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Ray Bolger

Bolger, c. early 1930s

Ray Bolger (January 10, 1904 - January 15, 1987) was an American entertainer of stage and screen, best known for his portrayal of the Scarecrow in the 1939 MGM film The Wizard of Oz.

Ray Bolger was born and grew up in Dorchester, Massachusetts, a middle-class neighborhood. His father was a house-painter, his mother a homemaker. He was inspired by the vaudeville shows he attended when he was young to become an entertainer himself. He began his career as a dancer. His limber body and ability to ad lib movement won him many starring roles on Broadway in the 1930s.

His film career began when he signed a $3,000 a week contract with MGM in 1936. His best-known film prior to The Wizard of Oz was The Great Ziegfeld (1936).

Bolger as the Scarecrow

Bolger's studio contract stipulated that he would play any part the studio chose; however, he was unhappy when he was cast as Tin Woodsman in Oz. The part had already been assigned to another lean and limber dancing studio contract player, Buddy Ebsen. In time the roles were switched. While Bolger was pleased with his role as the Scarecrow, Ebsen was struck ill by the powdered aluminum make-up used to complete the Tin Man costume. (The powdered aluminum had been inhaled and coated Ebsen's lungs, leaving him near death.) Ebsen's illness paved the way for the role to be filled by Jack Haley.

Bolger's performance in Oz was a tour de force. He displayed the full range of his physical, comedic, and dramatic talents playing the character searching for the brain that he's always had. Bolger's sympathy for Dorothy's plight, his cleverness and bravery in her rescue from the Wicked Witch of the West and his deep affection for her shone through, endearing the character -- and Bolger -- in the public mind forever.

Following Oz, Bolger moved to RKO. He starred in several more films and had a sitcom called Where's Raymond? 1953. He also made frequent guest appearances on television. In 1985 he and Liza Minnelli, the daughter of his Oz co-star Judy Garland, starred in That's Dancing! -- a film also written Jack Haley, Jr., the son of Tin Man actor Jack Haley.

Mr. Bolger died in Los Angeles, California, in 1987 of cancer just five days after his eighty-third birthday and was buried in Holy Cross Cemetery in Culver City, California. By the time of his death he was the last surviving member of the main Oz cast.


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By the time of his death he was the last surviving member of the main Oz cast. He was interred in the Hillside Memorial Park Cemetery in Culver City, California. Bolger died in Los Angeles, California, in 1987 of cancer just five days after his eighty-third birthday and was buried in Holy Cross Cemetery in Culver City, California. He died in 1974. Mr. He was cast in the film version of Neil Simon's The Sunshine Boys, but was forced to give up the role (ultimately played by Benny's close friend George Burns), when he was diagnosed with terminal pancreatic cancer. In 1985 he and Liza Minnelli, the daughter of his Oz co-star Judy Garland, starred in That's Dancing! -- a film also written Jack Haley, Jr., the son of Tin Man actor Jack Haley. He also continued to perform live as a stand-up comedian.

He also made frequent guest appearances on television. Toward the end of his career, Benny returned to film, appearing in It's a Mad, Mad, Mad, Mad World in (1963). He starred in several more films and had a sitcom called Where's Raymond? 1953. The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his program. Following Oz, Bolger moved to RKO. Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929 and notably, Charley's Aunt (1941) and To Be or Not to Be (1942). Bolger's sympathy for Dorothy's plight, his cleverness and bravery in her rescue from the Wicked Witch of the West and his deep affection for her shone through, endearing the character -- and Bolger -- in the public mind forever. NBC dropped his show at the end of the season, though he continued to make periodic TV specials into the 1970s.

He displayed the full range of his physical, comedic, and dramatic talents playing the character searching for the brain that he's always had. CBS dropped his show in 1964, and he went to NBC in the Fall, only to be out-rated by Gomer Pyle, U.S.M.C. on CBS. Bolger's performance in Oz was a tour de force. The program was similar to the radio show—many radio scripts were recycled for TV—with the addition of visual gags. (The powdered aluminum had been inhaled and coated Ebsen's lungs, leaving him near death.) Ebsen's illness paved the way for the role to be filled by Jack Haley. When Benny moved to television, audiences learned that his verbal talent was matched by his assortment of facial expressions and physical gestures. While Bolger was pleased with his role as the Scarecrow, Ebsen was struck ill by the powdered aluminum make-up used to complete the Tin Man costume. From 1955 to 1960 it appeared every other week, and from 1960 to 1965 it was seen weekly.

In time the roles were switched. The show appeared infrequently during its first two years on TV, then ran every fourth week for the next two years. The part had already been assigned to another lean and limber dancing studio contract player, Buddy Ebsen. The Jack Benny Show ran on television from October 28, 1950 to 1965. Bolger's studio contract stipulated that he would play any part the studio chose; however, he was unhappy when he was cast as Tin Woodsman in Oz. The song later became the theme of his television show as well. His best-known film prior to The Wizard of Oz was The Great Ziegfeld (1936). During his early radio show, Benny adopted a medley of "Yankee Doodle Boy" and "Love in Bloom" as his theme song, opening every show.

