alfred Prufrock, The Waste Land and Four Quartets, are considered major achievements of twentieth-century Modernism. LifeFamily and early lifeEliot was born into a prominent family from St. Louis, Missouri. His father, Henry Ware Eliot (1843-1919), was a successful businessman, becoming president and treasurer of the Hydraulic-Press Brick Company in St. Louis. His mother, née Charlotte Champe Stearns (1843-1929), taught school prior to marriage and wrote poetry. Thomas was their last child; his parents were 44 years old when he was born. Thomas' four surviving sisters were about eleven to nineteen years older than he; his brother, eight years older. William Greenleaf Eliot, Eliot's grandfather, was a Unitarian minister who moved to St. Louis when it was still on the frontier and who was instrumental in founding many of the city's institutions including Washington University in St. Louis. One distant cousin was Charles William Eliot, President of Harvard University from 1869 to 1909, and a fifth cousin, another Tom Eliot, was Chancellor of Washington University. Eliot's works allude to St. Louis (there was, in his youth, a Prufrock furniture store in town) and to New England. (His family had Massachusetts ties and summered at a large cottage they had built in Gloucester. The cottage, close to the shore at Eastern Point, had a view of the sea and the young Eliot would often go sailing.) EducationFrom 1898 to 1905, Eliot was a day student at St. Louis's Smith Academy, a preparatory school for Washington University. At the academy, Eliot studied Latin, Greek, French and German. Although, upon graduation, he could have gone to Harvard University, his parents sent him, for a preparatory year, to Milton Academy, in Milton, Massachusetts, near Boston. There, he met Scofield Thayer, who would later publish his poem, The Waste Land. He studied at Harvard from 1906 to 1909, where he earned his A.B.. The Harvard Advocate published some of his poems, and he became life-long friends with Conrad Aiken. The following year, he earned an A.M at Harvard. In the 1910–1911 school year, Eliot lived in Paris, studying at the Sorbonne and touring the continent. Returning to Harvard in 1911 as a doctoral student in philosophy, Eliot studied the writings of F.H. Bradley, Buddhism, and Indic philology, (learning Sanskrit and Pali to read some of the religious texts). He was awarded a scholarship to attend Merton College, Oxford in 1914, and before settling there, he visited Marburg, Germany, where he planned to take a summer program in philosophy, but when World War I started, he went to London and then to Oxford. Eliot was not happy at Merton and declined a second year of attendance. Instead, in the summer of 1915, he married, and, after a short visit to the U.S. to meet with his family (not taking his wife), he took a few teaching jobs. He continued to work on his dissertation and, in the spring of 1916, sent it to Harvard, which accepted it. Because he did not appear in person to defend the thesis, however, he was not awarded his Ph.D. (In 1964, the dissertation was published as Knowledge and Experience in the Philosophy of F. H. Bradley.) During Eliot's university career, he studied with George Santayana, Irving Babbitt, Henri Bergson, C.R. Lanman, Josiah Royce, Bertrand Russell, and Harold Joachim. Life in BritainIn a letter to Conrad Aiken late in December 1914, Eliot complained that he was still a virgin, adding "I am very dependent upon women. I mean female society." Less than four months later he was introduced to Vivienne Haigh-Wood, a Cambridge governess, by mutual friends in Oxford. On 26 June 1915, Eliot and Vivien (the name she preferred), both 27 years old, were married in a register office. "Tom" did not know that his bride had a history of recurrent illnesses, including episodes of headaches, backaches, stomach-aches, prolonged exhaustion, nervous collapse and excitability, all requiring medication with drugs, some of them morphine-based, that had become habit-forming. Nor did he know that she was subject to excessive, over-frequent menstrual periods. Bertrand Russell took an interest in Vivienne while the newlyweds were staying with Russell in his flat. Some critics have suggested that Vivien and Russell had an affair (see Carole Seymour-Jones, Painted Shadow), but these allegations have never been confirmed. In the 1960s, Eliot would write: "I came to persuade myself that I was in love with [Vivienne] simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of Pound) that she would save the poet by keeping him in England. To her the marriage brought no happiness", adding "[T]o me it brought the state of mind out of which came 'The Waste Land'." In 1927 Eliot took British citizenship and converted to Anglicanism (on June 29). Eliot separated from his wife in 1933. She tried many times to waylay him, but succeeded only in November 1935: holding their dog Polly and wearing the black shirt of the British Union of Fascists—which she perhaps joined to please her husband, who had on one occasion expressed some admiration for Mussolini — she was able to get close enough to him after one of his public lectures and ask when he would be coming home. For the last nine years of her life she was confined to a mental hospital, which Eliot did not visit. Eliot's second marriage was happy though short. On January 10, 1957 he married Esmé Valerie Fletcher. Unlike his hasty marriage to his first wife, Eliot knew Valerie well, as she had been his secretary at Faber and Faber since August, 1949. But, as with his marriage to Vivienne, the wedding was, to preserve his privacy, kept a secret, held in a church at 6:15 A.M. and with not many more other than his wife's