Skirt and dress

Also, often the kilt is worn without underwear; the uniforms of several Scottish military regiments mandate wearing no underwear with the kilt except at specified occasions. Barcodes are frequently used on many products as a convenient way of identification. Wearing no underwear may have a sexual connotation, playing with the boundaries of modesty, motivated by mild exhibitionism. Identification of vehicle registration and last service details are two examples of stickers on the inside of most car windscreens. Skirts and dresses are, like other outer clothing, usually worn with underwear.
Stickers placed on automobiles, called bumper stickers, are often used by individuals as a way of demonstrating support for political or ideological causes. Their main exhibition was the Bravehearts: Men in Skirts exhibit (Nov 2003 to Feb 2004) at the Metropolitan Museum of Art in New York City.[3]. Other methods of underground forms of voting for your favorite graffiti artists' current productions are by an open form of appreciation such as clapping while passing such a sticker (a smile and a kind reminder to a fellow appreciater throughout the day is common place as well).

The other is an effort by certain fashion houses such as Jean-Paul Gaultier to increase public awareness that unbifurcated garments such as skirts and dresses are only recently and only regionally considered solely a women's garment. They are frequently distributed as part of promotional, advertising, and political campaigns; for example, in many voting districts in the US, stickers indicating an individual has voted are given to each voter as they leave the polling place, largely as a reminder to others to vote. They are called kilts, but have several differences from the traditional Scottish kilt. They may also be used to describe characteristics of the products that would not be obvious from simple examination. One is an effort by companies such as Utilikilt to sell and promote a line of "masculine" unbifurcated garments. Brand stickers may be attached to products to identify those products as coming from a certain company. There are two recent movements to legitimize the wearing of unbifurcated garments by men in Western society. "Stickers" are very widely used when an object requires identification with a word or idea.

Exceptions include:. Special labels:. Skirts, dresses, and their like are still considered primarily women's garments in many parts of the world, and the wearing of them by men is sometimes considered cross-dressing. [1]. Dresses however can be cooler and less confining than many trouser styles, and they are still very popular for special occasions such as proms or weddings. It has been known for certain companies to patent "their own" color. A disadvantage of skirts and dresses that contributes to many girls and women preferring trousers and shorts is that they may be either too long and therefore limit freedom of movement such as when climbing ladders, or too short, in which case one, because of modesty will need to take the trouble when sitting down, such as crossing legs, to avoid exposure of the underwear. Ink is usually transparent however it can be made opaque.

In traditional societies, such as in many countries in Africa, the Middle East and Central and South America, it is considered inappropriate for girls and women to wear trousers rather than a skirt or dress. Additionally specialty inks such as metallic, UV ink, magnetic ink, and more are available. In cold climates, girls and women may wear trousers for warmth, with dresses on top to mark their femininity. The Pantone system is very dominant in the label printing industry. Skirts or dresses are the garments of choice for many women in formal situations, such as weddings and geopolitical summits. Ink and base stock color choices commonly conform to the Pantone Matching System (PMS) colors. A skirt may be worn as part of a suit. Corona treating or "zapping" makes a substrate more receptive to inks.

In Europe and America skirts and dresses can be worn by females of all ages when they are not wearing pants. The stock type will affect the types of ink that will print well on them. Fads and fashions:. . Basic shapes:. Labels have many uses, from product identification to name tags. Fads and fashions:. The most common type is made with a paper stock and a colloquial term for it is a sticker.

Basic shapes:. Labels come in many forms and can be differentiated by the type of base material, called stock, that they are printed on, and by the adhesive type that they use. Styles of dresses and skirts of the twentieth and twenty-first centuries include:. A label is any kind of tag attached with adhesive to something so as to identify the object or its contents. Since the 1970s and the rise of pants as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Radioactive labels The use of radioactive isotopes of chemical elements, such as carbon-14, to allow the in vivo tracking of chemical compounds. For the next fifty years, fashionable skirts became short (1920s), then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which is considered taboo. They can be used on ID cards, credit cards, products such as CD/DVD's, etc.

Beginning around 1915, hemlines for daytime dresses left the floor for good. Holographic stickers are used for authentication and protection against counterfeit. Throughout this period, the length of fashionable dresses varied only slightly, between ankle-length and floor-sweeping. Blockout labels are not see-through at all, concealing what lies underneath with a strong adhesive. Dresses were generally one-piece garments from 1800 through the 1840s; after that it became common for a dress to be made as a separate skirt and bodice, and many dresses had a "day" bodice with a high neckline and long sleeves, and an "evening" bodice with a low neckline (decollete) and very short sleeves. Often used on Express mail envelopes. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. The label can be applied to any object as normal, the top layer can be a removable label that can be applied elsewhere, which may change the message or marking on the remaining label underneath.

Waistlines started just below the bust and gradually sank to the natural waist. The bottom layer forms the backing for the top. During the nineteenth century, the cut of women's dresses in western culture varied more widely than in any other century. Piggyback labels are made from combining two layers of adhesive substrate. . This is useful for labeling objects that are to be stored in a freezer for any length of time. At the other extreme, the miniskirts of the 1960s were minimal garments that may barely cover the underwear when seated. Freezer permanent- special type of removable adhesive that remains fully permanent under certain temperatures.

Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. Semi-permanent - aka repositionable - Adhesion strenghtens fully after application (approx 48-72 hours), allowing the label to be removed easily if placed incorrectly and still be a permanent label. The hemline of skirts and dresses can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. The adhesive is usually strong enough to be applied again elsewhere. Skirts and dresses of thin or clingy fabrics are worn with slips to make the material of the skirt drape better. Removable - Adhesion is fairly strong and will not fall off in normal circumstances, but the label can be removed relatively easily without tearing the base stock or leaving adhesive behind on the old surface. Modern skirts and dresses are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. This is considered the most popular and cheapest option by many self adhesive paper manufacturers.

At its simplest, a skirt can be a draped garment made out of a single piece of material (such as sarongs or pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of darts, gores, pleats, or panels. For example, full adhesion can be nearly instant, or the label can be almost removable for a short period with full adhesion developing in minutes or hours. [2]. The adhesion strength and speed can also be varied. The kilt is considered a traditional men's garment in Scotland, and is growing in fashion in other parts of the world.[1] Additionally, garments which are identified as skirts are being proposed as men's clothing by some of the trendier fashion houses such as Jean-Paul Gaultier. Permanent - Typically not designed to be removed without tearing the stock or using solvents. However, there are exceptions. A disadvantage is durability, because another heat source can ruin or obscure the image, or it may fade completely over time.

In Western culture, skirts and dresses are usually considered women's clothing. Custom labels can be easily be made on location in this way. A dress (also frock, gown) is a garment consisting of a skirt with an attached bodice or with a matching bodice giving the effect of a one-piece garment. A heating element in the shape of letters or images can be used to create an image on the label. Unlike trousers, a skirt is "unbifurcated" — that is, not divided into separate legs. Thermal - direct thermal label stock will change color (usually black) when heated. A skirt is a tube- or cone-shaped garment which hangs from the waist and covers all or part of the legs. Foil - has the shiny properties of a metal foil.

The pareu, a dress worn by both men and women in Tahiti. A bumper sticker is usually a vinyl label with a very strong, durable adhesive and Lightfast Inks. The foustanella is worn by men in Greece and Albania. They typically require special equipment and printing methods (ultra-violet curing is common) as they do not normally print well with conventional ink. The thobe is commonly worn by men in Arabia. Various plastics such as acetate, vinyl, and mylar allow a variety of features, such as greater strength, flexibility, transparency, resistance to tearing, etc. The djellaba is worn by men in Morocco and other parts of Africa. Latex - a litho stock with some added latex allows the label to be much more flexible and form around certain curved objects more easily than standard litho.

The kaftan is worn by men in the eastern Mediterranean. Litho - one of the most common base stocks. Throughout most of Southeast Asia and the Pacific Islands, sarongs are worn by both men and women. The Scottish kilt. Trouser skirt, a straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front.

Sarong, a square of fabric wrapped around the body and tied on one hip to make a skirt; worn as a skirt or as a cover-up over a bathing suit in tropical climates. Broomstick skirt, a skirt with many crumpled pleats formed by compressing and twisting the garment while wet (1980s and on). Maxiskirt, a midcalf-length skirt (1970s). Miniskirt, a thigh-length skirt, and micromini, an extremely short version (1960s).

Though traditionally designed as women's wear, it is fashioned to mimic somewhat closely the general appearance of a (man's) kilt, including the usage of a plaid pattern more or less closely resembling those of recognized tartan patterns of Scotland. Kilt-skirt, a wrap-around skirt with overlapping aprons in front and pleated around the back. Prairie skirt, a flared skirt with one or more flounces or tiers (1970s and on). Dirndl, a skirt made of a straight length of fabric gathered at the waist.

Poodle skirt, a circle or near-circle skirt with an appliqued poodle or other decoration (1950s). Hobble skirt, a fashion of the early 20th century, with fullness at the hips narrowing to the ankles. Circle skirt, a skirt cut in sections to make one or more circles with a hole for the waist, so the skirt is very full but hangs smoothly from the waist without darts, pleats, or gathers. Pleated skirt, a skirt with fullness reduced to fit the waist by means of regular pleats ('plaits') or folds, which can be stitched flat to hip-level or free-hanging.

A-line skirt, a skirt with a slight flare, roughly in the shape of a capital letter A. Full skirt, a skirt with fullness gathered into the waistband. Straight skirt, a tailored skirt hanging straight from the hips and fitted from the waist to the hips by means of darts or a yoke; may have a kick-pleat for ease of walking. Granny gown, an ankle-length, often ruffled, day dress of printed calico, cut like a Victorian nightgown, popularized by designer Laura Ashley (late 1960s-1970s).

Cocktail dress, a semiformal party dress of the current street length (1950s and sporadically popular since). Kitty Foyle, a dark-colored dress with contrasting (usually white) collar and cuffs (1940s, after a dress worn by Ginger Rogers in the movie of the same name). Ball gown, a long dress with a full, sweeping, or trained skirt for dancing. Evening gown or formal, a long dress for formal occasions.

Dinner dress, a semiformal dress worn when fashionable people "dressed for dinner" (men in tuxedos or dinner jackets, even at home). Tea gown, a frothy, feminine semiformal dress. Chanel's Little Black Dress (1920s and on). Tent, a dress flared from above the bust, sometimes with a yoke (1960s).

Sundress, a sleeveless dress of any shape, with a low neckline in a lightweight fabric, for summer wear. Shift, a straight dress with no waist shaping or seam (1960s). Sheath, a fitted, often sleeveless dress, sometimes without a waistseam (1960s). Shirtwaist, a dress with a bodice (waist) like a tailored shirt and an attached straight or full skirt.