His film career began when he signed a $3,000 a week contract with MGM in 1936. Benny, ever the cheapskate, snapped, "I'm thinking it over!". His limber body and ability to ad lib movement won him many starring roles on Broadway in the 1930s. Benny was famous for his carefully timed pauses; one of the most famous laughs in radio came when he was accosted by a robber who demanded, "Your money or your life!" After an extended pause, the gunman reiterated the threat. He began his career as a dancer. The laughter was so loud and chaotic at the chain of events that Fred's announcer, Kenny Delmar, was cut off the air amidst the wild laughter while trying to read the credits—Fred's show had ran over-time yet again!. He was inspired by the vaudeville shows he attended when he was young to become an entertainer himself. Then, his pants are pulled off to the shock of the audience.

His father was a house-painter, his mother a homemaker. The hilarity builds as Jack's shirt is being taken off. Ray Bolger was born and grew up in Dorchester, Massachusetts, a middle-class neighborhood. The grand prize is a pants pressing from a local dry cleaning company. Ray Bolger (January 10, 1904 - January 15, 1987) was an American entertainer of stage and screen, best known for his portrayal of the Scarecrow in the 1939 MGM film The Wizard of Oz. In it, Allen plays host and eventually showers Benny with a ton of worthless prizes in honor of him being named King for a Day. A typical Benny and Allen episode, in this case on Fred's radio show, was a satire of "Queen for a Day" re-titled "King for a Day".

In fact, the two were close friends. In 1937 Benny began his famous radio "feud" with rival comedian Fred Allen, who complained about the way Benny played violin. Historical accounts (like those by longtime Benny writer Milt Josephson) indicate that Benny's role that was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently.

Benny was notable for employing a small group of writers, most of whom stayed with him for many years. His sponsors included Canada Dry Ginger Ale from 1932 to 1933, Chevrolet from 1933 to 1934, General Tire in 1934, Jell-O from 1934 to 1942 (Benny is largely credited for making "Jello" a household name), Grape Nuts from 1942 to 1944, and Lucky Strike from 1944 to 1955. In the early days of radio, the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show; the sponsors were often the butt of jokes. Ronald Colman and his wife Benita appeared frequently in the 1940s as Benny's neighbors.

Orson Welles guest hosted several episodes when Benny was unavailable. The program, which had been broadcast from New York, moved to Los Angeles in 1936, and its new show-biz locale allowed for frequent guest appearances by Benny's celebrity colleagues, including Frank Sinatra, James Stewart, Barbara Stanwyck, Bing Crosby and many others. The show featured sketch-like "situations" from the fictional Benny's life (Jack hosts a party, Jack and Mary go Christmas shopping, and so on), with Harris and Day providing musical interludes. Other cast members included Frank Nelson and the remarkably versatile Mel Blanc, who provided several characters' voices, as well as the famous sound of Benny's aging auto, an early century Maxwell that always seemed on the verge of collapse.

Staples on the show were Eddie Anderson, who played Benny's African-American valet, "Rochester Van Jones" (and who became nearly as popular as Benny himself); rotund announcer Don Wilson, the butt of endless "fat" jokes; Mary Livingstone, Benny's real-life wife, who played his wisecracking lady friend on the show; bandleader Phil Harris, whose tales of drinking and womanizing were risqúe for the time (although in reality, the band was led by Malohn Merrick); and tenor singer Dennis Day, who portrayed a naïve, sheltered young man. The program introduced a stable of colorful characters who made Benny their foil. Benny's program centered around a fictional version of himself: a successful comedian who was cheap, petty, and vain. Benny had been only a minor vaudeville star, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1955, and was consistantly among the most highly-rated programs during most of that run.

As Mary Livingstone, she was his collaborator throughout much of his career. In 1922, he accompanied Zeppo Marx to a Passover seder in Vancouver, where he met Sadie Marks, whom he eventually married in 1927. He had several romantic encounters, including with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. After the war, Benny returned to vaudeville and changed his first name to Jack.

He was a big hit, earning himself a reputation as a comedian as well as a musician. One evening, he was booed by the troops, so he began telling Navy jokes on stage. He left show business briefly in 1917 to join the Navy during World War I, but even then, he often entertained the troops. He also found a new pianist, Lyman Wood.

Benny (sometimes spelled Bennie). Finally, Bejamin Kubelsky agreed to change his name to Ben K. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury.

The plan was foiled by Benny's parents, who refused to let their son, then seventeen, go on the road, but it was the beginning of his long friendship with Zeppo Marx. In 1911, he was playing in the same theater as the young Marx Brothers, whose mother was so enchanted with Benny that she invited him to be their permanent accompanist. By fourteen he was playing in local dance bands, as well as in his high school orchestra, until he failed school and left for a career in vaudeville. He began studying the violin, an instrument that would become his trademark, when he was six.

Benny grew up in Chicago and Waukegan, Illinois. Jack Benny (born Benjamin Kubelsky, February 14, 1894 – December 26, 1974) was a comedian, vaudeville performer, film actor, and one of the most prominent early stars of American radio and television. Often cited for his impeccable comic timing, Benny was an influential comedy innovator, a major architect of the modern forms of standup comedy and situation comedy.