parents attending. Valerie was 38 years younger than her husband and the years of her widowhood have been spent preserving his legacy; she has edited and annotated The Letters of T.S. Eliot and a facsimile of the draft of The Waste Land. Eliot died of emphysema in London on January 4, 1965. For many years he had health problems due to his heavy smoking, often being laid low with bronchitis or tachycardia. After his death, his body was cremated and, according to Eliot's wishes, the ashes taken to St Michael's Church in East Coker, the village from which Eliot's ancestors emigrated to America. There, a simple plaque commemorates him. On the second anniversary of his death a large stone placed on the floor of Poets' Corner in London's Westminster Abbey was dedicated to Eliot. This commemoration contains his name, an indication that he had received the Order of Merit, dates, and a quote from Little Gidding: "the communication / Of the dead is tongued with fire beyond / the language of the living." Late in his life, Eliot exchanged numerous letters with comedian Groucho Marx. A portrait of the comedian, which Eliot requested of Marx, was proudly displayed in Eliot's home next to pictures of Yeats and Valery. Literary careerEliot made his life and literary career in Britain. After the war, in the 1920s, he would spend time with other great artists in the Montparnasse Quarter in Paris where he was photographed by Man Ray. He dabbled in the study of Sanskrit and eastern religions and was a student of G. I. Gurdjieff. PoetryThe Love Song of J. Alfred PrufrockIn 1915, Ezra Pound, then the overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although Prufrock is of decided late middle-age, Eliot wrote most of the poem when he was only 22. Its mainstream reception can be gauged from a review by F.Dalton in The Times Literary Supplement, 31 June 1917: "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone - even to himself. They certainly have no relation to 'poetry'..." Its now-famous opening lines with a comparison of the evening sky to "a patient etherised upon a table" were particularly shocking and offensive at a time when the poetry of the Georgians was hailed for its weak derivations of the nineteenth century Romantic Poets. The Waste LandIn October 1922, Eliot published the long poem The Waste Land in The Criterion. Composed during a period of personal difficulty for Eliot—his marriage was foundering, and both he and Vivienne suffered from precarious health—The Waste Land became one of the principal examples of a new trend in English poetry and came to represent the disillusionment of the post-World War I generation. Even before The Waste Land had been published as a book (December 1922), Eliot had distanced himself from the poem's vision of despair; "As for The Waste Land, that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style" he wrote to Richard Aldington on November 15, 1922. Despite the alleged obscurity of the poem—its slippage between satire and prophecy; its abrupt changes of speaker, location, and time; its elegiac but intimidating summoning up of a vast and dissonant range of cultures and literatures—, it has become a familiar touchstone of modern literature. Among its famous phrases are "April is the cruellest month"; "I will show you fear in a handful of dust"; and "Shantih shantih shantih." Eliot's work was hailed by the W.H.Auden generation of 1930s poets. On one occasion Auden read out loud the whole of The Waste Land to a social gathering. The publication of the draft manuscript of the poem in 1972 showed the strong influence of Ezra Pound upon its final form, prior to which Part I had been titled "He Do the Police in Different Voices". Part IV "Death by Water" was reduced to its current ten lines from an original ninety-two. Pound advised against Eliot's thought of scrapping it altogether. Eliot thanked Pound for "helping one to do it in one's own way." Religious ConversionEliot's work, following his religious conversion, is sometimes religious in nature, but it also attempts to preserve historical English values that Eliot thought important. In 1928, Eliot summarised his beliefs well when he wrote in the preface to his book For Lancelot Andrewes that "The general point of view [of the book's essays] may be described as classicist in literature, royalist in politics, and anglo-catholic [sic] in religion." This period includes such works as Ash Wednesday, The Journey of the Magi, and Four Quartets. Four QuartetsEliot considered Four Quartets his masterpiece, as it draws upon his knowledge of mysticism and philosophy. It consists of four long poems,initially published separately: "Burnt Norton" (1936), "East Coker" (1940), "The Dry Salvages" (1941) and "Little Gidding" (1942), each in five sections. Although they resist easy characterisation, they have many things in common: each begins with a rumination on the geographical location of its title, and each meditates on the nature of time in some important respect—theological, historical, physical, and on its relation to the human condition. Also, each is associated with one of the four classical elements: air, earth, water, and fire. A reflective early reading suggests an inexact systematicity among them; they approach the same ideas in varying but overlapping ways, although they do not necessarily exhaust their questions. "Burnt Norton" asks what it means to consider things that aren't the case but might have been. We see the shell of an abandoned house, and Eliot toys with the idea that all these "merely possible" realities are present together, but invisible to us: All the possible ways people might walk across a courtyard add up to a vast dance we can't see; children who aren't there are hiding in the bushes. "East Coker" continues the examination of time and meaning, focusing in a famous passage on the nature of language and poetry. There is a sense of bitterness and loss, where the world is compared in a Shakespearian fashion to a stage. Out of darkness Eliot continues to reassert a solution ("I said to my soul, be still, and wait without hope"). "The Dry Salvages" treats the element of water, via images of river and sea. Its sections are less distinctive and its lines less memorable than the other Quartets. It again strives to contain opposites ("...the past and future/Are conquered, and reconciled"). "Little Gidding" (the element of fire) stands out as the tour de force and most anthologised of the individual Quartets. Eliot's own experiences as an air raid warden in the Blitz, empower the poem, and he imagines meeting Dante during the German bombing. The beginning of the Quartets ("Houses.../Are removed, destroyed") had become a violent everday experience; this creates an animation, where for the first time he talks of Love - as the driving force behind all experience. From this backgrouind, the Quartets end with the triumphant affirmation of Mother Julian of Norwich "all shall be well and/All manner of things shall be well". PlaysEliot's plays, mostly in verse, include "Sweeney Agonistes" (1925), Murder in the Cathedral (1935), The Family Reunion (1939), The Cocktail Party (1950), The Confidential Clerk (1953) and The Elder Statesman (1958). Murder in the Cathedral is about the death of Thomas a Becket. Eliot confessed to being influenced by, among others, the works of 17th century preacher, Lancelot Andrewes. Critical writingEliot is also known for his critical and theoretical writing, particularly for his advocacy of the "objective correlative", the notion that art should not be a personal expression, but should work through objective universal symbols. There is, however, evidence throughout his work of contrary practice (e.g. part II of "The Waste Land" in the section beginning "My nerves are bad tonight.") Other worksHe was appointed to the committee formed to produce the "New English" translation of the Bible. In 1939, he published a book of poetry for children, Old Possum's Book of Practical Cats – "Old Possum" being a name Pound had bestowed upon him. After his death, this work became the basis of the hit West End and Broadway musical by Andrew Lloyd Webber, Cats. InfluencesA particularly strong influence on Eliot's work was French poetry, in particular Charles Baudelaire, whose clear-cut images of Paris city life provided a model for Eliot's own images of London. CriticismEliot's poetry was first criticised as not being poetry at all. However, like Modern Art, that battle has long been won. A more insistent criticism has been of his widespread interweaving of quotes from other authors into his work. "Notes on the Waste Land", which follows after the poem, gives the source of many of these, but not all. There are no such acknowledgements after the "Four Quartets". This practice has been defended as a necessary salvaging of tradition in an age of fragmentation, and hence completely integral to the theme of the work, as well as adding richness through unexpected juxtaposition. It has, on the other hand, been condemned as showing a lack of originality. Canadian academic Robert Ian Scott has pointed out that the title of The Waste Land and some of the images had previously appeared in the the work of a minor Kentucky poet, Madison Cawein (1865-1914). Bevis Hillier compared Cawein's lines "...come and go/Around its ancient portico" with Eliot's "...come and go/talking of Michelangelo." Cawein's "Waste Land" had appeared in the January 1913 issue of Chicago magazine Poetry (which also contained an article by Ezra Pound on London poets). RecognitionFormal recognition
Popular recognitionIn 1941 Henry Reed published Chard Whitlow, an intelligent and witty satire on Burnt Norton. Eliot wrote, "Most parodies of one's own work strike one as very poor. In fact, one is apt to think one could parody oneself much better. (As a matter of fact, some critics have said that I have done so.) But there is one which deserves the success it has had, Henry Reed's Chard Whitlow." "The Love Song of J. Alfred Prufrock" is a greatly quoted and referenced piece. References have appeared in Hill Street Blues and The Long Goodbye by private-eye novelist Raymond Chandler. In the movie Apocalypse Now based on the Joseph Conrad novel Heart of Darkness, one of the side-characters, a photographer obsessed with the life of the elusive Colonel Kurtz, quoted "The Love Song of J. Alfred Prufrock," specifically the lines, "I should have been a pair of ragged claws/Scuttling across the floors of silent seas." Marlon Brando's character Kurtz later reads Eliot's poem "The Hollow Men": "We are the Hollow Men, We are the stuffed men...". Appropriately, Eliot's poem "The Hollow Men" quotes Heart of Darkness in its epigraph — "Mistah Kurtz—he dead." The American photojournalist (Dennis Hopper) also references the end of "The Hollow Men" when speaking to Willard. In the autobiographical A Severe Mercy, Sheldon Vanauken's admiration for Eliot's poetry lends credibility in Vanauken's eyes to Christianity and plays a part, along with letters from C. S. Lewis, in his conversion. A favourite of present-day Christians is "Choruses from 'The Rock'," a poem decrying what Eliot saw as the decadence of Western thought from the sublime (the Word as the Revelation of God, wisdom, life) to the humdrum (information, living). Liverpool poet Adrian Henri included "Poem in Memoriam T.S.Eliot" in the best-selling 1968 anthology The Mersey Sound. The band Crash Test Dummies released a song called "Afternoons and Coffee Spoons" from the album "God Shuffled His Feet" in the early 90's. This song borrows from and pays homage to the poem "The Love Song of J. Alfred Prufrock". Surprisingly, "The Love song of J. Alfred Prufrock" was also referenced by Chuck D of the seminal rap group Public Enemy, in Niggativaty, Do I Dare Disturb the Universe, on his solo album The Autobiography of Mistachuck. BibliographyPoetry
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Further reading
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Alfred Prufrock" was also referenced by Chuck D of the seminal rap group Public Enemy, in Niggativaty, Do I Dare Disturb the Universe, on his solo album The Autobiography of Mistachuck. Graham was criticized for years by some evangelicals and fundamentalists for his inclusive message and his close relationship with the Catholic Church (especially with the late Pope John Paul II), because of the numerous doctrinal differences between Evangelicalism and Catholicism. Surprisingly, "The Love song of J. Later outcry from the Anti-Defamation League brought a longer apology from Graham. Alfred Prufrock". When the evidence was available to the public, Graham issued a brief apology, indicating that he did not remember making the statement. This song borrows from and pays homage to the poem "The Love Song of J. National Archives released a tape of one of the conversations Nixon had recorded (on 1 February 1972). The band Crash Test Dummies released a song called "Afternoons and Coffee Spoons" from the album "God Shuffled His Feet" in the early 90's. S. Liverpool poet Adrian Henri included "Poem in Memoriam T.S.Eliot" in the best-selling 1968 anthology The Mersey Sound. The assertions received little attention until 2002, partly because of Graham's denials, until the U. A favourite of present-day Christians is "Choruses from 'The Rock'," a poem decrying what Eliot saw as the decadence of Western thought from the sublime (the Word as the Revelation of God, wisdom, life) to the humdrum (information, living). Haldeman's posthumously published "The Haldeman Diaries" alleged that Billy Graham had conspired with President Richard Nixon to remove prominent Jewish members from the media, in the belief that they were responsible for the nation's problems. Lewis, in his conversion. R. S. In 1994, H. In the autobiographical A Severe Mercy, Sheldon Vanauken's admiration for Eliot's poetry lends credibility in Vanauken's eyes to Christianity and plays a part, along with letters from C. John Danforth, Missouri Republican senator in Reagan's day, officiated the funeral. Appropriately, Eliot's poem "The Hollow Men" quotes Heart of Darkness in its epigraph — "Mistah Kurtz—he dead." The American photojournalist (Dennis Hopper) also references the end of "The Hollow Men" when speaking to Willard. Because Graham was hospitalized, Rev. Alfred Prufrock," specifically the lines, "I should have been a pair of ragged claws/Scuttling across the floors of silent seas." Marlon Brando's character Kurtz later reads Eliot's poem "The Hollow Men": "We are the Hollow Men, We are the stuffed men...". Graham had been Reagan's first choice. In the movie Apocalypse Now based on the Joseph Conrad novel Heart of Darkness, one of the side-characters, a photographer obsessed with the life of the elusive Colonel Kurtz, quoted "The Love Song of J. Bush acknowledged during his own eulogy. References have appeared in Hill Street Blues and The Long Goodbye by private-eye novelist Raymond Chandler. Graham was unable to officiate the state funeral of Ronald Reagan on June 11, 2004 due to recent double hip replacement surgery, which former President George H.W. Alfred Prufrock" is a greatly quoted and referenced piece. He also spoke at the funeral of former president Richard Nixon in 1994. "The Love Song of J. Graham presided over the graveside services for former president Lyndon Johnson in 1973 and took part in eulogizing the former president with former Texas Democratic governor John Connally, an LBJ protege and fellow Texan who was wounded in the assassination that made LBJ president. (As a matter of fact, some critics have said that I have done so.) But there is one which deserves the success it has had, Henry Reed's Chard Whitlow.". Graham has been the minister to several presidents, including speaking at one presidential funeral and one presidential burial. In fact, one is apt to think one could parody oneself much better. In December 2001 he was presented with an honorary knighthood, Honorary Knight Commander of the Order of the British Empire (KBE), for his international contribution to civic and religious life over 60 years. Eliot wrote, "Most parodies of one's own work strike one as very poor. Bush and past and present leaders. In 1941 Henry Reed published Chard Whitlow, an intelligent and witty satire on Burnt Norton. Graham led a prayer and remembrance service at Washington National Cathedral attended by President George W. Bevis Hillier compared Cawein's lines "...come and go/Around its ancient portico" with Eliot's "...come and go/talking of Michelangelo." Cawein's "Waste Land" had appeared in the January 1913 issue of Chicago magazine Poetry (which also contained an article by Ezra Pound on London poets). On September 14, 2001 in the aftermath of the September 11, 2001 attacks, Dr. Canadian academic Robert Ian Scott has pointed out that the title of The Waste Land and some of the images had previously appeared in the the work of a minor Kentucky poet, Madison Cawein (1865-1914). For providing a platform during his events for many Christian musical artists - many new to singing and songwriting and others not so new - Billy Graham was inducted into the Gospel Music Hall of Fame in 1999 by the Gospel Music Association. It has, on the other hand, been condemned as showing a lack of originality. He has also been recognized by the Anti-Defamation League of the B'nai B'rith and the National Conference of Christians and Jews for his efforts to foster a better understanding among all faiths. This practice has been defended as a necessary salvaging of tradition in an age of fragmentation, and hence completely integral to the theme of the work, as well as adding richness through unexpected juxtaposition. He has been cited by the George Washington Carver Memorial Institute for his contributions to race relations. There are no such acknowledgements after the "Four Quartets". He has received the Big Brother of the Year Award for his work on behalf of the welfare of children. "Notes on the Waste Land", which follows after the poem, gives the source of many of these, but not all. Billy Graham has received the Congressional Gold Medal; the Templeton Foundation Prize for Progress in Religion; and the Ronald Reagan Presidential Foundation Freedom Award for contributions to the cause of faith and freedom. A more insistent criticism has been of his widespread interweaving of quotes from other authors into his work. Billy Graham has written 24 books, many of which have been translated into 38 languages, including:. However, like Modern Art, that battle has long been won. Politically, and perhaps quite surprising to many, Graham is a registered (if somewhat nominal) Democrat; but he is still very close to the powerful Bush family. Eliot's poetry was first criticised as not being poetry at all. On June 24, 2005, Billy Graham began what he has said will be his last North American Crusade, at Flushing Meadows Park in New York City. A particularly strong influence on Eliot's work was French poetry, in particular Charles Baudelaire, whose clear-cut images of Paris city life provided a model for Eliot's own images of London. BGEA Ministries have included:. After his death, this work became the basis of the hit West End and Broadway musical by Andrew Lloyd Webber, Cats. The Association later relocated to Charlotte, N.C. In 1939, he published a book of poetry for children, Old Possum's Book of Practical Cats – "Old Possum" being a name Pound had bestowed upon him. He founded the Billy Graham Evangelistic Association in 1950, headquartered in Minneapolis. He was appointed to the committee formed to produce the "New English" translation of the Bible. Graham served as the President of Northwestern College in Minnesota from 1948 to 1952. part II of "The Waste Land" in the section beginning "My nerves are bad tonight."). Dr. There is, however, evidence throughout his work of contrary practice (e.g. Hearst sent a telegram to his editors reading "Puff Graham" and they did, putting him on the cover of TIME in 1954. Eliot is also known for his critical and theoretical writing, particularly for his advocacy of the "objective correlative", the notion that art should not be a personal expression, but should work through objective universal symbols. According to Ben Bagdikian's The Media Monopoly, Graham was catapulted out of obscurity by news moguls William Randolph Hearst and Henry Luce who thought that Graham would be helpful in promoting their conservative anti-communist views. Eliot confessed to being influenced by, among others, the works of 17th century preacher, Lancelot Andrewes. He had missions in London which lasted 12 weeks, and a New York City mission in Madison Square Garden in 1957 which ran nightly for 16 weeks. Murder in the Cathedral is about the death of Thomas a Becket. This happened on many other of his early missions. Eliot's plays, mostly in verse, include "Sweeney Agonistes" (1925), Murder in the Cathedral (1935), The Family Reunion (1939), The Cocktail Party (1950), The Confidential Clerk (1953) and The Elder Statesman (1958). The missions went on for 8 weeks after being originally schedule for only 3 weeks. From this backgrouind, the Quartets end with the triumphant affirmation of Mother Julian of Norwich "all shall be well and/All manner of things shall be well". Graham scheduled a series of missions in Los Angeles in 1949. The beginning of the Quartets ("Houses.../Are removed, destroyed") had become a violent everday experience; this creates an animation, where for the first time he talks of Love - as the driving force behind all experience. He traveled throughout the United States and Europe as an evangelist. Eliot's own experiences as an air raid warden in the Blitz, empower the poem, and he imagines meeting Dante during the German bombing. Graham joined Youth for Christ after graduating from Wheaton. "Little Gidding" (the element of fire) stands out as the tour de force and most anthologised of the individual Quartets. He and his wife have three daughters, two sons (including Franklin Graham, who now administers his organization), 20 grandchildren and 25 great grandchildren. It again strives to contain opposites ("...the past and future/Are conquered, and reconciled"). He also married Ruth Bell, whose parents were Christian missionary doctors in China. Its sections are less distinctive and its lines less memorable than the other Quartets. A simple memorial there still marks the site of Graham's decision. "The Dry Salvages" treats the element of water, via images of river and sea. It was during his time at Wheaton that Graham decided to take the Bible as the infallible "word of God." Henrietta Mears of the First Presbyterian Church of Hollywood was instrumental in helping Graham wrestle with the infallibility issue, which was settled at Forest Home Christian camp (now called Forest Home Ministries) southeast of the Big Bear area in Southern California. Out of darkness Eliot continues to reassert a solution ("I said to my soul, be still, and wait without hope"). Graham graduated from the Florida Bible Institute, now called Trinity College of Florida, in 1940 and graduated from Wheaton College in 1943. There is a sense of bitterness and loss, where the world is compared in a Shakespearian fashion to a stage. After graduating Sharon High School in May 1936,Graham attended Bob Jones College (Now Bob Jones University before transfering. "East Coker" continues the examination of time and meaning, focusing in a famous passage on the nature of language and poetry. Graham was ordained in 1939 by a Southern Baptist church. We see the shell of an abandoned house, and Eliot toys with the idea that all these "merely possible" realities are present together, but invisible to us: All the possible ways people might walk across a courtyard add up to a vast dance we can't see; children who aren't there are hiding in the bushes. Raised as a Presbyterian, Billy Graham made a commitment to follow Jesus Christ in 1934 during a revival meeting conducted by Mordecai Ham. "Burnt Norton" asks what it means to consider things that aren't the case but might have been. He was born in Charlotte, North Carolina. A reflective early reading suggests an inexact systematicity among them; they approach the same ideas in varying but overlapping ways, although they do not necessarily exhaust their questions. . Also, each is associated with one of the four classical elements: air, earth, water, and fire. presidents and continues to be listed as one of the "Ten Most Admired Men in the World" in Gallup Polls. Although they resist easy characterisation, they have many things in common: each begins with a rumination on the geographical location of its title, and each meditates on the nature of time in some important respect—theological, historical, physical, and on its relation to the human condition. Many of his sermons center on the topic "Jesus Christ is the only way of salvation." He has often advised U.S. It consists of four long poems,initially published separately: "Burnt Norton" (1936), "East Coker" (1940), "The Dry Salvages" (1941) and "Little Gidding" (1942), each in five sections. He has led hundreds of thousands of people to make personal decisions to "accept Jesus Christ into their lives", this being the main thrust of his ministry. Eliot considered Four Quartets his masterpiece, as it draws upon his knowledge of mysticism and philosophy. William Franklin Graham, Jr. KBE (born November 7, 1918), commonly known as Billy Graham, is an American Christian evangelist who has preached the message of Christianity around the world, reaching live audiences of 210 million people in 185 countries. In 1928, Eliot summarised his beliefs well when he wrote in the preface to his book For Lancelot Andrewes that "The general point of view [of the book's essays] may be described as classicist in literature, royalist in politics, and anglo-catholic [sic] in religion." This period includes such works as Ash Wednesday, The Journey of the Magi, and Four Quartets. Dr. Eliot's work, following his religious conversion, is sometimes religious in nature, but it also attempts to preserve historical English values that Eliot thought important. The Rev. Eliot thanked Pound for "helping one to do it in one's own way.". Your heart already knows.". Pound advised against Eliot's thought of scrapping it altogether. "Your mind cannot possibly understand God. Part IV "Death by Water" was reduced to its current ten lines from an original ninety-two. I doubt if there has ever been a more graphic and moving presentation of Jesus' death and resurrection.". The publication of the draft manuscript of the poem in 1972 showed the strong influence of Ezra Pound upon its final form, prior to which Part I had been titled "He Do the Police in Different Voices". I was moved to tears. On one occasion Auden read out loud the whole of The Waste Land to a social gathering. "After watching 'The Passion of the Christ', I feel as if I have actually been there. Eliot's work was hailed by the W.H.Auden generation of 1930s poets. "If you find a perfect church don't join it: You'd spoil it.". Among its famous phrases are "April is the cruellest month"; "I will show you fear in a handful of dust"; and "Shantih shantih shantih.". "My one purpose in life is to help people find a personal relationship with God, which, I believe, comes through knowing Christ.". Despite the alleged obscurity of the poem—its slippage between satire and prophecy; its abrupt changes of speaker, location, and time; its elegiac but intimidating summoning up of a vast and dissonant range of cultures and literatures—, it has become a familiar touchstone of modern literature. Just As I Am his autobiography (1997). Even before The Waste Land had been published as a book (December 1922), Eliot had distanced himself from the poem's vision of despair; "As for The Waste Land, that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style" he wrote to Richard Aldington on November 15, 1922. Storm Warning (1992). Composed during a period of personal difficulty for Eliot—his marriage was foundering, and both he and Vivienne suffered from precarious health—The Waste Land became one of the principal examples of a new trend in English poetry and came to represent the disillusionment of the post-World War I generation. Hope for the Troubled Heart (1991). In October 1922, Eliot published the long poem The Waste Land in The Criterion. Facing Death and the Life After (1987). Its now-famous opening lines with a comparison of the evening sky to "a patient etherised upon a table" were particularly shocking and offensive at a time when the poetry of the Georgians was hailed for its weak derivations of the nineteenth century Romantic Poets. Approaching Hoofbeats: The Four Horsemen of the Apocalypse (1983). They certainly have no relation to 'poetry'...". Till Armageddon (1981). Eliot is surely of the very smallest importance to anyone - even to himself. The Holy Spirit (1978). Its mainstream reception can be gauged from a review by F.Dalton in The Times Literary Supplement, 31 June 1917: "The fact that these things occurred to the mind of Mr. How to Be Born Again (1977). Although Prufrock is of decided late middle-age, Eliot wrote most of the poem when he was only 22. Angels: God's Secret Agents (1975). Alfred Prufrock". The Jesus Generation (1971). In 1915, Ezra Pound, then the overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. The Challenge (1969). Gurdjieff. World Aflame (1965). I. My Answer (1960). He dabbled in the study of Sanskrit and eastern religions and was a student of G. The Secret of Happiness (1955). After the war, in the 1920s, he would spend time with other great artists in the Montparnasse Quarter in Paris where he was photographed by Man Ray. Peace With God (1953). Eliot made his life and literary career in Britain. World Wide Pictures, which has produced and distributed over 130 productions. A portrait of the comedian, which Eliot requested of Marx, was proudly displayed in Eliot's home next to pictures of Yeats and Valery. passageway.org, the teen website of the BGEA. Late in his life, Eliot exchanged numerous letters with comedian Groucho Marx. Decision magazine, the official publication of the Association. This commemoration contains his name, an indication that he had received the Order of Merit, dates, and a quote from Little Gidding: "the communication / Of the dead is tongued with fire beyond / the language of the living.". A newspaper column, My Answer, carried by newspapers across the United States. On the second anniversary of his death a large stone placed on the floor of Poets' Corner in London's Westminster Abbey was dedicated to Eliot. and Canada. There, a simple plaque commemorates him. Mission television specials which are regularly broadcast in prime time in almost every market in the U.S. After his death, his body was cremated and, according to Eliot's wishes, the ashes taken to St Michael's Church in East Coker, the village from which Eliot's ancestors emigrated to America. Hour of Decision, a weekly radio program broadcast around the world for over 50 years. For many years he had health problems due to his heavy smoking, often being laid low with bronchitis or tachycardia. Eliot died of emphysema in London on January 4, 1965. Eliot and a facsimile of the draft of The Waste Land. Valerie was 38 years younger than her husband and the years of her widowhood have been spent preserving his legacy; she has edited and annotated The Letters of T.S. and with not many more other than his wife's parents attending. But, as with his marriage to Vivienne, the wedding was, to preserve his privacy, kept a secret, held in a church at 6:15 A.M. Unlike his hasty marriage to his first wife, Eliot knew Valerie well, as she had been his secretary at Faber and Faber since August, 1949. On January 10, 1957 he married Esmé Valerie Fletcher. Eliot's second marriage was happy though short. For the last nine years of her life she was confined to a mental hospital, which Eliot did not visit. She tried many times to waylay him, but succeeded only in November 1935: holding their dog Polly and wearing the black shirt of the British Union of Fascists—which she perhaps joined to please her husband, who had on one occasion expressed some admiration for Mussolini — she was able to get close enough to him after one of his public lectures and ask when he would be coming home. Eliot separated from his wife in 1933. In 1927 Eliot took British citizenship and converted to Anglicanism (on June 29). To her the marriage brought no happiness", adding "[T]o me it brought the state of mind out of which came 'The Waste Land'.". And she persuaded herself (also under the influence of Pound) that she would save the poet by keeping him in England. In the 1960s, Eliot would write: "I came to persuade myself that I was in love with [Vivienne] simply because I wanted to burn my boats and commit myself to staying in England. Some critics have suggested that Vivien and Russell had an affair (see Carole Seymour-Jones, Painted Shadow), but these allegations have never been confirmed. Bertrand Russell took an interest in Vivienne while the newlyweds were staying with Russell in his flat. Nor did he know that she was subject to excessive, over-frequent menstrual periods. "Tom" did not know that his bride had a history of recurrent illnesses, including episodes of headaches, backaches, stomach-aches, prolonged exhaustion, nervous collapse and excitability, all requiring medication with drugs, some of them morphine-based, that had become habit-forming. On 26 June 1915, Eliot and Vivien (the name she preferred), both 27 years old, were married in a register office. I mean female society." Less than four months later he was introduced to Vivienne Haigh-Wood, a Cambridge governess, by mutual friends in Oxford. In a letter to Conrad Aiken late in December 1914, Eliot complained that he was still a virgin, adding "I am very dependent upon women. Lanman, Josiah Royce, Bertrand Russell, and Harold Joachim. Bradley.) During Eliot's university career, he studied with George Santayana, Irving Babbitt, Henri Bergson, C.R. H. (In 1964, the dissertation was published as Knowledge and Experience in the Philosophy of F. Because he did not appear in person to defend the thesis, however, he was not awarded his Ph.D. He continued to work on his dissertation and, in the spring of 1916, sent it to Harvard, which accepted it. to meet with his family (not taking his wife), he took a few teaching jobs. Instead, in the summer of 1915, he married, and, after a short visit to the U.S. Eliot was not happy at Merton and declined a second year of attendance. He was awarded a scholarship to attend Merton College, Oxford in 1914, and before settling there, he visited Marburg, Germany, where he planned to take a summer program in philosophy, but when World War I started, he went to London and then to Oxford. Bradley, Buddhism, and Indic philology, (learning Sanskrit and Pali to read some of the religious texts). Returning to Harvard in 1911 as a doctoral student in philosophy, Eliot studied the writings of F.H. In the 1910–1911 school year, Eliot lived in Paris, studying at the Sorbonne and touring the continent. The following year, he earned an A.M at Harvard. The Harvard Advocate published some of his poems, and he became life-long friends with Conrad Aiken. He studied at Harvard from 1906 to 1909, where he earned his A.B. There, he met Scofield Thayer, who would later publish his poem, The Waste Land. Although, upon graduation, he could have gone to Harvard University, his parents sent him, for a preparatory year, to Milton Academy, in Milton, Massachusetts, near Boston. At the academy, Eliot studied Latin, Greek, French and German. Louis's Smith Academy, a preparatory school for Washington University. From 1898 to 1905, Eliot was a day student at St. The cottage, close to the shore at Eastern Point, had a view of the sea and the young Eliot would often go sailing.). (His family had Massachusetts ties and summered at a large cottage they had built in Gloucester. Louis (there was, in his youth, a Prufrock furniture store in town) and to New England. Eliot's works allude to St. One distant cousin was Charles William Eliot, President of Harvard University from 1869 to 1909, and a fifth cousin, another Tom Eliot, was Chancellor of Washington University. Louis. Louis when it was still on the frontier and who was instrumental in founding many of the city's institutions including Washington University in St. William Greenleaf Eliot, Eliot's grandfather, was a Unitarian minister who moved to St. Thomas' four surviving sisters were about eleven to nineteen years older than he; his brother, eight years older. Thomas was their last child; his parents were 44 years old when he was born. His mother, née Charlotte Champe Stearns (1843-1929), taught school prior to marriage and wrote poetry. Louis. His father, Henry Ware Eliot (1843-1919), was a successful businessman, becoming president and treasurer of the Hydraulic-Press Brick Company in St. Louis, Missouri. Eliot was born into a prominent family from St. . Alfred Prufrock, The Waste Land and Four Quartets, are considered major achievements of twentieth-century Modernism. Thomas Stearns Eliot (September 26, 1888 – January 4, 1965) was an Anglo-American poet, dramatist, and literary critic, whose works like The Love Song of J. Eliot by Robert Crawford (1987). The Savage and the City in the Work of T.S. Eliot: A Study in Character and Style by Ronald Bush (1984). T.S. The Composition of Four Quartets by Helen Gardner (1978). Eliot by Helen Gardner (1949). The Art of T.S. Eliot's Dark Angel: Intersections of Life and Art by Ronald Schuchard (1999). Eliot and Prejudice by Christopher Ricks (1988). T.S. Eliot: The Story of a Friendship: 1947-1965 by William Turner Levy and Victor Scherle (1968). Affectionately, T.S. Eliot by Stephen Spender (1975). T.S. Eliot: A Memoir by Robert Sencourt (1971). T.S. Matthews (1973). Eliot by T.S. Great Tom: Notes Towards the Definition of T.S. Painted Shadow: A Life of Vivienne Eliot by Carole Seymour-Jones (2001). Eliot: An Imperfect Life by Lyndall Gordon (1998). T.S. Eliot: A Life by Peter Ackroyd (1984). T.S. On Poetry and Poets (1957). The Three Voices of Poetry (1954). Poetry and Drama (1951). Notes Towards the Definition of Culture (1948). The Idea of a Christian Society (1940). Essays Ancient and Modern (1936). Elizabethan Essays (1934). After Strange Gods (1934). The Use of Poetry and the Use of Criticism (1933). Selected Essays, 1917?1932 (1932). Dante (1929). For Lancelot Andrewes (1928). Shakespeare and the Stoicism of Seneca (1928). Homage to John Dryden (1924). The Second-Order Mind (1920). The Sacred Wood: Essays on Poetry and Criticism (1920). The Elder Statesman (first performed in 1958, published in 1959). The Confidential Clerk (1954). The Cocktail Party (1949). The Family Reunion (1939). Murder in the Cathedral (1935). The Rock (1934). Sweeney Agonistes (published in 1926, first performed in 1934). Four Quartets (1945). Old Possum's Book of Practical Cats (1939). Coriolan (1931). "Ariel Poems" (1930). "Ash Wednesday" (1930). "The Hollow Men" (1925). The Waste Land (1922). Poems (1920). Prufrock and Other Observations (1917). Eliot has also been honored with commemorative postage stamps. Eliot College of the University of Kent, England, was named for him. Posthumously won two Tony Awards (1983) for his writing used in the musical Cats. Numerous honorary doctorates. Presidential Medal of Freedom (1964). Commandeur de l'ordre des Arts et des Lettres, (1960). Dante Medal (Florence, 1959). Hanseatic Goethe Prize (Hamburg, 1955). Officier de la Legion d'Honneur (1951). Nobel Prize for Literature for "remarkable achievements as a pioneer within modern poetry." (Stockholm, 1948). Awarded the Order of Merit by King George VI (United Kingdom, 1948). |